listings

Category: Art

Nicholas Stevenson, Bear fight.

Home Sweet Home is a exhibition of new paintings at Atomica Gallery from Art Brut enthusiast Angela Dalinger and young British illustrator and artist Nicholas Stevenson. Offering viewers a snatched glimpse into a series of imaginary homes, both artists indulge in depicting domestic voyeurism which treads a thin line between the whimsical and the worrying. As we trespass through these residences, we may encounter anything from illegal pets to resident ghosts and wizard’s gardens.

Nicholas Stevenson, Psychic interior.

Angela Dalinger, Psychic exterior.

Indulging our curious natures, the paintings in Home Sweet Home portray private moments in which viewers may pass unnoticed and draw their own conclusions. Often the paintings will be in direct communication with each other, both artists offering an alternative view point of the same scene, other times the dialogue between the paintings will be more covert.

Nicholas Stevenson, Kitchen ghost.

Angela Dalinger, Dead giant

Hailing from a small village on the edge of Hamburg, Germany, Angela Dalinger's seemingly naive style is absent of current cultural or artistic influences, something her relative isolation no doubt has a hand in. Nicholas Stevenson is an illustrator, artist and musician currently based in North London whose chalky gouache paintings have appeared in the likes of The New York Times and the cover of Belly Kids book, Thrill Murray. The two artists have been virtual friends for some time, but will meet for the first time at the Home Sweet Home opening!

Nicholas Stevenson, Bug problems.

Angela Dalinger, Swansea noble.

Angela Dalinger, Bed.

Opening times: Mon-Fri: 11am – 7pm, Sat: 12pm – 5pm, Sun: 12 – 4pm
Opening reception: Thursday 14th August, 6-9pm

Category: Art

Lynn Hatzius is an illustrator, collage artist and printmaker living in London. Her work crosses boundaries of fine and applied art with regular commissions of commercial illustration alternating with personal self initiated projects. She designs book covers for a variety of publishers and her illustrations have appeared in various magazines and newspapers as well as on album covers. Lynn Hatzius completed an MA in Printmaking at the London Print Studio, where she continues to explore traditional printmaking techniques to translate her imagery into printed form. She regularly exhibits and sells her work in London and elsewhere.

By The Sea (2013) Paper Collage

Patience I (2012) Vintage postcard, Paper Collage

A Journey into Printed Matter is the title of Lynn Hatzius's latest solo show, which will bring together a selection of her collages and prints. The venue is Firefly, a small second hand book shop on the corner of Chatsworth Road and Glenarm Road in East London. This place is the perfect setting to show some of Lynn's more delicate collage pieces, which themselves include elements chosen and extracted from old books. For her the images on dusty pages open up endless possibilities for new compositions, which reveal hidden meanings and unexpected ideas. She is in constant search for new material to add to her vast collection of printed matter, so the surroundings are a source of inspiration as well as a backdrop to her work.
For more details see the First Thursdays website.

Stillness (2013) Paper Collage

Derailed (2014) Paper Collage

Shop opening times: Thursday-Saturday 10AM-6PM, Sunday 10AM-5PM

Category: Art

This August Lik + Neon invite Garudio Studiage to launch their new range of screen printed products with a 3D window installation. This is exhibition No.4 in the Lik + Neon Summer Series 2014 in collaboration with People's Park Tavern, an exciting new pub and brewery on the edge of Victoria Park, East London.

New screen printed products include cushions, acrylic bracelets & brooches, and bespoke stationary all with the theme of the 'Bestiary Lagoon'- a tropical aquatic world of whales, parrots, pelicans, palms, tortoises, monkeys and brightly coloured sea weed. Bestiary Lagoon sees the L + N window and light box transformed into a life-size 3D aquarium! The installation is on view 24/7 between the dates listed above, but will be lit up during shop opening hours only.

Garudio Studiage is an exciting design collective based in the South London creative hub of Peckham. Founded in 2003 by Chris Ratcliffe, Laura Cave, Anna Walsh and Hannah Havana, each artist specialises in a variety of skills such as screen printing, jewellery and painting. Setting to work in a space literally defined as a 'Studio Garage' the collective, with their sharp minds and clever wit came up with a spoonerism to great effect – thus the mighty Garudio Studiage was born!

The collective also work together and with friends, taking part in a wonderfully bizarre array of exhibitions and events as well as making props, displays and products all with a good dose of British wit and wry humour. As part of the London Design Festival 2013 the team took over the L + N windows with the famed 'Lik + Neon Cats on Tour' installation to celebrate the launch of a Lik + Neon commission of bespoke 'Flat Pet' cats. In addition to the 4 founding members, the installation and new products for Bestiary Lagoon were made with Molly Lattin.

Other projects include 'Lucky Skip' where a life-size rubbish skip constructed by Garudio Studiage is moved about to various locations inviting people to 'dive in' and rummage through an array of prizes ranging from high art to low humour, shop windows for Paul Smith in Covent Garden & Sloane Avenue, and participation in the V&A fete 2009 and V&A Friday Lates 'Peckham Takeover' in 2013, the list goes on!….

Opening times: Mon – Sat 11am – 7pm, Sun 11am – 6.30pm
Private view: Thursday 7th August, 6-9pm

Category: Art

Back for a second year, Print Club London curate a series of screen printed film posters for the 10th anniversary season of Film4 Summer Screen at Somerset House. A series of contemporary, limited edition screen prints, inspired by the films shown in the season, will be exhibited in the West Wing Galleries at Somerset House. Open daily as well as during each evening’s film event, this will be a unique opportunity to discover some of the UK’s brightest artistic talent and purchase a screen print.

Hattie Stewart, SPRINGBREAKERS.

Cassandra Yap, GENTLEMEN PREFER BLONDES.

Each exhibiting artist has reimagined a poster for one of the films in this season’s line- up, taking particular scenes, quotes or characters from their selected title as inspiration. The 16 artists on display include Rose Blake, Concepción Studios, Cassandra Yap, Hattie Stewart, Kate Moross, Steve Wilson, Kate Gibb and HelloVon. Each poster will be limited edition and exclusively available to buy for £45 at Somerset House as well as online at Print Club London.

Rose Blake, E.T.

Concepción Studios, THE ROYAL TENENBAUMS.

Opening times: 10.00 – 18.00 daily and from 18.30 for Film4 ticket holders

Category: Art

Pete McKee has invited Horace Panter to exhibit at his gallery A Month of Sundays in Sheffield. Given that a lot of his new work, especially the cassette series, plays on nostalgia and memory, he came up with the title Nostalgia (ain't what it used to be). History moves forward!

Born in Croydon in 1953, Horace got his accrediation in Fine Art from Coventry's Lanchester Polytechnic (now Coventry University) in 1975. It was whilst there that he met up with Jerry Dammers and they formed The Specials, a defining band on the British music scene. However, he never dropped his art roots, using his time on tour to visit galleries/exhibitions throughout the UK, Europe and America. Before embarking on a career as a professional artist in 2008, he spent 10 years as Head of Art in a secondary school. He says that teaching art made him reevaluate his own relationship to art and when The Specials reformed in that year he found he had the time to explore his art practice.

His work is a juxtaposition between religious/political iconography and Pop Art. While exploring the ideas of elevation in both iconography and Pop Art, his aim is to question the narrative of the iconic subject; he chooses to portray objects/places/people that are considered ordinary or mundane and to elevate their status to icon, thereby realising the Pop Art trope of 'elevating the mundane' (Andy Warhol). The cassette paintings are particularly evocative of time and place; as well as having a strong historical context, they are imbued with meaning in terms of analogue recording studios and the humble 'demo-tape'. His work is full of colour and vitality and is as much about what is left out; the composition is often minimal so that the focus is on the central subject, like an icon.

This exhibition will feature some of the Cassette Series as well as some colourful collages which celebrate his relationship to music and his own musical icons. There will also be a selection of his very latest series on Americana. Horace says “I have to thank the highly efficient and very friendly McKee Organisation (PLC) for giving me the opportunity to show my work to the good people of Sheffield … can't wait!” Pete McKee says: “To have Horace Panter, one of my heroes, exhibit at my gallery is a massive honour. His culturally astute paintings have a great resonance with anyone who, like me, was brought up to love music.”

Opening times: Tuesday – Saturday, 10am-5pm

Category: Art

Daniel Wheeler, J'arrive, Carbon on paper. All photography by Benjamin Cosmo Westoby.

The Jerwood Drawing Prize is a platform for drawing practitioners to showcase their work alongside other leading contemporary artists in this field, and provides those selected with the opportunity to help define a wider understanding of drawing for future generations.

Bonita Alice, Beast dead, Acrylic on paper.

Selected from original drawings, it has established a reputation for its commitment to championing excellence, and promoting and celebrating the breadth of contemporary drawing practice within the UK. The longevity of the project is a testament to the appetite of the artists producing work, and the continued interest of audiences visiting the exhibition, making it one of the most popular shows in the Jerwood Visual Arts programme.

Kate Morrell, A.V.M. 1954 screenshot 2013-12-10 (3), Giclee print and drawing ink.

A total of 51 works by 46 artists have been carefully selected for exhibition by the 2014 panel; Gavin Delahunty, Senior Curator of Contemporary Art, Dallas Museum; Dr Janet McKenzie, author and Co-editor of Studio International; and Alison Wilding RA, artist. Their chosen works explore and celebrate the diversity, excellence and range of current drawing practice in the UK.

David Cooper, PRE INFO No.15, Xerox ink, packing paper, card, pencil, biro, marker pen and rubber tape.

Opening times: Mon-Fri 10am – 5pm, Sat & Sun 10am – 3pm

Category: Art

Time Travel probably isn't possible, we just keep on moving forward, but we all experience the tick tock of passing seconds and minutes in different ways. Time can be elastic and sometimes art can stop us in our tracks.

The Over Time art project engages eleven contemporary artists to make ‘time pieces’ in a place that is about to change forever… the Greenwich foreshore. Each of the artists will make a response to spending precisely the same fixed amount of 'clock time' (five hours without watches or phones) in the very historically resonant and atmospheric riverside space at Enderby Wharf, the site of the first underwater telegraph cables. This is a site marked by time as industrial history, social development and the natural rhythms of the tides. Works will include sound, movement, performance, film, drawing, writing, conceptual, objects.

This project is a way to explore time in a place that is already marked by time…… by the natural rhythms of weather and tides, the marks of our London ancestors, of industrial heritage and the rapid progress of city development.

Rachel Gomme working on site Over Time, Photo by Anne Robinson 2014.

The initial part of the project will take place over the Thames Festival weekend with art and performance events on and around the Thames Path on both days. Over Time artists will be hosting drawing workshops with local people in Greenwich about their memories of and feelings about the riverside area.

There is an exciting list of internationally recognised contemporary artists taking parting in the project as follows: Jo David, Claudia Firth, Charlie Fox, Katharine Fry, Rachel Gomme, Victoria Gray, Birgitta Hosea, The International Western, Gavin Maughfling, Sarah Sparkes and Ian Thompson. See website for further details about artists.

Birgitta Hosea working on site Over Time, Photo by Anne Robinson 2014.

Over Time is curated by visual artist Anne Robinson working in collaboration with David Waterworth at the Greenwich University Gallery. Anne teaches film at London Met University and has previously curated 'One More Time' project, Supernormal Festival, and the project is further supported by Arts Council England.

Locations:
13th and 14th September: on Thames foreshore near Enderby Wharf/ Cutty Sark pub
19th September to 16th October: Stephen Lawrence Gallery Archive Space, Queen Anne Court, University of Greenwich, Old Royal Naval College, Park Row, Greenwich, SE10 9LS.
26th October: National Maritime Museum and Queen’s House, Park Row, Greenwich
London SE10 9NF

Opening times: see website or Facebook.

Category: Art

50 Years of Illustration accompanies the launch of a new book of the same title by Professor Lawrence Zeegen, Dean of the School of Design. The book charts the rich history of contemporary illustration, from the rampant idealism of the 1960s to the digital explosion of the 1990s as well as the increasing diversification taking place in the twenty-first century.
 

HOPE poster by Shepard Fairey.

The exhibition is part of a trio of shows named 160, that includes Alan Kitching and Monotype: Celebrating the centenary of five pioneers of the poster and Stereohype 2004-2014, which celebrates a collection of 1,000 button badges.

Where the Wild Things Are, by Maurice Sendak.

Dylan poster by Milton Glaser.

Speaking about the exhibitions, Professor Lawrence Zeegen explains: “160 at London College of Communication celebrates the work of numerous influential designers and illustrators across the past 100 years. Reflecting the disciplines of graphic design, typography and illustration, all taught and researched within LCC's School of Design, this trio of exhibitions has been curated to inspire and inform today's and tomorrow's generations of design creatives. Launched during the London Design Festival 2014, 160 aims to highlight the invaluable connectivity between design industry and design education, many of the exhibitors across all three exhibitions having studied or taught at London College of Communication.”
 

Goodbye Yellow Brick Road, Elton John LP cover by Ian Beck.

Private View: Thursday 18 September 2014, 6-9pm
Opening Times: 10am – 5pm (Saturday 11am until 4pm and Sunday closed)

Category: Art

The AOI Illustration Awards 2014 Exhibition showcases work by category winning illustrators and highlights from this year's shortlist. The show includes emerging and established talent from across the globe. Two overall winners, The AOI New Talent Award 2014 and The AOI Professional Award 2014, will be announced at the private view and awards ceremony. After the show at Somerset House, the exhibition will continue on its tour across the UK. Some of the winners are profiled below, to find out more about their individual projects click on their names:

William Grill, the New Talent winner for the Children’s Book category, with his first book Shackleton’s Journey, which he started as a third year project whilst at university.

Andy Ward won the Professional award for the Advertising and Design category. His winning entry formed part of a mental health awareness campaign for the University Of California's Santa Cruz campus.

David Doran’s illustration for The New York Times Book Review won the New Talent category winner award. The piece titled ‘Going Home Again’ accompanied an article reviewing Dennis Bock’s novel. The story follows a man that spends a strange year at home, in Canada, after separating from his wife in Madrid.
 

Laurindo Feliciano is the Professional Editorial category winner. Flaunt Magazine commissioned the winning entry ‘Fabricating Art’, to accompany an article based on Laurindo’s answers to questions set by art director Jim Turner, on the topic of his work process.

Thoke Maer’s self initiated project ‘It’s No Biggie’ won the New Talent award in this category. The project is an ongoing series of animated GIF’s based on moments that are all too familiar and perhaps even nostalgic.

Opening times: 10am – 6pm

Category: Art

Wadsworth, In the Black Country.

Mordor conjured images of a charred wasteland exploited for its resources. The Making of Mordor exhibition at Black Country Echoes Festival explores the links between J.R.R. Tolkien’s depictions of this fantasy region in The Lord of the Rings and the Black Country of the 1900s, which lay a few miles from his childhood home.

Empire Marketing Board poster.

Alongside images from Tolkien’s sketchbooks, signed first editions of his novels and iconic illustrations by concept artist Ted Nasmith, The Making of Mordor features works by other 20th century writers and artists who have been influenced by the industrial powerhouse of the West Midlands. Contemporary responses to the post-industrial Black Country will also be on show, including works by Turner Prize nominee Richard Billingham, photographer Brian Griffin and artist Euripides Altintzoglou, along with an indoor forest by internationally-acclaimed installation artist Olafur Eliasson.

Richard Billingham, Black Country Night.

Opening times: Monday – Saturday: 10am – 5pm