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Top 25 Art Blog - Creative Tourist

My favourite finds from the Glastonbury Emerging Talent Competition 2014

The Glastonbury Emerging Talent Competition winner for 2014 has been announced, but there were many more brilliant tunes submitted. Here are my favourites which did not quite make my final top three.

Written by Amelia Gregory

Ellie Ford by Daria Hlazatova

Ellie Ford by Daria Hlazatova.

A few weeks ago the final showdown between 8 finalists was held at Pilton Working Men’s Club, with the ultimate winner of the 2014 Glastonbury Emerging Talent Competition announced as M+A with their super catchy tune Down the West Side, below.

When I wrote about my top picks for the Glastonbury Emerging Talent Competition I promised to also share some of the great bands and tunes that did not make it on to my short list. I was given a long list of 140 bands and musicians to listen to, from the genres of folk, country, dance, electronic, dance, indie, pop, acoustic and singer/songwriter – so obviously this selection reflects that choice. The eagle eyed amongst you may note that I was mainly given those bands with names starting in the early or late sections of the alphabet. I hope you’ll enjoy these finds as much as I did – you can hear all the tunes I like in no particular order on my soundcloud playlist, embedded directly below. I have a feeling I might be making more of these, and I am certain we’ll be hearing more from a few of these bands too.

I was really taken with the giddy oddity of Maxine, We’re Alive! by Liverpool duo A Lovely War. Unusual, weird and wonderful.

Sunsets is a great tune from Irish singer songwriter Wendy Jack, based in County Tyrone. Over the years she has worked widely to raise awareness of human rights and environmental issues.

Beautiful folk with a harp; Low is from Brighton based Ellie Ford, who is playing at this year’s Wood Festival (listing here).

Who Made Heaven is a beautiful slice of subtle country infused folk from Charlie Law, released through the The Davenport Collection folk label late last year. Despite a foundation in tune making of yesteryear the bittersweet lyrics tell a very modern tale of cross cultural love.

Bless is a slice of Japanese ambient electronica by Akisai.

Live For is a stunning banjo driven duet between Elvina and I.

Horses in Midstream by You, Me and Him was one of my favourite tracks, featuring a distinct 80s vibe in this epic tale of deception and greed.

Firewoodisland by Daria Hlazatova

Firewoodisland by Daria Hlazatova.

Simon is by the enigmatically named Firewoodisland, rollicking ‘celtic viking’ infused folk music made in Cardiff with a Norwegian lead singer.

A strummed guitar is the back bone of Stranger, a luscious slice of folk from Fenne Lily.

A harmonica opens a sweet little ditty called Back On The Bike by Four People.

Think Again is rollicking folk from Welsh singer Geraint Rhys.

And We Disappear is a prime example of 80s influenced dark wave electropop by AlterRed.

Alaskan Faction by Catherine Pape

Alaskan Faction by Catherine Pape.

We Disappear is super twinkly indie from Alaskan Faction.

A touch of the Cure, no? The Heart Transplant by Adam Clark has a subtle start but soon takes on their trademark wobbly vocals.

Like Ted Dexter by Alex Moir is feel good indie a-go-go with a psychedelic interlude!

Lost is by North Ireland based band Amidships.

Empty My Head by Youdid is a catchy piano tune with a female vocal from German singer Judith Severloh.

SwanSong is another cool indie tune featuring soaring vocals and a curling fiddle, from the London based Amberlandband.

There’s something about this that I quite like… Blackpool based Avishek Choudhury sings of the Journey Of A Lifetime in this jaunty tune featuring a female backing singer with bleeps and sirens set against a piano and driving electrobeat.

I like the jazzy big band sound and sultry vocals from rising star Ally Kemp in The Tardis.

Freya Roy is a very young Suffolk based singer songwriter with an ear for a bouncy tune, as shown in her entry Tomorrow.

Local Town comes from Brighton boy Ally Jowett.

They’re going to turn me into sushi & chips…” So goes The Whale Song by All At Sea… overly chirpy or an apt way to draw attention to a big issue?

Kids from the Sky by Young Stadium Club features jangly guitars aplenty in a soaring tune that features a veritable choir of backing vocals.

A Drastic Love by Younger Hall features a grungy baseline combined with a pounding piano. They hail from St Andrews in Scotland.

I loved the soaring Ten Years by Baby Gold, a duo from Leeds, but for some inexplicable reason it’s a private link on soundcloud so you will have to trust me on that one. Their lack of an online presence is a serious down point, but I look forward to hearing more from these guys.

Similarly I can’t share Only One by Devon based Alice Jemima, featuring a lovely breathy vocal over carefully picked chords and a nice little beat.

Finally, I can’t finish without including my favourites: firstly the clever Memphis by Alev Lenz.

George Boomsma by Simon McLaren.

George Boomsma by Simon McLaren.

And the wonderful folk sounds of George Boomsma in How High the Mountain.

Sadly my first choice disbanded just as I chose them to go through (brilliant timing!), hence my renewed desire to give some promotion to all the other bands that impressed me.

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