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Top 25 Art Blog - Creative Tourist


Corporations on Trial

Written by Marta Puigdemasa

Recently discussing with a fellow fashion blogger the growing interest in the Scandinavian fashion world, information pills treatment she quipped that it was very easy for Scandinavians to be fashionable; after all, link each and every one of them seem to be all long legs and white blonde hair. Her remark seemed to suggest that perhaps the Scandinavians have no street style genius or imaginative flair when it comes to dressing. Indeed, sale the stereotype of beautiful dumb models hailing from the North of Europe is far from rare – but there’s something going on over there that’s worth a bit of investigating.

Taking just one look at street style websites Lookbook or the Face Hunter confronts us with the fresh new faces of Scandinavian fashion. The majority of the most ‘hyped’ looks on Lookbook come from sassy, fashionable (and often very young) North Europeans, hailing from Stockholm, Helsinki and beyond. Indeed, for a clear picture of Swedish success on Lookbook, just look at “Shelley M, 18 year old art student and blogger from Sweden,” with her knack of combining little girl cuteness (headbands and bows) with serious sex appeal (short black skirts and lace) topped off with crazy heels and splashes of kitsch accessories straight out of Tatty Devine.

And she’s not a lone phenomenon. Sporting brave and bold urban prints in vivid colours, these bright young things from Scandinavian meccas of style exude a perfect blend of 90s skate culture with CluelessCher Horowitz, with her high school polished, blonde doll-faced perfection. See Amelia’s Magazine’s recent articles on Daniel Palillo and CTRL for examples of this kind of styling, something that appears to be truly specific to the Scandinavians. The 90s, it seems, are the nostalgic wardrobe reference du jour here, embodying past positivity and youth in a pre-doom and gloom world of the new millennium.

Ever since the Swedish Institute’s exhibition – ‘Swedish Fashion: Exploring a New Identity’ – launched at London’s Fashion and Textile Museum this February, Scandinavian fashion has seen a markedly rising profile in the fashion world. Celebrating a new wave of Swedish design talent, the exhibition questioned the static view that fashion blooms only in the eponymous fashion capitals of Paris, London, New York and Milan. In fact, this collection instead raised the debate over whether globally, we neglect fashion from all four corners of the globe at the cost of fresher and more interesting approaches to design, simply because they have traditionally been ignored by the industry.

Ann-Sofie Back must be considered one of the most influential and successful of these designers, with her place at London Fashion Week and her capsule collection for Topshop, not to mention her collaboration with that uber-successful Swedish brand, Cheap Monday. As seen at her s/s 09 collection, Back is unafraid to incorporate social comment into her shows, holding celebrity obsession with plastic surgery up to ridicule with her bandaged and felt-tipped models.


But then, there are also the clothes. Back’s most recent collection sported ripped and distressed pieces supposedly representing ‘Ann-Sofie Back goes to Hell’. Striking the balance can be near-impossible, yet she really knows how to shock whilst also providing wearable fashion pieces.

And Back’s not the only one causing a stir. Joining her from the recent exhibition for particular note are Sandra Backlund, Helena Horstedt and Martin Bergström, who showcased similarly effortless Scandinavian cool.


If you saw our feature on Backlund’s knitwear in recent weeks, you’ll know that it is really something special; with oversize knotting and draping, with the designs exude wooly coziness whilst remaining edgy and thoroughly modern. Alongside Backlund stands Horstedt whose work focuses on intricacy of shape in order to create highly fascinating designs that swirl and envelope the body with draping and fringing detail, all in solid black.


Indeed, for both designers, it seems that the human body is paramount to their designs, with Backlund quoted as saying the it is her chief inspiration. Finally we have Bergström, who once again predominantly centres on futuristic shapes enveloping the body with volume, but in a more vivid aquamarine colour palette.


It seems then, that the Finns and the Swedes are well and truly indulging in some kind of sartorial breakthrough at the moment. Whatever it is that’s doing it, there is undoubtedly something linking these North European designers spurring them into a fashion frenzy. Hopefully, the fashion world will take notice, and we will be joining the likes of Shelley M in her fashion credentials all too soon.

What I find so fascinating, search bewildering and ultimately beautiful about Japan can all be found in Shu Okada, site and her stunning watercolour illustrations. Perfectly and carefully rendered, aesthetically desirable but with undertones of the dark and unspoken, her work is enchanting and haunting in equal measures. Okada is true to her Japanese roots though she now chooses to reside in the more artistically liberal city of New York from where she not only illustrates, but blogs, photographs and produces animation.



One of the most important things I think for an artist to do is to take themselves out of their comfort zones and immerse their entire beings in different worlds, different cities, different cultures, and that is exactly what Okada has achieved and she’s still only in her early twenties. Her creative passion has taken her around the globe in search of inspiration; schooling in Switzerland, a spell at St Martins, some time at Parsons New School for Design, and already her work has been recognised and awarded by Bologna Book Fair, New Ink Cover Design and New York Times.


We talked about Kimonos, moving around the world and where to find inspiration, our conversation follows below.

Hello, how are you today?

Good! August is my birth month, so I am very excited now.

What have you been doing recently?

I just finished my college life this summer, so now I have a lot of time to paint and draw anything I want.



What materials or mediums do you like to work with best?

I like to experiment with different media such as watercolour, ink, and oil paint. Recently I’ve been using watercolour and colour pencil the most. I like how watercolour shows differently when it is wet and dry.

How is the New York art scene different from the Tokyo art scene? What made you decide to leave Japan?

New York is mix of many different cultures and nationalities. I feel that New York art has more variety than in Japan. Also, the attitude of illustrators is slightly different in New York. Before I came here, I thought illustration was about comics (manga) or animations for young kids. I decided to come to New York to see how other cultures see art.



What inspires your work?

Knowledge is very important, not just for art, but also for living. So now I am trying to read books and watch different kinds of movies when I have time. It doesn’t necessarily need to connect to my art directly, but I believe it helps my way of thinking. Also, I get inspiration from architecture and I sometimes travel to other countries and like to imagine people’s lives there.

How long do the illustrations usually take you to do?

Watercolour has to be quick, because when it is dry, I can’t fix it. So when I start putting watercolour, it doesn’t take a long time to paint at all…but if I make any mistakes, I have to repaint it all over again.




At what age did you realise you were creative?

My dream was always related to art. When I was in 2nd grade, I wanted to be a fashion designer, and when I was in junior high school, my dream was to be a trumpeter. However, I knew these dreams were just dreams. The time I decided to follow my creativity was in high school. I went to a high school in Switzerland and the way they thought was different from Japan. After we made something in art class, we had a critique time, which was unusual for a Japanese high school. At that time, I realized how I love to show my art to other people and decided to study art more.

Where do you see yourself in 10 years time?

I have no idea where I will be living because I am constantly moving around the world; such as Switzerland, New York, London, Tokyo, and Kanazawa. What I am sure about is that I will have a cute dog and I will name it “Maru the 6th” (my family’s dog is always named “Maru”), and painting everyday.


Besides art and photography, what are you passions or interests in life?

Kimono is traditional clothing that is still worn in Japan. However, there are many rules about the choice of patterns, colours, and fabric. Because my family works in the Kimono business, I have always wanted to study the Kimono. One of my passions is to study the Kimono and become a Kimono teacher.

Which are your favourite artists/illustrators/photographers?

For now, I like Makoto Aida, a Japanese artist. When I first saw his paintings, I couldn’t move for long time.



Tell us a secret!

Follow your mind!

Sound advice from a lady who obviously tastes her own medicine.
Emma Puntis

31 Temple Street
Bethnal Green
London E2 6QQ

25th July – 16th August
Thursday – Sunday 12 – 6pm


“Emma Puntis, hospital a Chelsea College of Art and Design graduate, paints strangely intense small-scale portraits. The images which act as inspiration for her work are collected from a wide range of sources, from contemporary family snapshots to historical documents of early photography and traditional landscape painting. In translating these images into paintings she suggests a puzzling connection between these apparently disparate snapshots.”


A Tradition I Do Not Mean To Break

176 Gallery
176 Prince of Wales Road
London NW5 3PT

Until 16th August
Thursday & Friday 11am-3pm
Saturday & Sunday 11am-6pm
Other times by appointment


Continuing with the theme of music and folklore at the 176 Gallery, this exhibition promises exciting new audiovisual work including films by David Blandy, Henry Coombes and Tereza Bušková, and will be presented alongside works, by the same artists, from the Zabludowicz Collection.Each artist explores a particular cultural subject with which they strongly identify, using myth, custom and symbolism, delving into gothica, melancholy and opulence.


Make Do and Mend

V&A Museum of Childhood
Cambridge Heath Rd
London, E2 9PA

Until 8th November
Monday – Sunday 10am to 5:45pm


“Make Do and Mend combines the work of contemporary designers and local schoolchildren. Jon Male, Lou Rota and Max McMurdo rework salvaged domestic and industrial waste to create stylish, quirky new products. The exhibition is based around a display of objects which have been salvaged and refashioned to make useful new items, with an eye on both the environment and the wallet. Anti-waste wartime tips on cutting excessive consumption have an obvious resonance in today’s economic climate and the campaign to salvage, recycle, and reduce your carbon footprint is also impacting on design.”


Team Lump: DIY Rapture

Cell Project Space
258 Cambridge Heath Rd
London, E2 9DA

Until 2nd August
Friday – Sunday 12pm – 6pm


A fascinating discussion on the culture of cults in America lead by native art collective Team Lump, collaborating nicely with drawing, sculpture, painting and film & music. With a focus on the social and political unrest surrounding cults, founder Bill Thelen presents the group who are connected by a DIY aesthetic and a self publishing ethic.
Team Lump Collective, Raleigh, North Carolina, USA
Leah Bailis, Jerstin Crosby Josh Rickards, Bill Thelen ,Tory Wright


Village Fete Jubilee

Cromwell Rd
London SW7 2RL

24th July 6.30-10pm
25th July 1-5pm
Admission: £3
Kids 12 years and under: 50p and must be accompanied by an adult


This year the V&A’s famous Village Fete goes POP ! with the aid of our fabulous sponsors French Connection and just a few balloons. This balloon popping extravanganza is brought to you by Scarlet Projects and Mark Garside. Once again, we bring you the best and most extraordinary in contemporary British design and creative practice. Never has Splat The Rat, coconut shies and homemade jam seemed so much fun. Many thanks go to all the designers taking part in the Fete for their wonderful ideas, their time and their energy.


Carl Clerkin Goes -BING!
Bada Bingo
Kieron Baroutchi, Carl and Cavan Clerkin, Danny Clarke, Gitta Gschwendtner, Rosie Irvine and Ed Ward do Bada Bingo. This years cultural roulette has a distinct Italian American flavor. Cigars, revolving costumes and plenty of drama and of course everyones a winner at the Bing.

Here’s One I Made Ea rlier Goes -Rustle!
Pick ‘n’ Mix Bags
Make like an eco magpie and delve into our pick ‘n’ mix selection of bits and bobs for you to stamp, stick and style your own unique canvas bag. Perfect for transporting your stash of fete goodies!!

Tatty Devine Goes -hoopla!
Welcome to The Ring Master!
The trusty Tatty team will be handing out giant rings for you to throw onto the giant ring master’s hands. If you manage to get a ring on any finger then you win either a Tatty Devine moustache ring or a limited edition hand shaped ring made especially for the fete. Ready Steady. . .Tatty Hoop la!


Candy Coated Canvas

London Miles Gallery
212 Kensington Park Road
Notting Hill
London W11 1NR

24th July – 24th August
Tuesday / Wednesday : 10am to 6pm
Thursday : 11am to 8pm
Friday: 10am to 7pm
Saturday: 11am to 7pm


“Candy Coated Canvas is a themed group exhibition showcasing unique artworks by various established and emerging international talent. All artists have been asked to take inspiration from the title “Candy Coated Canvas” and create a unique art piece which is visually extremely colourful and playful, whilst sparking up memories of childhood, sweets, fantasy lands and those naughty but nice pleasures in life.”

Exhibiting artists include:
D’ Holbachie Yoko, Matthew Bone, Zoe Lacchei, Tadaomi Shibuya, Mike Bilz, Lost Fish, Ryan Myers, Sebastian Otto, Scrumptious Delight, Robert Tirado, Rudi Fig, Natalie Shau, Jade Klara, David Palumbo, Luke Kopycinski, Amanda Riley, KuKula,
Tiffany Liu
For me, sildenafil albums by bands I love leaking pre-release onto the internet is not dissimilar to that childhood dilemma of deciding whether to peek at your birthday presents too early ( I say “childhood”-I’m 23 and I still do it), advice you can’t really imagine not doing it but you always feel guilty for the gift-giver afterwards.
Extended metaphors aside, I personally have fallen both sides of the download/ not download leaks even though I always buy the album when it comes out. I always seem to be sitting on my hands trying not to click ‘download’ (Veckatimest, Spring 2009) or staring down at them in shame whilst I enjoy the album guiltily like you would a 5-7 love affair in a seedy hotel after 20 years of separate bed pious marriage (Merriweather Post Pavillion, Christmas Eve 2008).

So this is why when news of the Dodos‘ Time to Die reached my beady music geek eyes, I abstained from scouring Rapidshare links in a darkened room. I’ve turned over a new leaf and besides the Dodos’ fun jingle-jangle psychedelic folk pop offerings; ‘Beware of the Maniacs’ and ‘Visiter’ were pretty much my go-to albums of last summer; we danced at parties and took many a long train journey together so I pretty much owed them some of my very low self-restraint levels.


Imagine my relief when I got the golden tickets of emails from the Dodos’ PR and all round good- guys; Radar Maker heralding (in what I imagine to be a peeling of bells and rippling fanfares) that the Dodos have embraced the leak of Time to Die, that the band have even released a high quality stream of the album on the website and a video of the band telling me it’s OK to listen to it as long as I buy the album when it’s released. My palms sweaty at the anticipation of revisiting last summer’s aural romance I click the link to listen.

‘Small Deaths’ opens the album in typical Dodos foot-stomping fashion and I’m reminded of just how rousing their drums are as my toes begin a-tapping under my desk and of their happy/sad blend that I vibed last summer; how heartbreakingly nostalgic their lyrics are, and how they contrast so nicely with the childlike simple happiness of their melodies. It also ends with a nice shoegaze noise which is exciting.


The album continues with all the best parts of the previous two albums, their awesome guitar strumming/ danceable drums that sound like this is going to be the soundtrack to the best day of your life, noticeable on ‘Fables’ and ‘Longform’. Yet there is a definite sense of new things being tried out; there is a definite nod to shoegaze and ‘Time to Die’ is more electric sounding than it’s predecessors; ‘This is the Business’ starts of sounding like Simon and Garfunkel moving into some Pavement-esque riffs and ending somewhere totally new. Two Medicines is a stand out track for me; it starts of with, and is held together by an acapella harmonious chant; like if Brian Wilson was in a Barbershop quartet with Animal Collective circa Sung Tongs; then add some 90s guitar riffs again contrasting with a lush sounding xylophones and glockenspiels slipping and sliding away in the background.

‘Troll Nacht’ starts with the most intense xylophone solo not unlike the music they’d play whilst someone was trying to answer an important question on a quiz show melting into some gentle guitar plucking loops and sad quiet vocals, then it explodes into something bigger and exciting, I can feel my year-old summer romance with the Dodos warming up again. ‘Acorn Factory’ follows on seamlessly in it’s folky simplicity. Time to Die ends the album in a grandiose fashion, it kind of sounds like if My Bloody Valentine swapped black for plaid, moved to the country and developed a penchant for folk, which lets’ face it is always going to sound awesome. Dare I name their new exciting tryst with shoegaze mixed with their old folky, psychedelic ways; Birkenstock-gaze? I think so.


Time to Die is everything you could want in a new album from a band you love; enough of the things you loved about them before with a definite sense of new things being tried out.

So say thank you to the Dodos (Thank You The Dodos!) for their infinite talent and the good vibes to streaming the album by buying/ downloading Time to Die when it comes out; I can promise you that it is worth it, it will be the soundtrack to the best summer you could have, with none of the sweaty guilt of illicit downloading!
In the mean time kids: Just Say No (and stream instead)…and ermm…Stay In School.

You can stream the album here.
Time to Die will be available physically on 31st August in the UK on Wichita Recordings
and metaphysically (to download) on 27th July.

Monday 20th July

The Truth about Climate Change by Sir David Attenborough

A film screening of Sir David Attenborough’s personal journey to discover how global warming is changing the planet he knows so well. Examining the evidence for this confusing phenomenon, cost Sir David find out what’s causing it and whether mankind is to blame. From Hurricane Katrina to the glacier ice crashing into the sea, visit this site Attenborough discovers it’s a race against time. Starving polar bears and the first direct victims of global warming, the recently extinct golden toad, demonstrates that the danger for humanity may not be far behind. David explores the personal and technological changes we can make to avert catastrophe.

7.30pm – upstairs at the Arcola Theatre.


DIY Solar Hot Water Course in Spain

Over five mornings course attendees will construct two clip fin solar hot water panels. Attendees will learn how to solder copper piping, basic plumbing, how to install solar hot water collectors and be given an introduction to system design and sizing. 280 euros high waged, 230 euros medium waged, 180 euros low waged. Courses attendees are eligible to a 20% reduction in the normal Sunseed rates for a period of 1-3 weeks before or after the course.

Contact: Sunseed Apdo 9 04270 Sorbas Almería Spain (0034) 950 525 770

Tuesday 21st July

From ‘me’ to ‘we’

Mark Earls discusses the emergence of the “social revolution” in marketing management and social policy, the changing focus from individual, narrow, goals-oriented thinking to a broader, community-led approach.

1pm – RSA, 8 John Adam Street, London WC2

Wednesday 22nd July

Demonstration to save Vestas Wind Turbine factory

Take to the streets to protest the imminent closure of the only wind turbine factory in the UK.

6pm – outside the Department of Energy and Climate Change, 3 Whitehall Place, London

Vestas-built wind farm, Black Banks, Ireland

Thursday 23rd July

Resurgence Readers Weekend & Camp

A unique event bringing together Resurgence readers, speakers and supporters. Share four days of stimulating discussion, music, dance, crafts and walks with fellow readers and contributors to the magazine at this year’s camp. The Resurgence Summer Camp is hosted by Green and Away – Europe’s only tented conference centre situated on an idyllic site near Malvern, Worcestershire. Organic food, wood-burning showers, crafts, electricity from the sun and wind, and saunas.

Contact: Resurgence, Ford House, Hartland, Bideford, Devon EX39 –
Dates: Thursday 23 Jul 2009 to Sunday 26 Jul 2009 – Green and Away, Worcester

Friday 24th July

Peace News Summer Camp

Come to the Peace News Summer Camp and join people from across the broad spectrum of the British peace movement for five days of exploration, celebration and empowerment. Bring your contribution to a hothouse of creativity, a small self-governed society run by democratic camp meetings, a viable example of the kind of world we are trying to bring about. The Peace News Summer Camp helps build a radical movement for the future by building a living community today.

from Thursday 23rd to Monday 27th July – Faringdon, Oxfordshire
Find out all about it, here.


Saturday 25th July

Furniture Conservation

Bring your own furniture and repair/re-polish/refurbish it with the help of Anne Holden, a former professional furniture restorer. Suitable work would be small repairs, French polishing, stripping and re-polishing, surface cleaning and revival, replacing missing bits of veneer etc. Bring several pieces if possible as it may be necessary to leave stripped or glued furniture to dry for a period.

No previous experience necessary. Tools are available for loan but bring your own if you have them and learn how to sharpen them. Materials will be provided, but a small charge will be made if large quantities are used.

Contact: Anne Holden – 01787 229955 –
9.30am – 5pm, Saturday and Sunday – Assington Mill, Suffolk

Photo : Brenda Hochachka

Sunday 26th July

Annual Bug Hunt at RSPB Rainham Marshes

If you like bugs then our expert ‘Spiderman’ will show you the small wonders of the natural world. From Wasp Spiders to Devils Coachman – we hope to find them all. Bring a packed lunch as this will be a fun packed day. Booking Essential.

RSPB Members: £3.50, WEX members: £1.50, Adult non members: £7, child non members: £3

11am – 4pm – RSPB Rainham Marshes Nature Reserve, New Tank Hill Road, Purfleet. RM19 1SZ

Contact: RSPB Rainham Marshes – 01708 899840 –

Summer is here in a crashing bundle of thunderclouds- check out this weeks music listings- there more electrifying than the lightening we’ve been having. Prepared to be shocked (in the good way).

Monday 20th July 2009
DM Stith, and Hoxton Bar and Grill, patient London

DM Stith comes to our humble shores on a swell of strings and a flicker of guitar plucking. There is something creepy and beautiful about his whispering lilting voice on Heavy Ghost debut LP (Asthmatic Kitty), sickness and indeed he sounds like a ghostly take on the man with the guitar type. If you like Bon Iver and being slightly frightened then this is for you.


Tuesday 21st July 2009
Hjaltalin, The Lexington, London

After last week’s epic and magical múm gig, I’m hungry for more Icelandic music (and accents). Hjaltalin make lovely orchestral pop in the vein of Sufjan Stevens, complete with brass, woodwinds and magic! If anyone knows how to pronounce Hjaltalin- answers on a postcard to P.O BOX- Amelia’s Towers.


Wednesday 22nd July 2009
Oh Minnows, Pure Groove, London

Oh Minnows, apart from having an awesome name, play the kind of synth heavy creepy pop that would fit oh-so perfectly into a David Lynch film, making me immeasurably happy and just slightly creeped out. Not to be missed for Twin Peaks geeks!

Thursday 23rd July 2009
Koko Von Napoo and Eugene Mc Guiness Buffalo Bar, London

Paris’ Koko Von Napoo do boy/girl, chic/spacey in equal measures. Fun pop that aims towards ESG mixed with John Maus. Eugene McGuinness shares the bill with his fun lo-fi folk that leans towards a vintage 50s vibe at times. He also has a song called “Fonz” which begs the question how could he possibly not be good?
DJs from both sides of the Channel follow.


Friday 24th July 2009
Yacht, Pure Groove, London

Given the current economic climate, here is the 2nd free gig at Pure Groove I’ve included this week. Oregon’s finest electronica outfit and general heroes Yacht will blow your mind and your socks off. If you come, I’ll save you a dance and a high five.


Saturday 25th July 2009
Au Revoir Simone, Proud Galleries, London

You may remember a few months ago a lucky member of the Amelia’s Magazine team got to interview Au Revoir Simone, and see them live afterwards, ok, she did an excellent job but since that point my resentment and jealousy have been festering in secret, but now I breathe a sigh of relief and jump for joy as they’re playing again and I pipped the other interns to the post at the chance to see them. Not only do they have the best legs in music, they continue to make beautiful and melodic pop music.
Support from Swedish Those Dancing Days who play organ-tinged girly Northern Soul .


What does a girl look for after finding the perfect pair of shoes? I might have hazarded a guess at the perfect man, there but in this post- Sex and the City and post-feminist world, the general consensus amongst my female friends seemed to be that more important than having a man about to put up shelves (etc) was having the most beautiful dress, made to fit them perfectly.

And I know of just the place to is the brainchild of Alexandra King, a fashion designer with a love of all things pretty, vintage and girly. Customers get to choose every part of the dress to create a one off, unique garment. There is a choice of ten top halves and six bottom halves, so you simply flick through the sketches to find your perfect match. Then there is the huge choice of fabrics, with everything ranging from stunning silks and satins to practical cottons and gorgeous assortment of vintage fabrics for the true, one-of-a-kind look.


With a studio next door to her house by a Somerset river, Alexi’s surroundings are a far cry from the harsh edges of the London catwalks, instead infusing fashion and dressmaking with that that often elusive sense of warmth and romance. Dropping by her house for tea, I somehow always make sure to find the time to rummage through her extensive archive of the very best pieces she has collected over the years. Being a lifelong friend I know the sheer number of pies this fashionista has her delicate little fingers in! There is the mothership, simply reading the glowing testimonials from grateful clients it is not hard to see that this is a designer definitely worth her salt. This is the place to find bespoke wedding dresses (again made to measure) lingerie and key pieces from past and present collections. Then there is the eBay shop, a mecca for vintage lovers to pick up carefully selected on off pieces. And it is not just e-commerce that Mrs King deals in. Alexandra also works for St. Peters Hospice in Bristol, sorting through donations to help the charity with her fashionable eye. Finally, jewellery is another passion, with Alexi creating statement pieces to perfectly set off an outfit and hats for any occasion.

Multitalented? Yes ma’am.

What inspired you to set up the site?

I graduated in fashion design in 2005 and had to choose whether I moved to London to find a job or to stay in the countryside to work for myself. I chose the latter and have been designing my own vintage range for boutiques since then, along with running my vintage store. Makemeadress came along when I wanted to combine the individuality of the one off vintage dresses with my own designs. It needed to compete in the fashion market against the likes of Topshop and boutiques by offering the customer a unique service that they couldn’t get on the high street .

What is it you love about vintage dresses?

Everything! They are usually so beautifully made and the fabrics are just so exciting. I’m a collector also and you can get quite addicted to finding specific pieces by designers, especially after you have read their books! It’s lovely to own a little piece of fashion history before we had such mass- produced garments.


Who makes and designs the dress once the order has been processed & where, are they made at home?

At the moment I design and do a little bit of making at my studio. I also have a small group seamstresses local to me who are fabulous at what they do. I’m hoping to bring some other designers in on the project in the future so that there is a wider range of styles.

How much input can the customer have with regards to colour, fabric and style?

With MMaD the customer can really create whatever they want. If they can’t see something they like, they can always send a photo in and we’ll make up the dress for them. I would really like to expand the range of colours and fabrics and hopefully this will be achieved on the upcoming website.



Is £97 your set price…or do the prices vary?

I wanted to keep the dresses under £100 to make them accessible to all, and it’s the set price for all the MMaD dresses. The website will be offering one off ready to wear dresses which may be a little more expensive depending on the work that has gone into them. I believe in paying the seamstresses a fair price for thier work, not cutting corners by using poor quality fabrics and being sensible about profits which go straight back into the buisness.

How do you deal with problem of measuring the customer, if orders are processed over eBay?

This was one of the initial problems I was most aware of. The website will have a clear size guide, a guide on how to measure yourself and we do also offer an alteration service free of charge if the dress doesn’t fit first time. The customers have been quite good so far at measuring themselves and getting it right. Only a couple of blips like when a bridesmaid ate too much for lunch and then couldn’t fit into her dress when it arrived. Luckily it was fine the next day! Selling vintage clothing has given me a lot of experience in measuring and fitting for the cutomers.

How long does it take to make and dispatch the dress to the customer?

Each MMaD dress is cut once we have the order, nothing can be pre-made. Once it’s cut, the dress is sewn by the seamstress and then packed and delivered within two weeks to the customer. All produced in the local area.



Are you finding that’s there is a high demand for vintage style dresses at the moment?

It’s huge and I think it always will be. Sites like eBay and etsy have just made buying vintage clothing more accessible and people who are interested in fashion in any way, will always love it. The only worry is that all those vintage dresses will run out, but then hopefully you will have MMaD!

If you could describe your service in a few sentences what would you say?

Create the dress of your dreams…. your style, your colour, your dress. It’s all about you! And if you’re not sure, you can have one of the fabulous dresses we made earlier!

If you have ever seen an Of Montreal‘s clip you might be aware of the lunatic vibe they have. It’s something sort of mystical-nonsense-kitsch that in the end works out very well. And is there a better way to bring to reality all this madness if not in a live performance? No!
All the characters that are part of the band’s universe were there on the Shepherd’s Bush Empire stage last Tuesday.



I confess that I couldn’t identify very well what some of them were, cialis 40mg but the rest went from a guy in jeans, treatment sneakers, medications blazer and a tiger’s head, people with gas masks, pigs, a shark (or any similar fish) and more pigs. Aside from BP (guitar) who totally rocked on his look, matching a feathered vest with a 70′s peace and love outfit.


All very charismatic and professional. Meaning that they left for the casting to do all the crazy performances and concentrated on playing, amazing everybody on the guitars and synthesizers. Kevin Barnes totally looked like he was enjoying what he was doing and really wanted to be there. Every down and then he pulled some little dances that went something like I’m on the dance floor, I can do whatever I want, fuck everybody else”. Ace!


The quality of the sound however was a big failure, bad mics audio, I personally couldn’t understand a word of what he was saying. And the set list could also have been rethought. I missed some tracks from Hissing Fauna (aka Cato as a Pun, my favorite, and Suffer For Fashion). Skeletal Lamping was better explored, of course, and from older stuff my highlights were Wraith Pinned to the Mist and Rapture Rapes the Muses.


An Elurdian Instance managed to become even more magical and overwhelming on its live version and The Past Is A Grotesque Animal were eleven minutes of a true musical acid trip. It was exactly when the guy by my side simply fell sleep, literally. Or he was going through a very strong thing with himself and maybe I didn’t get it.
Another thing that they could have invested more in the scenario, since they have all this surreal theatrical casting, it would be a perfect fit.


Otherwise, it was a great show! Basically everything that Of Montreal is in theory, put into practice in real life – up until where it allows us, unfortunately!



Pictures by Miguel Schertel

Star Wars, viagra order shell suits and swear words. Richard Fairhead keeps it fun and friendly with his neon coloured sketches and scribbles, this site work that has caught the attention and recommendation of Vice, Thechicgeek, Random House, YCNonline, VCCPBlue, and AMVBBDO. What I like about his illustration in particular is Fairhead’s bold, resolute, familiar approach, a reference to Hollyoaks here, a mention of Lassie the dog there. Meandering around his portfolio is like catching up with a friend from your school days, hanging out and drinking tea, sharing ‘in’ jokes and poking fun at popular culture. Comforting, knowingly juvenile and a gigglefest. Bliss.


The gentlemanly young man had some clever responses to my probing questions about his habits and inspirations, which you are cordially invited to read all about for yourselves.

Hello, how are you today?

Not bad cheers. Just having a poached egg and a waffle, trying to get over a Thursday morning hangover.

What have you been doing recently?

I’ve just started screen printing again near where I live in Brixton. The prints were for the walls of AMVBBDO, an advertising agency in Baker Street. And just finished a children’s book for learning Mandarin. Can draw a panda with my eyes shut now. In between that, pimping my website wide and far to all, and looking for the right space for another collaborative exhibition.


What materials or mediums do you like to work with best?

Cant go without my fine line pens and Bristol board. And can’t get enough of clicky pencils. All my stuff is hand drawn, then finished off on photoshop, thus my dying g4 ibook is also a must.

Who would be your dream collaboration/who would you like to work with artistically?

If it could be anyone, then probably Ian Stevenson or David Shrigley. Mainly because their work is shit hot and I have a similar sense of humour.


Who or what is your nemesis?

Probably my brother Chris. He’s just completed an illustration degree and we’ve worked on a couple shows and commissions recently. Our style and sense of humour is similar, so don’t want him nicking all my possible clients. We are going to work together on a lot more stuff as soon as. Or the bad liquid metal man from Terminator 2.

What inspires your work?

The everyday and mundane things that everyone has put up with. Anything that involves bright colours, hand drawn text, dancing animals and popular culture. And vodka.


How long do the illustrations usually take you to do?

I can take a few days on commissions and coloured stuff if I’m trying to get it right. A lot of the time if I sketch for a day, its always the first drawing I end up going back to. That can be annoying.

At what age did you realise you were creative?

When I was pretty young, about 7 or 8. I used to draw Gary Larson cartoons from the Farside. And at primary school, I remember flogging drawings of Judge Dredd to a few people. Not very good drawings.


Where do you see yourself in 10 years time?

Sitting in a mansion wearing a blue suit like Tony Montana. Failing that, I want
to still be drawing and having worked with lots of creative people/ friends whose
work I like. As long as I’ve still got inspiration to draw and enjoying it, I’m not bothered about
being rich. A bit richer than now though.

Besides art and photography, what are you passions or interests in life?

I like London, screen prints, Adidas, tea, old pubs, Johnny Cash, vodka, unicorns, robots, bears Luc Besson, hand drawn text, wondering through foreign cities, Ritzy Cinema, Chris Cunningham, QOTSA, The Streets, Feta cheese, and bright colours.


Which are your favourite artists/illustrators/photographers?

I would go for – - Ian Stevenson, David Foldvari, Marcel Dzama, Edward Hopper, David Shrigley, Andrew Rae, Mr Bingo, Faille, Sam Kerr, Robert Rauschenberg, my brother. Loads more, which I’ll remember when I’m not doing this.

Tell us a secret!

I though Blade Runner was a bit boring.


What would you pub quiz specialist subject be?

My memory is proper shit, but if I had to choose then probably the films Leon or Jurassic Park, as for some reason I’ve seen them a trillion times. I done my dissertation on a few Chris Cunningham videos, so could regress back to watching those. Not bad with history. Ish.

Who would be your top five dinner guests? Who would do the washing up?

I would get the vodka and falafels on the go and invite round Christopher Walken (from True Romance, he’s proper scary), Michael Corleone, Johnny Cash, Scarlett Johansson (from Lost in Translation, as she’s gorgeous) and Peter Griffin (Family Guy). Would ask Walken to get on the washing up, see if he did a good job.


I’m off to put the kettle on, tune in for some afternoon TV and reminisce about school day friendships. Thanks for the reminder of those awesome times, Richard.

A ‘Climate Emergency Parliament’ convened on Westminster Square last Wednesday evening, information pills a gathering of campaigners and politicians recognising the real need for an alternative forum of representation – the elected parliament is simply not responding proportionately to the need to act. It provided a lively and energetic domain for proactive discussion, this structured around four bills all concerning the best solutions to prevent the escalation of climate change. These bills included measures for a 10% reduction in UK greenhouse gases and banning all domestic flights by the end of 2010, information pills 1.5 million new green jobs, a 55mph national speed limit and the termination of road programmes.

Illustrations by Kerry Lemon

The speakers for these bills were juxtaposed with the voice of the government, in a theatrical parliamentary manner with costumes, energy and charisma abound. As Darren Johnson (Chair of the Assembly – Green Party) argued ‘the time for gradualism is over, it is the time for emergency measures’ and this urgency could be felt throughout the gathering. Chris Baugh (Assistant General Secretary, Public and Commercial Services Union) insisted that these green issues were never ones of affordability and always ones of political priorities and it is now, that these priorities must change.

Photos by Karen Hitt

The 10% reduction target is of high importance for Tim Helweg Larsen (Director, Public Interest Research Centre) as for him, the government’s measures and targets to cut greenhouse gas emissions by 80% by 2050 are simply inadequate for the scale of the crisis. Climate change is developing far ahead of the government’s schedule and this is because climate feedback is getting out of control. Larsen believes the government are not accounting for the accumulating bucket of green house gases in the atmosphere, to which we are constantly adding, and which is pushing us over the edge.


Larsen illustrates this by stating that the IPCC points towards summers free of arctic sea ice by the end of the century. This is concerning, because the sea ice acts as a crucial white parasol at the top of the planet, reflecting the sun’s heat back into space. More and more, instead of reflecting this heat, it is being absorbed back into the ocean, causing localised warming. The land ice will then melt causing sea levels to rise, and this component is out of our control. A cut of greenhouse gas emissions by 10% by the end of next year would keep us on track, but more would be needed to go beyond this.

A ban of internal domestic flights was also called for. John Stewart (Chair, Airport Watch) slammed the British Chambers of Commerce report which claims the “3rd runway will gain for the economy 20/30 billion pounds over 60 years” because it did not account for the costs of climate change, noise and air pollution (Heathrow is already above EU legal limits) and growing congestion. The statement that “aviation emissions only count for 2/3% of worldwide emissions” is absurd as a world average does not makes sense, after all very few people in the poor world actually fly and therefore aviation remains a rich person’s hobby.


The government’s lack of support for the importance of green jobs was also felt with attention drawn to the planned closure of the Vestas factory, the only wind turbine manufacturer based in the UK, during a time in which there should be a move towards clean and socially useful productions. This cut of 600 jobs comes as a blow to the workers and a heart-felt plea was made by one of them, commenting on the commitments they have made. It should be a moment for the government to realise they need to do more, if Vestas is relocating to America to take advantage of Obama’s policies.

The final bill for a 55mph national speed limit was described as ‘the closest you are going to get to a magic bullet for tackling climate change’. The general public would quickly realise the seriousness of climate change and positive knock on effects would soon be felt. People would be using their feet, bicycles, buses and trains more, and these modes could overtake the cars. Safer and cleaner roads would unfortunately have one downside: less fuel tax revenue for the government. Daniel Scharf (Green Speed) argues that this change is free, fair and requires no technological change, and would reduce carbon emissions tomorrow and so ended on the note “either I’m mad or they are!”.

Tamsin Omond (Climate Rush) closed the parliament affirming that direct action and mass support is needed in order to make the fundamental progress in this fight against climate change. It is a time to keep on fighting, knowing what they believe in is right; it just has to be realised. The message is that we are not going to meet the government’s targets or any other unless action and cuts are taken today.

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The sense of the ridiculous that characterises much of the fashion world is maximised nowhere more than when documented on ‘reality’ television, shop where the industry is reduced to a series of easily digestible vignettes that viewers take as gospel. You’ve got Tyra Banks on America’s Next Top Model, order telling us girls must be beautiful inside and out (read: brain dead and complain the least).
Or dinosaur-eyed Heidi Klum, host of Project Runway, who episodically barks at the contestants that in fashion, “one day you’re in, the next day you’re out”. The humiliation ritual to these shows are something television execs would have us believe is somehow emblematic of the industry on a wider scale, when in truth, it just makes for good television. Last week I mentioned the Channel 4 programme Dumped – half Big Brother, half environmental awareness programme, two concepts that at least at first made for strange bedfellows – like eating a Big Mac with some buckwheat on the side. And it doesn’t come junkier than Project Runway.


Its latest winner, Leanne Marshall, made much of her winning collection from sustainable textiles. Marshall, hailing from Portland, Oregano presented a collection inspired by rippling water in an aqua and cream palette, with an architectural hand to much ruching and pleating.




While it was nice to see ethical fashion being rewarded, the fact that it was exposed to such an enormous audience just went to show that whatever the medium, it shouldn’t really matter how green living enters the public consciousness. And it wasn’t just a fair-weather victory – last week Marshall unveiled her new collection for, a selection of her signature feminine styles made from hemp, bamboos and organic cotton, as well as earth-friendly dyes (visit the website to check them out, photographed seemingly at the bottom of a swimming pool somewhere).


I’m not just jumping on the bandwagon, neither – Project Runway is my junk food. At university, when we didn’t have a television, my housemates survived on a celluloid diet of Project Runway over the internet, meaning my conversation began to only consist of Project Runway-related events.

It’s fine, it’s out of my system now and can return to writing about things with artistic and moral integrity. That’s until the new series starts, anyway (TWO WEEKS!!!!!!!!!!!!!!)

Corporations on Trial” is a special five-part series that charts the lawsuits being brought against multi-national corporations.

Illustrations by Krishna Malla

What happened last Thursday during what was supposed to be the screening of “Corporations on Trial” human rights short films, help was quite weird and really rather primitive. We saw almost nothing, approved as the projector’s remote control didn’t work. Luckily, website all the documentaries, being part of “People and Power” programme from Aljazeera TV channel, are available on their website. I’m sure you’re wondering why nobody could solve that small problem. Wasn’t there a manual control panel to switch on the projector? If there was, they didn’t find it. This is not a joke just to make this text more amusing, I swear. I know it’s hard to believe; we are in the twenty-first Century after all! But maybe something was hidden behind the remote control’s excuse. Perhaps the security guard of the SOAS building (where the screening was held) was the nephew of some oil company fat cat and the showing was sabotaged on purpose? Ok, that might just be my fairy tale imagination talking, but my point is that the incident was a good example of the real world’s obstacle race to show the truth. Big companies are always trying to safeguard (and clean) their image by hiding and reversing information. Their sole goal : to make more money. Everything else is inconsequential – even human life. But this is what lawyers all over the world – mainly in the US – are trying to make the businessmen understand : if they want to earn money, they must also be ethically correct. If they don’t understand willingly, they will be made to understand by force. Even if motivated by pure self-interest, it’s still worthwhile.

Meanwhile, war crimes, conspiracy and corruption are happening with most of the “First World” population not even noticing.


In Colombia, for years, banana giant Chiquita funded a paramilitary group that killed their own employees.

In Indonesia, myriads of people lost their homes due to Volcano Lusi’s mud eruption (experts say) triggered by a gas-drilling operation by Indonesian mining company Lapindo Brantas ­- although Aburizal Bakrie, the country’s minister for Social Welfare, whose family is the majority shareholder of the company, denies it.

Trafigura, the world’s third largest independent oil trader, unwittingly dumped tonnes of toxic waste, inside an Ivory Coast town – simply because it was cheaper than doing it properly in Europe – and hundreds of people were injured or died from poisoning.

The tiny village of Kivalina in Alaska is almost on the point of being swallowed by the freezing sea. Global warming? Yes. Man-made? Of course. Steve Susman, former defence lawyer for Phillip Morris, blame Exxon Mobil, Texaco and twenty-two other energy companies.

Illegal Israeli settlements are being built in the West Bank village of Palestinian Bil’in, occupied by the Jewish. Desperate and tired of waiting for the Israeli justice to act, Palestinian lawyers discovered that the companies constructing the settlements were based in Canada, where the international human rights law considers building on occupied land a war crime.


We still don’t know the (hopefully happy) ending to all these cases. We still don’t know whether the clients will get their compensation or not. But we do know that the aim of all those lawyers fighting against huge business Goliaths is not only to get compensation, but also to set an example and change corporate behaviour on a global scale. Aren’t businessmen human beings, able to feel grief or shame? It appears not. So they’ll have to learn. The damage is already done but we still have time to not repeat the same mistakes. Thousandth time lucky.


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