Last weekend I went to the premiere of Just Do It in a central London squat: a beautiful old chapel on Shaftesbury Avenue that once housed a nightclub and a Walkabout pub. It was a fitting venue for the big official screening of this amazing film, one which I feel closely involved in – my photos have been used for publicity, I was at almost every direct action or event that is shown in the film and we’ve written about it many times on these pages as they’ve struggled to raise funds to finish it over the past few years.

All photography by Amelia Gregory.

The fact that I only spotted my arse three times in Just Do It (taking photos, always) is a miracle, frankly. Thankfully you will only know it is me if you know my bottom well, but for its appearance I did have to sign my very only release form when I viewed the final rushes a few months ago.

We had popcorn, goodie bags and delicious alcoholic smoothies and ice cream made from unwanted fruit by A Taste of Freedom.

It’s hard to write subjectively about a film that features so many people that I know. A film that follows the thoughts and actions of a bunch of friends that I have taken action alongside for many years… and for awhile I worried that Just Do It would seem insular, knowing, and wouldn’t really appeal to those outside our inner circle of activists.

Marina Pepper.

Emily James.

But I was wrong: I am so proud of what director Emily James has managed to produce, admirably aided and abetted by producer Lauren Simpson, editor James Leadbitter and a huge team of creative volunteers including our very own Sally Mumby-Croft. It’s even got an amazing soundtrack, featuring music from former art editor Luisa Gerstein’s Lulu and the Lampshades.

Tamsin Omond of Climate Rush.

When she first started filming Just Do It we didn’t know how it would turn out, and I don’t think Emily did either… she just knew that she wanted to tell the inside story of activism, particularly around Climate Camp – something which has been enormously influential in climate activism and activism in general over the past few years.

Just Do It by Roberta Zeta.

Just Do It is personalised through following the stories of a few figures, including some very dear friends of mine… but it is undoubtedly Marina Pepper’s unique way with words and hilarious delivery that makes her the film’s star.

By showing the human face of activism it is made more accessible – proving that activists are far from scary and unapproachable as often portrayed by the media, but rather some of the most amazing, inspiring people I know. I hope Just Do It will prompt many more people across the world to stand up for what they believe in to make a better world.

Watch the trailer here:

Click here to view the embedded video.

Please please go watch this film – it hits cinemas nationwide this week and you should tell all your friends about it to make sure that it shown and seen as widely as possible. Find your local Just Do It screening here. It’s fast, it’s fun, and most of all it’s inspiring. There’s never been a more important time to stand up for well, just about everything, really.

Click here to view the embedded video.

This week Two Degrees is hosting Crayfish Bob’s al fresco pop up crayfish shack every evening in the paved courtyard next to Toynbee Hall. How could I resist the chance to sup on South London wine whilst crunching on succulent seafood? I couldn’t, is the answer, and I was lucky enough to secure a seat at the first sitting on Monday evening.

Crayfish Bob’s is supplied with Bob Ring’s freshly caught American Signal Crayfish from the Thames, an invasive species that has been busy decimating our native wildlife since the 1970s. At first introduced to be intensively farmed in controlled ponds American Signal Crayfish soon used their ability to walk across land and spread out across the country. One account tells of a late night encounter with a long procession of crayfish walking from an abandoned trout-farm pond and heading directly towards the nearby river. Clever buggers. I’ve encountered a crayfish clambering out of a pond at Hampstead Heath as it goes: it caused much consternation amongst the nudist sunbathers on the women’s ‘beach’.

American Signal Crayfish carry a plague to which they are immune but which kills our native White Clawed species and they also damage river banks with their tunnelling – but despite their disastrous effect on the environment nothing much has been done to stem their march. Sadly the crayfish that are increasingly used in tasty sandwiches and snacks across the UK are all farmed abroad because it is so hard to trap the American Signal Crayfish found here commercially. So, determined to do his bit, Bob Ring has hatched a plan that goes against the grain of modern business acumen: he hopes to build the Crayfish Bob brand into one of high integrity and desirability so that he can sell as many tonnes of UK caught American Signal Crayfish as possible. His ultimate dream is to go bust due to lack of stock. Obviously I felt very good about helping him on his way to achieving this.

Bob Ring.

Clare Patey.

As soon as we were seated Bob’s co-conspirator the interdisciplinary artist Clare Patey darted past, offering us beautiful peach coloured Urban Wine from the gardens of Tooting (it was very good) and stacks of moist sourdough bread. Our food looked utterly beautiful, served with panache by Blanch and Shock food designers, who produce theatrical food productions and educational workshops based on themes of sustainability and the psychology of eating. They aim to provide opulent food with the minimum of waste. Again, happy to help out.

Large glass bowls of locally sourced and wild foraged salad – I never knew that Common Hogweed was so darn tasty – were placed on our tables but for the main course we were encouraged to visit Crayfish Bob’s shack for ourselves to converse with the man who had caught our delicious meal. Crayfish are a messy dish to eat, requiring a certain amount of cracking and sucking to demolish, but with a finger bowl of water at the ready we all got a certain amount of pleasure from the ordeal. There was time for chat with our fellow guests as we were all seated on a friendly communal long table.

Peach coloured Urban Wine from Tooting.

On one side I was joined by food blogger Laura Fleur, who I have conversed with on Twitter (ain’t it always the way these days?!) and her friend Lizzie, aka Hollow Legs. On my other side I chatted with Kevin and Jane of Platform, another organisation which is doing great things by mixing up art and activism and with whom I worked to Redesign the Royal Bank of Scotland for Sustainability in 2009 at the Arnolfini. On my right sat Peter Koenig, a former financial editor of the Independent. What an intriguing and diverse bunch!

For desert we were served a gorgeous Douglas Fir Panna Cotta that slid off the spoon in the most delectable manner, with a side serving of strawberries and butterscotch.

Kevin with a rescue parrot that came to visit us!

It was a rare and wonderful chance to talk with some new friends whilst remembering how enjoyable good local food can be. As Diana Damian points out on her blog for This is Tomorrow, our act of eating the American Signal Crayfish demonstrated how social engagement can become a political act in itself, and an enjoyable one at that. I couldn’t really put it better myself.

At only £5 for the entire meal this was fantastic value so not surprisingly all seats at Crayfish Bob’s have now been sold out, but there is plenty more going on at Two Degrees over the rest of the week. I shall be taking part in a round table discussion about the state of climate activism on Saturday 18th June between 1-2pm. Please do come along and take part!

The new publication from Silent City, ‘Art and Activism’, poses three key questions: Should art be separated from activism? Should art have a political value or function? Should art be radical, critical, resistant or subversive? While Silent City has chosen activism as the focus of its examination, the key question is one that can be applied to any art discussion: What do we want art to say about ourselves?

“The political value of art will always be disputed, [but] it cannot be denied that there is a relationship,” says the Silent City trio. “Modern UK activism is incredibly creative, from the actions of Climate Camp to art collectives such as the Vacuum Cleaner. It may not be always overly political, but it is far from separate.” At all times in history, art has told a story about the politics of its time; just consider the identity of the people in the pictures, or the subtle ways in which the artist undermined the status quo.

Claire Roberts at the Silent City symposium. All photography by Sally Mumby-Croft.

Art and Activism
‘Art and Activism’, which Silent City hopes to publish later this year, was created from submissions following a call-out to several arts websites. The final choice was up to Sally Mumby-Croft, Cara Nahaul and Emily Whitebread, who had partnered with Peter Eramian, editor of Shoppinghour, for the project. Designed by Simon Sherlock, the finished product contains a combination of photojournalism, poems, essays and documentation of actions undertaken by the artists.

Last year Silent City presented a symposium (review) focusing mainly on climate change, but this latest publication shows the trio has a broader mandate.

“The original idea behind Silent City was to produce three separate exhibitions, exploring the three pillars of the UN’s 2005 World Summit outcome document: economic development, social development, and environmental protection,” says Silent City, pointing out how these three elements are interconnected. The symposium included references to social and economic consequences of climate change, meaning ’Art and Activism’ felt like a natural progression.

The big issues
As the issue of climate change moves from being a scientific concept to something that infiltrates everyday life, people increasingly feel like they want to do something. But where do we start with such an overwhelming issue?

“It’s overwhelming because it is a crisis that affects humanity as a whole,” says Silent City, referencing Anthony Giddens’ book ‘The Politics of Climate Change’. “He explains that this is precisely one of the reasons why we cannot face up to the consequences of climate change. Society is always pressed by more ‘immediate’ concerns – a situation which is taken advantage of by politicians and policy makers who continue to distance themselves from making radical and concrete gestures towards combating the issues.”

Having said that, the past year has seen activism come back on the agenda in a big way, with widespread protests against coalition cuts and the rise of activist groups.

“[This shows] activism trying to find alternative dialogues and use inspiring visual methods to find alternative solutions. The work of Art Not Oil and Liberate Tate in the face of the BP oil spill is immensely inspiring,” says Silent City, further listing the emergence of Art Uncut, the occupation of the Slade School of Fine Art and the development of the Free School.

Sally Mumby-Croft has created a short film, ‘Edgeland’, bringing attention to how parts of the Hackney Marshes are being sacrificed for the Olympics – but this is an issue where little can be done.

“I wanted to draw attention to the spaces so often ignored or perceived as desolate. [The East Marsh] is a space shared by many people for many different purposes and yet it has been decided that this land will be temporarily paved over to make way for a car park. A space teaming with football pitches and dog walkers will become a concrete block. I think that’s terribly sad, and I think it’s immensely important that this issue is discussed. [… ] Hopefully it will encourage viewers to question their relationship and use of public space.

Ways of seeing
Cara Nahaul, the founder of Silent City, is currently a painting fellow at Jerwood arts centre. Asked about the place of activism in a typical ‘fine arts’ practice like painting, Cara points out how she sees her practice as discussing her culture and background, and exploring it within a larger political meaning.

“I feel that audiences have moved away from the assumption of expecting ‘nice’ things from contemporary painting,” says Cara. “In attempting to discuss painting with video art, we tend to think of a hierarchical relationship in which the visual language of painting came first and cinema learnt from it. Today cinema has developed a strong and autonomous language whilst painting is often criticised for its inability to reflect on contemporary society. For me, this is where I find the freedom for my own work. Whilst I am unsure about a place for activism within painting, I believe that painting can still challenge our ways of seeing.”

Art is rarely created just to be something pretty to look at, but with each added layer of meaning it gets harder for the layman to ‘get it’. Even so, it may be wise to leave reading the leaflet till last, says Emily Whitebread, who is just finishing her degree in Art Writing.

“My personal response to writing about an exhibition or an artist is not to read too much beforehand. This works particularly well if I am unfamiliar with the artist or exhibition, as I prefer to absorb as much as possible from experiencing the work without external influences. I then incorporate these reflections in my writing and only when I feel satisfied with my initial response do I then look at external sources.”

The New Educators
Shoppinghour-editor Peter Eramian has also had a hand in selecting the works that make up ‘Art and Activism’. He describes Shoppinghour as “a hub from which we spawn other collaborative projects and events”, with an ambition to mobilise and inspire creativity in response to political, cultural and social issues. Still, Shoppinghour is not just a tool for political activism, says Peter, explaining how there is a theoretical foundation to Shoppinghour:

“Both Yasushi [Tanaka Gutiez, co-founding editor] and I are basing our doctoral research on understanding the New Educators of our time: individuals and collectives inspired by a heightened critical awareness of culture and the active employment all mediums, disciplines and practices in their critique of society and ruling ideologies. We’re fascinated by the reconstruction of the activist epistemology and its potential to subvert, and hope that through Shoppinghour others too will be fascinated with us.”

The Shoppinghour magazine is currently in the phase of significant expansion, including a new distribution deal that will see the magazine sold across London. Still, the quality of content will remain the first priority:

“We’re certainly not prepared to compromise the quality of our content. But then, neither are we cynical enough to believe that the ‘larger audience’ is somehow less sophisticated,” says Peter, adding that it may be equally complacent to reject the popular and only focus on the opposite, “that which is uncommunicative in its overabundant self-important ‘sophistication’.” So while Shoppinghour wants to tackle its subjects with “substance and gravity”, we can also expect an edge that is “playful and accessible, alternative and punchy”.

Shoppinghour issue 7 – Rights

- – -

Keep an eye on Silent City’s website for details on ‘Art and Activism’ – here.
Sally Mumby-Croft’s film Edgeland can be viewed here.
Cara Nahaul’s work can be seen at Jerwood Space until 26th June – details here.
Emily Whitebread is part of arts group X Presents – read about their projects here.
Read more about the developments at Shoppinghour on its website here.

Way back in the misty days of summer 2009 I was lucky enough to be chosen to participate on the EAT course, which stands for Earth Activist Training: planting the seeds of change.

Designed to combine spiritual, earth based philosophies with the more fervant strand of environmental activism, the EAT course is held several times a year in America. It doesn’t come to the UK that often – so this is the first year it comes back since 2009, and it will once again be hosted by Landmatters, a super inspiring low impact Permaculture co-operative in Devon. The course is always co-hosted by the amazing Starhawk, or Star to friends, a well known and highly revered activist and white witch.

Starhawk gets stuck in.

It’s A permaculture design certificate course, grounded in earth based spirituality, and with a focus on organising and activism. What this means that it is a jam packed two weeks of intense training – learning all the ins and outs of Permaculture through hands on experiential learning. On my course we were trained by the head of the Permaculture Association, Andy Goldring, who will once again be co-running EAT this year. He was an extremely joyful and bouncy tutor who managed extremely well when faced with awkward questions about meat farming (from staunch vegans) and I learnt a huge amount of truly fascinating stuff about the way in which we can best live with the earth.

Andy Goldring teaching on EAT.

Permaculture provides an incredibly solid basis for any ongoing work, be it gardening, art activism, general life organisation, social planning or community-wide projects. For instance an EAT course inspired artist and activist John Jordan to set up the Laboratory of Insurrectory Imagination, or LABOBFII, as an arts organisation based on the principles of permaculture. The beautiful and radical Landmatters was set up by six people who met on EAT and were inspired to live the change they wanted to see in the world. The first Climate Camps were planned on Permaculture principles to ensure that tents, facilities and neighbourhoods were placed in the most harmonious way possible.

Lessons take place inside a spacious yurt.

Activism is a key component of the course, and during my time at Landmatters I met many other people who were working on Climate Camp alongside those who work with No Borders, queer rights and urban land projects… to name just a few. It was inspiring to listen to people’s tales whilst enjoying the amazing vegan food at every meal time, sometimes so different and yet so very similar.

Many activists don’t really spend any time considering the spiritual side of their engagement with the planet – and even though the opportunity to learn from Starhawk was one of my top reasons for wanting to go on the EAT course, there were some on my EAT course who were very resistant to her rituals and chants. But needless to say by the end of two close weeks together everyone felt differently, with even the hardest of activists softened around the edges, and all of us more grounded and connected to the reasons we feel the urge to engage in our individual choices of activism.

Rooh Star of Landmatters was one of our guest teachers.

Some of the amazing dwellings at Landmatters.

Taking cue from Jon Young’s teachings we also spent time alone at our sit spots each day, developing our nature awareness. I chose a spot that overlooked the wonderful woods that surround Landmatters, and every day looked forward to reconnecting with the shifting patterns. A time to relish in the fast wash of my life.

The EAT course was undeniably hard work, but so incredibly fabulously worth it. You can read some inspiring testimonials here.

If you fancy applying for the next course, due to take place between August 20th and September 4th 2011, then you don’t have long left to apply RIGHT HERE – only until the end of April. You will need to define your particular activism and talk passionately about your plans to spread the ideas that you will learn. This really is a chance in a lifetime and I urge you to take it!

The full cost of the course is expensive, but EAT does its best to offer many partial or whole scholarships, depending on need – which in these cash strapped times is greatly to be admired. To ease funding problems this year’s course will be partly crowd-funded so if you can’t go yourself but you understand the importance of the work the EAT course does then please do donate at IndieGoGo. The hard working volunteer organisers need all the help they can get to ensure that those who are underfunded are still able to attend this year. People like me!

Permaculture, Magic, Social Change – nothing could be better, as EAT demonstrates.

‘What motivates me is politics, but our politicians are ghastly,’ Patrick Brill writes in his new book, The artist, better known under his working name of Bob and Roberta Smith, is all over the walls at the Work Gallery near King’s Cross right now His politics are bright and loud, with slogans and phrases painted on boards in a meticulous yet haphazard manner; the letters are carefully made out but sometimes the words are misspelt. But the spelling’s not really the point now is it.

Work Gallery mural

‘We need a new counterculture’, is the theme for several of the works displayed at Work. ‘What will the music be like?’ asks Smith – whereas a lot of so-called protest art can feel negative, there is a lot of cheer in Smith’s work. The boards, mostly recycled from old wood or cabinet doors, are painted in bright colours, and instead of ranting about everything being sh*t, Bob and Roberta Smith’s art is full of solutions: ‘What do we want? TRAMS. When do we want it? NOW.’

What do we want? TRAMS. When do we want them? NOW.

The upcoming referendum on electoral reform is key to the central piece to You Should Be In Charge. Smith is proposing what he calls Esther’s Law – true proportional representation. This would mean 50% women in government, as well as 25% from ethnic groups, 25% touched by mental illness and 10% disabled. Smith is serious about this proposition in the sense that he plans to present Esther’s Law to parliament, but it seems fair to assume that Esther’s Law is equally a demonstrative act – imagine what government would be like if it really, truly represented us all (and no one could become Prime Minister without having had a real job …).

Artists are more important than docters policemen firemen and the army / Saving the world is easy; develop the energy generation of Denmark and the public transport system of Frieburg. We just need to get on with it.

Work Gallery

You Should Be In Charge is the Work Gallery’s first exhibition, after the 31st March opening. The mural pained by Bob and Roberta Smith will remain over the front door once the exhibition finishes, and Work’s sister company, Black Dog Publishing, has also published a retrospective of Smith’s work. The book, entitled I Should Be In Charge, is full of pictures but Smith’s colourful and outspoken writing also makes for a compelling read. I won’t say too much about it as I haven’t read it all yet, but Smith talks about the debate on how art is meant to affect people – is it supposed to interact with us, or should we come to art in a process of discovery? Often it’s the latter, as we stand in a gallery looking at a blob on a pedestal, wondering what we’re supposed to feel. It’s different with Smith, who seems to want to reach out to his audience. I don’t know what exactly he wants to inspire in us, but for this viewer the arts makes me feel like we can really change things if only we try. Like Smith says: ‘Saving the world is easy; develop the energy generation of Denmark and the public transport system of Frieburg. We just need to get on with it.’
Make art not war

You Should Be In Charge by Bob and Roberta Smith runs until 3 June at Work Gallery near King’s Cross: 10a Acton Street, London WC1x 9NG. Opening hours are Wednesday to Saturday 12 – 5.30 – also see our listing. Bob and Roberta Smith will interview journalist and feminist Bidisha at the Work Gallery on 12 May at 6.30. Entry is free but booking is essential: email info@workgallery.co.uk

The Beehive Design Collective, part of the Rising Tide climate activism network in the US, has created this portable mural to draw attention to the environmental issues surrounding coal. Looking at the full True Cost of Coal poster, the level of detail is incredible. Bears, frogs, birds, factories, cars, smoke … click here for a proper close-up look.

The full poster.

The edges of the poster are full of animal life and nature, meaning if the poster is folded it will depict an untouched landscape. Fully laid out, however, the poster shows a different story, detailing the ravaging effects of coal extraction and toxic contamination.

Detail

The Beehive Collective, originating in Machias in Maine, USA, presented the poster last Thursday at the London Action Resource Centre in Whitechapel. The Collective is a volunteer-run group of activist artists, who use their artwork to run community workshops. They seek to emphasise the connections between coal mining and climate change, and also the role of capitalism in failing to rectify our environmental problems.

Detail

The artwork draws special attention to the situation in Appalachia. In this large North American mountain range it remains common to blast off entire mountaintops in search of coal, leaving behind a landscape resembling moon craters. It took two and a half years to make the poster, with it being a truly collaborative project on behalf of the Collective.

Detail

For more information, including buying a poster, see the Beehive Design Collective website. The London Action Resource Centre is at 62 Fieldgate Street, Whitechapel, London E1 1ES. Find Rising Tide UK here.

It’s February. Which means, you know, Valentines day. I have a tourettes-like response to it’s mere mention. A gag reflex and an overwhelming desire to shout obscenities at strangers.

I don’t know why this is. Perhaps it has its roots in the hell that was secondary school love angst. (Will I get a card?.. Shall I send a card… Will somebody post dog poo through my letter box?.. OMG I GOT A CARD *phones all friends*… Oh. Its from my Dad…I HATE MY DAD….*sits on inflatable chair and cries into Leonardo DiCaprio poster*)

Illustration by Ellie Sutton

This aversion to all things Valentines is odd for me because at any other time of year I’ll use any excuse to celebrate. Passed an exam? Brunch! Had a shit week? Fry up! St whatsists day? Party! Commiseratory dinners, congratulatory afternoon tea’s, pity parties and apologetic lunches; whatever the occasion (or lack thereof) I’m there with balloons. But for some reason, Valentines grates on me.

The traditional options are not great. If you’re single; you could get hammered alone or with other single friends. Or watch a Richard Curtis film whilst curled up in the fetal position in flannel pyjamas. Or if you are in a relationship; try and book a table in a restaurant only to find that they are ALL booked and/or extortionately expensive. Then spend the evening looking around at the other couples who are sat within spitting distance whilst the staff incessantly sell you expensive wine and champagne with James Blunt warbling away at you in the background.

Illustration by Alison Day

Sound good? Thought not. (I sound like a love Scrooge, I definitely have issues)

I banned my mister from engaging in any form of commercial Valentines celebration right at the start of our relationship, and we’ve ended up with a fish and chips dinner tradition instead, which I am actually quite fond of.

But if you MUST release your inner schmaltz, here are some alternatives to cheap chocolates and teddybears. Don’t get me started on teddybears.

Illustration by Ellie Sutton

Firstly, if you are in a relationship, probably best not too buy a card from the supermarket. Or the corner shop down the road. Or the petrol station. It takes very little effort to make something and its much more thoughtful. How about writing a letter? It doesn’t have to be a love letter, and its nicer than a brief scrawl in a card. Or what about a stick man comic strip or a flip book? We can all draw stick men. See? No excuse.

If you hate the idea of making something yourself, there are a whole host of talented illustrators and makers out there who will happily fulfill all of your home spun looking Valentines needs. Check out some ideas in Amelia’s article over here.

I discovered via Twitter that Abby Illustrator and her boy are having a living room picnic, which sounds lovely to me and much nicer than the aforementioned Blunt-warbling-restaurant-nightmare.

If you are planning on buying flowers for a loved one (it could be a friend, your lover, your mum..) then … think again. Sorry for the eco rant but growing and transporting flowers uses a huge amount of carbon, especially if they are from overseas. If you must indulge in some floristry delights then look up British grown flowers.

Or, heres a wee crafty idea; give someone a pack of wildflower seeds. Decant into an attractive envelope, sew (or glue) on to a piece of card and illustrate with an appropriately cheesy message. (as this grows it’ll be a symbol of my love. PUKE. My love is like this red red rose. VOM. etc etc)

And for a healthy alternative/addition to a box of chocolates, pretty up a punnet of red fruit and decorate with little flags.

Cook a pink dinner. Beetroot soup to start. Rare steak with a tomato salsa dressing. Kir Royals or Rose wine. Red velvet cake for pudding, or pink macarons or strawberry angel delight… This would be lovely for one, two or twenty two.

Make cookies. Just for the hell of it. Give to colleagues, friends, family members. Or, of course, your loved one. Dust with icing sugar for a chic minimalist finish or get into an e- number frenzy with coloured icing. Home made and cheap.

Go to see Grayson Perry talk about kinky sex. Hold on to your hats.

Send a You’re rad/I like you/love note to your friends and family. Last year I sent mini valentines cards to the female members of my family just to tell them that I think they are rad, and the reasons why.

Illustration by Alison Day

Visit Love from Darkroom, an exhibition raising money for the brilliant charity Kids Company. All of the art pieces are under £150 and it runs till 14th February. Read Amelia’s full listing here.

Host a horror night. My mister and I are planning on spending the Saturday before Valentines working through some early horror films (Nosferatu, Invasion of the Body Snatchers, The Birds, Night of the Living Dead…) Nothing like a bit of flesh eating Zombie action to get you in that Valentines mood.

Join the Craftivist Collective in hijacking Valentines day and show some love for your global neighbour. Write letters to strangers and make a Tatty Devine key ring then leave them for strangers to pick up. (see separate listing here)

Why not send your loved one an anatomically correct bleeding heart cake by Lilli Vanilli; the creator of the fabulous ACOFI launch party masterpiece? They are made from red velvet sponge, cream cheese frosting and blackcurrant & cherry ‘blood’. I love them and they are a steal at £7.

Image via Lili Vanilli’s blog

Watch Fuck. Not the real thing, gracious no, unless that’s your thing. I’m talking about the documentary which features interviews with the world’s best swearers including Billy Connolly and Ice-T. Hurrah for obscenities!

Visit the Valentines exhibition at the wonderful Museum of Brands, Packaging and Advertising. This is one of my favourite London museums and this exhibition is all about the culture and history of valentines cards.

Take your loved one on a ‘haunted london’ ghost tour instead, and see the grizzlier side of Londons history…

Go on a night safari with the Natural History museum: You can choose either one of 2 experiences, depending on whether you think Valentine Day is a pleasure or a pain. Both look at the different aspects of Love in the Natural World.

See? Valentines doesn’t have to be a pile of sick. There’s lots of fun stuff to do whether you are in a relationship or not. Or there’s always the pyjama option too…

And so, even I, say to you Happy Valentines day!

One day a few years ago I agreed to go on an intrepid action to highlight the causes of climate change. I didn’t know where or what it would be, but as a climate activist I trust the many people that I know who are willing to invest a huge amount of time, effort and (often their own) money in taking action for climate justice. So it was that I came to be in the Iona School in Nottingham on Easter Monday, 13th April 2009. In a hall packed full of committed climate activists I discovered the sheer scale of the unbelievably audacious covert operation and as I looked around I tried to imagine how we could possibly pull it off: we all suspect that undercover cops must operate within our networks. We were fed, given instructions concerning our target and duly sent to bed in one of various rooms in the school which had been hired out for the weekend. Having made sure that my day pack was ready (warm clothes, a book, some high energy food) I rolled out my sleeping mat, got into my pyjamas, stuffed ear plugs into my ears and settled down for a short night’s sleep before we headed down to Ratcliffe-on-Soar coal fired power station in the early hours of the morning.

Ratcliffe Disaster by Victoria Archer.

Ratcliffe has been the focus of quite a few climate change demonstrations, not least the Great Climate Swoop, a publicly advertised assault that took place on this huge coal powered station later in 2009. Ratcliffe-on-Soar was chosen because it is one of the biggest coal fired power stations in the UK and it’s owned by E.ON, who were the energy company behind plans to build a new coal fired power station at Kingsnorth (now shelved) and who were the focus of Climate Camp actions throughout 2008 and 2009. In the event of a successful shut down electricity for the surrounding area could easily be obtained from other sources.

Ratcliffe by Farzeen Jabbar.

As I went to bed there was an the air of the calm before the storm, especially after we received conflicting reports about a growing police presence near the power station. It just seemed so incredibly unlikely that out of the several hundred people involved in the planning of the action (including drivers, hosts, etc) no one could have let slip our plans. Nonetheless I was tired and soon fell asleep.

A few minutes after I dozed off I was woken by my friend screeching POLIIIIIIIIIICE in my ear. No amount of deeply inserted ear plug was going to stop me leaping into immediate bleary eyed action as I realised that the entire building was surrounded and being battered from all sides. I just had time to struggle into some decent clothing before our room was filled with policemen who immediately handcuffed us all, regardless of our state of dress. I never knew I would find out what it’s like to be treated like a terrorist, but I can now safely tell you that I do. And it was utterly surreal. We were kept in our respective rooms (chosen for the type of action we would be taking) for what seemed like hours. As we waited we could hear people singing protest songs up and down the corridor. Domestic Extremists we might be. Your standard terrorists we ain’t.

Amelia Gets Arrested by Abigail Daker.

I was desperately keen to take my belongings with me as we were finally led out of the room – I’ve had previous experience of them being kept by police and I knew how long it would take to get them back (nearly a year as it turned out), but my arresting officer would not allow me to pick them up despite others being allowed to do so: the first sign of a somewhat shambolic operation with far from clear instructions.

Ratcliffe on Trial by Rukmunal Hakim.

Things were shortly to get much more surreal. We were frogmarched two by two – handcuffed to our respective officers – into an impromptu photo studio that had been set up in the school nursery. Our mugshots were taken in front of the kids’ brightly coloured artwork before we were packed off into vans and taken to holding cells at police stations all over the city. I was held through the night and for most of the ensuing day. Being a well trained activist I kept to No Comment throughout my interrogation, though the investigating officer was very interested in my ear plugs (convinced they were a clue that I was headed to the noisy coal conveyor belt) and my Climate Rush badge (at that time I was still involved with the Suffragette inspired group).

My Mugshot by Alison Day.

My DNA was taken before I was eventually allowed to leave, taking none of my belongings. I was simply ejected into the night. With no money and absolutely no idea where I was in Nottingham. Fortunately there was legal support waiting in the station car park and I was scooped up and taken to a safe house. I spent another night sharing a bed with an activist before hitching the first lift out of Nottingham. By this time I was desperate to get back to London because I was worried that my house would be raided – someone else had left a piece of paper with my details on in their wallet and it had been waved at me as evidence in the police station. I spent the next few weeks worrying whether I would be raided when my interns were in the house, thereby putting their computers at risk as evidence too. In the end my worries were unfounded, though many other people were raided.

Ratcliffe Trial by Matilde Sazio.

It has taken nearly two years for this case to come to court, during which time I have not been able to talk about it for fear of affecting the outcome for the 26 who were charged (out of the original 114 activists who were arrested). Many of those spent the better part of December 2010 fighting their case in court in Nottingham. Green Party leader Caroline Lucas gave a statement and James Hansen testified. Despite comprehensive evidence proving that the climate crimes of corporations such as E.ON are way worse than anything we were planning to do, the activists were all convicted and given a mix of fines, conditional discharges and community service. Maybe the jury was won over by the prosecution argument that we would have been better off spending our time getting Cheryl Cole to promote second hand clothing. Bleurgh. The judge did however praise the defendents for their “intelligence and dedication” – climate activists are certainly some of the most clever and interesting people I know.

Illustration by Gareth A Hopkins.

Six more activists were due to go to court today with a defence of Not Guilty because they had not yet decided to take part in the action when they were arrested. It was set to be an extraordinarily interesting case that would challenge the excessively expensive largest ever pre-emptive arrest, which in retrospect seems to be have been designed to capture the details of the entire UK climate activist network in one fell swoop. But their plans have at the last moment been thwarted. The reason? Our very own police mole.

Ratcliffe by Gemma Birss.

A few months ago the indymedia networks were rife with the news that a climate activist mole had been unmasked. For seven years Mark “Flash” Stone (so called because he always seemed to have lots of cash) was a familiar face on the activist circuit until he was outed by ‘close’ friends who eventually became suspicious of him. He also happened to be involved in much of the preliminary planning for the April action on Ratcliffe: hosting meetings, driving trucks and planning to lead climbers up the huge chimney stack.

Now it is revealed that Mark has left the police force, apparently ashamed of the consequences of his actions. The Ratcliffe Trial blog states that he was even planning to provide evidence in favour of the defendants he did so much to help arrest back in 2009. However it appears that outside pressures (the police he used to work for? surely not) recently caused him to withdraw his offer. The case was then mysteriously dropped in its entirety after the defence pressed the powers that be for details of Mark Kennedy’s involvement in the initial planning stages of the Ratcliffe action.

Climate Change by Jane McGuinness.

Even before today’s revelations it already seemed a sure bet that Mark’s insider knowledge helped to secure huge funding for the police raid, which cost upwards of £700,000 and ensured that officers were drafted in from across the county on huge overtime wages over Easter. That’s over £6,000 on the cost of arresting me alone. Not to mention the fact that the extremely expensive court case may have collapsed in its entirety had Mark’s involvement been known earlier. I can think of better ways to spend cash, can’t you?

Police The Community Ignore The Environment by Gareth A Hopkins.

In the last year Climate Change has all but dropped off the mainstream media agenda and many of our most committed activists have been tied up in lengthy court proceedings. Yet climate change continues unabated. Next month Climate Camp will run a five day long event at Monkton Wyld Court in Dorset called A Space for Change, which will seek to “reflect and re-assess climate justice activism, re-dream what a radical movement can be and re-invigorate ourselves and our network.” There’s never been a better time to get involved in climate activism. You can find out more details here.

In my second round up of fabulous ideas from twitter friends for late Christmas gift shoppers I bring you the best of art, jewellery and homewares.

We love Lesley Barnes, oh yes we do! The Firebird concertina epitomises the way that Lesley has embraced colour since I *forced* her to design my Amelia’s Anthology of Illustration end pages in full colour only a year ago. This is a stunning narrative piece that is designed to be interacted with, but if you’re not feeling quite so adventurous there are also some simpler Lesley prints available at a cheaper price available from the ace Soma Gallery (as well as work from some other great artists).

There are loads of fabulous illustrators and artists producing screenprints that are available via their shopping sites, but I’ve tried to steer clear of them here as we’ve talked about them a lot on the blog recently… and there’s only so much room on your average wall. But I do like Alice Potter’s polar bear.

For someone who cares about the world and prefers a gift with meaning, why not buy a collection of postcards from Platform, supporting art activism? The Liberate Tate: Collected Works postcard book contains lovingly reproduced images from some great direct actions against oil sponsorship of the arts (read more about the ongoing campaign in our blog here) All proceeds will go towards Platform’s new crowd funding initiative, Licence to Spill – a five day participatory exhibition to explore how we kick oil out of the arts.

I’m really impressed by Ana Montiel’s designs. She’s got that continuing to be trendy despite the years passing scrawled biro thing down a treat, and I like the fact that she’s not just rehashing florals. Printed on high quality sustainably sourced paper from Finland, this wallpaper would be one for that stylish someone with plans to redecorate their space.

Illustrator Simon Wild has just published his first book, and it’s a veritable feast for the eyes and senses. Fantastical Flying Machines features a pop up race between the likes of a hot air balloon, a flying tea cup and a bubblegum rocket, and in this age of pop up shops and exhibitions it’s a welcome reminder of the simple brilliance of pop up books. Definitely one for the child in your life!

Or Handmade by Emily does a great range of recycled floral fabric owl cushions and mice. Ideal for a child’s bedroom.

Onto the jewellery: always a winner for Christmas… just be sure you know the recipient’s tastes. Georgia Coote makes adorable necklaces out of vintage buttons that she has scoured from charity shops. I like the way they become entire statements themselves as in this Ella necklace.

For those retro stylistically inclined there are also Stark at Beads vintage plastic flower head bands, based in Lisbon.

I have an unhealthy love of sparkly earrings – I hardly wear them but that doesn’t stop me hankering after the nicest pairs I see. From Chain of Daisies, Neptune Earrings are made out of gorgeous vintage gems as are the lovely Amelia Earrings – I had to mention them didn’t I?! And Summer Garden are made of vintage German plastic cabochons.

For something that makes a bit more of a statement how about this necklace from Eve at Howkapow, featuring recycled TV screen beads of all things. How fantastic! This is where all TVs should go to die. The Howkapow website features some great up and coming designers and is definitely worth checking out in detail.

Or you could try the newly reworked miniature bestselling Pegasus Necklace from Tatty Devine, or for a boy, these utterly charming Gin bottle cufflinks created in collaboration with cult Shoreditch artists Gilbert and George. You can find them on their newly revamped men’s section For Chaps – why not take a gander.

Boys, I find, are always a bugger. If the man in your life is a fan of small collectible toys these little hand crafted ninjas from Lilley might just be the thing for you to give him, attached to a keyring, or not – especially since they eschew the usual factory production for Etsy handmade status.

Homewares: Emma Loves Retro does a great job of recycling bold vintage fabrics into scatter cushions, and she has a wide colour and design range to choose from.

London Kills Me do all their own screenprinting in London, producing everything from ties and cushions to Christmas decorations. I really like the reclaimed slate planters and some of the printed dresses are very very cute.

Illustrator Meera Lee creates decorated sushi tea sets from upcycled crockery, which are very pretty but delicate – only for those who are happy to handwash! However the maker is stateside so only for those the other side of the pond at this late stage in the day.

Carlotta Morandini makes amazing sea creature inspired rugs. When I see stuff like this how I wish I had a bit of money! But maybe you do, and if so this would be the making of a room.

Carrie Reichardt sells at new eco fashion store 123 Bethnal Green Road: I just love her reworked crockery – what a find for the anarchist in your life. Unfortunately these are not online at the 123 Bethnal Green Road website, but I highly recommend a visit to their shop, choc-a-bloc with upcycled goodies at just the right price point for Christmas shopping.

And of course, how could I finish this blog without mention of my own book? Amelia’s Compendium of Fashion Illustration – perfect for the book/illustration/fashion lover in your life. Having had confirmation that the wondrous Royal Mail has already delivered the first copies of Amelia’s Compendium of Fashion Illustration, sent out on Friday, I now feel a bit more confident that you will still be able to take delivery of any of the mentioned gifts above should you decide to order them very soon for Christmas. You can order my book here.

You can check out my ethical fashion and skincare suggestions on this blog here. My best art books round up can be found here.

I was wondering, I first met you at the Sketchbook Mag pop-up shop – why were you in the UK and what drew you to be there?
I was in London to visit my sister, she studies at an art college and she heard about your talk at Sketchbook Mag pop-up shop. I have lived and worked in London when I was younger, so I know the city well and I always love to visit. I get very inspired by the creative atmosphere.

What’s the best thing (design-wise) that you discovered in the UK?
London has a great atmosphere with loads of creative people and inspiring energy. The city is very vibrant with a lot of different cultures brought together. I love that! When I studied at LCP (London College of Printing) one of the great things was that there were students from all over the world. 

What made you chose to bring me over from the UK to talk with you? And who do you expect to attend the lecture?
I think you are a very inspiring person with all the work you do. I really enjoy reading Amelia’s Magazine and the work you do with environmental issues is great and very inspiring. It is amazing how you manage to put it all together. You seem like a real DIY-women – it is a great inspiration for me! At the lecture, there will be designers and people from the creative field in Copenhagen.

What do you do for a living? 
I am a graphic designer. I do a lot of freelance work for magazines and for clients in the creative field. At the moment I am starting up a magazine for women. 

Some of Laura’s design work.

Who else shares your studio space? Can you tell us a little bit more about them?
I share my studio with six others. Together with Lisa Grue, an Artist and illustrator, we formed Underwerket Projects, a laboratory for art and design where your lecture will be held. We also share the studio with two freelance journalist/writers, two web programmers and an industrial designer. It’s a very nice studio with great atmosphere.

What would you say to anyone in Copenhagen who are thinking of coming? Sell me!
Come and hear Amelia’s talk – she is a very inspiring woman with great energy. She will talk about how it all started with Amelia’s Magazine and about the inspiring work she is doing with sustainability.

Elisabeth Dunker.

Who else will be talking at the lectures?
In October we have Elisabeth Dunker from A Fine Little Day, and later on Meyer-Lavigne, two Danish designers who work with sustainability and recycled materials in their ceramic design. All very inspiring ladies!

Meyer Lavigne.

What is your interest in sustainable design and has it impacted your own practice?
I think that it concerns everybody to look after and take care of our planet and pass it on in good condition to the next generations. In my everyday life I am very aware of reusing materials, saving on water, I bike everywhere I can, eat organic food and support local groceries and shops. I am not fanatic though but I use my common sense. I would like to do some work for environmental organisations, help them with designing their materials and make campaigns that will make people aware of their important cause. My friend and colleague Lisa Grue is making a poster for Greenpeace later this autumn, it´s very exciting.

I thought my readers might like to know a little bit more about you too as your work sounds very interesting:

What inspired you to start working on a magazine for women? And why have you chosen to focus on what women do?
I am a huge fan of all sorts of magazines! I have worked in the magazine business for five years as an Art Director at different fashion magazines for women. I think that a lot of magazines for women look like each other and I get very bored of the stereotypes that they present. There is a lot of focus on how women look and dress, instead of focusing on what they actually do. Don´t get me wrong I love being inspired of beautiful pictures in fashion and lifestyle magazines, I just need something else as well, something deeper to read about. Why are the articles always so short in most women´s magazine? I would like to make a magazine for women that combines culture, fashion, music and feature interesting women.

More of Laura’s design work.

Who have you got in mind for the project so far and where have you found them?
There will be a lot of contributors from around my network. People I have worked with before - writers, photographers, artists and illustrators. And then I have contacted a lot of people who´s work I have seen and they do great work with their hands, among others Myuki Sakai, Jenny Hart, Erika Blomgren, and Rob Ryan.   

Issue one will be Handmade – what will the next issues be about, and how often do you plan to make it?
Twice a year. I don´t know the next theme yet… 

Will we be able to get it in the UK?
Yes! I hope they will sell it in Magma and other shops and museums around town.

Have you thought of a name yet?
I have been looking into many names! Mostly girl names that was in my family. My grandmothers names was Ella, Edith and Elvira and I thought about calling it my own name (Laura) too. I loved Ella but it´s too close to Elle, so I landed on Stella now – which means “star”.

I’m planning to take a few weeks travelling around Denmark and Sweden with my boyfriend – where do you recommend we go if we want to see beautiful countryside and cool underground art? If it’s possible to do both!
There is loads of things to see around here! You can jump on a free bike around Copenhagen and cycle around town. There are bike lanes everywhere (so don’t worry about cycling in the other direction) and many green oases to visit. Copenhagen is situated by the water and the coastline is just beautiful. Go to the galleries in the Meatpacking area, have lunch at the vegetarian place Morgenstedet at Christiania and go for a walk around here. Take the train up North and visit the museum Louisiana. It is near the coast and there is a beautiful view up here. They have a show on with Sophie Calle at the moment. You should also go to Malmø in Sweden, it’s just a twenty minute train ride from Copenhagen. Then head further up North of Malmø and go camping in the beautiful landscape around Kullen.

Thankyou! I’m looking forward to visiting very much!
My pleasure! Looking forward till seeing you here.

I’ll be travelling to Denmark on the DFDS ferry from Harwich to Esbjerg, and if you’re located over that way I look forward to meeting you at my talk on Thursday 2nd September. But remember to book your place now.