The first few thoughts you have about an album often leave you with a lasting impression. On my first listen of Dungen's new album I just seemed to have a running commentary through my mind saying things like "Mmmm", in a voice very much like the M&S advert voiceover lady. Though I was initially worried by this, I decided to take it as a sign that this was indeed a great album.

Every one of their tracks has this instant familiarity quality to it, much unlike their previous work, which was several curious mushrooms more psychedelic. Gustav Ejstes (who likes to refer to himself as bandleader - a rather fantastic position to hold I should think) would have us believe that this tightening of song structure is due to developments in his hip-hop style of production. I can't quite grasp the idea behind this though. I thought hip-hop production was about sampling Isaac Hayes, sipping on Gin and Juice and using giant MIDI keyboards, all from the comfort of the backseat of your gargantuous, oversized car.

Saying that though, the production on this album is half of what makes it sound so amazing. 'Bandhagen' sounds like Beck making music for a ballet, while the soulful. Saying that though, the cinematic lushness of 'Fredag' is a testament to how great Dungen are as musicians.

The album is packed with indulgent pop songs created by exciting, talented musicians. It's reminiscent of when pop music was simply music that was popular because it was good, and that in itself makes the album worth picking up.