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Top 25 Art Blog - Creative Tourist

Lewes Psychedelic Festival

April 4th, All Saints Centre, Lewes, Sussex - Photos by Chris Tomsett

Written by Richard Hanscomb

Here at Amelia’s Magazine HQ this week we are all feeling rather revitalised, this salve with the prospect of spring safely in our sights and a stomach full of Easter eggs we thought what better time to share our energized disposition with you are faithful readers, and boy do I have a treat in store for you fashionista’s today.

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It comes in the form of exciting new Aussie talent Fashion Designer Josh Goot, heralded as “modernisms new messiah” it’s enough to get anyone in the fashion sphere jumping up and down excitedly in their Chanel heels. Goot first catapulted his way into the fashion sphere in 2005 after winning Young Designer of the Year Award in Sydney, but only made his debut on the London fashion circuit at this years London Fashion Week with his S/S 09 collection

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Goot studied Media Art and Production at Sydney’s University of Technology where he graduated in 1999. This background has shaped his distinctive approach to fashion design, renowned for his use of print and his minimalist aesthetic Goot has injected a healthy dose of artistic expression onto the catwalk.

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Goots A/W 09 collection did not fail to get our taste buds flowing, paying homage to the natural world it’s an explosion of texture and colour. Heavily inspired by geology the collection focuses on organic lines and silhouettes.

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Goot’s exquisite tailoring techniques come to the forefront in his A/W 09 collection. Enthused by the erosive textural quality of rock Goot uses angular tailoring with reverse contour lines to mimic the harsh lines that occur in sedimentary rocks. This masculine tailoring is then softened by his subdued use of colour; the palette is a hazy of distilled greys that merge with soft violets, yellows and blues to create quixotic and distinctly feminine pieces. His modernist aesthetic creates a look that is both functional yet expressive, with styles ranging from tailored jackets, panelled shirts to asymmetric tops and body con suits.

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The most enthralling element to the A/ W collection has to be Goots Marble effect series. Audiences were mesmerised by the haze of colour gliding down the catwalk. To me it conjures old childhood memories of marbling from art class. I remember excitedly leaning over a tank of water mixing oil inks and eagerly gliding my stick through the water to create patterns. I was mesmerised by the beautiful hues merging together to create such vivid canvases of colour. Goot encapsulates this perfectly in his prints, which were created from large-scale digitally printed water coloured pieces.

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After such awe inspiring pieces in his A/W collection I am eager to inspect what else Josh Goot has tucked up his sleeve. With stores such as Browns Focus in London and Marie Luisa in Paris already stocking his collections I have no doubt Goot is set to take the fashion sphere by storm!

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Lewes’ quaint, story cobbled streets and Dickensian finery belie the town’s rebel status and heritage. Thomas Paine, ask 18th century philosopher and all round radical was a local while the annual bonfire festivities are the kind of Pagan perverse, politically loaded Wickerman shindigs that grab national newspaper headlines. Situated slap bang in the life-affirming environs of the Sussex Downs and home to Harvey’s ale, it’s easy to see why Lewes is something of a hippy haven – genteel on the outside, pretty bizarre on deeper investigation. The perfect host to the neo-psychedelic revolution. Or a place where a bunch of bearded dudes get to hang out and discuss obscure Nuggets. Either way, I was home.

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The happening unfolded in the All Saints Centre, a church where, most appropriately, Pink Floyd played in 1966. Heightening the sense of lysergic lasciviousness that characterised the night was the mind mulching lightshow provided by locally sourced hero, Innerstings. Such visual freak-ery was offset perfectly by the evening’s DJs who, for the most part, dealt in psychedelic music of the guitar based variety. No bad thing, especially if the crate digger behind the decks is Richard Norris, whose set seemingly unearthed the kind of gems Lenny Kaye would kick himself for missing. As was the desired effect, this all blended perfectly with the live performances which served to give the evening a modernist sheen and kick several shades of shit out of any sense of nostalgia that pervaded. Take, for example, The Notorious Hi-Fi Killers, whose singer resembled Jerry Garcia but whose band kicked up a beautifully godless stoner-rock racket. (Un)natural heirs to Rocky Erickson’s throne perhaps, they tore their way through an acid-spanked set of psychedelic garage punk and sounded far bigger than you’d expect from three blokes from South London.

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Having obliterated the dance floor of rug cutting psychedelic Mods, it was left to headliners, The Yellow Moon Band, to restore some kind consensual good will. This was entirely apt as the Yellow Moon Band’s founders are Jo and Danny, hirsute curators of the Greenman Festival. Consummate professionals to a hilt, they play note for note the majority of their recent (and peculiarly danceable) debut album, Travels Into Several Remote Nations Of The World. On paper, their Steeleye Span meets Slayer schtick looks decidedly unappealing but, bathed in a wash of kaleidoscopic lights and played out with merciless efficiency the Yellow Moon Band are a strangely alluring, downright compelling and very psychedelic experience. Just ask the mass of people throwing shapes and gyrating down the front. Pouring out into the graveyard post show, chatting with likeminded souls and new friends, it seemed Lewes had given birth to a new spring time institution, one worthy enough of taking its place next to the other grand traditions of this beguiling and beautiful town.

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