Amelia’s Magazine | London Fashion Week S/S 2011: What is everybody wearing?!


Illustrations by Yelena Bryksenkova.

The Orla Kiely presentation gets more popular every year and I’m sure it’s not just because they always have pastries there, tadalafil doctor no matter what time of day – our lovely illustrators were keen to draw her collection too and we didn’t even give them pastries. This year Orla dispensed with models entirely in favour of just having people who offer you food, for sale i.e. they’re playing to their strengths. Cardboard cutouts of the cute, this web preppy frocks are there but take a back seat – in fact I almost forgot to take any photographs of them but funnily enough took lots of the retro tubs of popcorn constantly on hand.

Eating the pastries turned out to be a rookie mistake as I instantly sugar crashed and was later found by a colleague slumped over in the press room using a bag of crisps as a pillow. But before I slipped into a sugar coma, I vaguely remember watching a video presentation (which you can watch here) that takes the very orange-and-brown-print 1970s style of Orla Kiely back a decade to the 1960s, specifically Swinging Sixties London.

It’s made by Gia Coppola, who is indeed related to those other Coppolas, although the vid is much more jaunty than The Virgin Suicides or The Godfather. Actually I haven’t seen those films (I know, GASP) but I’m guessing they are a tad more intense than a video of a smiling blonde lady running around town in miniskirts. Correct me if I’m wrong though.

I was underwhelmed by the video presentation to be honest but it doesn’t dent my love for Orla. In a season where everything is once again colourful and sweet as a cupcake on a stick (yes, they had these – whose amazing idea was it to put it on a stick?) I think the wave of appreciation for Orla has reached its frothy, bubbly apex and the label is being seen as less twee and more wearable by fashion types. It’s definitely for girly girls and you wouldn’t find one of its collared dresses or frilled bikinis in the same wardrobe as anything from Hannah Marshall, but variety is the spice of life and if everyone wore clothing inspired by the insides of squid etc. it wouldn’t look cool anymore so really the edgy people should be grateful to us. But ARE they? No.

Illustration by Krister Selin

Charles Anastase S/S 2011 collection saw a return to form after A/W saw the designer labours with last year’s experiment with deconstruction achieve mixed results – some were fantastic – where as others were clearly a struggle. This season saw a return to the pieces Anastase so exceeds at, and delicately polka dotted dresses were complete with Peter Pan collars.

Illustration by Krister Selin

For the dresses and skirts the designer experimented with hems of a varying length, shop none of which rose higher than the knee. A sense of femininity was maintained through the fit of the longer skirts, ambulance the modern bob and pretty pleats which adorned the sheer dresses.

Illustration by Krister Selin

A favourite piece was the dresses which came adorned in the Paul Klee style print which adorned the invite.

The colours remained blocky – a purple t-shirt adorned white trousers.

Drop hems and exaggerated collars.

Jaquard made is second apparence in an intriguing playsuit and ankle skimming trousers.


Weird glasses rabbit girl, sildenafil illustrated by Maria del Carmen Smith

The international fashion press often remark that fashion journalists come to London to see what the people on the street are wearing rather than what the models on the catwalks are wearing – and so with tremedous pleasure I present to you a (small) selection of peeps who I’ve spotted out and about so far. Some weird, sildenafil some wonderful. Some go for understated chic. I like. Some appear to have got dressed in the dark and warrant the NHS installing mirrors in all bedrooms. I like even more. I’ve also thrown a few celebs in for good measure.

Here you go! (Plays trumpet)

Love it:

Elle’s Alistair Guy:

LOVE this guy’s look. Oh, patient hang on a minute…

The rough one from the Sugababes (who actually looked gorge):

I like this guy’s scarf, a lot:

My pal, Hilary Alexander:

LOVE Brix: (but my love is conditional and if that fur is real, good riddance) It’s not fur! Thank you, Brix!


Weird pirate boy, last seen at the opening of 123 Bethnal Green Road, illustrated by Maria del Carmen Smith

This gal makes her own hats. Evidently:

Brix today:

These are both men.

Love this trousers:

A vision in blue:


Super chic girl, illustrated by Maria del Carmen Smith

LOVE this:

Oh pal. It looked so much better as a scarf. You wally.

SO chic:

What better way to finish than with a pic of Suzy Menkes, OBE? I LOVE her and her trademark pompadour do. I would do anything to give her a little squeeze.

Categories ,Alistair Guy, ,Brix Smith Start, ,Hilary Alexander, ,London Fashion Week, ,Maria del Carmen Smith, ,Papped, ,S/S 2011, ,streetstyle, ,Style, ,Suzy Menkes, ,Weird, ,Wonderful

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Amelia’s Magazine | London Fashion Week S/S 2011: What is everybody wearing?!


Illustrations by Yelena Bryksenkova.

The Orla Kiely presentation gets more popular every year and I’m sure it’s not just because they always have pastries there, tadalafil doctor no matter what time of day – our lovely illustrators were keen to draw her collection too and we didn’t even give them pastries. This year Orla dispensed with models entirely in favour of just having people who offer you food, for sale i.e. they’re playing to their strengths. Cardboard cutouts of the cute, this web preppy frocks are there but take a back seat – in fact I almost forgot to take any photographs of them but funnily enough took lots of the retro tubs of popcorn constantly on hand.

Eating the pastries turned out to be a rookie mistake as I instantly sugar crashed and was later found by a colleague slumped over in the press room using a bag of crisps as a pillow. But before I slipped into a sugar coma, I vaguely remember watching a video presentation (which you can watch here) that takes the very orange-and-brown-print 1970s style of Orla Kiely back a decade to the 1960s, specifically Swinging Sixties London.

It’s made by Gia Coppola, who is indeed related to those other Coppolas, although the vid is much more jaunty than The Virgin Suicides or The Godfather. Actually I haven’t seen those films (I know, GASP) but I’m guessing they are a tad more intense than a video of a smiling blonde lady running around town in miniskirts. Correct me if I’m wrong though.

I was underwhelmed by the video presentation to be honest but it doesn’t dent my love for Orla. In a season where everything is once again colourful and sweet as a cupcake on a stick (yes, they had these – whose amazing idea was it to put it on a stick?) I think the wave of appreciation for Orla has reached its frothy, bubbly apex and the label is being seen as less twee and more wearable by fashion types. It’s definitely for girly girls and you wouldn’t find one of its collared dresses or frilled bikinis in the same wardrobe as anything from Hannah Marshall, but variety is the spice of life and if everyone wore clothing inspired by the insides of squid etc. it wouldn’t look cool anymore so really the edgy people should be grateful to us. But ARE they? No.

Illustration by Krister Selin

Charles Anastase S/S 2011 collection saw a return to form after A/W saw the designer labours with last year’s experiment with deconstruction achieve mixed results – some were fantastic – where as others were clearly a struggle. This season saw a return to the pieces Anastase so exceeds at, and delicately polka dotted dresses were complete with Peter Pan collars.

Illustration by Krister Selin

For the dresses and skirts the designer experimented with hems of a varying length, shop none of which rose higher than the knee. A sense of femininity was maintained through the fit of the longer skirts, ambulance the modern bob and pretty pleats which adorned the sheer dresses.

Illustration by Krister Selin

A favourite piece was the dresses which came adorned in the Paul Klee style print which adorned the invite.

The colours remained blocky – a purple t-shirt adorned white trousers.

Drop hems and exaggerated collars.

Jaquard made is second apparence in an intriguing playsuit and ankle skimming trousers.


Weird glasses rabbit girl, sildenafil illustrated by Maria del Carmen Smith

The international fashion press often remark that fashion journalists come to London to see what the people on the street are wearing rather than what the models on the catwalks are wearing – and so with tremedous pleasure I present to you a (small) selection of peeps who I’ve spotted out and about so far. Some weird, sildenafil some wonderful. Some go for understated chic. I like. Some appear to have got dressed in the dark and warrant the NHS installing mirrors in all bedrooms. I like even more. I’ve also thrown a few celebs in for good measure.

Here you go! (Plays trumpet)

Love it:

Elle’s Alistair Guy:

LOVE this guy’s look. Oh, patient hang on a minute…

The rough one from the Sugababes (who actually looked gorge):

I like this guy’s scarf, a lot:

My pal, Hilary Alexander:

LOVE Brix: (but my love is conditional and if that fur is real, good riddance) It’s not fur! Thank you, Brix!


Weird pirate boy, last seen at the opening of 123 Bethnal Green Road, illustrated by Maria del Carmen Smith

This gal makes her own hats. Evidently:

Brix today:

These are both men.

Love this trousers:

A vision in blue:


Super chic girl, illustrated by Maria del Carmen Smith

LOVE this:

Oh pal. It looked so much better as a scarf. You wally.

SO chic:

What better way to finish than with a pic of Suzy Menkes, OBE? I LOVE her and her trademark pompadour do. I would do anything to give her a little squeeze.

Categories ,Alistair Guy, ,Brix Smith Start, ,Hilary Alexander, ,London Fashion Week, ,Maria del Carmen Smith, ,Papped, ,S/S 2011, ,streetstyle, ,Style, ,Suzy Menkes, ,Weird, ,Wonderful

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