Picturebox – Beans And Bones

Written by Dearbhaile Kitt

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I was under the impression that music was supposed to warrant feelings. Be it loathing or loving. In the former, making you curse the day you ever heard that loathsome band’s name – and the latter compelling you to get excited and dance around like an escapee of an asylum, or whatever it is you do to express your excitement. I’ll concede that most albums lie in the less extreme, liking or disliking being the general sentiment. With a small space being reserved for ambivalence, which is where Picturebox comes in, playing their self proclaimed blend of lo-fi pop. However lo-fi, surely their debut album ‘Beans & Bones’ was not supposed to feel like a session band playing in the pub. An above average session band, but still, the over-all sense is of inoffensive background music.

There is nothing wrong with this blend of bluesy tinged garage and melodic pop; but it’s music that just doesn’t go anywhere. They play their instruments well – melodies are nicely arranged, lyrics are well written – but none of these elements approach noteworthy significance, as songs seem to just plod along. Occasionally mediocrity gives way to moments of promise. Not quite the warm fuzzy feeling, but close. Songs like ‘Jennifer’s Brother’ and ‘Beans and Bones’ stick in your head a little bit more, with sliding guitars which definatley work well, even if they become ever so slightly repetitive. ‘England has Perverted Me’ is nicely melodic, but in places slips into boring territory, and I could imagine ‘The Accuser’ being used on a BBC 3 drama series.

Inoffensive middle of the road music serves its time and place. For me, badly sung along to while on a car journey, whilst taking breaks from eye spy. Many bands have made successful careers out of peddling inoffensive offerings, but there is usually a certain je ne sais quoi accompanying it, which elevates these sing-a-long bands to something infinitely more appealing.

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