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Top 25 Art Blog - Creative Tourist

Watch Out For Werewolves!

Accessory Design, London

Written by Melodie Ash


An eclectic mix of art work by a group of like minded people exploring expressionism through art.
Peckham Square, tadalafil page 28th of March 2- 6pm


In the Pines

Jack Strange
Limoncello 2 Hoxton St London, rx opening 27th of March 6.30 – 8.30pm, case exhibition: 26th – 28th of March 11am – 6pm and by appointment until 2nd May 2009.


Order and Disorder

Wilhelmina Barns-Graham
A look at a very unique collection of paintings and prints, several have never been publicly exhibited before.
Art first in Cork street, 24th March – 23rd April


One or Several Wolves

Priya Chohan, Coral Churchill, Annelie Fawke, Kwang-Sung Hong, Heidi Locher and Anne E Wilson.
A group of artists look at conceptual motivations within Art, using a variety of media each artist explores the relationship between concept, material and final work created.
Kingsgate Gallery, 20th March – 5th April Free


Bandits present

New installation work from Glaswegian artists littlewhitehead.
The Bun House Bandits, 96 Peckham High Street London. Preview: 15th March 2009, 4pm. Exhibition: 16th March 2009 – 29 March 2009, 11am–11pm


Being and nothing-ness

Youngmi Kim, Kiwoun Shin and Seunghyun Woo
Three Korean artists explore the notion of “being” through various multi media methods, the exhibition includes paintings, videos and sculptures.
Nolias Gallery, 60 Great Suffolk St SE1. Private view: 26thMarch at 6pm- 9pm, exhibition: 27th March- 7TH April 200 10:30Am-6pm,


We are his body

installation art work inspired by the artist’s exploration of the cross in today’s society.
Viewing at Christ Church URC 663 Barking rd Plaistow E13 9EX, 25th March 6pm


Kate Marshall: Live Painting.


This dextrous figurative painter will be doing a live drawing and painting gig at Movida, Argyll Street on April 2nd. Arrive at 9.30pm, you might get a free drinky. She’ll be starting work at 10pm. Check out the event on facebook.
I just woke up from the best nightmare I ever had, store at least I think it was a nightmare. I mean, side effects I’ve heard of mutton dressed as lamb and a wolf in sheep’s clothing, health but last night I saw a couple of ladies, dressed as a wolf and a sheep respectively, among other things.

But what was this, what had I stepped into? Well I found the best person to ask, Annie Oldfield. A lovely young lady from Leeds, dressed as a wolf! I thought it would be fun to create a one-off themed party where you can listen to music all night that`s in some way related to animals: Animal Collective (Panda Bear), Deerhunter, Modest Mouse (the list is endless), eat crackers and, of course, what themed party is complete without fancy dresses. Shark, tiger, zebra, duck, crab, swan, cat (there were lots of cats) all had turned out.



After Annie along with friend Bonnie Wan came up with the idea they went to
DJ/Promoter friend Dave Bassinder (Underachievers) and Filthy animals! was born.


Not one for getting down on the dance floor, that was no problem here, you could keep yourself occupied by making animal balloons or watching films played on a big screen, obviously starring our fantastic furry friends. Or grab a piece of paper and give origami a go, make some sort of flapping pterodactyl. Of course the term filthy suggests more than balloon modeling so a few cheap drinks and many tunes later and the dance floor got the attention it deserved, well you spend all day making a costume you gotta show it off, right?


It`s a real shame it had to end as there are no plans for further repercussions. If you read this Underachievers “BRING BACK THE ANIMALS and KEEP EM FILTHY”!

I have something to admit, viagra sale I am a warehouse party virgin. By warehouse parties I mean not-really legal parties, treat which announce their locations via facebook messages about five minute before they start and you quickly have to get yourself to some remote north London spot in Zone 4. For me there is nothing fun about the obvious issue of trekking all the way out there just for the police to shut it down at twelve. Or 11.30 PM on New Years Eve, rx which is what happened to one of my friends!


After one of our writers posted about their last exhibition I decided i couldn’t miss the LuckyPDF warehouse party, even better it was all above board and legal. There were rather fancy gold flyers promoting the event and they even hired their own bouncers, who were at the door all night checking ID. While this might take some of the thrill away for regular warehouse party goers I rather enjoyed being somewhere with plumbing and electricity. My favourite part was not having to trail across London to a Saw-esk industrial park, because the event was just off Peckham high street. As the LuckyPDF people boldly proclaimed before the event, “The people of South London shalt need to travel to East London any longer for their Huge Party needs.”


I arrived at eleven and the queue to get in was absolutely insane, luckly i’d sent a RSVP email, but I still had to wait a good fifteen minutes to get into the rooms even once I was through the main gate. This was no thrown together event, they had obviously put a lot of effort into sound and lighting, which was refreshing and very welcome. As I entered the bottom room floor I was immediately hit with throbbing lights and heavy bass. There were hoards of people, I couldn’t even begin to count how many attended the event, but nothing was too serious. I think something about the fact it was in a warehouse just made the whole event more relaxed, there was a lot less people there just to smoke and be seen than there were people just wanting to have fun. No “this is the dance floor, this is the bar” locations usually explicit in gig venues meant people were just doing what they wanted where they wanted.

The LuckyPDF warehouse party aimed to be “a rampant music/art extravaganza that will continue til the early morn..” The music was definitely there with the order of the day being, “Bass, Bass, Garage, Electro, Bass, Drum n Bass, Swing, Tango, Nintendocore and Bass”. There were Dj sets from 10 PM – 4AM from South London party circuit favourites, XXX, My Panda Shall Fly and Tomb Crew, plus many, many more. These Dj’s were well selected and well received (apart from whoever kept cutting tracks short in the top room!) effortlessly mixing cutting edge bass tracks with forgotten classics.


However, I was completely perplexed about the other bit, you know the art. Unless really, really small (microscopic) art has come in fashion since the last exhibition I went to I would swear that there wasn’t any. It could have been hidden by the hoards of people there, but still if you’re going to advertise art it would be helpful if people could see it. Previously this would have annoyed me, but I feel i’m just starting to get the point of collectives such as LuckyPDF and it’s peers. Although these guys are artists, they’re not together to try and promote a certain type of art or medium over any other. With the exception perhaps being Off Modern who have a whole Off Modern manifesto on their website. As far as I know there is no particular theme or common interests in the work of the organisers of these events and if there were it would be purely incidental. It’s more a case of getting people excited about South London. Which something that hasn’t happened since (dare i say it) the YBA’s, and they all rushed off to live in the East End or houses in the country as soon as they could anyway.


I will forgive the LuckyPDF guys just this once having an event light of the art and heavy on the music (which draws people in and allows them to charge entry fee), because they have stated that they’re a not for profit organisation, and I hope the money they made will be going into more exhibitions. And when they do I’ll be there, pen in hand, because I can’t wait to see what they’re going to do next.
Photography by Ted Williams

Monday 23th

The Rakes
release their third album, symptoms KLANG, buy information pills today and to celebrate the band will play a special gig at London’s Rough Trade East at 6pm tonight.
The follow up to ‘Ten New Messages’ is pure and the best of The Rakes as you can check out on lead track ‘1989‘.
Wristband collection 1 hour prior to gig, first-come-first-served basis-one per person.

The Rakes

Tuesday 24th

It`s crunch time at The Social and the venue welcomes Kid Carpet to promote his new single, followed by Moonfish Rhumba with their electro beats and peculiar lyrics.
If great music is not enough to take your mind of recession, this month the venue provides the Crunch Time Rant where you can take your anger to the stage, step on to a soapbox and speak out your thoughts.
Doors 6pm, 99p.

Moonfish Rhumba

Wednesday 25th

Hoxton Square Bar & Kitchen receives Joseph Mount, aka Metronomy and DJs, including the opulent pop of Your Twenties (whose harmonious frontman is Metronomy’s former bassist).
8pm, £7, adv £6.


Thursday 26th

Plugs, My Tiger My Timing and Shock Defeat at the Paradise By Way Of Kensal Green for a bit of electro/disco rock.
7:30, £7, adv £5.

My Tiger My Timing

Friday 27th

The three new yorkers forming The Virgins land in town for some dance rock at Koko London.
9:30pm, £7, £5 before 11pm, concs £4.

The Virgins

Saturday 28th
Up for some healthy girlie pop? Betty and the Werewolves bring their female fronted indie-ditty-pop vocals (they do count with one boy on the drums!) to Bardens Boudoir next Saturday.
8pm, £6.

Betty and the Werewolves

Sunday 29th
Close (or begin?) your week with the Society of New Music – an avant garde event featuring Wet Dog live at The Social.
7pm, £2.

Wet Dog

To all you vintage addicts I bring you salvation!

On April the 4th a vintage bonanza will be hitting the streets of Bethnal Green to bombard you with their scandalously cheap vintage, viagra 40mg so prepare yourself Shoreditch! I understand if you are dubious, case “what makes it unique in comparison to the endless array of oversaturated vintage fairs and markets in London” I hear you say? Well, the differentiation is that at this event you won’t be leaving empty handed if you left the house with a mere twenty pounds. This is vintage on an extremely tight shoestring, for any savvy shopper the affordable vintage fair is akin to the sensation of being a child in a sweet shop again!


Heralded as the largest vintage fair in north England, the organizers have delved the nation with their noble quest for affordable vintage, leaving no stone unturned. Our loyal travellers have unearthed hidden gems and want to bring you the fruits of their labour! So cast aside the idle and banal window shopper, let your hair down and embrace your style hungry primordial urges. The fair is an emporium of vintage wonderment; there are style advisors, a customisation and alternations area, swapping area as well as bundles of vintage clothes and furniture.


But the most exciting element of the fair has to be the pay by kilo vintage stall. This really is vintage paradise; trawl to your heart’s content safe in the knowledge it’s not going to cost you much more then your weekly grocery shop. The phenomena is commonplace with our European counterparts, but kilo shopping will be making its debut here in the UK. So get trawling and scout some hidden gems, this might just be your chance to revive your wardrobe from the brink of darkness and inject a whole new burst of life. What other chances would you get to weigh out your clothes, just like you would weigh out your sugar?



They have catered for your every whim feeding your ears and taste buds with a nostalgic trip down memory lane. With music spanning the decades from the bohemian 60s to the energetic 80s, not forgetting a whole host of cake stalls and beverages to whet your appetite.




So don’t miss out, get down there 11am pronto on the 4th of April, I for one will be installing my vintage bargain radar and heading down myself!
Everyday at the office here, treatment while we`re writing our articles and drinking our teas, we try to go through the many cd`s we receive daily and now and then there`s one that catches everybody`s attention, making everyone in the room ask “who`s this”?
That`s exactly what happened when Cari put on the single from up and coming group My Tiger My Timing. In less than 30 seconds heads were bopping and legs were shaking unanimously. This Is Not The Fire is so catchy that I`ve been listening to it non stop since Tuesday.


They play a delightful, totally danceable afro beat, electro-pop and still they compare themselves with bands like Metronomy and Casio Kids. While most of the groups desperately run away from extreme pop and commercial tracks, MTMT does exactly the opposite, recognizing their will for creating easy listening and fluid beats.


The foursome was formed in 2008 in south east London and their debut single was produced by Andy Spence of New Young Pony Club and will be released April 6th 2009 downloadable through Silver Music Machine.

Tuesday I had the chance to see them live at Cargo and I`m definitely looking forward to the entire album, it was quite an electrifying performance. Here`s a little video of the last song:

Yesterday, buy a few of the Amelia’s Magazine girls went along to witness the G20 protests in the City of London. The day had dawned to brilliant sunshine, and clear blue skies, which meant that the sight and sound of the police helicopters hovering overhead was even more pronounced. The events which were due to unfold promised to be extraordinary, and I was keen to see what was going to happen. It was hard to know what to expect, but here was the run down. Four different carnival parades, were to converge around the Bank Of England, and protest the current economic and environmental climate. We were guided there by the Four Horsemen of the Apocalypse, leading the processions from four rail stations. We were setting off from Liverpool Street, led by the Green Horse – representing climate chaos. Walking from Brick Lane to the station, I was struck at how different the city seemed. Spitalfields Market, and all the restaurants around it were closed. There were not many city workers around, but those who were out and about were dressed down. I didn’t see a single suit around me.


G20protests4.jpgThe Barbican towards The Bank of England. It was enjoyable to be part of such a good natured crowd and it was fun to watch all the shop owners standing outside their establishments, watching with fascination at the colourful carnival proceeding past them.


As we walked towards Bank we passed Northern Rock. Some clever jokers had hung a sign inside their office entitled ‘We Love Money”. As I went to take a picture they hastily pulled the sign down. I could only marvel at the thoughtlessness of that statement, wasn’t it hundreds of thousands of pensioners money that they had lost – was that the money in question that they loved so much? After a brief stop, we marched into the space around The Bank Of England. I was shocked by the amount of people who were here. Estimates at 4,000 are not an exaggeration. The place was packed. Having only ever seen this section in London as a thoroughfare for busy, frantic city workers, and crammed to the gills with buses, it was surreal to see it filled with so many protesters. No cars, just people.








After about 45 minutes, we were ready to head back to the office. I went to walk past a row of police and quickly found that I couldn’t get through. Not quite understanding the situation I was unconcerned, thinking that they were guarding just one exit. Knowing there were plenty more exits around Bank station we wandered back to the road that we had come in on. Again, we were met with a throng of police. They stood arms locked. Still assuming that this was something that would be resolved soon, we sat down and scrounged some crisps off a girl sat next to us. (Not expecting to be there for long, we didn’t take any food, and not much water.)


Then some of the police vans next to us started to move through the police and drive away. We thought that this was our cue to leave as well, and strode towards the police. They immediately closed ranks. It was at this moment that I took in the situation. They had cordoned us all in; we had unwittingly become kettled. (This word now chills me to the bone). No one was going anywhere without their say so. the crowds started to fill up and began asking questions. As I was nearest the front I asked how long this situation would last for. “Don’t know” came the response. Many people started asking why this was happening, but the police would not respond. Our crowd was large, and there was not an ‘anarchist’ in sight. Many tried to squeeze towards the police and told them that this was violating their human rights, and was against the law. Again, no response.


We were soon packed so tightly that it was like being at the front of a gig, but instead of watching a band, we were staring into the hard faces of men who refused to talk to us, and would sooner beat and arrest us then let us get past them. At this point the crowd surged and we fell into each other. The police shouted at us “Get back!” a woman shouted “Where to?!” We were trapped in a scrum, and the police were pushing us back while we were being pushed forward. I saw riot police walk towards us and I felt a surge of panic. We had been trapped by the police and there was nothing that we could do. I pleaded with the officer in front of me to let us go (I can now see how futile that was). I said that we were scared, and asked if a riot were to kick off, who are they going to protect? “I can’t answer that” was the response. Women started shouting that they had children from school to pick up, jobs to get to. The most common cry to the police was “Why won’t you speak to us?” I got so fed up from this feeling of powerlessness that I phoned the news desk at BBC News. I shared my feelings of worry to the reporter on the other end of the phone; and told her the scenario. I relayed what the officers had told one girl to do who said that she needed the toilet – “you can go in the street”; what they told one boy who said that he wasn’t even part of the protest – “You are now”. The BBC reporter told us that this situation was happening at every exit of the march. She said, “You are all being tarred with the same anarchist brush, this is their tactic”.


Around an hour later, still in the same position, a man passed out in front of me. He had been standing quietly, not trying to defy the police, and his only movement for the two hours that we were held was to quietly read a peace of paper that he had in his hands. I had looked at it at one point and could see that it was a Psalm. Thankfully, the officers took him away and led him to an ambulance. Just as I started to feel that it was going to be an all night cordon, my friends phone rang. A friend of hers told her that they had just opened one of the exits round the corner and we bolted for it. Walking to the tube, we were jumping up and down with exhilaration. We began receiving updates that the RBS building was being stormed, and that the police were beating protesters. What had started off as a peaceful and well meaning protest was quickly turning into something much darker, but who was at fault? If you asked anyone in the 4,000 strong crowd they would have no trouble telling you. The police’s tactic of kettling us, purposely providing us with no information and locking us in for two and half hours was easily going to generate the mayhem that they had predicted. Nonetheless, I am so pleased that I attended. It was always going to be an interesting day, I just wish that the peaceful protesters would have been treated better and not denied their basic human rights.
Monday March 23rd.

WE CAN postcards to Ed Miliband and MPs: Monday 23rd March

On Monday 23rd March, pills hundreds of children dressed as endangered animals will write postcards to Secretary of State Ed Miliband and to their MPs, in an effort to make the government call a halt to plans to build a third runway at Heathrow and a new coal-fired power station at Kingsnorth.
According to NASA scientist James Hansen, who is now advising President Obama, up to 400 species of animals are threatened with extinction by the emissions from Kingsnorth.
Filmmaker, mother of three and founding member of WE CAN, Rebecca Frayn said, ‘The children are horrified that so many animals could be wiped out. Ed Miliband has said that carbon capture and storage will be introduced to clean up the emissions, but nobody knows when, or if the technology is even practical.’
The postcards will be coloured in and presented after a gathering in Old Palace Yard at 5pm on Monday 23rd March. Several MPs including Andy Slaughter and John McDonnell have agreed to meet children in the lobby of the House of Commons

WECANprotest.jpgForests and Climate Change: an Amazonian Perspective for Copenhagen
Date: Tuesday, 24 March, 2009 – 17:30
Chatham House?
10 St James’s Square

A joint IIED and Chatham House event, the debate will be led by Professor Virgílio Viana, Director General, Amazon Sustainability Foundation.
Doors open 5.30pm?Event starts 6.00pm?Reception to 8.30pm
Venue:?email: Tel: 0207 388 2117

Professor Virgílio Viana is one of Brazil’s leading academics and practitioners on forestry, environment and sustainable development. Prof. Viana served as Secretary of State for Environment and Sustainable Development, Amazonas, Brazil, between 2003 and 2008. He stepped down from the position of Secretary of State for Environment and Sustainable Development, Amazonas, in March 2008 in order to devote his time to new challenges and projects. He is currently the Director General of the new Amazon Sustainability Foundation, and is presently in London as part of a 3 month sabbatical with the International Institute for Environment and Development (IIED).

Wednesday 25th March

St James’s Church
197 Piccadilly
London W1J 9LL?
GLOBAL DEVELOPMENT FORUM – Governments; friends or foes of development?
Contact 020 7734 4511 for further details

Thursday 26th March

35 – 47 Bethnal Green Road, London, E1 6LA

020 7613 7498

020 7613 7490

The Age of Stupid (PG)
Genre: Drama/Documentary
Dir: Franny Armstrong

The Age Of Stupid is the documentary-drama-animation hybrid from director Franny Armstrong (McLibel, Drowned Out) and Oscar-winning Producer John Battsek (One Day In September, Live Forever, In the Shadow of the Moon).

Oscar-nominated Pete Postlethwaite (In The Name of the Father, Brassed Off, The Usual Suspects) stars as an old man living in the devastated world of 2055. He watches ‘archive’ footage from 2008 and asks: why didn’t we stop climate change when we had the chance?
Plus Q+A with
Thurs 26 March after 6.45pm screening- Lizzie Gillet (The Age of Stupid film producer)

Forests and Climate Change,
7pm, Royal Geographical Society,
1 Kensington Gore, SW1 London

The world’s forests are home to an extraordinary range of species, and are arguably one of our greatest safeguards against climate change. Yet deforestation, whether for timber, farming or human settlement, continues at an alarming rate.
Climate Change, Canopies, and Wildlife
Dr. Mika Peck, University of Sussex
What are the impacts of climate change on the cloudforests of north-west Ecuador? Are existing reserves in one of the richest and most diverse of all biodiversity hotspots big enough to protect large charismatic mammals like the spectacled bear and big cats? How much do carbon offset programmes really benefit wildlife? Can technology such as Google Earth help us to identify canopy tree species and biologically diverse areas from space? These are just some of the questions that will be addressed during this lecture, which is based on data collected by Earthwatch volunteers in the mountains of Ecuador.

Dr. Mika Peck, Dr. Dan Bebber. Info: Earthwatch/ 01865) 318856/

Friday 27th March

(illustration courtesy of Aarron Taylor)

“Hell and High water: Climate Change as a spiritual challenge.” An evening talk with Alastair McIntosh

6.30pm drinks & light buffet at Gaia House, (18 Well Walk, Hampstead, NW3 1LD)
7.30pm Talk & discussion at Burgh House (Opposite Gaia House, New End Square, Hampstead, NW3 1LT)

Alastair McIntosh’s recent book, “Hell and High Water: Climate Change, Hope and the Human Condition” has been described on Radio 4′s Open Book programme as one of the best on climate change “because of its rage and optimism.” But Alastair’s “optimism” is not of a conventional type that relies on political, technical and economic solutions. His book is about hope, and how our response must also be psychological and spiritual. During the course of this evening, Alastair will introduce the book exploring why he thinks climate change is as much about our inner lives as outer realities, and discuss here this leaves us as campaigners for change. 

Saturday 28th March 2009
 “Climate Change, Consumerism and the Decolonisation of the Soul.”

10am – 4.30pm at the Gaia Learning Centre
18 Well Walk, Hampstead, NW3 1LD

Alastair will build on his presentation from the previous evening, focussing in particular on the role that consumerism plays as the driving force of climate change. He will unpack the history of consumerism and demonstrate how it has “colonised the soul” in an addictive manner, that needs to be responded to in a manner akin to other addictions. This will bring us back to the need, discussed the previous evening, to understand climate change as a call to deepen our inner lives, as well as come up with outer solutions. Many of these solutions will touch on the need for “Rekindling Community” – the title of his other recent book (a Schumacher Briefing) which he will introduce in the latter part of the workshop. 

Alastair McIntosh is a writer, broadcaster and campaigning academic best known for his work on land reform on Eigg, in helping to stop the Harris super quarry; also for pioneering human ecology as an applied academic discipline in Scotland. He is a Fellow of Scotland’s Centre for Human Ecology, a Visiting Fellow of the Academy of Irish Cultural Heritages at the University of Ulster, and in 2006 was appointed to an honorary position in Strathclyde University as Scotland’s first Visiting Professor of Human Ecology. He is the author of many books, including the critically acclaimed “Soil and Soul: People versus corporate power“. 

Booking for either the talk, workshop, or both is essential.  Evening talk £10 / One-day workshop £45. 
Reserve your place online at: 
Or send a cheque made payable to The Gaia Foundation. 

For further details contact Vicky at: or 020 7428 0055. 

Put People First march for Jobs, Justice and the Climate
11am Victoria Embankment, London

Please come along and add your voice to the Put People First march for Jobs, Justice and the Climate in London on Saturday 28th March.
Global leaders are meeting in London on 2nd April for the G20 meeting, and we want them to Put People First and focus on jobs, justice and the climate.
Greenpeace is one of the 50 organisations supporting the march, which is calling for — among other things — a green new deal to help rebuild the economy and create green jobs. To see the full list of demands visit
Put People First is a coalition of organisations ranging from environmental and development charities to unions, churches and mosques, and we are expecting thousands of people from all walks of life to take to the streets and send a strong message to the G20 leaders. If you can make it to London, please join them.
The march will start at 11am at Victoria Embankment and head to Hyde Park for a rally with speakers and entertainment including comedian Mark Thomas and environmentalist Tony Juniper. Visit the website for more details including a route map.
We’re sorry if you’re not based in or around London and can’t make it, but if you do want to travel down for the march, Put People First are organising coaches from various places around the UK. 
Hope to see you there,
Timothy M Duong is a fine artist searching for something extra ordinary to put “the ordinary on blast”. He as no interest in the ideal beauty, pilule finding that painting from life poses a challenge that often results in mistakes which can change simple art works into timeless pieces. This week I had a chance to find out what inspires his creativity.


What inspires you?

People inspire me. The space around us inspires me. What fills that space and our relationships to it inspire me. Anything that sparks a resonance inside of me to ask the question “why” is probably the reason why I continue my work. So I guess you could say what I am making at the current moment is a documentation of how I perceive the world or my view of it and this is constantly changing as for my work also.

How did you get into Art?

My cousin who passed away several years ago introduced me to comic book art when I was very young and for years until high school that was all I was doing. While I was deep into the world of comics and the linear art, cure I bumped into “Kabuki” a book written and illustrated by David Mack and that was probably one of the most pivotal points in my artistic development. I didn’t even know that it was possible to bring such a way of communication with such a medium as comics. From then and there I abandoned comics and ventured into fine art.


Who do you aspire to be like and who inspires you at present?

I really don’t aspire to be like anyone. I aspire to be more my self, if that can be an answer. People that do inspire me at the moment are artists like Phil Hale, Alex Kanevsky, Lucian Freud, Francis Bacon, Degas, Egon Schiele, Richard Diebenkorn and anyone that has a way with the brush and pencil.

Where do you see yourself in 5 years from now?

I see myself living comfortably from what I love doing. I can’t really put it any others words other than that…but I guess we’ll see how the economy goes eh.


What advice would you give to someone trying to get into the Art?

My advice would be to have an open-mind and be forgiving of your mistakes, yet be your harshest critique. Our experiences are what makes us and to be afraid of consequences generated by our “experience” is to neglect ourselves. It’s all about trial and error in my book.

Do you have a muse?

I have no muse. Although I do hire models and try to work with some friends but no one on a regular basis, at least for now. I need constant change and revision so for me to have a regular muse would probably bore me, but you never know…maybe I haven’t found the “one”.

Jeremy is self-obsessed. Jeremy is pop. Jeremy overdoes things. Gratuitously. Jeremy indulges ostentatious musical whims. And Jeremy has just made his first great piece of work: How We Became is his masterpiece.
I’ve been checking out this half-French fop’s work for a few years, click since I caught him at one of the Mystery Jets’ Eel Pie Island Bandpies, site spooling tales of rentboys and such, side effects strumming his guitar, while his voice fought for attention. Interesting stuff, but not compelling. Then he progressed, churning out a couple of decent tunes, like 5 Verses. He was obviously a talented chap, but I couldn’t obsess over what felt to me like dry and bloodless songs. Jeremy, where’s your passion? I asked. And then I went and listened to something else.
Imagine my surprise then, putting on this CD and being forced to let Jeremy fully into my heart. He is the same Jeremy, but more knowing, now. There is a lot of really beautiful music here, as though he’s been suddenly possessed by the spirit of Brian Wilson in his prime. There are chord progressions that tighten tendons, and make you want to do some parkour in a balletic frenzy.
He’s also very canny at matching lyric to music. “I heard that it’s true that everything is made of tiny bits of nothing. There’s music in the gaps and colour in the cracks, as the sirens wail and car alarms ring” is delivered so delicately in Waiting Room, a lullaby of electronic drums and oboes and flutes. You can’t help but become as soppy as the man himself.
The record is very much a studio thing. It sounds as if he’s laid everything out to click track, layered in his keyboards and vocals, then got his servants to fill in their designated parts, with utter precision and exactitude. There isn’t a slid or bent note, not even a spaghetti hoop of a solo. The only emotional expression on the whole CD comes from Jeremy’s uncannily skilful songwriting, and his boyish note-perfect vocal squeaks, whimpers, and entreaties. It’s testament to the power of those factors that they’re enough to keep you in for the whole shebang.
There are some surprisingly rocked-out moments, too. Just slipped into the mix. Jeremy still warbles on top, the ghost of the click track still hovers, but just with distorted guitar riffing away and driving drums pounding a strange imitation of rock bands. The rest of the time, we are left with a world of synths, round bass tones, gentle acoustic guitar samba-chords, robo-tight drumbeats, and really sexy wind instruments. Check the stunning horns on Dancing with The Enemy. And production about as perfect as it gets.
I must admit my mind started to wander as the last track drawled into verse three and a half, and then I realised why it had to be the last track. A sequence of pure musical wizardry divides the song in two. Debussy duetting with King Crimson, followed by a one minute piano and snare crescendo. “What a surprise! We grew up,” realises Jeremy. Truly.
This isn’t an experimental record, at all, but I’m still fairly stumped for unqualified comparisons. Let’s try, err… The Divine Comedy, but no… it’s more earnest. Fugu, but no… less ironic. Or Patrick Wolf, maybe, but no… much less masturbatory. Essentially, this is its own beast. That’s what makes it great. Jeremy Warmsley’s vision has finally borne fruit. Very juicy fruit.

You can buy “How We Became” through, and there’s a free download of “If He Breaks Your Heart” on his own site, See him live at Barden’s Boudoir this Saturday, March 28,, when he plays alongside Betty and The Werewolves, or on his tour of the UK and Germany, as listed on his myspace.
Tatty Devine are so prolific it’s hard to keep up – legions ahead of their counterparts who must surely feel as though they are lugging behind them gasping for breath. Never ones for being complacent, pharm Tatty Devine are consistently striving to push the boundaries in accessory design.


The innovative duo have enjoyed a cult following, web and their list of collaborators is long enough to struggle in the recollection. There was the infamous Gilbert and George, the master craftsman Robert Ryan, eccentric electric group Robots in Disguise, and then the zany Mark Pawson. Not to mention their bizarre projects. One of their latest was undertaking a pendant replica of the angel of the North. As a proud Northern lady myself, this holds a particular sentimental place in my heart!


Tatty Devine have recently joined forces with artists Phil and Galia Kollectiv in a conceptual project for their Brick Lane store. The exhibition comprises of a series of photographs to coincide with the launch of their capsule jewelry collection. Inspired by Cold War Design, the pieces play with the concept of espionage and the clash between ideology and human emotion.


The collection has a distinct three-dimensional allusion, drawing influence from emissary tools used within the Second World War. The pieces range from acrylic brooches to pendants, my distinct favourite would have to be the pendant of Oskar Schlemmer a prestigious figurehead in the Bauhaus theatre workshop.


So head on down and catch the collection at the Brick Lane store which runs till May 3rd

In conjunction with their work with minimalist duo Kollectiv, Tatty Devine has been dipping their toes into the world of music. Their latest collaboration is with new kids on the indie block Betty and the Werewolves. This quartet are bursting with flair, injecting a healthy dose of saccharine laden pop. But don’t discard these girls as entirely sickly sweet, they pack a real punch. With racing punk rock guitars and scandalous lyrics these girls don’t adhere to the usual pop group ethic.


The accessory collection comprises of bold graphic pendants rather reminiscent of the font of an 80s action comic, you almost expect the words POW! The red acrylic pendant is gloriously kitsch, a perfect outlet to announce your passion for these cool cats to the unsuspecting public. Their next piece pays homage to 70s star David Cassidy, which aptly is the title of the bands debut album. This charming heart pendant is a perfect piece of 70s nostalgia.




With the prices starting from a mere £15 pounds, now is your chance to grab yours. I have a sneaking suspicion these girls will be making waves in the music sphere in the foreseeable future. Infact they will be playing this Saturday at Bardens Boudior with Jeremy Warmsley, The Duloks, and the Bobby McGee’s, a perfect chance to experience this energic bunch first hand.

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