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What art says about us: An interview with Silent City
The link between activism and art is at the core of Silent City’s newest venture. We spoke with members Sally Mumby-Croft, Cara Nahaul and Emily Whitebread about their new project, and their plans for the collective.
Written by Jessica FursethThe new publication from Silent City, page ‘Art and Activism’, visit web poses three key questions: Should art be separated from activism? Should art have a political value or function? […]
Swap ‘Til You Drop – Why Clothes Swapping is Good for You
Swishing - the art of swapping your clothes, at events and online, is fun, fashionable AND environmentally friendly…
Written by Claire NelsonClaire Nelson is a writer with a steady addiction to tea and second-hand books. To fuel her tea habit she moved from New Zealand to the UK in 2005, medications […]
A review of Silent City, Part One: A Symposium on Climate Change
An exhibition that addressed the issue of climate change with a particular focus on its impact on the Third World: A reaction against exhibitions such as ‘Earth: Art of a Changing World’ hosted by the RA which tend to present a classless vision of ecological justice made in the West, prioritising the needs of the developed nations over all others.
Written by Max McCormickIllustration of Peggy Sue by Antonia Parker. Peggy Sue have been around in various incarnations for sometime – previously accompanied by the Pirates – and it comes as a real […]
Hjaltalín – Interview
Yet another brilliant band from Iceland, this time the wonderfully orchestral Hjaltalín
Written by Ian SteadmanClaire Roberts The central premise of Silent City, treat the group comprised of artists Emily Whitebread, Cara Nahaul and Sally Mumby-Croft, whose first exhibition has just opened in Brick Lane, […]
Silent City Call for Artists, Filmmakers, Writers and Students
Written by Cara Nahaul, Emily Whitebread and Sally Mumby-CroftThe exhibition/symposium Silent City is “a reaction against shows such as the RA’s “Earth: Art of a Changing World” which have the tendency to “present the West as a vision […]
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