I first noticed Georgia Hardinge’s exquisite autumn/winter collection for the designer’s transcription of fossil’s architecture into the folds of the collection. An idea embellished by the neutral colour palette of both the make up and the clothes themselves. This season sees Georgia Hardinge premiere her S/S 2010 collection at On|Off’s exhibition space at 180 The Strand. This event staged by On|Off is a separate event which coincides with the official London Fashion Week, offering young designers the opportunity to show their collections while the fashion industry is in town.
After graduating from Parsons Paris School of Design Georgia collaborated with Jean-Charles de Castelbajac and was awarded the golden thimble for best designer at her graduation show. I particularly like the draping and pleating of the fabric to embellish the body’s architecture whilst remaining incredibly feminine pieces of design. The S/S 2010 designs continues themes present in earlier collections from the positioning as clothes as architecture for the body encased within sculptural designs based on landscapes and fossils. I look forward to seeing the entire collection at the On|Off exhibition.
Georgia, what inspired you to study fashion design?
Fashion is my way of translating my thoughts into living entities. I am inspired more by ideas of sculpture, science, and architecture than I am by the fashion industry I think clothing should be unique and trend-less.
When did you creative interests start to develop?
Creating things always interested me, and I remember remaking my friends‚ clothes for fun, and collecting bits and pieces to turn into accessories. We would all go into our mother’s wardrobes and dress up in their clothes.
How important is the natural shape of the body to your designs?
Everyone has areas around their body that they are sensitive about. Manipulating the fabric to draw attention elsewhere makes people more confidant, if I can make people see beauty in what they thought were their faults then I’m happy.
Which designers would you consider to be important currently?
I don’t consider any one designer to be more important than any other. Our work shows our opinions and everybody has an opinion that matters. It’s about what you like and what feels right at a specific moment.
What is your favourite fabric to work with?
I have this obsession with wool! I can always rely on it to structure my work the way I want, and I love playing with the raw edges of the fabric.
How do you incorporate structure into your designs?
Architecture is my ultimate inspiration, if I wasn’t in fashion I would dedicate my time to making models of landscapes and buildings, I’m intrigued by doing this on a living body and challenging myself to turn my ideas into garments. On the body my work can travel, people are introduced to my concepts in the street without having to go to a gallery or museum.
So landscape is important to your SS10 collection?
I wanted each piece to map the lines and curves of a woman’s body. I was just experimenting with the idea of boundaries and contours on the body and trying to recreate this as something we can use everyday.
How does it feel to be part of On|Off at London Fashion Week?
I’m quite excited. This is only my first collection working within my company so I’m just lucky to have this kind of opportunity.
What are your plans for the future?
I have a lot in store for the future. I think all designers have an idea of where they want to be in ten years time. I just hope people stay enthusiastic about my clothes and I keep challenging myself and coming up with fresh ideas.
- London Fashion Week A/W 2011 Catwalk Review: Georgia Hardinge (by Amelia)
- Lako Bukia: The London Fashion Week S/S 2012 Preview Interview
- London Fashion Week S/S 2012 Catwalk Review: Georgia Hardinge
- Brick by Brick
- LFW 09 – Aminaka Wilmont S/S2010 – winged fancies