What’s the concept behind Arae? The inspiration behind arae is hard to explain. For this exhibition it was the seventies, Amira Fritz, the Australian label ‘Romance Was Born’. In general it was trying to create exhibitions based on working together as opposed to using money to show work.
How does this year’s Arae exhibition compare to last years? Last year was fashion only- it featured three of the same designers as this year and the wonderful Florencia Kozuch. It was very dark- we blocked out the windows and chose a dark space. Each time it’s meant to be quite sensory so there was an eerie soundtrack but this time there is no soundtrack.
How will you be transforming the exhibition space for Arae? We want to change the space from a bright clean room to something garish. We are trying to build a waterfall of acid coloured flowers. KengKeng Watt has been helping to build this. I want it to feel quite random.
What kind of work can we expect to see? There are photographs, illustrations and installations as well as a fashion piece. It’s pretty mixed and disjointed and deliberately so. I wanted it to be a strange selection somehow. We even have a short film from Katrina Choy.
How did you go about selecting the exhibiting artists? Some people through other projects like Sara Bro-Jergensen and Louise Larsen. Some are my friends and some I found through their websites like Tian Wang whose work I just really liked. Her prints really inspired me so I emailed her.
Aside from Arae, what other exhibitions have you curated and are there any more in the pipeline? Well Arae is my first foray into exhibitions. It’s a learning curve. I will do another one in September in a bigger space with an entirely new concept. Something totally different again. I really like combining live music with the artwork so I want to build on that. I would like to take it abroad eventually and tour.
For more infomation on the Arae exhibition, click here
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