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Top 25 Art Blog - Creative Tourist

Live: Noah and the Whale

o2 Empire, Shepherd's Bush, Friday 6 March

Written by Matt Bramford

I’ve never been a big fan of Shepherd’s Bush Empire, and no change in sponsorship (from Carling to o2) is going to change my opinion, thanksverymuch. It’s not the sponsorship, nor the ridiculous beer prices, it’s just the venue. Built in 1903 as a music-hall slash variety theater, its flat stall area and high back end make for terrible views.

Despite this, the venue’s top line up always draws a packed out theater, and Friday’s Noah and the Whale gig was no exception. Packed to the seems when we arrived (too late, as always) the crowd were already geared up by supporting band Jay Jay Pistolet, who sadly we missed but fellow Whalers told us were good fun. Moments later, N&TW drift slowly onto the stage without fuss, pick up their respective instruments, and Charlie takes center stage. At the back, there’s a huge ornate frame playing footage of an orchestra. A simple and short ‘Hello’ from Charlie signifies the start. Visuals are projected inside the frame (contemporary animation pieces by Future Shorts fused with 1950s Americana). It’s a nice touch, and compliments each of the songs perfectly. The band kick off and we’re hooked – from here in it’s tune after tune delivered with the casual, cocksure confidence Charlie & co are becoming famous for (and I mean this in the nicest possible sense).

NTW_1.jpg

Most of the album is covered and rockier versions of Give a Little Love and Rocks and Daggers are particular highlights, and far from the twee indie sound we were expecting. There’s a couple of new tracks to wet our appetites for June’s eagerly anticipated second release First Days of Spring, which have the same flavour as Peaceful, The World Lays Me Down but with a dash more confidence thrown in.

At the end of the set, eagerly anticipated Five Years’ Time is belted out and sounds just as good live as you’d expect, with footage of youtube videos of fans to accompany (a nice touch, but a little bit of sick did appear in my mouth).

A splendid gig all in all, missing only a female vocalist to supply Beating’s haunting ooos and ahs, and Five Years’ Time’s angelic love love loves. Where was Marling? Honestly.

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