Museum of Brands, Robert Opie Collection: Until 31st May 09
2 Colville Mews, off Londsdale Rd, W11 (£5.80, concs £3.50, kids £2)
Robert Opie’s 12,000 original items from his collection moves to Notting hill after seventeen years in Gloucester. Think back to the good ol’ days of vintage postcards, Skippy chocolate bars, cadburys toffee buttons. O.k. you may not be old enough to get too nostalgic but the collection of toys, posters and magazines ensure even the most cynical will get doey eyed at the past as consumer culture is revealed decade by decade. In short, this is a retro lover’s heaven on earth.
(Adults £5.80, Children (7-16) £2.00, Family £14.00, Concessions £3.50. Group discount 10% (groups of 10 or more, pre-booking appreciated).
The Gallery at BFI Southbank, London, ‘The all seeing Eye’: An installation by Pierre Bismuth and Michel Gondry: until 16th November
BFI Southbank, Belvedere Rd, London, SE1 8XT
A mesmerizing video installation by the inventive French duo Pierre Bismuth and Michel Gondry, celebrated for their Oscar award winning Eternal Sunshine of the Spotless Mind. The installation consists of a well furnished apartment involving a central camera revolving around a room where the room spins, armchairs, magazines, houseplants, rugs, mirrors and a dining table appear only to disappear during successive rotations until the apartment is stripped bare. First conceived and shown in Paris in 2005, this new version of The All Seeing Eye has been commissioned and specifically conceived by Bismuth and Gondry for the Gallery at BFI Southbank. A series of films selected by Pierre Bismuth and Elisabetta Fabrizi, BFI Head of Exhibitions, on the theme of erasure has also been included.
BISCHOFF/WEISS: ‘Our Immortal Souls’: Maya Hewitt: Until 1st November
95 Rivington Street London EC2A 3AY
British born Hewitt juxtaposes childish fantasy with an adult perspective in intricate pieces loaded with symbolism and iconography. Characters are displaced from their original context from the past and placed in the present, allowing for an ambiguous and eerily surreal landscape.
Transition Gallery, ‘Mime 1′ Mimei Thompson: Until 5th October
Unit 25a Regent Studios, 8 Andrews Rd, London E8
Recent RCA graduate Mimei Thompson’s work depicts dark, mutating cosmic worlds, populated by clouds, probing eyeballs and cartoon brains. Surreal portraits including alien beings connects the real with imagined worlds, evoking questions such as death, decay and regeneration.
Jaguar Shoes, ‘Horse Tears’: Matthew Hodson: Preview Show
32 Kingsland Rd, London, E2: 25th September: 7pm till late
Why not join us to the preview show of Hodson’s weird, melancholic and rude illustrations and comic books? Hailing from a small village in Yorkshire Dales, Hodson was soon drawn to the mean streets of London, although he still retains a soft spot for wind, dogs and trees. Although he adopts a simplistic style, do not be tricked into thinking all his work is as sweet as pie-With contemporary references and dark undertones, Hodson allows us to be kept on our toes.
The Photographers’ Gallery, ‘Soho Archives: 1950s &1960s’: Until 16th November
5 & 8 Great Newport St, London WC2H 7HY
Three archives from Jean Straker, David Hurn and the Daily Herald newspaper documents Soho in the 1950s and 1960s. They capture a Soho that provided a haven for those dissatisfied by Britain’s provincialism. Also a place known for it’s criminal activity and creativity, as well as scandal and sexuality, images document the vibrancy and eroticism of the time.
Paradise Row, ‘The Day Nobody Died’: Adam Broomberg & Oliver Chanarin: Until 26th October
17 Hereford St, (off Cheshire St) London, E2 6EX
In June of this year Broomberg and Chanarin traveled to Afghanistan along with the British Army units on the front line in Helmand Province. What results is strange abstract passages and patterns of black, white and variegated hues – all modulated by the heat and the light invites us to question the nature of violence, culture, politics and morality.
Hamiltons Gallery, ‘Bokuju Kitan/ Marvelous Tales of black ink’: Nobuyoshi Araki: Until 19th October
13 Carlos Place, London W1K 2EU
Born in 1940 Nobuyoshi Araki’s photography, heralded as Japan’s foremost contemporary photographer blurs the line between art and pornography. He selects 88 images from over 30 years worth of Kinbaku work (bondage art) and hand-painted calligraphy on each photograph. His erotically charged pieces are both lyrically beautiful and steamy, without being brash. Phwaorr indeedy!
- Art Listings:
- London Fashion Week A/W 2011 Catwalk Review: Jean-Pierre Braganza (by Amelia)
- Soho Archives: 1950s & 1960s
- Art Listings October 26 – November 1
- Art Listings: