As with a lot of art, what is taken out or omitted is as important, if not more so, than what is put in. Kako Ueda, a Japanese artist working and living in the US, applies this principle to paper with intricately beautiful results. There is something haunting yet delicate about these shadow like cut-outs; the skulls, spiders, jellyfish, butterflies, feathers, insects and serpents all intertwined in designs in which one may gladly lose hours visually disentangling.
Her choice of medium was inspired by the cut patterns used for producing kimonos, and Ueda’s appreciation for the history, flexibility and simplicity that using paper entails. The everyday throwaway relationship our society has with materials such as paper makes me evermore excited and sympathetic to artists using these seemingly basic mediums for creating innovative and aesthetically wonderful pieces of work. It was a true honour to pick Kako’s brain about her work, as well as her likes, hates and aspirations.
How long does it take you to create the average sized piece?
It used to take me a couple of months to make one mid-size work but lately my works are getting bigger and more complicated that sometimes it takes 6 months or longer to finish an installation or bigger work with
separate parts with paint and 3-D objects.
What equipment do you use for cutting paper?
It is called in the US, an Xacto knife (with no. 11 blade), I suppose in Europe or Japan they have a similar knife with different names.
Who is your art for? What space does your art work best?
I don’t limit/choose my audience; anybody who would look at my work and have a reaction positive or negative. So far my artworks need a wall/walls. So they don’t work so well in the outer space.
Do you have a different reaction here in the UK and in Europe compared to in Japan?
Honestly I have no idea. I would love to have a show in the UK, any European countries or Japan to find out. The only European country I exhibited so far was Finland. Although I was born in Japan I moved to the States as a teenager and my active/public artistic life began here in the US.
Which artists do you most admire?
There are too many to mention and the list gets longer every day. So today and at this moment I say Salomon Trismosin.
Who or what is your nemesis?
My biggest nemesis is my brain; obsesses too much on energy sucking thoughts and is critical of everything.
If you could time travel back or forward to any era, where would you go?
It is too difficult to choose but at this moment I would say Edo period in Japan (mid. to late 18th century). I want to experience the urban life/culture in Edo (present Tokyo).
Which band past or present would provide the soundtrack to your life?
Jackie Mittoo’s “Summer Breeze” or “Oboe”. I have a CD called “Cambodian Rock”, which is a collection of various rock bands from Cambodia playing and singing in Cambodian; really cool sound.
If you weren’t an artist, what would you be doing?
Gold digger.
What would your pub quiz specialist subject be?
Tolstoy novels.
Who would your top five dream dinner guests be? Who would do the washing up?
Duchamp, one of the cave dwellers who made those awesome animal drawings, Hildegard of Bingen, Utamaro, Buddha. I guess we cannot ask a cave dweller to wash up, can we?
What piece of modern technology can you not live without?
My electric mind-reader.
What is your guilty pleasure?
Doing nothing.
Tell us something about Kako Ueda that we didn’t know already.
My eyelashes are naturally curly so I never have to use a lash curler in my entire life.
Kako Ueda is definitely one to cut out and keep.
Tags:
Design, Japanese, Kako Ueda, Paper
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