Winding my way from the general hubbub of Old Street on a chilly Tuesday, sanctuary was sought in the welcoming environs of the Macbeth, which was playing host to an album launch by Lynch Rider Lulu, coupled with a launch for the band’s label, Alien Frequency Productions. I’d seen a bewitching set by Lynch Rider Lulu at the Vibe Bar some weeks ago, so my expectations were high, and I knew I wasn’t to be disappointed.

In front of an appreciative and attentive audience, the evening opened with a solo set of Americana-tinged acoustica from Sam Semple. Hexicon offered a mix of jaunty lo-fi pop and mellow alt-country, backed variously with wistful harmonies, a French horn and a wobbly Farfisa which was reminiscent of Stereolab’s fluffier moments.

The night, though, belonged to Lynch Rider Lulu, showcasing their debut album, Who’s Gonna Live There Now? The intimate setting of the Macbeth, with its’ suitably ambient decor, provided an ideal environment for their distinct sound. A bassless three-piece led by the deceptively delicate voice of Lucy Underhill, they blend brooding lo-fi twin guitars, melodies that can explode when you least expect them to and lyrics that swoop from the achingly tender (It’s You) to the macabre (Lady Betty, recounting the tale of a notorious 18th century hangwoman). The line-up was augmented for a couple of numbers by a guest bassist, but just as a trio they produced a remarkable, atmospheric set. Believe me, they’re well worth checking out.