The Glasgow School of Art undergraduate fashion show has been an annual affair since the 1940s, so it’s no surprise it has established a reputation for being dynamic and innovative. This year proved to be no different, with 40 students from second and third year showing 108 outfits.
The theme for this year’s show was ‘Avant-Garde’ and the students aimed to challenge mass-produced fashion to create exciting and daring one-off pieces.
The show opened with work from the second students, who showed one garment each, followed by the third year students who specialise in one of four areas of textile design – knit, weave, embroidery and print – to create a three garment collection.
Featuring fluorescent colours on neutral backgrounds, jewel bright colours from opposing ends of the colour wheel, layered tones and rich hues, this was a show saturated in colour. The voluminous shapes and intricate folding, tucking, draping and pleating showed guest lecturer Julian Roberts influence.
The designers cite inspiration from architecture, industrialism, Optical art and the glamour of 1940s screen sirens. One minute cubic shapes in knits and print evoked city skylines, and the next Surrealism and Romanticism took over as the models were transformed into Cottingley-esque fairies in light chiffons and appliquéd flowers.
Using a toned down palate of coffee tones in gold and cream, Natalie Graham created a collection of juxtapositions. Masculine tailoring challenged ideas of femininity while her choice of tough woven tweeds patterned with mechanical shapes was classic and sophisticated.
Stephanie Parr drew inspiration from dilapidated buildings, and used thermals with laser cut fluorescent fabrics. The layered train of one dress, lifted and lowered by the model like fabulous neon parrots tail, created endless shapes and movements.
Nautical stripes were toughened up in Ian Porters capes in which striped panels and red rubber panels seemed more like an apocalyptic day by the sea.
This was a bold and self-assured show that once again cemented Glasgow School of Arts reputation as the place to look for new talent.




