As I packed for my first ever Glastonbury, I thought PRACTICAL and WARM. My long time friend and side kick had relayed stories of the year before being a torrent of mud and rain. What dedication. She and 136,999 others had traipsed through thigh high mud for 5 days all in the name of music.

So when I asked the veteran Glastonbury go-er what on earth should I pack? she could not stress enough how many thermals, fleecies, and things that can be destroyed, I should take. And don’t forget your wellies! Having just moved here from NZ and lacking all the essentials, I was pointed in the direction of the camping store and left to my own devices! I hit Katmandu for a completely uncool but practical fleece jumper and Primark to stock up on tights and cheapie things that can be thrashed – after all, you don’t go to Glastonbury to hide from the elements.

As I arrived and joined the queue for international ticket pick up I was instantly struck by gumboot envy! An array of colors and patterns strutted past and I rarely saw the same pair twice. Fortunately my own pair was black and decorated with cute pink flowers and pink soles so they made the cut.

Check mine out on the right

We arrived 2 days early purely to get the best campsite in all of fair Glastonbury, and after setting up tent we ventured down to explore and make the most of the sunshine – after all it wasn’t going to last, right?! The market stalls were already bustling, and the scene was a feast for the eyes! Girls in vintage dresses, colored tights, floral patterns -everything high street and everything fashion was on display.

Thursday evening bought the rain and Friday saw drizzle turning the once dust bowl farm into a thick mud that threatened to steal your boots with each step. But this did not hinder efforts from the crowd to look every bit like the glossy photos we see each year of celebrities looking effortlessly cool.

The boldest looks seemed to appear directly from the onsite costume stalls in Shangri la. Super heroes, brides, cows, video game characters and even a banana competed on the muddy catwalk.

Of course when it comes down to it, after a couple of pear ciders you’re so excited to be jumping and shaking in front of your favorite band, you forget about your own mish mash of uncoordinated practical warm things and have just want to have a damn good time!

Do you remember about 9 years ago when the UK was hit by that huge jelly sandals movement? Gentleman this period might not be as vivid to you, but I clearly recall my twin sis and I owning an identical turquoise pair of these flat jelly numbers purchased by our loving mother who, always one to keep up with the latest trends, owned the higher heeled version. I think it’ fair to say most women during this period found themselves squelching their way around in different variations of these coloured jellies which were THE must have summer item. This jelly revolution stuck around for a couple of months and then was gone as quickly as it arrived, which is why I was particularly surprised when we recently received a sky blue pair in the post.

I’ve since been informed that jellies are in fact back for this summer and Gisele Bündchen has jumped on the PVC bandwagon by incorporating the material in her new collection, G2B.

The supermodel has teamed up with Brazilian Footwear Company, Ipenama flip flops, to produce a range of environmentally friendly summer sandals, which include a variety of 6 different styles.

According to the press information, we’ve been sent the classic jellies, which are apparently ideal for ‘trekking up a cliff path’. While I’m not sure I’ll be doing that anytime soon, I’ll agree these sandals would make a cute addition to a casual daytime outfit.

Other designs in the collection include Refresh which are classic Havana style flip flops; Cascade, a glamorous gold strappy Greek style sandal; Agua, a rather peculiar looking flip flop with a slightly irrelevant extra strap, and my favourite, Pure, a trendy T bare style with added diamantes. Gisele can also be seen here modelling the ‘Clear’ sandals in this surprisingly unflattering promotional photograph.

Prices for the sandals range from £12.99 to £19.99, with a portion of the proceeds this year being used to support water preservation projects such as WWF, Y Ikatu Xingu and de olho nos mananciais.

They’re perfect little holiday shoes, so grab a pair online if you’re looking for something that can carry you comfortably from a long beach day to the intoxicated early hours of next morning. If however, like myself, you wont be going away this year, why not just follow our art editor Tanya, and bring them out on the rare occasions that the British sun decides to put in an appearance.

Everybody's heard that famous Tesco slogan 'Every Little Helps', what I didn't realise is that it means much more than shaving a few pence off our fruit & veg each week.

Throughout 2008, Tesco has been supporting Marie Curie Cancer Care. And to help raise money for the cause, they have called on the assistance of London based designer Cath Kidston.

“Cath Kidson?” commented a friend of mine. “Isn't she the one that designs all the countryside kitchenware?” This is true, but Kidston, famous for her floral prints, is no stranger to leaving her mark on the big retailers.You might remember the Carphone Warehouse Nokia range, girling-up the phones with flowers and stars, making the previously dull handsets look fab. And she's now worked her magic on Tesco too.

Now I for one am all for saving the environment, and I do try to avoid using too many plastic bags when I go shopping. This has, however, proved a problem for me in the past with the regular 'bag overload', which has lead to the embarrassing 'wine bottle smashed all over pavement' incident on more than one occasion. Oh dear.

There is a solution to this, but I have to put my hands in the air and admit that I've never fancied carrying around those huge, rather hideous looking eco-shopping bags that you can buy at the tills. So imagine my delight when I found out about the Cath Kidston range of eco-shopping bags!

There are two designs available at the moment, the pretty multi floral print, and the classic blue and white dotty design. Then over the next six months, four more hot designs will be released. All are made entirely of recycled plastic bottles, so they are eco-friendly and strong, as well as being stylish, with Kidston's girly-retro feel.

The great thing about these little gems is that neither Tesco, nor Cath Kidston are receiving any profits. The sole purpose of the new range is to raise money for Marie Curie Cancer Care, while changing our consumer habits of using single-use plastic bags (or wine-smashers as I now like to call them).

The bags are big enough to carry the bulk of your shopping, rather than having to negotiate about eight wine-smashers at the same time. Just two of these eco-friendly delights will mean you can effortlessly breeze out of the shop, leaving all the less gracious-looking shoppers struggling behind you.

I think the multi floral design is lush, and the best thing about my new find is that the 'Tesco' logo is tiny rather than being splashed all over it, meaning that I'm not restricted to just taking it to the shops. I'm off on my summers hols this week and I'm all set to use my new bag on the flight, on the beach and even when I'm wandering around in the Greek sun. And for just £3.50, why not buy all six designs? As Mr. Tesco says, 'Every Little Helps'.

Art Editor, Tanya

Recently the levels of exposure regarding ethical and environmental issues have reached an explosive high. On a daily basis, newspapers and magazines, exposing documentaries and worthy speeches (from well known celebrity faces) have been pummeled into our consciousness. There are a few consumers that seem to have jumped on the bandwagon of Eco=cool (which unfortunately may mean short lived changes until the next cool trend emerges), but for the most part I have seen a more thoughtful approach in the minds of many avid shoppers.

Our knowledge of the dangers that face the environment and the revelations of high profile shops unethical working conditions compounded with the dismal credit crunch, have lead to myself and many others reconsidering their well heeled shopping habits.

As someone who has often been rather tight on the purse strings and known to frequent high street stores, I have often bought items on the basis of their low price tag. My love of fashion and design has meant that I generally only bought the essentials from the budget stores (plain white shirts, tracksuit bottoms, strappy tops) wanting to discover unique statement pieces from vintage stores, charity shops and car boot sales to ensure I wasn't yet another clone.

It's a great feeling going to a social event without the fear of being faced with someone in the same outfit (even worse when they look infinitely better). I think more and more fashion fans are cottoning on to the fact its good to be unique and being able to answer the question 'where did you get your ... from?' with the comforting knowledge they won't be able to go and buy one themselves.

Currently I am keeping my eyes peeled for any shops that have an eco/environmental slant that can also maintain my need to 'feel special' in an outfit.

Poppy Valentine in Portobello, Notting Hill, have listened to their customers worries and the climate of ethical/environmental awareness and have involved themselves in the research and development of a new bio leather which will reduce environmental harm.

Their newest bags in the popular Hepburn range are made from vegetable tanned leather which uses less harmful chemicals and no chrome during production. As well as the aforementioned benefits of their process, it also gifts the bags with a beautiful soft and slouchy appeal which is far more favourable for a day outing than the rather rigid, boxy examples that are around in many of the high street stores.

You may already be aware of Poppy Valentine through their printed/vibrant clothes and accessories that are completely individual and made from fabrics that the designers have sourced over many a dedicated year: trawling through thrift stores and antique markets. Undoubtedly there will be something in their store to suit people who seek inspiration from different fashion eras from the 40's (which with the release of Edge of Love is an era sure to be emulated by many a fashionista) to the psychedelic 70’s. Their choice of fabrics also capture trends of the s/s 08 season with both ditsy and bold floral print and abstract print dresses, bags, and blouses.

Initially the plain leather bags in their contemporary collection don’t have the wow factor as they do not feature any intricate embellishment, unusual design features (such as the gold frog a la Marc Jacobs) or capture any of the major bag trends of this season (over sized clutch, ruffling, tassels) but this isn’t important. They are unarguably usable, long lasting and wearable and that is vital in these times of money woes.

I appreciate a bag that is honest, it does exactly what bag is meant to do, the slouchiness of the material makes it comfortable to bash against your side on a days jaunt, the bold but plain colours (oyster, red, black) make it a bag that will go with many an ensemble and it isn't emblazoned with tacky logos. It’s a bag that won't go out of fashion and will look great against some of the multi-coloured prints around this season and why must functionality be a bad thing!

The other bags in the collection combine their 'Blossom Print' with their leather and carry a sweet retro feel which will look fun in the summer, but not as useful all year round.

We have to come to the realisation that a lot of the clothes and accessories we have bought in the past, with their shockingly low price were so wallet friendly for a reason. In a sense, many of us will have to retrain ourselves with new knowledge of what is acceptable to pay for an item, which may mean spending more. The knowledge you aren't contributing to a system that harms people or the environment makes it more than worth it.

I think the Poppy Valentine leather bags are very reasonable at £120 and you aren’t getting a fad item that you will regret and keep hostage in the fashion graveyard at the bottom of your wardrobe next year, it will come out day after day, year after year, a classic bag that isn't a gimmicky show off.

A visit to their shop will inevitably give you a hint of the rush you feel when searching for one-off treasures at car -boots, markets, and take you away from the hoards of crowds that still flock to the high street budget stores rifling through piles of garments and trampling on items fallen from the hangers.

I look forward to seeing the next collection - I’d love to see some more soft leather bags with more design detail, interesting pockets and straps.

The second in the series of the Barbican Fashion Lates, presented by the Fashion Illustration Gallery (FIG) hosted presentations and an informal discussion with three of the world’s most renowned fashion illustrators.

While I entered the small, grey, less than fabulous conference room on the building’s 4th floor the tight corridor outside held an array of individuals holding out all hopes for absent ticket holders in order to gain a much wanted seat at this sold out event. As usual though it was who you know, not what you know as a group of Gladys Perint Palmer’s acquaintances were let in without having splashed out a penny on the £3 tickets.

Gladys Perint Palmer, David Downton and Francois Berthoud were the brilliant fashion illustrators who graced us with their presence. Michael Ling from FIG introduced the artists while first discussing if fashion illustration should be classed as art. Of course he is ridiculously biased, making his living from such work. There were a number of plugs for his website as he encouraged us to buy, buy, buy, “now is the time” he said. At the end his children were stuffing flyer upon flyer for FIG in to my hand. Never the less, an illustrator myself, I do agree with him in that of course, all illustration is art. Desirable, museum worthy and collectable it’s as valid an art form as any other.

David Downton went on to state his belief that fashion magazines are richer for including hand drawn images. Without drawings a magazine is purely a catalogue whilst illustrations make you stop and look, whether you like them or not. His view was we have been all the poorer in recent decades for having lost fashion illustrations in couture magazines such as Vogue and Harper's Bazaar.

Downton, close friends with Erin O’Connor and the like, is perhaps most recently famous for his work with Marks and Spencer. Those lovely ink and brush drawings of Erin, Twiggy and Lily Cole adorning many M&S bag’s for life, that’s all the work of Downton. His beautiful brush strokes, selective use of colour and simple lines have made him one of my favourite illustrators, whom I have admired for quite some time. If you’re not so familiar he is definitely worth a Google search at least!

Gladys Perint Palmer works at the Academy of Art in San Francisco. Much older than the other two illustrators present, she is still working hard, recently selling successful publications at both the London and New York Book Fairs. She mixes humour, text and image, and her work though perhaps not as beautiful as Downton is far more fun with an air of passion and excitement.

Francois Berthoud began his career in comic strips before he got his big break from Anna Piaggi to combine all his passions within fashion illustration. Not a born presenter, audience enthusiasm began to dwindle at this point as he mumbled his way through a handful of images. Berthoud has done much work for Viktor & Rolf, including Flag Woman 2000 included in V&R’s first ready to wear collection “Stars and Stripes”. His work shows more vector based imagery and is less like the hand drawn work of Downton and Perint Palmer. His illustrations are more graphic and experimental in medium (e.g. the famous x-ray image for V&R where line images of the whole collection are layered on top of one another). Far less of the brush and ink approach.

Afterwards we were all invited to the Level 3 gallery where Tanya Ling was conducting a live fashion illustration performance. Her table was full to the brim with paper, brushes and a rainbow of acrylic paints. She was producing vibrant pieces in minutes, painting from a book of V&R collections. Although the illustrations were not realistic they captured the essence of V&R perfectly each showing energy, flow and life.

As an extremely interesting and thought provoking evening I would definitely recommend any of the Late Night events. I was thoroughly inspired, and began sorting out my paints as soon as I returned home!

The only downside of the evening for me was when I simply enquired how much Tanya Ling would sell her images for “I don’t think they’d be in you budget” replied her husband looking down his nose at me. I may not have been designer clad but I had made quite an effort I thought! He was right though… £1250 a piece.

Viktor Horsting and Rolf Snoeron, aka Viktor & Rolf, got skills. This summer sees the highly acclaimed fashion designers present their entire time together in an exhibition at the Barbican, and what an exhibition it is.

It's rare that fashion designers present their collections in galleries - since Vivienne Westwood's retrospective at the V&A in 2004, there has been little to celebrate the makers of fashion as we know it - especially on this grand scale.

The exhibiton showcases their work from humble beginnings in 1993, when the pair launched their first collection, aptly titled 'Launch' - to varying acclaim. Never to follow the norm, the duo presented this collection entirely in minature - with models (of the replica sense) of a catwalk show, the pieces they had designed and even the simultaneous advertising campaigns.

It seems, then, that V&R have come full circle, presenting to us here their collections in their stunning lifesize glory AND in model replica. On Level 3 of the Barbican (the one with rooms spanning from the balcony), you might think that this exhibition space had been purpose built to display fashion collections, but this is not the case. Thanks to exhibition designer Siebe Tettero and the ready state of this 1960s brutalist masterpiece of a building, the space has been transformed to allow viewers to freely move between collections. The centrepiece of the show is a stunning three storey Georgian doll's house which fills the centre of the room. Each room in the house has no exterior wall, and has a different doll of about 1 or 2 feet tall, wearing an exact replica of dresses from each collection. Incredible. Silver binoculars are provided to view the detail of the pieces from the viewing platforms. The V&R emblem is brandished (no pun intended) at the top of the house, and some of the dolls even look longingly in the direction of their life size counterparts.

On Thursdays, as part of the Lates season of late night art events, the Barbican presents different workshops and talks about matters surrounding the duo and fashion in general. The first featured talks about themes in the collections, and I had the enviable pleasure of meeting Emma Cammack, a body artist who had been commissioned to produce two bodies based on themes from V&R's collections. Emma has worked for a variety of high profile clients in advertising, fashion and film, and it was a joy to see the models come to life.

Highlights from the exhibition, in no particular order, include: Flowerbomb (SS05) which tied with the launch of the duo's first fragrance. Black chiffon dresses with bow details and black bicycle helmets were presented on the catwalk, with the models stalling at the back of the stage. When all models had taken their turn, the stage revolved to reveal an almost identical collection but in baby pink. Following this stunning piece of theatre was never going to be easy, but then came Bedtime Story (AW05-06) where V&R took the bed to the catwalk, with the infamous mix of duvets and sheets. Duvets became extravangant dresses with 'I love you' spralled across, mostly in white with red defining features. The collection relies on quilted fabrics and takes on board old bed linen processes such as broderie anglais, a specific type of stitch.

The most stunning aspect of the exhibition is the realisation that Viktor & Rolf are capable of concept after concept, and no two seasons are the same. The 'One Woman Show' collection of AW03-04 is the work of geniuses. After a chance meeting with actress Tilda Swinton, the pair were so enthralled by her presence at unique style that they devoted an entire collection to her - with even the models made to have her stark, androgynous appearance. Sharp tailored suits emphasising and advancing the human form were presented to reflect the theme of androgyny. This is the complete opposite of the very feminine 'Silver' collection of AW06-07, featuring more feminine shapes like the Dior silhouette popularised by the New Look collection of the fifties (low busts, small waists and large skirts). nude lycra tulle number with oversized embroidered stars shows the designer duo's ability to challenge fashion norms.

And if that wasn't enough to make you gush with envy or start saving for the 'I Love You' wedding dress, take the 'The Fashion Show' collection of AW07-08. V&R make the model a walking fashion entity - they each have their own outfit (featuring traditional Dutch checks and pleats with a contemporary twist), lighting (the models wear scaffolding above their heads, rigged with lights, which presents the silhouette of a ancestral Dutch milk maiden) and music (said rigs were fitted with individual music systems, and speakers). This metal structure not only provides the support for sound and light, but on a more artistic scale enhances the silhoutette and modifies the human form we are accustomed to - a key theme throughout V&R's luminescent history.

Viktor and Rolf's first UK exhibition is an inspirational tour of their illustrious history, even for those not overtly interested in fashion. So switly decide between your nude tulle number or your duvet, brush your hair over a pillow, pick out your favourite clogs, and head down to the Barbican for what might be the best fashion exhibition we get in 2008.

This month, daydreams can be dedicated to Loulou Androlia. At 27, the Camden based designer has tumbled, head first into her own Alice in Wonderland fairytale.
Just last month, Loulou Loves You, was just another great, one-woman DIY design outfit, with Loulou cutting and crafting her way round the indie e-shop block. Her handmade lingerie and giant silk hairbows won her fans and friends aplenty across the usual social networking sites, but it wasn’t until she was contacted by Agent Provocateur, wanting to use her bows in their current window display, that things really started to get curious.

“The June windows were to have an Alice in Wonderland theme,” explains Androlia. “I think a quick Google search revealed my designs and so the lovely lady from display at Agent Provocateur got in touch.”

Testament to the powers of the Internet, Loulou then wasted no time in fashioning up a series of her oversized, surrealist bows fit for the fashion worlds most notorious window display designers.

Babydoll colourways. Cartoon Proportions. Salacious Silk. These creations were never going to look out of place amidst the forthright, frilly and downright fabulous subtext of Agent Provocateur’s own, renowned, window display drill. And now Agent Provocateur stores from London to Los Angeles will have their windows adorned with Loulou’s playful accessories.

While the Alice in Wonderland theme continues to conjure up contradictory readings around rule breaking and reality, Loulou’s designs symbolise carefree, childlike charm, albeit with a slightly naughty, Lolita edge. Androlia admits her designs being featured in Agent Provocateur’s latest display is her biggest project to date.

“It’s just been really exciting. More people than ever are starting to recognize what I do, and recently stylists have picked up on my work for use in photo shoots” she says.

Loulou’s designs offer a modern mix of fantasy and parody. Her story offers the perfect anecdote to another season of celebrity infested clothing lines and copycat creations. Still she remains indebted to the independent design roots that led Agent Provocateur to find her in the first place.

“I get a real buzz out of discovering a tiny e-shop that might be run from another home thousands of miles away,” she says, clearly excited at the possibility of finding the next Christopher Kane in his bedroom, stitching and sewing his way to fashion superstardom, via an online universe.

Quirky and Curious. Loulou Androlia. She’s just like Alice after all.

The Amelia’s Magazine HQ recently received a complimentary T-shirt from Japanese T-shirt design store, Graniph. I’ve had my eye on it since it found its way onto our kitchen workstation (our makeshift sorting area) and almost jumped out of my seat when it was being offered round! As no one could match my eagerness/craze, I’m now the proud owner of this new funky tee, which I’m told was created by French graphic designer, Leslie David.

I decided to wear the t-shirt in question into work today. By adventurously teaming it with a pair of black pinstriped trousers I was hoping to create that stylish - causal mixed with smart-wear look. I’m not entirely sure whether I’ve pulled it off or not, but hey, here’s for trying!

I think the reason why I particularly like this little wonder is because, despite the fact that the words are in French, it reminds me of the type of T-shirts that I came across on the market stalls on holiday in Cuba. Not the deliberate souvenir one’s that don’t actually look very Cuban at all, but the type that are genuinely worn by the locals.

Graniph have a huge variety of these tees available on their website and in their stores, currently located in Japan, Taiwan, Singapore and Australia. Every month about 70 new limited edition t-shirts are released with creations from upcoming artists around the globe, so there’s plenty of choice for anyone even if you don’t share my enthusiasm for this particular design!

Last weekend was the official launch of the 2008 UK Visa Swap campaign. Now in its second year, the idea behind Visa Swap is that people take unwanted clothing and accessories to designated drop off points in Covent Garden. In exchange you receive a nifty little Visa Swap card loaded with points that coincide with your donation. The more exclusive or unique the pieces that you drop of, the more points you receive. So a high-end designer frock will earn you around 700 points while a high high-street skirt will get you about 40. At the end of the three-week drop off period, all donators are invited back to spend their points in a huge two day fashion swapping event in Covent Garden.

This might sound a little bit sad, but Being both immensely strapped for cash and a little bit of a hoarder, I’m actually really looking forward to this. The prospect of potentially updating my wardrobe for nothing sounds extremely appealing to me right now, particularly because, believe it or not, I still have a load of clothes knocking around from when I was around 16. A good 7 years later and several inches larger, I’ve finally come to terms with the unfortunate fact that there are certain items that I simply can no longer get away with - a pair of stretch cotton, metallic purple trousers comes to mind here. While I’m not exactly sure what I was thinking when I purchased them it’s likely some uba trendy, fashion forward creative could put them to good use!

I missed last weekends drop off, but I plan to have a good rummage through my chest of fashion no no’s in time for the next one, this weekend. If anyone plans to join me, have a lookout for my metallic bottoms, and Ill keep you informed on what I manage to buy in a couple of weeks time!

Oh – and have a look at Lindsay Lohan in these humorous promotional adverts, who, even when attempting to put her name to something wholesome, still can’t resist the urge to show a little bit of skin.

I'll be honest, I am not a massive fan of holding parties cos I tend to get a bit stressed about whether anyone will turn up, and it's especially hard when promoting the very thing that I have put my heart and soul into... hence I am loathe to organize my own parties these days and it has been some time since I last had one. But when Pure Groove approached me to put a joint party on I thought what the heck... they are a great record shop and I've had a good relationship with them for awhile – they like the same sort of music as me and their new shop in Farringdon is a great space for both an exhibition and some live music.

We got there early – me by bike and the interns by tube. Pure Groove have these amazing magnetic display boards that can be hung from the rafters pretty much anywhere you fancy – and the magnets are so damn strong that it takes a sharp and strong pair of nails to separate them. So we had a bit of fun arranging the Positive Future prints... with text alongside by each artist to explain what they have done.

the magnetic display boards

Before long the linen-clad boys from O Fracas turned up to do a soundcheck, and I got to thank them for making the mission down to do the party (turns out I did have to get somewhat involved in the preparation after all – always the way)

O Fracas

The drummer's parents were also in attendance and were grateful to hear that my dad would also be coming "so we won't be the only old people then!" I thought this a very impressive sign of dedication, but turns out that they were in London anyway (O Fracas came down from Leeds)

diamond Cindy, who helped me out in China for issue 06, and my dad

I also discovered that said drummer is studying art and has produced a very cool little zine that he gave me to take a look at – you can ask him for one yourself if you contact him via their website.
The start of a party is always the most painful part – in this instance a bunch of very young boys loitering around early for the Tokyo Police Club performance did not do much to put my mind at ease. Definitely not fans of Amelia's Magazine. This was also the first time that I have put such a general invite out over the internet so I didn't really have a clue who would turn up.

the fab Abi, one of my favourite ex-interns, now designing for a christian mag!

Gradually more girls started arriving, surely a good sign... and so there was a very strange mix by the time we lugged the Brahma beers upstairs (who's idea was it to empty the ice into the buckets in the cellar?!) and we were worried we might have to ID some of the younger creatures, but I think in the eventuality they stayed away from the freebies...

me with Hannah Perkins, who was an intern several years ago and is now a stylist

Matt and Sophie in the middle. Matt now designs for a famous tv magazine, and Sophie came to RUSSIA with me, but now works at a children's charity, which she loves

Brahma were very kind to have donated a few beers at the last minute (although I would have prefered an advert, hello, 100 pages of modern Brasilian culture?! what more could possibly fit better a cool Brasilian beer brand!) and they sure went down a treat, if a bit fast.

Charles and Tanya serving Brahma

We also had Alibi, a pretox drink that allegedly prevents a hangover if drunk before the booze. Well, I was very perky the next morning although I had a few beers to be sure, so maybe it works, but more importantly it was actually very tasty – a bit like Purdeys, full of yummy healthy ingredients, including milkthistle and artichoke – it was easily swigged. To be recommended.
One of the members of Tokyo Police Club played a heartfelt acoustic set of covers on his own, which wasn't quite what I was expecting but it seemed to go down well. I have to admit that by this point I was stuck outside with a considerable amount of my guests because the store was by then rammed. I was quite alarmed to realise that my dad was trapped inside because he's not good with loud music, but he was out like a greyhound from the traps as soon as the noise stopped. O Fracas were up next and they were a joy – really really ace, and lots of people commented to me on their way out how impressed they were. Check out the track they made for my USB stick; what all round lovely lads. Theoretical Girl also put in an appearance with two of the girls from her new band, all with very good eye make-up.

Theoretical Girl

Kotki Dwa were also there with daddy Kotki who doubles as their manager – both bands are featured in my new issue too, and wrote for the USB, so it was great to have them make it down.

Me with the Kotki boys

By this point lots and lots of people had arrived – my gang are always notorious for being fashionably late, and by jove they were... a significant amount of them managing to miss both bands, and the advance copies of the magazine too.

me with one of my best friends Craig

I only had 25 copies of the mag to sell with advance versions of the USB stick, and they swiftly went... it was really nice to meet a few avid fans of the mag, and at one point I swear there was a queue of people wanting to talk to me, mainly about getting work experience or contributing to the mag in some way. I actually felt quite overwhelmed by it all and couldn't quite remember everything that was being said to me – it's really flattering though and I am really grateful that people like what I do.

James and Matt, both ex interns. (Matt isn't really that small, honest)

Jenny, Charlotte and Lauren, who were interns on issue 09

the lovely Jojo, who was a joy to work with!

James really is very tall!

Lots of my old interns turned up which was ace – some I am now really good friends with, and I love getting a chance to catch up. They are all doing very well (and earning alot more than me, maybe I should be an intern of me and then leave and get a better job?!) and it makes me very proud to hear what they are up to. There were also lots of contributors there – lots of the illustrators featured in the exhibition of course, many of whom I met for the first time, and lots of others too, including Fred Butler, looking as amazing as usual (I see she is featured in Time Out as an up and coming jewelery designer: she was wearing a fabulous necklace customised with a fuzzy felt bird that first appeared in one of my issues – my dad was transfixed by it!)

Fred is looking fab in the orange!

Illustrator Andy Macgregor – one of my cohorts on the Illustrators in Nature weekend and erstwhile designer of the Pure Groove calendar – was there with James Hatt who designed the treehouse. Oxana Korsun, who is a wicked stylist was also there, looking fab as ever.

Oxana outside Pure Groove

Annie Collinge and Louise Harries of Prick Your Finger, who put together the ace How To Make A Crochet Moustache were there, but I am not sure they actually got to meet each other.

Annie Collinge on the left

me in a fab fluffy jumper with the lovely Louise

Julia Kennedy made an appearance; she shot the fashion shoot in this issue that was covered in that hideous Class Of 2008, we're-a-bunch-of-posh-kids-largin-it programme shown on the BBC recently, because the model was Portia, one of the featured kids. The shoot looks amazing though and also comes with a message, so don't be fooled by the vacuousness of the coverage (AND they called the mag Amelia Magazine. Don't they know that is a run of the mill women's mag in Sweden?!)

reading issue 09

By 8.30pm it was time to leave and head to the pub around the corner – this was only ever destined to be a short early evening event, but maybe I should pull all the stops out next time, it will be my 10th issue after all. Everyone seemed to enjoy themselves though... Any sponsors interested?!

Tonight is the official launch party for issue 09 of Amelia's Magazine which is to be held at the brand spanking new PURE GROOVES SHOP IN FARRINGDON! 6-7 West Smithfield, London EC1A 9JX

In order to show her support for upcoming artists, Amelia will be offering a sneak preview of the illustrations showcased in this issue. There is also the opportunity to order limited edition art prints at a discounted price!

So come along and help us celebrate, view some great art, listen to the sounds of TOKYO POLICE CLUB and O FRACAS who, I must add, will be playing live throughout the night!

There can't possibly be a better way to spend an evening than in the company of the Amelia's Magazine crew x

A Positive Future - by Amelia

When I was little I was obsessed with a book called Future Cities (The World of the Future) published in 1979. Looking back at the predictions therein it is interesting to see what they got right, even if the graphics on the home computers that would certainly fill every home feature cute Pacman styles instead of slick Mac graphics. Alongside more fantastical ideas such as space cities and towns on the moon, (where the 2020 Olympics were anticipated to be held!) the book also foresaw two very different possible futures – one where green cities support locally sustainable populations not disimilar to those towns envisaged by today’s modern Transition Towns movement, versus the polluted hellholes of a “dying world”. And for me the big question now is which way are we heading?
This book really fired my imagination as a child, something which I remember vividly to this day. Tempted as always onto Google to do a bit of research, I found this comment, from someone on Amazon: “I read the Chinese version of this book when I was a kid. For a children’s book, it’s surprisingly insightful. It’s also interesting to see how some of the preditions in the book have come true. The illustrations are great too. I find this book pretty inspiring even for an adult and I highly recommend it especially if you like sci-fi.” So it is clearly not just me.

We are intrinsically drawn to aesthetic beauty and art and creativity in all their forms are essential to human happiness... I love beauty – it is the reason why I produce my magazine and why people want to look at it. And this is where the role of illustrators and designers comes in – we could be the most amazing force for instigating change, because done well design can become all invasive and inspiring – a stimulus for a better way of life, where family, friendship, freedom, community and shared experiences are prized more highly than the possession of any kind of material goods.

Most communication about ecologically sound practices and speculations of what we need to do to alter the future of earth focus either on alarmist doomsday scenarios or the nebulous idea that small actions can make a big difference and technology will take care of the rest... but humans need experiences that stimulate positive thoughts to avoid becoming paralysed with fear; visions of a better future, a future where people have come to their own conclusions that to live sustainably in communities is actually a much better and more fulfilling way to live.

Of course noone can really know what our lives will be like in the next decade or two, but one thing is certain, things will be different. They have to be. What we desperately need are visions of a Positive Future... for it is ultimately in our hands to decide whether our future cities look like the “polluted cities of a dying world” or a “garden cities on a cared-for planet.” All this needs to happen soon because a shift in global consciousness needs to come before the double tipping points of climate change and peak oil send us into a spiral of unstoppable chaos, so let’s fire our collective imaginations and dream our way into the reality of a better world...

an original version of the article can be found here:

With holiday season fast approaching, the countdown for getting our body’s into beach-shape for our bikinis has begun. With the pavements awash with joggers and the gyms fit to burst, a new trainer from chic Parisian label Comptoir des Cotonniers could be the perfect piece of footwear to accompany the new get-fit regimes sweeping the country. Queue the new and exclusive pair of eco-friendly Veja trainers taken from the label’s Spring/Summer collection. Using organic Brazilian cotton and natural leather plucked straight from the Amazon Rainforest, these trainers promise to satisfy both our feminine shoe woes and consciences to boot.

Although only available in one – albeit incredibly trendy – style at the minute,
Comptoir des Cotonnier promise more for their Autumn/Winter collection with the introduction of a sage green with orange leather trim option.

With a percentage of the sales contributing towards a Forest Preservation Project, the brand also aims to stay green by refusing to use chemical pesticides during production.

Going to the gym never felt so good, knowing you’ve done your bit for the environment without having to compensate on elegant footwear.

On Saturday morning Oxfam officially opened the third of its boutique stores on Chiswick High Road.

For those of you who may not know, former Topshop brand director, Jane Shepherdon recently volunteered to assist the Oxfam management team in creating a chain of fashion boutiques in London.

The new stores, which are situated in Westbourne Grove, Shawfield Street and now Chiswick, are a result of Oxfam wanting to shake off the negative images that are often associated with charity shops and to encourage consumers to visit them.
Stepping into these boutiques they are barely recognisable as Oxfam’s. Professional visual merchandisers have obviously been to work at the front of the stores, creating trendy, eye-catching window displays which aren’t unlike something that you’d find on the high street. Inside - classy wooden hangers hold oodles of neatly arranged dresses, trousers, skirts and shirts which you would actually enjoy sifting through.

The new boutiques only offer clothing and accessories from sustainable sources including; one-off pieces which volunteers and young designers from the London School of Fashion have created using donated clothes; donated fashion labels; fairtrade products and items made from organic/ recycled materials. The newly opened Chiswick store even included a pair of shoes donated by Gwyneth Paltrow herself.

Prices range from £5 to £240 so I reckon there is pretty much something for everyone in there. Go down there early if you don’t want to miss out on any of the unique one-off items or click here to visit the website where you can order clothing online.

And the winner is... JESSICA AU!

There must be something in the air of Ravensbourne College as they scoop up another River Island Gold Award second year running. Jasper Chadprajong first brought glory to the understated college's wall of fame last year but no no, that wasn't enough for old Rave, they've only gone and done it again with textile graduate Jessica Au following suit! Her daring floral prints upon an array of suits and shirts wowed the panel of GFW judges, which included Claudia Schiffer, Julien Mcdonald and Lorraine Candy of Elle Magazine. Not content with winning the River Island Gold Award and the prestigious title of GFW designer of the year, Jessica was also awarded the Zhandra Rhodes Catwalk Textiles Award with an altogether cash prize of £21,000 - jealous much?

A brave colour palette of deep purples, fuchsia pinks and wine reds toned down with businessmen greys complimented her simple Teddy Boy inspired silhouettes, and the full impact of innovative print design was executed throughout the whole collection. Jessica's prints compiled of graphic and linear floral designs that were both digitally printed and hand screen-printed, showing the endless possibilities of traditional and futuristic textile techniques; no wonder Lorraine Candy claims that 'this person will go far.' Make sure you look out for Jessica's winning floral creations at Oxford Street's River Island store, as she is sure to move on to bigger and better things soon; catch her while you can!

Photo by Katie Mcdonald

P.s. Did I mention Miss Au is actually one of my real life friends?! I am honoured! And my first top secret mission concludes that she is still working her Chinese hiney off and humbly drinking tea after all the excitement and drama of Wednesday night - very rock 'n' roll. I'll keep you guys posted...

On Wednesday evening fellow art editor, Tanya, and myself journeyed down to Earls Court for THE fashion event of the month - the Graduate Fashion Week Gala Show and Awards. Now - being a somewhat high profile event, we were prepared to spot the occasional celebrity, what we were not expecting was the bizarre scene that we were greeted with on our immediate arrival. Huddled together in a group, Pixie Geldof, Agyness Deyn and Henry Holland stood ‘casually’ chatting outside the main doors - which just so happened to be conviently situated in full view of the paparazzis’ lens. While shimmying our way past this attention-seeking spectacle, all the while wondering why their conversation couldn’t possibly take place inside, we desperately hoped that this show would centre on graduate talent and not just end up being another who’s who celebrity parade.

Fortunately I can admit the show was brilliant. Sixteen graduates had their collections displayed in a flawless runway show which I’m sure was breathtaking for them to watch. The standard was impeccable from the designs down to the faultless music changes and lighting.

One of my top favourites was Nabil El Nayal from Manchester School of Art, who was also the winner of Best Womenswear on the night. His black and white collection was all about volume, layering and ruffles combined with light sheer chiffon, silk and cotton materials. Think big floating dresses worn by ancient Greek damsels in distress thrown in with a couple of sleek skin-tight bottoms, and you’ll get the gist of his clothing.

Sarah Kennedy from Northumbria University was another of my favs. Her catwalk show reminded me of a trendy modern day puppet show, complete with bright pink blush and bold accessories. The doll-like collection was crammed with childlike one-piece garments and baby doll dresses all covered in a Japanese style print.

The final designer who really wowed me was Craig Fellows from the University of Northampton with his classic Little Bo Peep inspired skirts and dresses.

All in all it was a good evening. I Particularly liked the mini hamburger hors d'oeuvre’s and the band's radical frontman who slyly used this opportunity to lecture a room full of fashionistas on sustainable clothing.

Highlight of the night? – definitely seeing Gok Wan...I just love him!

I’ll start by saying a huge ‘Thanks and about time’ for the brain behind the change of location for GFW. I’ve been going for 5 years now and Battersea Park’s tent was just awful. Too hot, too sweaty and just generally quite uncomfortable. Hurrah! It’s now in a real building, Earl’s Court 2. It’s got bricks and everything! Even the loos have real plumbing! About time GFW sorted this, it’s only been running 17 years. Bring on the sweat-free fashion!

As a graduate from the AIB myself, I will always take an interest in what’s going on. Besides us graduates keep getting invited and when free booze is on the cards… well. Plus you get to have a real snoop around what everyone else is doing, which in turn inspires you to get a new job! There’s also the benefit of seeing a few long-lost gals.

So I ran (I was late) to the AIB’s Sunday show. First time ever I didn’t use my ticket as a fan once inside. The room temperature was quite comfortable. I remember the days when I used to dress the models as a tiny first year and it was a flustered affair I can tell you. Anyway, the room was packed and dark (lights down already, damn) and 14 lucky so-and-sos got to show on the catwalk.

First off down the crisp white runway with her collection of six was Camilla Sutton. Her garments were multi-layered with a hint of culture from everywhere. Evident was intricate embroidery, unique handiwork, weaving and leather inspired by Central America, China and capped off with Henry Holland Style tartan trousers. She’d used a lovely mix of prints, textures and a little bit of polka dot! My favourite was a floral embellished cape; I’d have that in a flash.

I really liked Anna Hirsch’s collection. This is the kind of stuff I would try on and want to buy in Topshop or Urban Outfitters. She had made some lovely summer dresses in pretty floral prints, retro indeed. She’d teamed her collection with 80’s chunky sunglasses but the cute print dresses with matching belts caught my eye. Brick lane eat your heart out!

Chloe Rees-Williams did a ‘Seduced’ all-black collection. Her garments were skimpy but sophisticated. The lady is a vamp not a tramp! Each outfit picked out different areas to emphasize. Whether that was the narrow waist or fuller bum! Due to only using one colour, Chloe really played well with what she had. There were a whole number of fabrics in play, but I liked the layered lace tutu on a corset. Stunning silhouettes ruled this collection.

Finally, last on was Amy Xiao Pan and she was last for a reason. The entire collection was… wait for it, canary yellow, orange, gold lamé and brocade. Pretty daring huh? Not only was each outfit over the top (in a good way) and heavily detailed, but she’d done this eight times! Quite an impact indeed. Respect to her, she must have been making that lot for months.

There wasn’t much flesh on show either. One in particular was an all-in-one gold metallic Lycra cat suit, including covering the hands! This outfit had it’s own cape with an interesting detail of knots, Amy’s theme (traditions of Chinese knotting). Teamed with the lamé cat suit was a sequined gold skullcap with peepholes for eyes. I cannot not mention the all-in-one florescent orange number. I’m talking not a single bit of skin showing! It went over the face and zipped up the back. Luckily the model wasn’t claustrophobic. There were awesome headdresses in bright yellow to match the patent 8-inch heels.

My favourite was the peachy orange floral swimming cap. Now these should make a come back. As a swimmer, I’d be happy for this to return. The collection left the crowd’s mouths open. This girl really went for it and because of that, she’s made it on to Drapers 15 GFW stars of the future. You can never be too daring, especially in fashion daaaarling. Go Bournemouth! I’ll be coming back next year (maybe for the free booze but I’ll be on time one hopes).

Calling all budding fashion designer’s, Carla Fernandez, founder of the leading ethical label, Taller Flora, is giving designers the opportunity to jet over to Mexico to become part of her team for five months.

After winning the British Council’sInternational Young Fashion Entrepreneur Award, Carla has been rewarded with a cash prize to spend on a project which both tailors to her specific interests and contributes to developing the relationship between her country and the UK. The Mexican designer has chosen to give a printed textile designer and menswear designer from the UK the fantastic opportunity of working with herself and the Taller Flora team on two lines of clothing in Mexico in August 2008.

This is not, however, for someone who just likes the idea of sipping tequilas in the sun. The menswear candidate will work with Carla to develop tailoring within the range while the textile designer will help out on her printed textile designs.

Requirements for the menswear applicants:

Should have a BA or MA in fashion or be a talented designer.
Demonstrable competence of pattern cutting is mandatory
Ability to work independently
Team player with good interpersonal and communication skills
Knowledge of and an interest in ethical fashion
Knowledge of Spanish would be an asset
Must be a resident in the UK.

And the requirements for the textile applicants:

Should have a BA or MA in textile design or be a talented print designer
Excellent freehand drawing skills
Knowledge of Photoshop is mandatory
Silk screening experience
Ability to work independently
Team player with good interpersonal and communication skills
Knowledge of and an interest in ethical fashion
Knowledge of Spanish would be an asset
Must be a resident in the UK.

Sound like you? Designers interested in the project are asked to send a short (no longer than 300 words) written statement outlining why they want to be part of this project, up to 12 images of their work, their CV and the details of one of their references, to Alison.Moloney@britishcouncil.org or Carla Fernandez at carla@flora2.com by 16th June 2008.

For more info visit the British Council website.

Good Luck!

On Monday evening Ethic held the award ceremony for it’s annual ethical fashion competition in London.

Being one of the hottest days this year, I arrived at the uba trendy Fashion and Textile Museum feeling slightly harassed having endured 10 minutes of the rush hour on London’s sweaty central line. Thankfully I quickly located the bar and after gladly helping myself to a chilled white wine and tasty mini tuna baguette I was ready to fully immerse myself in the show

Now in its second year, The Ethic Competition is a contest open to over 150 fashion courses in the UK. Students were given the brief of designing a garment under £100 which addressed a key issue surrounding ethical fashion (eg fair-trade, organic materials, recycling, animal friendly or innovative environmentally friendly new materials), while still maintaining elements of current trends.

While I’d admit that none of the finalist’s work could be worn beyond the museums four walls, credit has to be given to the students for managing to produce garments that were at least visually appealing and a pleasure to watch on the catwalk. Design team Reduce, Reuse, Recycle managed to create a strapless full skirted gown using just newspaper, bubble wrap, bin bags and scrap pieces of recycled material.

The winners, and admittedly my favourites, were Nicole Da Silva and Phong Nguyen from Hackney Community College, who used second hand materials and clippings from the BBC website to address the issue of recycling while still managing to incorporate this season’s obsession with volume and ruffles in an extravagant tiered wedding gown.

Once the winners had taken their lap of honor and the buffet started to fizzle out, I made tracks to leave feeling very inspired and I must admit, a little merry!

After successfully managing to snap the strap of one of my much loved handbags on a particularly horrendous journey into the office, I was on the lookout for a decent
bag that could actually sustain the wear and tear of good ol' London Transport.

Whilst on my journey of discovery I was delighted to come across these nifty little shopping carriers by Envirosax. Designed as an alternative to disposable plastic bags, Envirosax have produced a collection of reusable all purpose bamboo bags. Not only are these little wonders 100% bio-degradable, but they can be rolled up and popped away when not in use - who said being environmentally friendly had to be hard work?

So – now down to crunch time – it’s all well and great being good for the environment, but how do they actually look I hear you sigh? Well - it turns out they aren’t half bad. The bags come in a range of funky patterns from eye popping polka-dot spirals to a more demure leaf design. Ladies – team them with a pair of linen trousers and oversized shades and you’re all set for a sunny stroll down Brighton pier – or maybe just a stylish dash through Sainsbury’s car park as you attempt to avoid the British rain… oh well … its always nice to dream every now and again.

Fashionistas, contemporary art lovers and popular culture enthusiasts - be prepared to marvel alike as Pepe Jeans gets set to release a new stand alone collection inspired by the controversial art radical himself – Andy Warhol.

The new collection, which consists of two distinct lines – Pop and Factory, celebrates Warhol’s work, personal style and love for American popular culture and features much of the iconic imagery that he’s so famous for.

Inspired by his dramatic screen prints, Pop includes Marilyn Monroe and Campbell’s soup printed shirts and tee’s alongside vibrant shift dresses and a gorgeous Monroe inspired knit top, which, thinking about it, would team wonderfully with a denim skirt I have at home…hmmm….

Other pieces in the collection include studded blazer jackets, branded denim and fantastically bold metallic trousers that are bound to bring out the rebel in even the most conservative of us!

The full 250 piece men’s and women’s range is due to hit all Pepe Jeans stores in July, so run along and have a look if you feel brave enough, but be warned – it’s not for the faint hearted.

Roll up roll up! Graduate Fashion Week is within sight, and this year it promises not only to be bigger, but even better.

Arguably the best place to spot the latest and greatest of new talent, this year's GFW has moved to Earls Court 2 and will celebrate more than 1000 of the finest BA Degree fashion students from 29 selected universities and colleges from around the UK. The event attracts some of the industry's biggest characters, with Victoria Beckham herself judging last year - ooh la la, we are blessed! - and other fashion incredibles such as Hilary Alexander, Sophia Neophitou from 10 Magazine, and Liberty's Design Director Tamara Salman; everyone who is anyone should be pencilling this grand event into their diary.

The 2008 event will be showcasing from Sunday the 8th of June until the 12th, and tickets are available online now for Gala Show One, which is scheduled for 5.30pm on Wednesday the 11th. This first show will allow visitors to see all student entries for the Gala Awards, but no winners will be announced at this performance; that's for the 'invite-only' Gala Show Two shown at 8pm on the same day - pah, that's showbiz for you! This second show will feature the best 16 collections from the week's shows, and include announcements of all prize winners. But don't be disheartened all you non-invite-worthy fashionistas, GFW is still THE only major international fashion event open to the general public and a chance for anyone to sit alongside the greatest fashion editors and talent scouts from around the world, to watch the finest professional catwalk shows. So what are you waiting for? GET YOUR DIRTY MITTS ON A TICKET NOW!

2007's joint River Island Gold Award winners - Jasper Chadprajong & Nicholas Thomas

Admissions for GFW days June 8th -11th:
Static exhibition only: £10.00 (no advance booking) / University Show: £10.00 + £2.50 handling charge (if purchased in advance) inc. admission to the exhibition / Gala Show One 5.30pm: (June 11th ONLY) £25.00 + £2.50 handling charge.

Tickets for all University shows and Gala Show One available NOW online: www.gfw.org.uk

Jenn face exhibiting the exclusive 'Amelia' badge

Lady Luck Rules Ok! understands one thing completely; my hesitation when it comes to attention-grabbing statements. First it was the range of skeleton jewellery which made it possible for me to getaway with forgetting (read: purposefully ignoring) fancy-dress on October 31st, and now for those of us who quietly admire the artwork adorning the skin of others but are just too much of a scaredy-cat to go under the needle ourselves, may we present, the Lady Luck Tattoo Parlour.

Perfectly timed for summer’s nautical trend, the new range of necklaces and brooches are personalised with your name and the kind of imagery usually associated with British Royal Navy nostalgia and a certain spinach-eating cartoon