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Top 25 Art Blog - Creative Tourist

Kako Ueda: Cut Out and Keep

Interview

Written by Alice Watson

In the festival preview vein, no rx malady here’s one that promises stimulating discussion, patient music, viagra order dance, crafts and walks with fellow readers and contributors to the spiritual and ecologically aware Resurgence Magazine. A more enchanting and vibrant mix is barely to be found outside the Resurgence Reader’s Weekend and Camp.

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The camp will be hosted in Europe’s only tented conference centre, Green and Away, situated on an idyllic site near Malvern, Worcestershire. They’ll feed us ‘mostly local, mostly organic’ food, there’ll be wood-burning hot showers to bathe away sleep-shod morning eyes, solar and wind-sourced electricity, and saunas too, as if this camp didn’t sound chilled out enough already.

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Entertainment and conversation stimulation will come from a host of speakers : Jenny Jones, Green party member of the London Assembly; Miriam Kennet, founder of the Green Economics Institute; Satish Kumar, Earth pilgrim and current editor of Resurgence magazine; Peter Lang, an environmental consultant and researcher, John Naish, author of Enough and initiator of The Landfill Prize, Brigit Strawbridge, of the BBC’s ‘It’s Not Easy Being Green’ fame and founder of The Big Green Idea.

There’s to be a glut of creative workshops – on poetry, Deep Ecology, Tai Chi, finding your voice, and one that should see us sitting comfortably for a round of storytelling.

Music’s coming from the UK, Europe and beyond : bands like Dragonsfly, a wonderfully energetic live band, rocking a pretty unique Celtic-Eastern-Folk Fusion sound, and Bardo Muse – an improvisational acoustic trio, who say they play music simply inspired by life and love.

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Do get booking, as previous events have tended to sell out. For a gently spiritual, artistic weekend a little off the the beat of the usual track, have a listen to the Resurgence Weekend.

Contact – Peter Lang,
Events Director for Resurgence Magazine,
Tel: 0208 809 2391
Email: peterlang(at)resurgence.org
As with a lot of art, order what is taken out or omitted is as important, online if not more so, malady than what is put in. Kako Ueda, a Japanese artist working and living in the US, applies this principle to paper with intricately beautiful results. There is something haunting yet delicate about these shadow like cut-outs; the skulls, spiders, jellyfish, butterflies, feathers, insects and serpents all intertwined in designs in which one may gladly lose hours visually disentangling.

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Her choice of medium was inspired by the cut patterns used for producing kimonos, and Ueda’s appreciation for the history, flexibility and simplicity that using paper entails. The everyday throwaway relationship our society has with materials such as paper makes me evermore excited and sympathetic to artists using these seemingly basic mediums for creating innovative and aesthetically wonderful pieces of work. It was a true honour to pick Kako’s brain about her work, as well as her likes, hates and aspirations.

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How long does it take you to create the average sized piece?
It used to take me a couple of months to make one mid-size work but lately my works are getting bigger and more complicated that sometimes it takes 6 months or longer to finish an installation or bigger work with
separate parts with paint and 3-D objects.

What equipment do you use for cutting paper?
It is called in the US, an Xacto knife (with no. 11 blade), I suppose in Europe or Japan they have a similar knife with different names.

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Who is your art for? What space does your art work best?
I don’t limit/choose my audience; anybody who would look at my work and have a reaction positive or negative. So far my artworks need a wall/walls. So they don’t work so well in the outer space.

Do you have a different reaction here in the UK and in Europe compared to in Japan?
Honestly I have no idea. I would love to have a show in the UK, any European countries or Japan to find out. The only European country I exhibited so far was Finland. Although I was born in Japan I moved to the States as a teenager and my active/public artistic life began here in the US.

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Which artists do you most admire?
There are too many to mention and the list gets longer every day. So today and at this moment I say Salomon Trismosin.

Who or what is your nemesis?
My biggest nemesis is my brain; obsesses too much on energy sucking thoughts and is critical of everything.

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If you could time travel back or forward to any era, where would you go?
It is too difficult to choose but at this moment I would say Edo period in Japan (mid. to late 18th century). I want to experience the urban life/culture in Edo (present Tokyo).

Which band past or present would provide the soundtrack to your life?
Jackie Mittoo’s “Summer Breeze” or “Oboe”. I have a CD called “Cambodian Rock”, which is a collection of various rock bands from Cambodia playing and singing in Cambodian; really cool sound.

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If you weren’t an artist, what would you be doing?
Gold digger.

What would your pub quiz specialist subject be?
Tolstoy novels.

Who would your top five dream dinner guests be? Who would do the washing up?
Duchamp, one of the cave dwellers who made those awesome animal drawings, Hildegard of Bingen, Utamaro, Buddha. I guess we cannot ask a cave dweller to wash up, can we?

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What piece of modern technology can you not live without?
My electric mind-reader.

What is your guilty pleasure?
Doing nothing.

Tell us something about Kako Ueda that we didn’t know already.
My eyelashes are naturally curly so I never have to use a lash curler in my entire life.

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Kako Ueda is definitely one to cut out and keep.

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One Response to “Kako Ueda: Cut Out and Keep”

  1. Amanda Doran says:

    Fantastic intricate work – how do you keep the paper still whilst cutting with the Xacto knife? I adore paper-cuts

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