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Top 25 Art Blog - Creative Tourist

Sorapol ‘Euphoria’ S/S 2013 Catwalk Review

On the 19th October 2012 Sorapol presented 'Euphoria' in a subterranean Soho carpark filled with fashionistas dressed up to the nines in their most ridiculous get-ups.

Written by Jenny Robins

amelias magazine - jenny robins - sorapol ss13 - illustration 1
Illustrations, sketches and first photograph by Jenny Robins, all other photos courtesy of Pop PR

Sorapol’s S/S 2013 show ‘Euphoria’ was an ecstatic exhibition of excess. Anything less would surely have disappointed the audience, which included a large number of guests in utterly ridiculous outfits: even my view of the shoes from my seat on the floor in front of the photographers (better for sketching) was extreme.

amelias magazine - jenny robins - sorapol ss13 - front row shoes
I’m sure there were plenty of celebrities from the fashion world present but I am unfortunately rubbish at knowing who they are. Having said that I was pretty excited to spot Ruth Brown of The Voice fame on the front row: much more my kind of celebrity. She was wearing Sorapol’s many tailed creation from his A/W 2012 collection as well, so presumably a fan.

amelias magazine - jenny robins - sorapol ss13 - frow sketches
Likewise I couldn’t possibly comment on whether any of the creepy masked caricatures portrayed by the catwalk models were based on specific celebrities. The off-her-face-and-sweary model, the twirl-and-flash-your-bum model, the air-kissers and over-the-top posers, the pair of giggling twins who staggered down the runway bouncing off of each other, till faced with the photographers at the end they became suddenly media savvy and struck the right poses. One character beckoned a black t-shirted lackey out of the crowd and into the spotlight, to cojole and then slap.

amelias magazine - Sorapol ss13 - Look 1
Each look seemed to have a corresponding act, seemingly sending up and/or celebrating the behaviour of privileged London party people. The story in the press release reinforced this, telling us about Catherine, who ‘Sparing no expense in her efforts to quench her thirst for more, tried everything.

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amelias magazine - Sorapol ss13 - Look 5
Luke Worrall walked down the runway wearing (as well as shiny leather hot pants) a hat with his name on and many arrows pointing to it. The majority of the models wore grotesque masks with melting mottled surfaces and painted on eyelashes and lipstick. These were by Achraf Amiri, an illustrator known for his distorted disturbing fashion figures.

amelias magazine - Sorapol ss13 - Look 11
amelias magazine - Sorapol ss13 - Look 15
Exhibitionism, excess, celebrity, waste, disgrace, decadence, ideas that were also riffed on in the musical choices (‘we’re all stars now in the dope show’) and the giant sparkly line of cocaine (presumably sand – no-one’s that excessive) down the centre of the catwalk. Presumably the irony was not entirely lost. A grumpy commenter on my first ever fashion write up once told me ‘High fashion and Couture is about Fantasy and creating an artistic vision‘, and Sorapol Chawaphatnakul and Daniel Lismore have certainly achieved that. But what about the clothes? Isn’t that what fashion is supposed to actually be about? Here are my catwalk sketches…

amelias magazine - jenny robins - sorapol ss13 - catwalk sketches 1
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A great variety of shapes and colours, a peplum here, a ra-ra there, an orgy of sparkle, brocade, billowing trains and structured corsets, tassels, hotpants, fluorescent platform brogues with giant pompoms on, and big purple hair. All very feminine in a certain way. The sex, drugs and rock and roll mantra was referenced very literally with prints and accessories featuring hundreds of little bicoloured pills, and the final piece, which was a Marylyn Manson-esque gothic dress featuring a double necked electric guitar attached to the front.

amelias magazine - Sorapol ss13 - Look 18
amelias magazine - Sorapol ss13 - Look 19
amelias magazine - jenny robins - sorapol ss13 - puma bike
The clothes were actually great – ridiculous and sublime like the whole event, and not pretending to be anything else. The show started with a jaguar shaped motorbike, and ended with an amazing performance by Vince Kidd (also of The Voice), cigarette in hand, singing The Rolling Stones and swaggering all over the place (this is probably why Ruth was there too I guess). A very excellent excessive sleazy glamorous night out.

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