Listings

    No events to show

Follow

Twitter

|

Facebook

|

MySpace

|

Last.fm

RSS

Subscribe

Top 25 Art Blog - Creative Tourist

London Fashion Week S/S 2011 Presentation Review: Jacob Kimmie

In a maze of rooms up a thousand stairs, South African-born Jacob Kimmie presented his S/S 2011 collection of both mens and womenswear - illustrated by Gareth A Hopkins

Written by Matt Bramford


Jacob Kimmie S/S 2011, illustrated by Gareth A Hopkins

I’d really wanted to catch Jacob Kimmie’s S/S 2011 presentation at The Studio (wherever that was) but time was running out after Ashley Isham’s late runner and I didn’t think I was going to make it. Luckily, on my way to Kingston MA’s somewhat uninspiring show (more of that later) I managed to bumble past ‘The Studio’ which was moments from Freemason’s Hall.

On the door I was greeted by the smiliest person I had seen all day, and when you’re so exhausted that you fear you may slip into a coma at anytime, it’s a welcome break to meet somebody like this when you’re surrounded by miserable morons. I demand that this lovely girl, who I don’t know the name of, starts a School for Smiling and signs up half the PR girls at fashion week immediately.

The Studio happened to be at the top of 1001 stairs, which I was in no way prepared for. Luckily an equally smiley girl was poised at the top and provided water, which I assume was a condition set by the Health and Safety Executive.


The studio really needs to get its ceiling looked at. Tut, tut.

Anyway, inside the maze of rooms had been organised to take a one-way-system approach, and relatively normal looking models were perched in each room wearing Kimmie’s S/S 2011 collection. This was a far cry from his A/W 2010 collection of bold monochrome pieces. There was plenty of colour, the fabrics were more forgiving, and there was less emphasis on harsh shapes – but die cut sculptural accessories, created in collaboration with Alice Welsh and Fiona Ross, covered heads and arms and added a futuristic twist.

Silk trapeze dresses, graphic prints and floaty maxi numbers stood side by side with masculine tailoring with a futuristic aesthetic, tailored in wool crepe for that oh-so-luxurious look and feel. Sounds a bit odd ball but it actually worked – and the colour palette, of mint green, fiery florals and, of course, monochrome, brought the collection together.


Illustration by Gareth A Hopkins

I particularly enjoyed this woman-of-the-future look, and actually if you strip away the conceptual accessories (if they’re not your bag) what you’re left with is exemplary and contemporary tailoring that is totally wearable but still fashion forward.

Menswear was on offer too, although this saw Kimmie go back to his grayscale ideals and didn’t stand out amongst blasts of vivid colour. I expect that, with a bit of work, this can be as satisfying as his well-received womenswear.


I’m still worrying about this model two days later. I think if I had pushed her, she would have fallen over straight up like a domino. I worry she’s still standing there right now.


Some perv filming up somebody’s skirt.

All photography by Matt Bramford

Tags:

, , , , , , , , , , , , ,

Similar Posts:

Leave a Reply