What I find so fascinating, bewildering and ultimately beautiful about Japan can all be found in Shu Okada, and her stunning watercolour illustrations. Perfectly and carefully rendered, aesthetically desirable but with undertones of the dark and unspoken, her work is enchanting and haunting in equal measures. Okada is true to her Japanese roots though she now chooses to reside in the more artistically liberal city of New York from where she not only illustrates, but blogs, photographs and produces animation.


One of the most important things I think for an artist to do is to take themselves out of their comfort zones and immerse their entire beings in different worlds, different cities, different cultures, and that is exactly what Okada has achieved and she’s still only in her early twenties. Her creative passion has taken her around the globe in search of inspiration; schooling in Switzerland, a spell at St Martins, some time at Parsons New School for Design, and already her work has been recognised and awarded by Bologna Book Fair, New Ink Cover Design and New York Times.

We talked about Kimonos, moving around the world and where to find inspiration, our conversation follows below.
Hello, how are you today?
Good! August is my birth month, so I am very excited now.
What have you been doing recently?
I just finished my college life this summer, so now I have a lot of time to paint and draw anything I want.


What materials or mediums do you like to work with best?
I like to experiment with different media such as watercolour, ink, and oil paint. Recently I’ve been using watercolour and colour pencil the most. I like how watercolour shows differently when it is wet and dry.
How is the New York art scene different from the Tokyo art scene? What made you decide to leave Japan?
New York is mix of many different cultures and nationalities. I feel that New York art has more variety than in Japan. Also, the attitude of illustrators is slightly different in New York. Before I came here, I thought illustration was about comics (manga) or animations for young kids. I decided to come to New York to see how other cultures see art.


What inspires your work?
Knowledge is very important, not just for art, but also for living. So now I am trying to read books and watch different kinds of movies when I have time. It doesn’t necessarily need to connect to my art directly, but I believe it helps my way of thinking. Also, I get inspiration from architecture and I sometimes travel to other countries and like to imagine people’s lives there.
How long do the illustrations usually take you to do?
Watercolour has to be quick, because when it is dry, I can’t fix it. So when I start putting watercolour, it doesn’t take a long time to paint at all…but if I make any mistakes, I have to repaint it all over again.



At what age did you realise you were creative?
My dream was always related to art. When I was in 2nd grade, I wanted to be a fashion designer, and when I was in junior high school, my dream was to be a trumpeter. However, I knew these dreams were just dreams. The time I decided to follow my creativity was in high school. I went to a high school in Switzerland and the way they thought was different from Japan. After we made something in art class, we had a critique time, which was unusual for a Japanese high school. At that time, I realized how I love to show my art to other people and decided to study art more.
Where do you see yourself in 10 years time?
I have no idea where I will be living because I am constantly moving around the world; such as Switzerland, New York, London, Tokyo, and Kanazawa. What I am sure about is that I will have a cute dog and I will name it “Maru the 6th” (my family’s dog is always named “Maru”), and painting everyday.

Besides art and photography, what are you passions or interests in life?
Kimono is traditional clothing that is still worn in Japan. However, there are many rules about the choice of patterns, colours, and fabric. Because my family works in the Kimono business, I have always wanted to study the Kimono. One of my passions is to study the Kimono and become a Kimono teacher.
Which are your favourite artists/illustrators/photographers?
For now, I like Makoto Aida, a Japanese artist. When I first saw his paintings, I couldn’t move for long time.


Tell us a secret!
Follow your mind!
Sound advice from a lady who obviously tastes her own medicine.
Tags:
Illustration, Interview, Japan, Shu Okada, Watercolour


















