Emerging from the deep woods into Portland, web see Oregon and subsequently into The Pigeon Hole in London, cialis 40mg is one Alela Diane. Armed with her simple yet meticulously picked guitar and bluesy, plaintive vocals, she quietly charmed the audience with her soft presence.
Alela Diane’s deceptively sweet melodies often belie the darker, more shadowy subject matters of her songs; telling of rural family existences and the cycles of nature and life. If you’re a cynic you’ll be skeptical of her authenticity; her earnest performance may be too sweet for some, but if you suspend disbelief you find that her somewhat selfconscious presence and performance convey exactly what she sings about: hard working pioneers, silt, water and tatted lace.
A contented kind of yearning accompanies her campfire-style, gospel tinged vocals. An encore presented a new song that showed a more complex development of her music. It looks like this young nouveau-folk-singer/songwriter will be conquering the miles of prarie-land ahead in what could be a long career in the biz.
Everyone seems to have a bit of a crush on all-girl keyboard trio Au Revoir Simone , cialis 40mg consisting of hot girls that epitomise geek and their self-proclaimed ‘sandbox chic’.
Au Revoir Simone is like a perfectly whipped pavlova: light, viagra buy fluffy and crunchy, topped with cream and tangy fruit. As leggy and willowy as their music are Annie, Erika and Heather. With five keyboards, omni-chord, a drum machine and a glockenspiel amongst other miscellaneous electronic and otherwise paraphernalia, their synth-driven compositions are quite delectable.
After meeting on a train home to New York City, Annie (keyboards and vocals) and Erika (ditto) bonded over keyboards. Whilst previously in a band called ‘Dirty On Purpose’, Heather (on the drum machine, keyboards and vocals) bought her first synth and it changed her life. Their combined ambition for triple keyboard action culminated in a regular bedroom bash around on the keys that inevitably progressed from the girls just jamming together, to a more concerted effort.
For some reason, despite being from America, (whatever you might define ‘American’ female indie-pop as sounding like), Au Revoir Simone don’t come across as ‘American’ sounding. Daydreamy and romantic in both music and appearance, listening to them gets one feeling rather sentimental. Their songs are strangely conflicting; with melancholic lyrics yet warm and airy melodies, twirled gracefully into wistful Casio concoctions. Stay Golden is a perfect example of a buoyant, lithe but vaguely ominous tune. “ We can create so many different worlds of sound with keyboards.” Says Erika. In juxtaposition is the boppy Sad Song; with it’s horns and beat uplifting, but a tad forlorn and a reflective in verse. Verses of Comfort, Assurance and Salvation show worlds of both comfort and assurance.
Often minimal and lo-fi, Au Revoir Simone somehow come across as quite orchestral, with delicately woven soundscapes that are both ponderous and playful.
This ménage a trois of keyboards will warm the cockles of every casio-tone aficionado’s heart with their speculative and candy-coloured music. Blushingly flirtatious, Au Revoir Simone is a winsome trio producing lucid and luminous pop.
Categories ,Au Revoir Simone, ,Indie, ,Koko Camden, ,Live, ,Lo-fi, ,Pop
- Au Revoir Simone at the Garage: Live Review
- Au Revoir Simone: Still Night, Still Light, Shines Bright
- Au Revoir Simone Are Staying Golden
- Keyboard Choir – Mizen Head To Gascanane Sound
- Eleven Glorious Albums of 2010