Still Corners by Nicholas Stevenson.
I discovered Still Corners when they supported Our Broken Garden late last year. The band are as elusive as they are beautiful, viagra 40mg but I managed to track down songwriter and keyboardist Greg Hughes to answer a few finely tuned questions. Delve into the enigmatic Still Corners world…
Who are you?
We’re ghosts, web but if you close your eyes and listen carefully to the music you’ll find out who we are.
Still Corners by Sandra Contreras.
You’ve managed to create an impressive amount of hype already… have you intentionally pursued press or has this just come about of it’s own accord? ?
We mostly keep our heads down working as hard as possible. However the press has been fantastic and we all feel very lucky and happy that people are enjoying the music and shows. It’s a wonderful feeling.
?Would you like to stay independent or you would you like to sign to a major label?
We’ve always been a DIY band and we don’t use producers – I record it all and we do all our own artwork. These are things that major labels usually like to have a say about and that probably wouldn’t work very well with our ethos.
Still Corners by Karina Yarv.
You have said “Everything is handmade” – what does this mean in practice?
That means that all our output is created by our little circle of friends. I have a little studio where I do the recordings, link then we rope in friends and like minded artists to take photos and help with the artwork. It’s just that we have a very definite idea of everything, a vibe of how things should be. So it’s just easier to do it ourselves, to take what’s in our heads and make it a reality.
Still Corners by Alison Day.
Your stage shows are characterised by a wash of deep colours that hides your faces… how did you decide upon this feel, and how important is the look and ambience of your performance? ?
We’re not actually trying to hide or anything, we just don’t think that what we’re doing on stage is all that critical to observe. We like to use projections because we think they are beautiful to watch and they bring more out of the music. Projections are best seen in the dark so we usually turn the lights down to create an atmosphere, maybe something you don’t always get in your typical smaller venue.
What is it that so appeals to you in the creation of such a woozy atmosphere?
?Whether recording or playing live we want to go off into another world, something we see in our heads and feel in our hearts. We want to make our audience feel something.
Wish is just beautiful. How was the video made??
Thank you. Lucy Dyson made that video for us – she came up with the idea and filmed it all on 16 mm film which lends a sort of dreamy washed out feeling to the visual quality of it. We shot it all over 2 days on a nice summer stretch of green in London.
What inspires the lyrics to your songs??
The English countryside, a sunset, a romance, films of yesteryear, a photograph, a painting, a story, lying in the grass watching the stars, the little moments of life.
Still Corners by Nicholas Stevenson.
What has been your gigging highlight of the year and why?
?We recently played in a castle in Berlin and in the most incredible opera house in Toulon in France. The people, places, and response was amazing – both definitely stand out moments for us.
Are there any other up and coming bands that you recommend that we check out?
A band we think are just magical are Twin Sister, and they are lovely people as well.
?What are your plans for 2011? Can we expect to see you at any festivals?
We hope to have a single out with Sub Pop early this year and we’re working on a full record for release mid-next year so fingers crossed we’ll find a nice home for it!
You can read a more in depth interview over on The Quietus.
Categories ,Alison Day, ,berlin, ,france, ,Karina Yarv, ,Lucy Dyson, ,Nicholas Stevenson, ,Sandra Contreras, ,Still Corners, ,Sub Pop, ,The Quietus, ,Toulon Opera, ,Twin Sister, ,Wish
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