On Monday 4th October, buyThe Aubin Gallery staged a fundraiser organised by artist Sarah Maple in support of the upcoming Feminism in London conference. The exhibition of postcards to be auctioned, cheap represented artists, writers, comediennes, designers and pop stars individual interpretation of contemporary Feminism.
Sarah Maple’s postcard went for the fantastic sum of 200 pounds.
The exhibition opened at 6.30 leaving plenty of time to examine the different ways feminism is understood in contemporary society, before the auction began at 8.
One postcard which struck an interesting note was David Rusbatch’s interpretation and categorising of the three rather didactic stages of feminism (as popularly played out in the press); Frieda Khalo represented Pre-Feminism, Germaine Greer is the symbol of Feminism and Post-Feminism was unsurprisingly a pornographic image.
The raucous event was compared by Jessica Stevenson (Spaced!) and Miriam Elia. These fantastic comedians ensured the audience spent the evening in stitches, through their various attempts to implore and cajole people into bidding.
Photograph by MJw Photography
Coinciding with the main event, was the Silent Auction, where you could find Miriam Elia and Jessica Haynes’ (nee Stevenson) musings on the theme…
Miriam Elia
Jessica Hynes (Nee Stevenson)
Having never been to an auction before, it definitely appears to be more fun with money in your pocket. The 14 pieces which went under the comedically inept hammer were as follows: Julie Opie, Sarah Maple, Julie Verhoeven, Stuart Semple, Jo Brand, Kat Banyard, The Girls, Bob London, Susie Orbach, Kate Nash, Viv Albertine (the Slits), Sarah Lederman, Gerald Laing and Piers Secunda. The majority of the prints went for around £70, with Julian Opie being one of the three postcards to leap over £100.
After becoming enamored with Bob London’s Emily Pankhurst, the Wilderness Years stating “it will make me laugh everyday.” Jessica
asked whether it would be ok to place a bid herself (who would say no?!) before snapping it up for 60 quid.
Jo Brand’s “Feminism is about” postcard fetched 70 pounds.
Piers Secunda’s “I love you forever” written with a broken biro (with forever crossed out) brokered an unexpected bidding war, leaving Jessica to comment that people in the auidence could obviously spot ‘real’ art. The postcard went for 125 pounds, sadly neither of two girls who started the bidding won this particular postcard. Both were pipped to the post by a late contestant.
Stuart Semple raised £65 pounds after starting at 22p.
This month sees the release of Made in Dagenham, a feature film documenting the strike action taken by 187 Ford sowing machinists who refused to work until they received equal pay. After a recent appearance of a few of the campaigners on Women’s Hour it was disclosed that the pay gap between men and women (where it occurs) is larger than the difference these women originally fought for. Could there be a more apt time to bring feminism discussion back into mainstream conciseness?
Sarah Maple produced a fantastic warm up for Feminism in London, which will be taking place on Saturday 23rd October.
The darker mornings and wetter evenings have already started driving the fair-weather riders away from the cycle lanes, more about but those of us who keep chugging on have our reasons to persevere in spite of the weather. After all, ask just because it’s getting colder it doesn’t mean the thought of getting on the tube every morning is any more tempting, is it? Tom Morris and Sian Emmison, the owners of eclectic Islington cycling outlet Bobbin Bicycles, certainly don’t think so. Saturday 16th October saw the opening of their brand new bicycle workshop, just around the corner of the shop claiming to be ‘The most beautiful bicycle shop in Britain’. Like the shop itself, the workshop specialises in upright town bikes, vintage rides and bicycles with hub gears and back-pedal brakes – all of which can be difficult to get serviced in a standard bike shop.
Illustration by Carla Bromhead.
‘Now, anyone with a Dutch, Pashley or vintage bike can come to us to get repairs done, be it changing a wheel, a handlebar or something more oily,’ a very busy Tom Morris told me on Saturday afternoon. Cosmetic touches, along with a few practical ones, were still missing from the space as Tom welcomed the first customers on Saturday, but that didn’t stop him from getting his hands dirty as one customer after another came knocking. Parked up the road was my own bike, fresh from its annual check-up, a service also offered at the Bobbin workshop. While it costs money, it’s worth doing as it prevents problems in the long run – for example my chain needed changing, the mechanic pointed out, saving me from a snapped chain in the road in a month or two. Servicing an upright bike is no more expensive nor complicated than a hybrid or a road bike, assured Tom, but it requires certain skills and tools. His employees Alexis and Laura are both trained bike mechanics, having been asked personally by Tom and Sian to come work at Bobbin. Laura has just finished a bike mechanics course where she took a specific interest in town bikes, while Alexis has five years of experience fixing bikes in Oxford and Amsterdam. ‘You keep learning new things. It’s enjoyable work, and there is obviously increasing demand,’ said Alexis, as he checked in a black Pashley with a flat tyre and broken gear shifter.
Illustration by Genie Espinosa.
The workshop will also be selling kit for what Tom calls ‘bike pimping’: cosmetic changes such as a new saddle, cream tyres, a carrying basket or colourful bike components. But the Bobbin workshop isn’t just for town bikes and other old-school models; ‘We will offer the same friendly service to any cyclist who comes our way,’ assures Tom. Once the workshop is properly up and running, Tom plans to hold classes in bike maintenance, ‘hopefully before Christmas’. I might sign up to one of these myself, as next time I get a flat tyre I’d like to be able to deal with it. Nothing knocks the feeling of independence out of cycling quite like hearing that thud-thud-thud of a flat, but I think mastering a tyre lever might go a long way to remedy this.
In the meantime I have my winter cycling gear ready. Rule number one is the mud guards, closely followed by lights with fresh batteries. A pocket-size rain cover now has a permanent place in my bag, and I have also splurged on a pair of padded, waterproof gloves. A proper pair of winter gloves are pricey, but vital to any semblance of comfort in the cold. Last winter a week of sleet forced the purchase of a cheap pair of waterproof trousers, which look ridiculous but are a life-saver when it’s pouring down and I have to cycle home from work. Lastly, a reflective vest undeniably makes you look like a geek, but you may want to consider one you commute in traffic. So as the fair-weather cyclists hang up their helmets in favour of the buses and trains, the cycle lanes are left to the hard-cores, or should I say freaks, determined to stick to two wheels through the winter. The tube might be warm, but we get to arrive at work bright-eyed and bushy-tailed from full exposure to the elements of the crisp London winter.
Get weather-proofed at Bobbin Bicycles, 397 St John Street, London EC1. Visit the Workshop around the corner on 23 Arlington Way.
Illustration by Tasha Whittle.
The darker mornings and wetter evenings have already started driving the fair-weather riders away from the cycle lanes, dosage but those of us who keep chugging on have our reasons to persevere in spite of the weather. After all, decease just because it’s getting colder it doesn’t mean the thought of getting on the tube every morning is any more tempting, is it? Tom Morris and Sian Emmison, the owners of eclectic Islington cycling outlet Bobbin Bicycles, certainly don’t think so. Saturday 16th October saw the opening of their brand new bicycle workshop, just around the corner of the shop claiming to be ‘The most beautiful bicycle shop in Britain’. Like the shop itself, the workshop specialises in upright town bikes, vintage rides and bicycles with hub gears and back-pedal brakes – all of which can be difficult to get serviced in a standard bike shop.
‘Now, anyone with a Dutch, Pashley or vintage bike can come to us to get repairs done, be it changing a wheel, a handlebar or something more oily,’ a very busy Tom Morris told me on Saturday afternoon. Cosmetic touches, along with a few practical ones, were still missing from the space as Tom welcomed the first customers on Saturday, but that didn’t stop him from getting his hands dirty as one customer after another came knocking. Parked up the road was my own bike, fresh from its annual check-up, a service also offered at the Bobbin workshop. While it costs money, it’s worth doing as it prevents problems in the long run – for example my chain needed changing, the mechanic pointed out, saving me from a snapped chain in the road in a month or two. Servicing an upright bike is no more expensive nor complicated than a hybrid or a road bike, assured Tom, but it requires certain skills and tools. His employees Alexis and Laura are both trained bike mechanics, having been asked personally by Tom and Sian to come work at Bobbin. Laura has just finished a bike mechanics course where she took a specific interest in town bikes, while Alexis has five years of experience fixing bikes in Oxford and Amsterdam. ‘You keep learning new things. It’s enjoyable work, and there is obviously increasing demand,’ said Alexis, as he checked in a black Pashley with a flat tyre and broken gear shifter.
The workshop will also be selling kit for what Tom calls ‘bike pimping’: cosmetic changes such as a new saddle, cream tyres, a carrying basket or colourful bike components. But the Bobbin workshop isn’t just for town bikes and other old-school models; ‘We will offer the same friendly service to any cyclist who comes our way,’ assures Tom. Once the workshop is properly up and running, Tom plans to hold classes in bike maintenance, ‘hopefully before Christmas’. I might sign up to one of these myself, as next time I get a flat tyre I’d like to be able to deal with it. Nothing knocks the feeling of independence out of cycling quite like hearing that thud-thud-thud of a flat, but I think mastering a tyre lever might go a long way to remedy this.
In the meantime I have my winter cycling gear ready. Rule number one is the mud guards, closely followed by lights with fresh batteries. A pocket-size rain cover now has a permanent place in my bag, and I have also splurged on a pair of padded, waterproof gloves. A proper pair of winter gloves are pricey, but vital to any semblance of comfort in the cold. Last winter a week of sleet forced the purchase of a cheap pair of waterproof trousers, which look ridiculous but are a life-saver when it’s pouring down and I have to cycle home from work. Lastly, a reflective vest undeniably makes you look like a geek, but you may want to consider one you commute in traffic. So as the fair-weather cyclists hang up their helmets in favour of the buses and trains, the cycle lanes are left to the hard-cores, or should I say freaks, determined to stick to two wheels through the winter. The tube might be warm, but we get to arrive at work bright-eyed and bushy-tailed from full exposure to the elements of the crisp London winter.
Get weather-proofed at Bobbin Bicycles, 397 St John Street, London EC1. Visit the Workshop around the corner on 23 Arlington Way. Read our previous interview with Tom Morris here.
Illustration by Tasha Whittle.
The darker mornings and wetter evenings have already started driving the fair-weather riders away from the cycle lanes, viagra but those of us who keep chugging on have our reasons to persevere in spite of the weather. After all, side effects just because it’s getting colder it doesn’t mean the thought of getting on the tube every morning is any more tempting, is it? Tom Morris and Sian Emmison, the owners of eclectic Islington cycling outlet Bobbin Bicycles, certainly don’t think so. Saturday 16th October saw the opening of their brand new bicycle workshop, just around the corner of the shop claiming to be ‘The most beautiful bicycle shop in Britain’. Like the shop itself, the workshop specialises in upright town bikes, vintage rides and bicycles with hub gears and back-pedal brakes – all of which can be difficult to get serviced in a standard bike shop.
‘Now, anyone with a Dutch, Pashley or vintage bike can come to us to get repairs done, be it changing a wheel, a handlebar or something more oily,’ a very busy Tom Morris told me on Saturday afternoon. Cosmetic touches, along with a few practical ones, were still missing from the space as Tom welcomed the first customers on Saturday, but that didn’t stop him from getting his hands dirty as one customer after another came knocking. Parked up the road was my own bike, fresh from its annual check-up, a service also offered at the Bobbin workshop. While it costs money, it’s worth doing as it prevents problems in the long run – for example my chain needed changing, the mechanic pointed out, saving me from a snapped chain in the road in a month or two.
Servicing an upright bike is no more expensive nor complicated than a hybrid or a road bike, assured Tom, but it requires certain skills and tools. His employees Alexis and Laura are both trained bike mechanics, having been asked personally by Tom and Sian to come work at Bobbin. Laura has just finished a bike mechanics course where she took a specific interest in town bikes, while Alexis has five years of experience fixing bikes in Oxford and Amsterdam. ‘You keep learning new things. It’s enjoyable work, and there is obviously increasing demand,’ said Alexis, as he checked in a black Pashley with a flat tyre and broken gear shifter.
The workshop will also be selling kit for what Tom calls ‘bike pimping’: cosmetic changes such as a new saddle, cream tyres, a carrying basket or colourful bike components. But the Bobbin workshop isn’t just for town bikes and other old-school models; ‘We will offer the same friendly service to any cyclist who comes our way,’ assures Tom. Once the workshop is properly up and running, Tom plans to hold classes in bike maintenance, ‘hopefully before Christmas’. I might sign up to one of these myself, as next time I get a flat tyre I’d like to be able to deal with it. Nothing knocks the feeling of independence out of cycling quite like hearing that thud-thud-thud of a flat, but I think mastering a tyre lever might go a long way to remedy this.
In the meantime I have my winter cycling gear ready. Rule number one is the mud guards, closely followed by lights with fresh batteries. A pocket-size rain cover now has a permanent place in my bag, and I have also splurged on a pair of padded, waterproof gloves. A proper pair of winter gloves are pricey, but vital to any semblance of comfort in the cold. Last winter a week of sleet forced the purchase of a cheap pair of waterproof trousers, which look ridiculous but are a life-saver when it’s pouring down and I have to cycle home from work. Lastly, a reflective vest undeniably makes you look like a geek, but you may want to consider one you commute in traffic. So as the fair-weather cyclists hang up their helmets in favour of the buses and trains, the cycle lanes are left to the hard-cores, or should I say freaks, determined to stick to two wheels through the winter. The tube might be warm, but we get to arrive at work bright-eyed and bushy-tailed from full exposure to the elements of the crisp London winter.
Get weather-proofed at Bobbin Bicycles, 397 St John Street, London EC1. Visit the Workshop around the corner on 23 Arlington Way. Read our previous interview with Tom Morris here. Three oil cans; Tate Summer Party, sick Photography by Immo Klink
Gushing from floral skirts, spilling elegantly from giant white eggs, jetting from paint tubes across the floor of the iconic Tate Turbine Hall, 2010 has witnessed a flood of oily resistance against oil sponsorship in the arts. The likes of art activist group Liberate Tate have generated a fierce debate in the art world around oil, ethics and sponsorship.
Plans are afoot to spring board the campaign into the New Year, with a high energy, high profile mainstream gallery event to attract lots of new people and to keep the pressure up. In an innovative bid to raise dosh for the project London creative campaign group PLATFORM has launched a crowd- funding initiative at Indiegogo. The idea is that people can give what ever little bit of cash they can, and by Christmas there will be enough in the pot to book a snazzy venue and put on a truly sensational participatory exhibition in early 2011.
Easter egg spill with wiggle, British Museum Photography by Amy Scaife
They would be really grateful if you could help by spreading the word forwarding the link bellow by email and facebook, and telling your economically empowered friends and relatives. What ever you can or can’t do to help fundraise, everyone is invited to the event itself, which is likely to be held in January (email sophie@platformlondon.org for more information about getting involved).
To say thank you for donations over £16 ($25) they are offering some quirky perks, including sets of beautiful postcards ideal for a Christmas stocking, invites to the first night private viewing of the exhibition, and limited edition hand made, ‘BP branded’ paint tubes full of molasses, hot from the intervention at the Tate Modern’s Turbine Hall
So whether you have some cash to spare – or if you just want to get messy with molasses – get involved!
“Ari Up: John Lydon’s step-daughter dies.” The Telegraph’s headline was horribly reductive. Ari Up, viagra 100mg who died on Wednesday at the tragically young age of 48, viagra buy was the punk legend’s step-daughter but that was just a small and tangential detail in a fascinating life and career. With The Slits and later with the New Age Steppers and solo in several guises, Ari Up was a musical icon in her own right, not a bit player on the fringes of the John Lydon circus.
The granddaughter of the owner of Der Spiegel and daughter of Nora Foster who was at the centre of the London music scene for years (befriending Hendrix and dating Chris Spedding before finally marrying Johnny Rotten), Ari Up was born from privilege and chaos in equal measure.
Nora’s tendency to invite poor punk musicians to bunk down at their house put Ari at the heart of the scene and got her guitar tuition from Joe Strummer. She was 14 when she formed The Slits with Strummer’s former-flatmate Palmolive. Her fascination with reggae gave the band a dubby feel that was in sharp contrast to the guitar thrashing of many other punk outfits.
The Slits debut album Cut, with its memorable image of the band naked but for grass skirts and a liberal coating of mud, featured a cleaner sound than their live performances. While the band’s cover of I Heard It Through The Grapevine is still an indie disco staple, the record is studded with gems particularly the amateurish piano and bouncing bass of Typical Girls.
The Splits broke up in 1981 and Ari moved with her husband and twins to Indonesia and Belize before heading for Jamaica, an appropriate location given her an enduring love of reggae and dub. She performed and recorded with Lee Scratch Perry and released a solo album, Dread More Dan Dead, in 2005.
In 2006, The Slits reformed to some critical acclaim, releasing the Return of The Giant Slits EP which was followed by a new full length record, Trapped Animals, in October last year.The Slits final work together, a video for the Trapped Animals track Lazy Slam (below), was released yesterday in accordance with Ari’s final wishes.
A whirling dervish of dreadlocks and energy even when The Slits returned in their middle-aged incarnation, it’s with sad inevitability that Ari Up will be pegged as John Lydon’s step-daughter first and a musician in her own right second. But more thoughtful souls will remember her as one of punk’s most distinctive voices whose work with The Slits confounded and confronted the heavy-handed misogyny of much mainstream punk – The Stranglers, I’m looking at you.
The death of Ari up has deprived music of one of its most original and unpredictable voices. It’s a truly sad day.
You can follow more of Mic’s words on his blog here. You can read our review of Trapped Animal here. A superb album, go buy it now.
Written by Mic Wright on Friday October 22nd, 2010 12:00 pm
With Fashion Scout releasing their Ones to Watch for the coming season last week, it was only going to be a matter of fashion minutes before the British Fashion Council announced who was going to feature on the stands this A/W 2011 fashion week. And here they are!
I like the exhibitions a lot. You get to really get a feel for the collections – you can see them up close and touch them – hell, you can even smell them if that’s your bag. While a big-budget catwalk show has the atmosphere to accompany the clothes, I often miss many of the design quirks and fabric features because I’m just too damn busy photographing, tweeting and scribbling what will later become illegible notes. With the stands, you can see the colossal effort that a designer has put into their collection and often they’re hanging around, so you can EVEN chat to them too.
It’s also a great place to find up-an-coming design talent: fresh ideas and new ways of doing things. Sod the oldies on the catwalks. This year looks like it won’t disappoint. Here’s a round of the ‘Emerging Designers’ that the BFC has added to its roster:
Austra by Anko
It may have been a typically miserable Monday night in January, thumb but we were safe from the elements within the hallowed hall that is the Windmill in Brixton. This unassuming little pub just off the busy thoroughfare of Brixton Hill (and in the shadow of a real windmill, the only one remaining in London), has seen many upcoming bands and surprise appearances from old faces grace its stage over the years. My favourite music venue in London (and my second gig there in 48 hours), I’ve had a lot of nights at the Windmill that have been great (including my second New Year’s Eve in London), hazy (ditto) and just plain bizarre.
The evening began with some haunting acoustica from Daughter, aka Elena Tonra. Plucking at an acoustic guitar, and backed by some subtle electric guitar washes, Tonra’s hushed vocals delivered some daintily dark lyrics that drew the onlookers in. As the Windmill began to fill up, Viv Albertine took to the stage with her new band, Limerence. Once the guitarist and co-songwriter with iconic punk band The Slits, Albertine had been off the music scene for over 20 years after pursuing a career in TV and film directing, but she recently made a return to the stage (indeed, her debut was here at the Windmill) and has gone on to release an EP on the label of Sonic Youth’s very own Thurston Moore.
“Limerence” was a term coined to describe a near-obsessive form of romantic love, though Albertine joked that her songs were generally about pretty much the opposite. Limerence the band is a loose collective of musicians – I’d seen them play at the George Tavern in Stepney last year with pretty much a full compliment, but tonight it was just a pairing of violin and a combo of keyboard, guitar and ukulele. Musically, Albertine has moved on from the reggae infused sound of her old band, though her guitar is still as distinctive as it was on songs like Typical Girls. If anything, there’s a hint of Syd Barrett about songs like Fairytale and the twisted pop of Never Come, and the lyrics are as witty and spiky as you’d expect. Void references a darker part of her punk past, and was introduced with a few reminiscences of 1976. The paired down line-up actually gave an extra edge to Albertine’s songs, highlighted on the unsettling set closer, Confessions Of A Milf, which descended into a one-chord riff on suburban paranoia.
Canadian headliners Austra have been causing a bit of a buzz of late. Hailing from Toronto, and centred on vocalist Katie Stelmanis, with Maya Postepski on programming and Dorian Wolf on bass, they recently renamed themselves (having previously been going under Stelmanis’ moniker), signed to Domino and currently have a 12” single out, with an album in the pipeline for later this year.
For the UK leg of a whistle-stop European tour, starting tonight, Stelmanis and co were joined by a drummer, keyboard player and two extra vocalists. There was a bit of a shaky start with a technical hitch before things got into their stride. It would be easy to make comparisons with Fever Ray and Glasser (especially as I’d seen both live fairly recently), and Austra do fall into that category of brooding female vocals over dark electronic beats. However, they’re not as dense as Fever Ray or as spectral as Glasser, especially live. I’d read somewhere that Austra were like “Fever Ray gone disco”, which actually isn’t a million miles off the mark. The single, Beat & the Pulse, is distinctly dance-friendly, and while Stelmanis’ vocal delivery may be reminiscent of Karin Dreijer Andersson, the general vibe is more akin to the early to mid 80’s indie-dance crossover. In the confined space of the Windmill, Austra’s songs become much more organic, with the live drums and bass giving an added kick. There was also plenty of theatricality, with Stelmanis and her sidekicks whirling and dipping during each song.
It was a typically great and varied mix of bands and styles tonight, another in a long line of great nights that I’ve experienced at the Windmill, and another one I’m sure that the venue’s legendary Roof Dog would approve of.
Written by Richard Pearmain on Tuesday January 25th, 2011 2:42 pm
999 it’s time, sildenafilerectile is another green focused campaign. As the website notes “We are in a state of emergency – socially, store economically and ecologically. What do we do in an emergency? In the UK, viagra 100mg we dial 999…” Well that all sounds pretty heartening until you realise that the 999 campaigns reaction to this emergency hasn’t exactly been particularly speedy so far. I can’t help feeling that the climate emergency we are facing means groups should be advocating some real direct action rather than just planting a tree or joining the 10:10 movement. However the campaign has some great initiatives to get the ball rolling and hopefully get more people thinking about the global crisis.
Of course the campaign does have some credibility, it encourages people to get more environmentally friendly, and behind the celebrity endorsements 999 has some forward thinking ideas about how communities in particular can work together to create a more sustainable world. Transforming rural and urban spaces into shared land to grow food has been one of the most successful elements. Capital Growth is the place to start with a great run through of the process and steps and how to get involved. Land sharing empowers people by growing their own food and creating stronger links in communities as well as reducing the reliance on supermarkets. A definite step in the right direction.
I caught up with Hugh Fearnley-Whittingstall, the rural country celebrity chef, to talk about his part in the 999 campaign.
Can you outline what 999′s main priority is about and why you’re here today?
999 is about driving home the issue of climate change and what we ourselves can do to combat the emergency situation we have found ourselves in. I’ve come today because our aim ties in with the Climate Rush campaign, and its a great way to get talking with the local community, and of course it’s the 9th of the 9th 09.
How is the 999 campaign coming along? It doesn’t seemed to have gained as much prominence in the press such as campaigns like the recent 10:10?
It’s an on-going process, im specifically been looking at the food aspect, and as the ambassador I’m really interested in what small scale communities can do to combat the threat of climate change.
Can you please give some examples of the message your trying to get across in relation to the food aspect of the campaign?
With my books and TV series I’ve been highlighting the importance of locally grown produce and recently I’ve been pushing the idea of land sharing. The idea is to find land, whether in urban or rural spaces where people can grow their own food, there is so much land wasted around the UK that can be used. With over a thousand people on waiting lists for allotments especially in the south, it is vital we utilize all the land we can instead of relying on foreign markets for our vegetables. Food is a great way to create a cohesive community and bring people together.
How is the land sharing campaign going, have you had much success?
We’ve had over a thousand land plots given to us and up to 30,000 people signing up to the website, so it’s defiantly getting people interested. The campaign is also working with groups like the Church of England and a range of British NGOs. The National Trust for example has just given us 1000 plots of land, so although it’s quite a slow process, there’s been a real positive reaction across the country.
With your interest in climate change, have the facts about the meat industry’s huge carbon footprint persuaded you to become vegetarian yet?
No, not yet, I’m aware of the issues, and I keep by own pigs and livestock, and always advocate buying locally soured meat to keep the carbon footprint low.
So let’s hope this campaign can help to stop this emergency from escalating, with 1 day, 11 hours, 9 minutes since 999 Day, the pressure is on.
The Design Museum’s annual exhibition of young designers begins on September 18 with site-specific works from Marc Owens and Dave Bowker. Owens is inspired by virtual realities – his work Avatar Machine replicates video gaming via a headset (above), order designed to make the wearer see themselves as a virtual character in the real world. Bowker works in data visualisation and will be re-examining the way visitors move about the Museum.
Once a year thousands of London’s most interesting and historic buildings are opened to the public, sale some of which are locked up tight for the rest of the year. Although some of the most popular buildings in the centre of London have already been completely booked, drugs there are still plenty of places worth visiting.
If you haven’t got your eye on anything in your local area, consider visiting the house of Dr Samuel Johnson, of “the dictionary” fame. It’s free to visit on Friday (there will be free cake on this day) and Saturday, in honour of the great man’s birthday.
Radical Nature
This exhibition of works revolving around nature and inspired by environmentalism features pieces from architect Richard Buckminster Fuller and artists such as Joseph Beuys and Hans Haacke, as well as newer names such as Heath and Ivan Morrison and Simon Starling. Impactful and timely, there are lots of strong visual statements such as the Fallen Forest by Henrik Håkansson (above) and a visual record of the fields of wheat planted as an act of protest on a landfill site in Manhattan.
Thames Festival
Sunday
One of the few fireworks displays allowed along the Thames will occur on Sunday when the Thames Festival fireworks are set off in all their glory, fired from barges between Blackfriars and Waterloo Bridge so everyone can get a perfect view. There are also events all day, including fire-eaters, an outdoor ballroom (starting to become the South Bank’s speciality) and the annual Night Carnival, where 2,000 costumed revellers bearing lanterns and luminous costumes will welcome the pyrotechnics.
Another load of talks, healing workshops and activities to get stuck into, information pills don’t forget Co-Mutiny is still on all this week in Bristol, Climate Rush are still on tour, and also make sure you get down to protest against the closure of the Vestas Wind Turbine factory this Thursday. Good luck with fitting it all in, I’m certainly going to struggle!
An exciting event has been organised with international speakers and delegates involved in policy-making, business, and academia. Understanding the role of climate change policy is central to a business’s future success. Topics will include the political, economical, technological, and legal challenges and solutions for decarbonising electricity.
To register for a discounted ticket visit the website and enter ‘ge2009′ as the discount code.
A Global New Deal needs a Green New Protectionism
Wednesday 16 Sep 2009 ?
An evening to learn and discuss the ‘triple crunch’ that we face: climate change, energy insecurity, and financial and economic meltdown. Colin Hines, Author and convener of the Green New Deal Group will be leading the talks. Colin has worked in the environmental movement for over 30 years including 10 years at Greenpeace. His recent work focuses on the adverse environmental and social effects of international trade and the need to solve these problems by replacing globalisation with localisation. During the evening there will also be a tribute to ‘Teddy’ Goldsmith, founder of The Ecologist magazine.
Time: 6.30pm drinks and food, 7.30pm talk begins at Burgh House
Venue: Gaia House, 18 Well Walk, Hampstead
Contacts: To book email, book online or call 0207 428 0054.
Website: www.gaiafoundation.org
Protest against the closure of Vestas Wind Turbine Factory
Thursday 17 Sep 2009 ?
As well as the continuing protest against the closure of the Vestas Wind Turbine factory at the Isle of Wight, there will also be a chance for people to make their feelings known across the country. People are meeting at the Department of Energy and Climate Change in London to lobby against the government. There will also be speakers including John Mcdonnel, MP (Labour, Hayes and Harlington) and Tracy Edwards (Young Members Organiser for the Public and Commercial Services Union).
Couldn’t put it better than Phil Thornhill from the Campaign against Climate Change “Just when we need a huge expansion in renewable energy they are closing down the only significant wind turbine factory in the UK. The government has spent billions bailing out the banks, and £2.3 billion in loan guarantees to support the UK car industry – they can and should step in to save the infrastructure we are really going to need prevent a climate catastrophe.
Whilst the impact on employment on the Isle of Wight will be quite devastating, this is an issue not just about jobs or one factory but about whether the government is really going to match up its actions to its rhetoric on green jobs and the rapid decarbonisation of the British economy – whether its prepared to act with the kind of resolution and energy we need to cope with the Climate Emergency”.
Time: 5.30 to 6.30pm
Venue: Outside the Department of Energy and Climate Change, 3 Whitehall Place.
?Website: www.campaigncc.org
Out of the Ordinary Festival
Friday 18 Sep 2009 to Sunday 20 Sep 2009
?
OOTO is a 3 day family friendly and eco friendly festival set in the beautiful Sussex countryside celebrating the Autumn Equinox. Featuring a variety of live music powered by solar panels and wind generators, fascinating talks and workshops, children’s activities, awesome performances, a green market place and many more out of the ordinary surprises. The festival is also offering Big Green Gathering ticket holders a discount for the event held over the weekend
Venue: Knockhatch Farm, Hailsham, East Sussex
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Website: www.outoftheordinaryfestival.com
Tree-Athlon
Saturday 19th September
Get fit and get your very own tree sapling to take home! Participants run a 5km race to raise money for Trees for Cities, an independent environmental charity working with local communities on tree planting projects. There is also music, entertainment, lots of tree-themed activities, whatever that may consist of, and plenty of other workshops to keep the whole family entertained.
The race is open to runners aged 14 and up and is ideal for beginners or experienced runners alike. Register now, to make sure you can raise as much sponsorship as possible before the day, and look forward to a grand day out.
?The Urban Green Fair is held in Brockwell Park in London this Sunday, Its a free event and with plenty to do and see, the fair is also powered by solar and wind energy.
The annual family event, has a range of films, talks, workshops, kids activities, stalls, sunshine as well as some unusual bicycles. Unfortunatly no bars or big stages but this keeps the emphasis on education and communication. A chance to share ideas, meet familiar faces and make new friends. With little government action on peak oil and climate change there is plenty to discuss and lots we can do as individuals. ?
Leytonstone Town Centre will car free day this Sunday. As well as having no vehicles hurtling around there will also be entertainment, stalls, live music, dancing, public art and childrens’ play areas. Simon Webbe from Blue and Aswad will be headlining! Get yourself down, and make sure you leave the car(if you’ve got one) at home.
Time: 1pm-7pm
Venue: Outside Leyonstone tube station
Website: www.walthamforest.gov.uk
Co-mutiny
Saturday 12th of September until Monday 21st September
A coming together of activists, eco-warriors gardeners, artists, community/political groups, cooks, builders etc. to demonstrate our creative power to build a city/world we would like to see. Co-Mutineers have taken an old cathedral (of the holy apostles) near the Triangle in the Clifton/Hotwells area, it’s a space to converge, eat, sleep meet and discuss, plan and skill-share!
There will be over a week of different activities, direct actions, workshops, film screenings, public demonstrations and parties. It’s happening all across Bristol and the wider South West.
During the week there will be actions happening all across the city, which will climax in a fancy dress carnival through the financial district of Bristol on the Friday.
Venue: Bristol Pro Cathedral, Park Place, BS8 1JW
Website: http://comutiny.wordpress.com/ Monday 14th September
William Elliott Whitmore The Garage, order London
We can’t get enough of this distilled, medications gravelly bluesman. With Whitmore, it’s almost like you’re listening from inside a huge bottle of JD.
Having supported folk heavy weights, Tunng, Bon Iver, and King Creosote, this ballsy 19 year old manages to blend the vocal lustre of Nico and Laura Marling whilst having an edgy stage presence more like Gwen Stefani. Beguiling.
A traditional folk night in a scuzzy South-East London boozer. You want more reason that that? Well living legend, Tom Paley who played with Woodie Guthrie back in the day and enchantingly odd, Birdengine are two big ones.
I’ll put up my hands and admit that as a girl, healthmedications not yet a quarter of a century old, remedy talking about music is utterly intimidating. Yet I try. At some point in my life I’ll make a concerted effort to dance about architecture too. There is an endless wealth of information on bands that have already been, that I am never, ever going to be able to catch up on. Yet I try. As a music fan (enough to write about it), I’m embarrassed to admit that I only really discovered my, now, all time favourite band, Talking Heads within the last five years. I know, shoot me down. My convoluted point is that, as much as I try and piece it together, I can only imagine what The Slits releasing ‘Cut’ meant to the females and general youth and music fans of 1979. Yes there was a sex bomb fronted Blondie, intriguingly androgynous Patti Smith and unconventional Kate Bush, but an all female, punk rock band that posed naked on their album sleeve and generally didn’t give a f***. No one saw that coming and their influence has reverberated ever since.
Fast forward then 30 years and their new album, Trapped Animal, has been unleashed to a society that is certainly far from sorted. But can the music still have the same punch? The garage approach of Cut has inevitably given way to a slicker product all round. That same mixture of reggae rhythms, scratchy guitars, anger and mischief abounds. Rather than sounding like a band thirty years past their prime, as could be said of many a reunion album, there is a freshness that means you could be mistaken for thinking you’re hearing the latest South London council estate collective. This could be explained by the new multi-generational line-up that features Sex Pistol Paul Cook’s daughter, Hollie. You also get the impression that frontwoman Ari Up has as much energy as her fourteen year old self that met original member, Palmolive, at a Patti Smith gig.
Lyrically, the album doesn’t stretch the boundaries of the concept of rhyming but you wouldn’t hear Girls Aloud bemoaning of “Men who want us to be their mother/Men who hate us because of their mother.” Where the Pop Idol-ers are concerned with their “cappuccinos to go-o”, Up and her girls are hollering about ‘Peer Pressure’, “issues with child abuse” and eschewing the shackles of a nine to five: “We don’t pay rent with a passion, and we don’t wanna follow fashion.”
The fact that foul-mouthed Lily Allen launched her career on the wave of reggae-tinged pop is no accident. The Slits invented the model for anti-establishment, men-bashing, unselfconscious pop and even though this new offering will never live up to Cut standards, it’s a welcome return of punk’s finest.
Written by Katie Weatherall on Wednesday September 16th, 2009 5:29 pm
Theremin viruoso, Pamelia Kurstin teams up with award-winning composer, pianist, multi-instrumentalist and producer Pete Drungle in this premier live performance in a lovely Dalston setting. Kurstin creates layer-upon-layer of exotic otherworldly noises and haunting improvised melodies, with an almost operatic, voice-like quality. A sound to behold!
This guy looks set to be the next young Londoner to make it big. All the credentials are there; signed to Young & Lost, backed by Adele, DJ support provided by Laura Marling, has opened for Florence & the Machine and he does a blinding cover of Beyonce’s Singles Ladies, above. Not to name drop or anything.
This is so bizarre, that it’s got Amelia’s Magazine’s backing. Weirdo Gest hosts an evening of music including classic soul and R&B singer, Ben E ‘Stand By Me’ King, free newspaper pin-up Peter Doherty and indie boys, The Rumble Strips, above. You couldn’t make this stuff up.
Amelia’s Magazine are overjoyed to have the original female punk band back on our stereos – read the album review here – and think this gig will be unmissable. Support is in the form of chaotic, darkwave pop from former Test Icicles man Rory Brattwell’s new band Kasms and instrument-swapping, all-gal group Pens.
Venture to this South East and you will experience the most unique night out of your life. Playing at this ramshackle folk night are north London husband-and-wife duo Peta Webb and Ken Hall singing unaccompanied traditional Irish and American songs presented in a warm and beguiling way, ably assisted by folk activist and banjo player Ed Hicks.
Staying South East, why not pay your dues to Oxjam and check out Rubella, punky girl rockers fond of dressing in school uniform, along with riffy alt.rockers We The Faceless and pop-punkers Stick Man Army. That’ll round your gigging week off nicely.
Written by Katie Weatherall on Monday October 12th, 2009 1:28 pm
The darker mornings and wetter evenings have already started driving the fair-weather riders away from the cycle lanes, more about but those of us who keep chugging on have our reasons to persevere in spite of the weather. After all, ask just because it’s getting colder it doesn’t mean the thought of getting on the tube every morning is any more tempting, is it? Tom Morris and Sian Emmison, the owners of eclectic Islington cycling outlet Bobbin Bicycles, certainly don’t think so. Saturday 16th October saw the opening of their brand new bicycle workshop, just around the corner of the shop claiming to be ‘The most beautiful bicycle shop in Britain’. Like the shop itself, the workshop specialises in upright town bikes, vintage rides and bicycles with hub gears and back-pedal brakes – all of which can be difficult to get serviced in a standard bike shop.
Illustration by Carla Bromhead.
‘Now, anyone with a Dutch, Pashley or vintage bike can come to us to get repairs done, be it changing a wheel, a handlebar or something more oily,’ a very busy Tom Morris told me on Saturday afternoon. Cosmetic touches, along with a few practical ones, were still missing from the space as Tom welcomed the first customers on Saturday, but that didn’t stop him from getting his hands dirty as one customer after another came knocking. Parked up the road was my own bike, fresh from its annual check-up, a service also offered at the Bobbin workshop. While it costs money, it’s worth doing as it prevents problems in the long run – for example my chain needed changing, the mechanic pointed out, saving me from a snapped chain in the road in a month or two. Servicing an upright bike is no more expensive nor complicated than a hybrid or a road bike, assured Tom, but it requires certain skills and tools. His employees Alexis and Laura are both trained bike mechanics, having been asked personally by Tom and Sian to come work at Bobbin. Laura has just finished a bike mechanics course where she took a specific interest in town bikes, while Alexis has five years of experience fixing bikes in Oxford and Amsterdam. ‘You keep learning new things. It’s enjoyable work, and there is obviously increasing demand,’ said Alexis, as he checked in a black Pashley with a flat tyre and broken gear shifter.
Illustration by Genie Espinosa.
The workshop will also be selling kit for what Tom calls ‘bike pimping’: cosmetic changes such as a new saddle, cream tyres, a carrying basket or colourful bike components. But the Bobbin workshop isn’t just for town bikes and other old-school models; ‘We will offer the same friendly service to any cyclist who comes our way,’ assures Tom. Once the workshop is properly up and running, Tom plans to hold classes in bike maintenance, ‘hopefully before Christmas’. I might sign up to one of these myself, as next time I get a flat tyre I’d like to be able to deal with it. Nothing knocks the feeling of independence out of cycling quite like hearing that thud-thud-thud of a flat, but I think mastering a tyre lever might go a long way to remedy this.
In the meantime I have my winter cycling gear ready. Rule number one is the mud guards, closely followed by lights with fresh batteries. A pocket-size rain cover now has a permanent place in my bag, and I have also splurged on a pair of padded, waterproof gloves. A proper pair of winter gloves are pricey, but vital to any semblance of comfort in the cold. Last winter a week of sleet forced the purchase of a cheap pair of waterproof trousers, which look ridiculous but are a life-saver when it’s pouring down and I have to cycle home from work. Lastly, a reflective vest undeniably makes you look like a geek, but you may want to consider one you commute in traffic. So as the fair-weather cyclists hang up their helmets in favour of the buses and trains, the cycle lanes are left to the hard-cores, or should I say freaks, determined to stick to two wheels through the winter. The tube might be warm, but we get to arrive at work bright-eyed and bushy-tailed from full exposure to the elements of the crisp London winter.
Get weather-proofed at Bobbin Bicycles, 397 St John Street, London EC1. Visit the Workshop around the corner on 23 Arlington Way.
Illustration by Tasha Whittle.
The darker mornings and wetter evenings have already started driving the fair-weather riders away from the cycle lanes, dosage but those of us who keep chugging on have our reasons to persevere in spite of the weather. After all, decease just because it’s getting colder it doesn’t mean the thought of getting on the tube every morning is any more tempting, is it? Tom Morris and Sian Emmison, the owners of eclectic Islington cycling outlet Bobbin Bicycles, certainly don’t think so. Saturday 16th October saw the opening of their brand new bicycle workshop, just around the corner of the shop claiming to be ‘The most beautiful bicycle shop in Britain’. Like the shop itself, the workshop specialises in upright town bikes, vintage rides and bicycles with hub gears and back-pedal brakes – all of which can be difficult to get serviced in a standard bike shop.
‘Now, anyone with a Dutch, Pashley or vintage bike can come to us to get repairs done, be it changing a wheel, a handlebar or something more oily,’ a very busy Tom Morris told me on Saturday afternoon. Cosmetic touches, along with a few practical ones, were still missing from the space as Tom welcomed the first customers on Saturday, but that didn’t stop him from getting his hands dirty as one customer after another came knocking. Parked up the road was my own bike, fresh from its annual check-up, a service also offered at the Bobbin workshop. While it costs money, it’s worth doing as it prevents problems in the long run – for example my chain needed changing, the mechanic pointed out, saving me from a snapped chain in the road in a month or two. Servicing an upright bike is no more expensive nor complicated than a hybrid or a road bike, assured Tom, but it requires certain skills and tools. His employees Alexis and Laura are both trained bike mechanics, having been asked personally by Tom and Sian to come work at Bobbin. Laura has just finished a bike mechanics course where she took a specific interest in town bikes, while Alexis has five years of experience fixing bikes in Oxford and Amsterdam. ‘You keep learning new things. It’s enjoyable work, and there is obviously increasing demand,’ said Alexis, as he checked in a black Pashley with a flat tyre and broken gear shifter.
The workshop will also be selling kit for what Tom calls ‘bike pimping’: cosmetic changes such as a new saddle, cream tyres, a carrying basket or colourful bike components. But the Bobbin workshop isn’t just for town bikes and other old-school models; ‘We will offer the same friendly service to any cyclist who comes our way,’ assures Tom. Once the workshop is properly up and running, Tom plans to hold classes in bike maintenance, ‘hopefully before Christmas’. I might sign up to one of these myself, as next time I get a flat tyre I’d like to be able to deal with it. Nothing knocks the feeling of independence out of cycling quite like hearing that thud-thud-thud of a flat, but I think mastering a tyre lever might go a long way to remedy this.
In the meantime I have my winter cycling gear ready. Rule number one is the mud guards, closely followed by lights with fresh batteries. A pocket-size rain cover now has a permanent place in my bag, and I have also splurged on a pair of padded, waterproof gloves. A proper pair of winter gloves are pricey, but vital to any semblance of comfort in the cold. Last winter a week of sleet forced the purchase of a cheap pair of waterproof trousers, which look ridiculous but are a life-saver when it’s pouring down and I have to cycle home from work. Lastly, a reflective vest undeniably makes you look like a geek, but you may want to consider one you commute in traffic. So as the fair-weather cyclists hang up their helmets in favour of the buses and trains, the cycle lanes are left to the hard-cores, or should I say freaks, determined to stick to two wheels through the winter. The tube might be warm, but we get to arrive at work bright-eyed and bushy-tailed from full exposure to the elements of the crisp London winter.
Get weather-proofed at Bobbin Bicycles, 397 St John Street, London EC1. Visit the Workshop around the corner on 23 Arlington Way. Read our previous interview with Tom Morris here.
Illustration by Tasha Whittle.
The darker mornings and wetter evenings have already started driving the fair-weather riders away from the cycle lanes, viagra but those of us who keep chugging on have our reasons to persevere in spite of the weather. After all, side effects just because it’s getting colder it doesn’t mean the thought of getting on the tube every morning is any more tempting, is it? Tom Morris and Sian Emmison, the owners of eclectic Islington cycling outlet Bobbin Bicycles, certainly don’t think so. Saturday 16th October saw the opening of their brand new bicycle workshop, just around the corner of the shop claiming to be ‘The most beautiful bicycle shop in Britain’. Like the shop itself, the workshop specialises in upright town bikes, vintage rides and bicycles with hub gears and back-pedal brakes – all of which can be difficult to get serviced in a standard bike shop.
‘Now, anyone with a Dutch, Pashley or vintage bike can come to us to get repairs done, be it changing a wheel, a handlebar or something more oily,’ a very busy Tom Morris told me on Saturday afternoon. Cosmetic touches, along with a few practical ones, were still missing from the space as Tom welcomed the first customers on Saturday, but that didn’t stop him from getting his hands dirty as one customer after another came knocking. Parked up the road was my own bike, fresh from its annual check-up, a service also offered at the Bobbin workshop. While it costs money, it’s worth doing as it prevents problems in the long run – for example my chain needed changing, the mechanic pointed out, saving me from a snapped chain in the road in a month or two.
Servicing an upright bike is no more expensive nor complicated than a hybrid or a road bike, assured Tom, but it requires certain skills and tools. His employees Alexis and Laura are both trained bike mechanics, having been asked personally by Tom and Sian to come work at Bobbin. Laura has just finished a bike mechanics course where she took a specific interest in town bikes, while Alexis has five years of experience fixing bikes in Oxford and Amsterdam. ‘You keep learning new things. It’s enjoyable work, and there is obviously increasing demand,’ said Alexis, as he checked in a black Pashley with a flat tyre and broken gear shifter.
The workshop will also be selling kit for what Tom calls ‘bike pimping’: cosmetic changes such as a new saddle, cream tyres, a carrying basket or colourful bike components. But the Bobbin workshop isn’t just for town bikes and other old-school models; ‘We will offer the same friendly service to any cyclist who comes our way,’ assures Tom. Once the workshop is properly up and running, Tom plans to hold classes in bike maintenance, ‘hopefully before Christmas’. I might sign up to one of these myself, as next time I get a flat tyre I’d like to be able to deal with it. Nothing knocks the feeling of independence out of cycling quite like hearing that thud-thud-thud of a flat, but I think mastering a tyre lever might go a long way to remedy this.
In the meantime I have my winter cycling gear ready. Rule number one is the mud guards, closely followed by lights with fresh batteries. A pocket-size rain cover now has a permanent place in my bag, and I have also splurged on a pair of padded, waterproof gloves. A proper pair of winter gloves are pricey, but vital to any semblance of comfort in the cold. Last winter a week of sleet forced the purchase of a cheap pair of waterproof trousers, which look ridiculous but are a life-saver when it’s pouring down and I have to cycle home from work. Lastly, a reflective vest undeniably makes you look like a geek, but you may want to consider one you commute in traffic. So as the fair-weather cyclists hang up their helmets in favour of the buses and trains, the cycle lanes are left to the hard-cores, or should I say freaks, determined to stick to two wheels through the winter. The tube might be warm, but we get to arrive at work bright-eyed and bushy-tailed from full exposure to the elements of the crisp London winter.
Get weather-proofed at Bobbin Bicycles, 397 St John Street, London EC1. Visit the Workshop around the corner on 23 Arlington Way. Read our previous interview with Tom Morris here. Three oil cans; Tate Summer Party, sick Photography by Immo Klink
Gushing from floral skirts, spilling elegantly from giant white eggs, jetting from paint tubes across the floor of the iconic Tate Turbine Hall, 2010 has witnessed a flood of oily resistance against oil sponsorship in the arts. The likes of art activist group Liberate Tate have generated a fierce debate in the art world around oil, ethics and sponsorship.
Plans are afoot to spring board the campaign into the New Year, with a high energy, high profile mainstream gallery event to attract lots of new people and to keep the pressure up. In an innovative bid to raise dosh for the project London creative campaign group PLATFORM has launched a crowd- funding initiative at Indiegogo. The idea is that people can give what ever little bit of cash they can, and by Christmas there will be enough in the pot to book a snazzy venue and put on a truly sensational participatory exhibition in early 2011.
Easter egg spill with wiggle, British Museum Photography by Amy Scaife
They would be really grateful if you could help by spreading the word forwarding the link bellow by email and facebook, and telling your economically empowered friends and relatives. What ever you can or can’t do to help fundraise, everyone is invited to the event itself, which is likely to be held in January (email sophie@platformlondon.org for more information about getting involved).
To say thank you for donations over £16 ($25) they are offering some quirky perks, including sets of beautiful postcards ideal for a Christmas stocking, invites to the first night private viewing of the exhibition, and limited edition hand made, ‘BP branded’ paint tubes full of molasses, hot from the intervention at the Tate Modern’s Turbine Hall
So whether you have some cash to spare – or if you just want to get messy with molasses – get involved!
“Ari Up: John Lydon’s step-daughter dies.” The Telegraph’s headline was horribly reductive. Ari Up, viagra 100mg who died on Wednesday at the tragically young age of 48, viagra buy was the punk legend’s step-daughter but that was just a small and tangential detail in a fascinating life and career. With The Slits and later with the New Age Steppers and solo in several guises, Ari Up was a musical icon in her own right, not a bit player on the fringes of the John Lydon circus.
The granddaughter of the owner of Der Spiegel and daughter of Nora Foster who was at the centre of the London music scene for years (befriending Hendrix and dating Chris Spedding before finally marrying Johnny Rotten), Ari Up was born from privilege and chaos in equal measure.
Nora’s tendency to invite poor punk musicians to bunk down at their house put Ari at the heart of the scene and got her guitar tuition from Joe Strummer. She was 14 when she formed The Slits with Strummer’s former-flatmate Palmolive. Her fascination with reggae gave the band a dubby feel that was in sharp contrast to the guitar thrashing of many other punk outfits.
The Slits debut album Cut, with its memorable image of the band naked but for grass skirts and a liberal coating of mud, featured a cleaner sound than their live performances. While the band’s cover of I Heard It Through The Grapevine is still an indie disco staple, the record is studded with gems particularly the amateurish piano and bouncing bass of Typical Girls.
The Splits broke up in 1981 and Ari moved with her husband and twins to Indonesia and Belize before heading for Jamaica, an appropriate location given her an enduring love of reggae and dub. She performed and recorded with Lee Scratch Perry and released a solo album, Dread More Dan Dead, in 2005.
In 2006, The Slits reformed to some critical acclaim, releasing the Return of The Giant Slits EP which was followed by a new full length record, Trapped Animals, in October last year.The Slits final work together, a video for the Trapped Animals track Lazy Slam (below), was released yesterday in accordance with Ari’s final wishes.
A whirling dervish of dreadlocks and energy even when The Slits returned in their middle-aged incarnation, it’s with sad inevitability that Ari Up will be pegged as John Lydon’s step-daughter first and a musician in her own right second. But more thoughtful souls will remember her as one of punk’s most distinctive voices whose work with The Slits confounded and confronted the heavy-handed misogyny of much mainstream punk – The Stranglers, I’m looking at you.
The death of Ari up has deprived music of one of its most original and unpredictable voices. It’s a truly sad day.
You can follow more of Mic’s words on his blog here. You can read our review of Trapped Animal here. A superb album, go buy it now.
Written by Mic Wright on Friday October 22nd, 2010 12:00 pm
Very much the new kid on the block in terms of East London music destinations, Oslo Hackney has been attracting some interesting (and surprisingly big name) acts in the short time that it’s been open. Owned by the same people behind Bristol’s Thekla and, according to the website, pretty much every venue in Nottingham, Oslo Hackney has transformed the original (but long empty) Hackney Central station building into a Nordic themed (hence the name) bar and restaurant with a pretty substantial stage upstairs to cater for gigs and club nights.
First on stage tonight was Scraps, otherwise known as Brisbane’s Laura Hill. Crouched over pulsing and warbling synths, with her vocals drenched in reverb, Scraps’ songs invoke memories of early 80s electro-pop bands, interspersed with dry asides to the audience. I’d actually seen her the previous week at the Windmill, supporting September Girls, and had been impressed.
Scraps’ labelmates Las Kellies are another band I’d seen before at the Windmill. Originally from Buenos Aires, they released their fourth album, Total Exposure, last year and were back in town to promote it. Combining the post punk sounds of the Slits and the minimal funk of New York No Wavers ESG with a Latin twist, Las Kellies offer scratchy guitar over a bounding bass and some no frills drum fills to get even the most stubborn soul grooving.
With main vocal duties taken by guitarist Cecilia Kelly, Silvina Costa chipping in on harmonies from behind her drum kit stage right, and bass player Adriana Navarro swooping and swaying between them, Las Kellies ran through favourites old and new like King Lion, Post Post, Scotch Whisky and Keep The Horse. A busy crowd was treated to a cover of ESG’s Erase You and, a bit unexpectedly, Beat On The Brat by the Ramones. The Total Exposure album introduces keyboards to the Las Kellies sound, and the slower Golden Love reminded me of one of Tom Tom Club’s more mellow moments. The band closed their set with another ESG cover, Cecilia Kelly swapping her guitar for a cowbell on My Love For You.
Christmas tunes from respectable bands have never been more popular – both original compositions and covers of old favourites – here’s my round up of the best.
Piney Gir has put together this absolutely adorable lo-fi animated video for her festive ditty Christmas Time – just a few paper dolls with joints and a tacky set. And it works brilliantly! Best of all there is a free download of the tune.
One of the original purveyors of girl power – Viv Albertine of The Slits – has put together a typically alternative single, radically titled It’s A Christmas, Single. I love the lyrics, which include gems such as ‘I like being single, cos I get stuff done.’ Speaking as one who has spent many a Christmas in the single state I can testify to this truth. It’s another free download so get stuck in.
From Manchester Flow Machines bring us their remake of the Saint Etienne and Tim Burgess classic I Was Born On Christmas Day. In exchange for a download they are encouraging fans to make a donation to Barnardos – a very nice touch. The single also has a fab retro inspired video.
I reviewed the debut album from Fairewell recently, and singer Johnny is hot on the case with a festive offering – he lends his inimitable woozy filmic sound effects to a new no-sing version of In The Bleak Midwinter, accompanied by a sad little film.
Dog is Dead present Christmas Wrapping, a song by seminal 80s band The Waitresses that most will recognise – only this time harmonised by men in fairisle jumpers. Nice. And free to download too.
Illustration by Stephanie Thieullent
Sarah Maple’s postcard went for the fantastic sum of 200 pounds.
Photograph by MJw Photography
Miriam Elia
Jessica Hynes (Nee Stevenson)
Jo Brand’s “Feminism is about” postcard fetched 70 pounds.
Stuart Semple raised £65 pounds after starting at 22p.
