Amelia’s Magazine | Secret Garden Party 2010: Stylish Headwear Photo Gallery

SGP 2010-headdress by Amelia Gregory
SGP 2010- headdress by Amelia Gregory

On my rambles around festivals this year it has been hard to escape the omnipresence of floral head garlands on the ladies, viagra and indeed worn by some of the more daring men… I recall a particularly dashing pair of matching flower topped bald male bonces espied through the crowd in the Cabaret Arena at Latitude for instance.

At Glastonbury and Latitude these garlands were usually bought off the peg at a stall, about it but Gardeners (as they are called) at Secret Garden Party were a little more inventive with their head gear. From customised top hats to Indian feather headdresses to stuffed birds, recipe decorative headwear provided ample opportunity for experiment in colour, combination and height.

Here are some of the most inventive and appealing creations I saw at Secret Garden Party.

Photography by Amelia Gregory.

SGP 2010-headdress by Amelia Gregory
I loved this creation – the height, the space, the use of colour. Beautiful.

SGP 2010-headdress by Amelia Gregory
This girl had used her own hair to create ears.

SGP 2010-headdress by Amelia Gregory
Gorgeous butterflies. Simple but effective.

SGP 2010-headdress by Amelia Gregory
Bees. Leaves. Flowers. Stuffed animals. Pile em on!

SGP 2010-headdress by Amelia Gregory
This girl had found loads of crap in her house and stuck it all on, including a Sheriff’s badge, handcuffs and a Toucan (just visible on the top)

SGP 2010-headdress by Amelia Gregory
A boy with a stuffed bird in his ‘fro. As you do.

SGP 2010-headdress by Amelia Gregory
A huge holographic rainbow butterfly headdress.

SGP 2010-headdress by Amelia Gregory
Native American Indian inspired headdresses were very popular.

SGP 2010-headdress by Amelia Gregory
My friend Dora does a simple red top hat extremely well.

SGP 2010-headdress by Amelia Gregory
A little molecular number.

SGP 2010-headdress by Amelia Gregory
Channelling Louix XVI via Burlesque.

SGP 2010-headdress by Amelia Gregory
Sometimes more is more, don’t you find?

SGP 2010-headdress by Amelia Gregory
Jemima with a found thistle and fake flowers.

SGP 2010-headdress by Amelia Gregory
Classy, and strangely inaccurate too.

SGP 2010-Pearl and Ivy headdress by Amelia Gregory
Lastly, Pearl and Ivy, or should that be Carly and Sam, here seen modelling their own creations which were for sale at Secret Garden Party.

SGP 2010-Pearl and Ivy headdress Amelia Gregory
And myself wearing one – c’mon, I had to get into the spirit of it all didn’t I?! You can buy a similar feather headdress from Pearl and Ivy from their online website.

Categories ,Cabaret Arena, ,Feathers, ,glastonbury, ,hats, ,Headdresses, ,Headwear, ,Latitude Festival, ,Native American, ,Pearl and Ivy, ,Secret Garden Party

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Amelia’s Magazine | Secret Garden Party 2010: Stylish Headwear Photo Gallery

SGP 2010-headdress by Amelia Gregory
SGP 2010- headdress by Amelia Gregory

On my rambles around festivals this year it has been hard to escape the omnipresence of floral head garlands on the ladies, viagra and indeed worn by some of the more daring men… I recall a particularly dashing pair of matching flower topped bald male bonces espied through the crowd in the Cabaret Arena at Latitude for instance.

At Glastonbury and Latitude these garlands were usually bought off the peg at a stall, about it but Gardeners (as they are called) at Secret Garden Party were a little more inventive with their head gear. From customised top hats to Indian feather headdresses to stuffed birds, recipe decorative headwear provided ample opportunity for experiment in colour, combination and height.

Here are some of the most inventive and appealing creations I saw at Secret Garden Party.

Photography by Amelia Gregory.

SGP 2010-headdress by Amelia Gregory
I loved this creation – the height, the space, the use of colour. Beautiful.

SGP 2010-headdress by Amelia Gregory
This girl had used her own hair to create ears.

SGP 2010-headdress by Amelia Gregory
Gorgeous butterflies. Simple but effective.

SGP 2010-headdress by Amelia Gregory
Bees. Leaves. Flowers. Stuffed animals. Pile em on!

SGP 2010-headdress by Amelia Gregory
This girl had found loads of crap in her house and stuck it all on, including a Sheriff’s badge, handcuffs and a Toucan (just visible on the top)

SGP 2010-headdress by Amelia Gregory
A boy with a stuffed bird in his ‘fro. As you do.

SGP 2010-headdress by Amelia Gregory
A huge holographic rainbow butterfly headdress.

SGP 2010-headdress by Amelia Gregory
Native American Indian inspired headdresses were very popular.

SGP 2010-headdress by Amelia Gregory
My friend Dora does a simple red top hat extremely well.

SGP 2010-headdress by Amelia Gregory
A little molecular number.

SGP 2010-headdress by Amelia Gregory
Channelling Louix XVI via Burlesque.

SGP 2010-headdress by Amelia Gregory
Sometimes more is more, don’t you find?

SGP 2010-headdress by Amelia Gregory
Jemima with a found thistle and fake flowers.

SGP 2010-headdress by Amelia Gregory
Classy, and strangely inaccurate too.

SGP 2010-Pearl and Ivy headdress by Amelia Gregory
Lastly, Pearl and Ivy, or should that be Carly and Sam, here seen modelling their own creations which were for sale at Secret Garden Party.

SGP 2010-Pearl and Ivy headdress Amelia Gregory
And myself wearing one – c’mon, I had to get into the spirit of it all didn’t I?! You can buy a similar feather headdress from Pearl and Ivy from their online website.

Categories ,Cabaret Arena, ,Feathers, ,glastonbury, ,hats, ,Headdresses, ,Headwear, ,Latitude Festival, ,Native American, ,Pearl and Ivy, ,Secret Garden Party

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Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: Fashion Mode, Carlotta Actis Barone

Carlotta Actis Barone S/S 2012 by Casey Otremba
Carlotta Actis Barone S/S 2012 by Casey Otremba.

It was the huge and elaborate headdresses by Rachel Galley that grabbed our immediate attention as the first models traversed the catwalk, visit their steady heads bearing wide concoctions of twirling metal, flowers and swinging tassels for Carlotta Actis Barone‘s S/S 2012 commentary ‘on the stolen liberty and beauty associated with prostitution.’

Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone S/S 2012 by Claire Kearns
Carlotta Actis Barone S/S 2012 by Claire Kearns.

Carlotta Actis Barone is one of three designers who are being mentored by Fashion Mode, a mysterious entity that provides direction and support in everything from design to business management and marketing.

Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone S/S 2012 by Megan Thomas
Carlotta Actis Barone S/S 2012 by Megan Thomas.

The new collection was inspired by a cross pollination of cultural ideas: Victorian brothels and French boudoir style from the turn of the last century contrasted with the high class prostitution and honour traditionally associated with being a Geisha.

Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 by t. reidy
Carlotta Actis Barone S/S 2012 by t.reidy.

Swishing lilac and cream dresses with roped detailing around the bust and waist signified the imprisonment of prostitution, whilst loosely draped pencil skirts and lingerie-styled tunics suggested a more playful air of seduction, accessorised with wide patterned kimono inspired waist wraps.

Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone S/S 2012 by Claire Kearns
Carlotta Actis Barone S/S 2012 by Claire Kearns.

Orchid hair accessories and china doll make-up added to the air of naive idolisation of feminine beauty, but the clash of styles did not always work. Wrinkled tights patterned with stripes of letters (a signature of Barone) were a questionable styling detail and high heeled see through plastic stripper shoes filled with orchids were downright tacky, but overall this was an eye-catching collection from a talented new designer with original ideas. Amongst my favourite pieces were cream big pocketed trench coats with huge flouncy bows on the bum, and vibrant tropical printed silk dresses in green, vermillion and lime.

Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory

The definitely not very shy and retiring Carlotta Actis Barone was wearing one of her printed boudoir wraps when she strode out to take a bow at the end of the catwalk, and – somewhat ironically given the theme of her collection – her bosoms made an excited bid for freedom, much to the amusement of the crowd.

Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone S/S 2012. All photography by Amelia Gregory.

Categories ,Brothels, ,Carlotta Actis Barone, ,Casey Otremba, ,China Doll, ,Claire Kearns, ,Fashion Mode, ,Fashion Scout, ,Freemasons’ Hall, ,French Boudoir, ,Geisha, ,Headdresses, ,lfw, ,London Fashion Week, ,Megan Thomas, ,Orchids, ,prints, ,Prostitution, ,Rachel Galley, ,Stripper Shoes, ,t.reidy, ,Tassels, ,Tina Reidy, ,Victorian

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Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: Fashion Mode, Carlotta Actis Barone

Carlotta Actis Barone S/S 2012 by Casey Otremba
Carlotta Actis Barone S/S 2012 by Casey Otremba.

It was the huge and elaborate headdresses by Rachel Galley that grabbed our immediate attention as the first models traversed the catwalk, visit their steady heads bearing wide concoctions of twirling metal, flowers and swinging tassels for Carlotta Actis Barone‘s S/S 2012 commentary ‘on the stolen liberty and beauty associated with prostitution.’

Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone S/S 2012 by Claire Kearns
Carlotta Actis Barone S/S 2012 by Claire Kearns.

Carlotta Actis Barone is one of three designers who are being mentored by Fashion Mode, a mysterious entity that provides direction and support in everything from design to business management and marketing.

Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone S/S 2012 by Megan Thomas
Carlotta Actis Barone S/S 2012 by Megan Thomas.

The new collection was inspired by a cross pollination of cultural ideas: Victorian brothels and French boudoir style from the turn of the last century contrasted with the high class prostitution and honour traditionally associated with being a Geisha.

Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 by t. reidy
Carlotta Actis Barone S/S 2012 by t.reidy.

Swishing lilac and cream dresses with roped detailing around the bust and waist signified the imprisonment of prostitution, whilst loosely draped pencil skirts and lingerie-styled tunics suggested a more playful air of seduction, accessorised with wide patterned kimono inspired waist wraps.

Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone S/S 2012 by Claire Kearns
Carlotta Actis Barone S/S 2012 by Claire Kearns.

Orchid hair accessories and china doll make-up added to the air of naive idolisation of feminine beauty, but the clash of styles did not always work. Wrinkled tights patterned with stripes of letters (a signature of Barone) were a questionable styling detail and high heeled see through plastic stripper shoes filled with orchids were downright tacky, but overall this was an eye-catching collection from a talented new designer with original ideas. Amongst my favourite pieces were cream big pocketed trench coats with huge flouncy bows on the bum, and vibrant tropical printed silk dresses in green, vermillion and lime.

Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory

The definitely not very shy and retiring Carlotta Actis Barone was wearing one of her printed boudoir wraps when she strode out to take a bow at the end of the catwalk, and – somewhat ironically given the theme of her collection – her bosoms made an excited bid for freedom, much to the amusement of the crowd.

Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone SS 2011 review-photo by Amelia Gregory
Carlotta Actis Barone S/S 2012. All photography by Amelia Gregory.

Categories ,Brothels, ,Carlotta Actis Barone, ,Casey Otremba, ,China Doll, ,Claire Kearns, ,Fashion Mode, ,Fashion Scout, ,Freemasons’ Hall, ,French Boudoir, ,Geisha, ,Headdresses, ,lfw, ,London Fashion Week, ,Megan Thomas, ,Orchids, ,prints, ,Prostitution, ,Rachel Galley, ,Stripper Shoes, ,t.reidy, ,Tassels, ,Tina Reidy, ,Victorian

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Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: John Rocha

John Rocha SS 2012 by Sarah Harman
John Rocha S/S 2012 by Sarah Harman

Harold Tillman, information pills Hilary Alexander and James Goldstein were just a few of the fashion bigwigs to take their prime seating positions in anticipation of the latest John Rocha collection. This was much the same scenario when I attended Rocha’s show last season and the high-flying professionals seem to have become a favoured crowd for Rocha’s front row. And it’s not surprising when, information pills needless to say, cure the designer is a long-standing, treasured feature of London Fashion Week who is widely celebrated and, most of all, respected.

John Rocha by Duilio Marconi 1

John Rocha SS 2012 by Duilio Marconi 2

Model Abbey Lee Kershaw opened the show and took to the runway in the opening outfit. Sporting an all-black voluminous textured dress, her entrance had photographers’ flashes illuminating the BFC tent. Kershaw, who was finally dubbed a supermodel this year by V magazine, had also been presented as a key feature in Rocha’s A/W 2011 show back in February, suggesting that Rocha has seemingly taken quite a shine to the 24 year-old Australian.

John Rocha SS 2012 LFW by Nicola Ellen 2
John Rocha S/S 2012 by Nicola Ellen

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

Also just like last season, (Rocha loves his traditions!) the models were styled with wind-swept nymph hair and long braided plaits. Make-up was minimal, pure and simple with pale fresh-faced skin and nude colouring; an overall effortless ethereal look to compliment John Rocha’s signature design ethic.

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

Much to their delight, I’m sure, John Rocha was one designer that gave models’ skinny-pins a short break from killer heels. In their place were black platformed flat sandals, adding an updated feminine grunge look (minus all the pain!).

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

 Rocha SS 2012 LFW by Nicola Ellen 1
John Rocha S/S 2012 by Nicola Ellen

To name a few of the many more intricacies that went into Rocha’s elaborately crafted collection, ribbons were attached to hair and hung long next to plaits and all models sported either wire or feather headdresses. The problem with this idea was that because Abbey had opened the show in a wired headdress with black feathers, I was almost convinced that a major fashion disaster had occurred. Models were appearing with bare wire headdresses; no feathers. They looked absolutely bizarre so I naturally assumed that their feathers must have fallen off. What a nightmare, I thought. This wasn’t the case at all. It was purposeful. Just John Rocha keeping us on our toes, I suppose.

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

Just as was the case with his A/W11 collection, the colour palette was ultra-minimal with neutral tones dominating throughout. In fact, there were only three colours on the agenda; all rich-black ensembles led to cream creations which then led to head-to-toe stark white. With only black, cream and white, the focus shifted away from colour to texture instead. Texture was intricately and ornately crafted with Abbey’s opening black raffia dress, raw raffia that made up other ensembles, loops of black rubber and Lurex threads intertwined in the cream and white garments.

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha Catwalk LFW by Nicola Ellen jpg
John Rocha S/S 2012 by Nicola Ellen

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

John Rocha SS 2012 by Duilio Marconi

Towering tall over John Rocha, Abbey Lee Kershaw once again led the Hong Kong born designer down the catwalk for another of his gracious finales. And, as has become tradition, he placed a kiss on Abbey‘s cheek at the feet of the snapping papz, and then John Rocha was off, thanking and bowing to the audience as he went.

John Rocha SS 2012 by Duilio Marconi
All photography by Duilio Marconi

Categories ,Abbey Lee Kershaw, ,Amelia’s Magazine, ,BFC Catwalk Space, ,BFC Showspace, ,BFC Tent, ,black, ,british fashion council, ,Cream, ,Debenhams Rocha, ,Duilio Marconi, ,Georgia Takacs, ,Harold Tillman, ,Headdresses, ,Hilary Alexander, ,Hong Kong, ,James Goldstein, ,John Rocha, ,lfw, ,LFW S/S 2012, ,LFW S/S12, ,London Fashion Week, ,London Fashion Week S/S 2012, ,London Fashion Week S/S12, ,Lurex, ,Myth, ,Mythologies, ,Myths, ,Nicola Ellen, ,Nymphs, ,Raffia, ,Rubber, ,S/S 2012, ,Sarah Harman, ,Simone Rocha, ,Somerset House, ,Texture, ,Warriors, ,White

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Amelia’s Magazine | London Fashion Week A/W 2010 Catwalk Review: J Maskrey by Amelia

J Maskrey by Bex Glover.
J Maskrey by Bex Glover.

J Maskrey is responsible for a lot. You know all those tacky glitter tattoos that you can buy in every chemist and pound shop? Well, she’s the one to blame. This former make-up artist invented “skin jewellery” over 10 years ago, when she glued some Swarovski crystals onto an adhesive backing. But those glittery Superdrug rose tattoos just ain’t the same, so despite the mass dumbing down of her initial idea J Maskrey has managed to maintain a dazzling career at the epicentre of fashion cooldom, and it is on the catwalk that J Maskrey’s jewelled masterpieces really glitter.

J Maskrey by Bex Glover.
J Maskrey by Bex Glover.
J Maskrey by Bex Glover.
J Maskrey by Bex Glover.

Once again man wearing rubber, gimp mask and inflatable wig was front row. In at least his second outfit of the day for J Maskrey’s evening show at Victoria House. Where do these people change? And what on earth was his fashion statement? I can put up with any amount of pain in the name of erm, beauty standing out from the crowd. And believe me I know how much he suffered under those bright runway lights because when he stood up to leave the show the sweat literally flooded out of his sleeves into a puddle on the floor. Nice. Rather you than me – lady posing with the Gimp Fashionista.

Gimp Fashionista at Iris Van Herpen
Gimp Fashionista at Iris Van Herpen.

Gimp Fashionista dripping on a fan at J Maskrey.
Gimp Fashionista dripping on a fan at J Maskrey.

J Maskrey has had a long relationship with uber stylist Judy Blame, and their collaboration continues. Against a curtained stage set the slow moving models posed beautifully at intervals under the bright lighting before gathering en masse at the helm of the catwalk, making this show a dream for good photography.

J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.
J Maskrey used careful staging and immaculate posing to create a beautiful catwalk show. All photography by Amelia Gregory.

A boy’s smooth back and arms were entirely covered with black glittery shapes, a girl with a severe bobbed haircut revealed a cluster of leopard spots racing across her chest and back, another bared glittered slashes across her breasts, culminating with dangling beads dripping like congealed blood.

J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.

A demure girl with high neckline and primly bunned hair held her hands gently to her waist, where the light glistened on Swarovski crystals dripping from her delicate fingernails. Gigantic Geisha-inspired headdresses teetered on top of heads.

J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.

This was a beautiful spectacle, but one where the clothes appeared to come a distant second to the dazzling performance. Looking back it becomes more apparent that there some highly desirable pieces buried beneath all the glitzy showpieces. Take the heavily beaded skullcap and cape, cute little nobbled skate skirt and chain print top – all actually very wearable. And not for nothing did I spot J Maskrey herself wearing the slouchy t-shirt dress with huge glittered logo at the On/Off party. To which I was dragged kicking and screaming “But I don’t do fashion parties anymore… oh okay just for one cocktail then.”

J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.

Needless to say I got in a bad mood very quickly because I really don’t know anyone in fashion anymore, and usually can’t remember anyone’s names or what they actually do, which further exacerbates the situation when they come over to me all chatty. And then my Canon 5D Mark II camera broke down with an error 20 (it does this every now and again, usually when I really REALLY need to use it) so I could no longer hide behind my camera – which I often do as a way of disengaging from situations.

Ladies in the loo at the On/Off party.
Ladies in the loo at the On/Off party.

Luckily it was at this point that the Sugababes arrived so we clambered on a bench to watch them sing before we left. You know what? They were definitely singing live with a good amount of gusto, and they certainly seemed to be enjoying themselves. It was really very sweet. And a good way to end an exceedingly long day, with just one of those small surprises that every fashion week throws up.

Sugababes performing at the On/Off party.
Sugababes performing at the On/Off party.

Categories ,Bex Glover, ,Canon, ,Crystals, ,Fashionista, ,Geisha, ,Gimp, ,Glitter, ,Headdresses, ,J Maskrey, ,Judy Blame, ,menswear, ,onoff, ,Skin Jewellery, ,Sugababes, ,Swarovski, ,Victoria House

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Amelia’s Magazine | London Fashion Week A/W 2010 Catwalk Review: J Maskrey by Amelia

J Maskrey by Bex Glover.
J Maskrey by Bex Glover.
J Maskrey by Bex Glover.

J Maskrey is responsible for a lot. You know all those tacky glitter tattoos that you can buy in every chemist and pound shop? Well, troche she’s the one to blame. This former make-up artist invented “skin jewellery” over 10 years ago, page when she glued some Swarovski crystals onto an adhesive backing. But those glittery Superdrug rose tattoos just ain’t the same, patient so despite the mass dumbing down of her initial idea J Maskrey has managed to maintain a dazzling career at the epicentre of fashion cooldom, and it is on the catwalk that J Maskrey‘s jewelled masterpieces really glitter.

J Maskrey by Bex Glover.
J Maskrey by Bex Glover.
J Maskrey by Bex Glover.
J Maskrey by Bex Glover.

Once again man wearing rubber, gimp mask and inflatable wig was front row. In at least his second outfit of the day for J Maskrey’s evening show at Victoria House. Where do these people change? And what on earth was his fashion statement? I can put up with any amount of pain in the name of erm, beauty standing out from the crowd. And believe me I know how much he suffered under those bright runway lights because when he stood up to leave the show the sweat literally flooded out of his sleeves into a puddle on the floor. Nice. Rather you than me – lady posing with the Gimp Fashionista.

Gimp Fashionista at Iris Van Herpen
Gimp Fashionista at Iris Van Herpen.

Gimp Fashionista dripping on a fan at J Maskrey.
Gimp Fashionista dripping on a fan at J Maskrey.

J Maskrey has had a long relationship with uber stylist Judy Blame, and their collaboration continues. Against a curtained stage set the slow moving models posed beautifully at intervals under the bright lighting before gathering en masse at the helm of the catwalk, making this show a dream for good photography.

J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.
J Maskrey used careful staging and immaculate posing to create a beautiful catwalk show. All photography by Amelia Gregory.

A boy’s smooth back and arms were entirely covered with black glittery shapes, a girl with a severe bobbed haircut revealed a cluster of leopard spots racing across her chest and back, another bared glittered slashes across her breasts, culminating with dangling beads dripping like congealed blood.

J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.

A demure girl with high neckline and primly bunned hair held her hands gently to her waist, where the light glistened on Swarovski crystals dripping from her delicate fingernails. Gigantic Geisha-inspired headdresses teetered on top of heads.

J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.

This was a beautiful spectacle, but one where the clothes appeared to come a distant second to the dazzling performance. Looking back it becomes more apparent that there some highly desirable pieces buried beneath all the glitzy showpieces. Take the heavily beaded skullcap and cape, cute little nobbled skate skirt and chain print top – all actually very wearable. And not for nothing did I spot J Maskrey herself wearing the slouchy t-shirt dress with huge glittered logo at the On/Off party. To which I was dragged kicking and screaming “But I don’t do fashion parties anymore… oh okay just for one cocktail then.”

J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.
J Maskrey. All photography by Amelia Gregory.

Needless to say I got in a bad mood very quickly because I really don’t know anyone in fashion anymore, and usually can’t remember anyone’s names or what they actually do, which further exacerbates the situation when they come over to me all chatty. And then my Canon 5D Mark II camera broke down with an error 20 (it does this every now and again, usually when I really REALLY need to use it) so I could no longer hide behind my camera – which I often do as a way of disengaging from situations.

Ladies in the loo at the On/Off party.
Ladies in the loo at the On/Off party.

Luckily it was at this point that the Sugababes arrived so we clambered on a bench to watch them sing before we left. You know what? They were definitely singing live with a good amount of gusto, and they certainly seemed to be enjoying themselves. It was really very sweet. And a good way to end an exceedingly long day, with just one of those small surprises that every fashion week throws up.

Sugababes performing at the On/Off party.
Sugababes performing at the On/Off party.

Categories ,Bex Glover, ,Canon, ,Crystals, ,Fashionista, ,Geisha, ,Gimp, ,Glitter, ,Headdresses, ,J Maskrey, ,Judy Blame, ,menswear, ,onoff, ,Skin Jewellery, ,Sugababes, ,Swarovski, ,Victoria House

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