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Top 25 Art Blog - Creative Tourist

Wolf and Badger Pop Up Store at Selfridges: Launch Party Review

Yesterday I popped down to Selfridges for the opening of the Wolf and Badger pop-up concept store. Amongst the high society ladies and bog-roll clad performance artists lurked some arty designer gems for the well off.

Written by Amelia Gregory

thumbnail first aid kit

Peggy Sue Illustration by Emilie Lashmar

Wichita, more about the record label that has brought us Bloc Party, buy information pills The Cribs, Los Campesinos! and Simian Mobile Disco (to name but a few) continued its 10th Anniversary celebrations at the Relentless™ Garage in sunny Highbury. As a special birthday treat, early arrivals received a gift bag full of delightful Wichita goodies, including a Simian Mobile Disco vinyl LP and the new album from Peter, Bjorn and John. The resultant hubbub and excited rustling of bags did little to detract from a nice opening set from Meg Baird, whose delicate fingerpicking and lush, hushed vocals set the tone for a great evening of folk.

Next on stage was the more vivacious Peggy Sue, who didn’t hesitate to show a dazzled crowd why their debut album Fossils and Other Phantoms was so critically acclaimed. Opening the set with the captivating, percussive ‘Watchman’, Rosa and Katy really were a surprise and a delight – consider me a convert. Their luxurious, soulful vocal harmonies were only outdone by their impressive instrumental dexterity, alternating effortlessly between guitar, percussion, ukulele and accordion. With Olly’s marching drums ably complemented by the violin and cello of Becca and Emma, the highlight of the set came in the form of a particularly stunning rendition of ‘Yo Mama’, its chirruping, Gallic accordion and bluesy lead riff laying a spirited backdrop to Katy and Rosa’s spectacular voices. As the girls finished their all-too-brief set with a modest thanks to Wichita and the crowd, the sheer volume of rapturous applause (particularly in such an intimate venue) was a real testament to the performance. You can’t help but get the impression these two have only good things on the horizon.


Illustration by Jill Patterson

Last up were headliners (and perennial Amelia’s Mag favourites First Aid Kit, each taking to the stage in stunning gold dresses – Klara’s marbled with purple paisley, Johanna’s with a magnificent Persian pattern flecked with deep reds and autumnal browns. As someone who had heard little of their music beyond their fantastic cover of Fleet Foxes’ ‘Tiger Mountain Peasant Song’ (Youtube it) and recent single ‘I Met Up With the King’, I was pleasantly surprised by their laid-back, distinctly acoustic folk-pop; mature, intricate lyrics and the sibling’s vocal harmonies – the combination of which results in a sound reminiscent of Tegan and Sara’s ‘So Jealous’ crossed with the aforementioned Foxes’ eponymous first album.

Despite coming off a little awkward at first, Johanna and Clara soon settled into a relaxed, warm-hearted banter with the crowd between songs as they made their way through debut album ‘The Big Black and The Blue’. It was settling in to be a perfectly pleasant – if unremarkable – set until, four or five songs in, Kara brazenly unplugged her guitar and the sisters emerged from behind the microphones and belted out a beautiful rendition of ‘Ghost Town’ to the muted room. The stripped down version of an already great song perfectly played to the intimate setting.

The spectacle didn’t stop there. Perhaps buoyed by the song’s thunderous reception, the girls then proceeded to hilariously produce four tickets to this weekend’s Latitude festival, before plucking four volunteering fans from the crowd for a heart-warming demonstration of the brave souls’ lyrical knowledge, with a pair of tickets going to the two winners. It certainly brought the evening to life, as the crowd – now buzzing with excitable chatter – cheered on their favourite contestant. And although you had to feel bad for the unlucky guy and gal who left the stage empty handed, it was impossible not to be charmed.

Closing off the set with the lovely lilting melodies of ‘I Met Up With The King’ was a perfect end to the evening (and no, I wasn’t biased by it being the only song I knew all the lyrics to). Emerging from the Garage and shuffling sleepy-eyed towards the Tube with a bag full of music treats, I couldn’t help but feel contented: beautiful music, memorable chatter and an irrepressible charm to the whole occasion – it perfectly summed up Wichita as a label. And the celebrations aren’t over; the likes of Los Campesinos! (a truly great live act), The Cribs and Johnny Foreigner are still to come later this week. On the basis of last night, it will be well worth a look.


Peggy Sue Illustration by Emilie Lashmar

Wichita, approved the record label that has brought us Bloc Party, page The Cribs, information pills Los Campesinos! and Simian Mobile Disco (to name but a few) continued its 10th Anniversary celebrations at the Relentless™ Garage in sunny Highbury. As a special birthday treat, early arrivals received a gift bag full of delightful Wichita goodies, including a Simian Mobile Disco vinyl LP and the new album from Peter, Bjorn and John. The resultant hubbub and excited rustling of bags did little to detract from a nice opening set from Meg Baird, whose delicate fingerpicking and lush, hushed vocals set the tone for a great evening of folk.

Next on stage was the more vivacious Peggy Sue, who didn’t hesitate to show a dazzled crowd why their debut album Fossils and Other Phantoms was so critically acclaimed. Opening the set with the captivating, percussive ‘Watchman’, Rosa and Katy really were a surprise and a delight – consider me a convert. Their luxurious, soulful vocal harmonies were only outdone by their impressive instrumental dexterity, alternating effortlessly between guitar, percussion, ukulele and accordion. With Olly’s marching drums ably complemented by the violin and cello of Becca and Emma, the highlight of the set came in the form of a particularly stunning rendition of ‘Yo Mama’, its chirruping, Gallic accordion and bluesy lead riff laying a spirited backdrop to Katy and Rosa’s spectacular voices. As the girls finished their all-too-brief set with a modest thanks to Wichita and the crowd, the sheer volume of rapturous applause (particularly in such an intimate venue) was a real testament to the performance. You can’t help but get the impression these two have only good things on the horizon.


Illustration by Jill Patterson

Last up were headliners (and perennial Amelia’s Mag favourites First Aid Kit, each taking to the stage in stunning gold dresses – Klara’s marbled with purple paisley, Johanna’s with a magnificent Persian pattern flecked with deep reds and autumnal browns. As someone who had heard little of their music beyond their fantastic cover of Fleet Foxes’ ‘Tiger Mountain Peasant Song’ (Youtube it) and recent single ‘I Met Up With the King’, I was pleasantly surprised by their laid-back, distinctly acoustic folk-pop; mature, intricate lyrics and the sibling’s vocal harmonies – the combination of which results in a sound reminiscent of Tegan and Sara’s ‘So Jealous’ crossed with the aforementioned Foxes’ eponymous first album.

Despite coming off a little awkward at first, Johanna and Clara soon settled into a relaxed, warm-hearted banter with the crowd between songs as they made their way through debut album ‘The Big Black and The Blue’. It was settling in to be a perfectly pleasant – if unremarkable – set until, four or five songs in, Kara brazenly unplugged her guitar and the sisters emerged from behind the microphones and belted out a beautiful rendition of ‘Ghost Town’ to the muted room. The stripped down version of an already great song perfectly played to the intimate setting.

The spectacle didn’t stop there. Perhaps buoyed by the song’s thunderous reception, the girls then proceeded to hilariously produce four tickets to this weekend’s Latitude festival, before plucking four volunteering fans from the crowd for a heart-warming demonstration of the brave souls’ lyrical knowledge, with a pair of tickets going to the two winners. It certainly brought the evening to life, as the crowd – now buzzing with excitable chatter – cheered on their favourite contestant. And although you had to feel bad for the unlucky guy and gal who left the stage empty handed, it was impossible not to be charmed.

Closing off the set with the lovely lilting melodies of ‘I Met Up With The King’ was a perfect end to the evening (and no, I wasn’t biased by it being the only song I knew all the lyrics to). Emerging from the Garage and shuffling sleepy-eyed towards the Tube with a bag full of music treats, I couldn’t help but feel contented: beautiful music, memorable chatter and an irrepressible charm to the whole occasion – it perfectly summed up Wichita as a label. And the celebrations aren’t over; the likes of Los Campesinos! (a truly great live act), The Cribs and Johnny Foreigner are still to come later this week. On the basis of last night, it will be well worth a look.


Peggy Sue Illustration by Emilie Lashmar

Wichita, sale the record label that has brought us Bloc Party, The Cribs, Los Campesinos! and Simian Mobile Disco (to name but a few) continued its 10th Anniversary celebrations at the Relentless™ Garage in sunny Highbury. As a special birthday treat, early arrivals received a gift bag full of delightful Wichita goodies, including a Simian Mobile Disco vinyl LP and the new album from Peter, Bjorn and John. The resultant hubbub and excited rustling of bags did little to detract from a nice opening set from Meg Baird, whose delicate fingerpicking and lush, hushed vocals set the tone for a great evening of folk.

Next on stage was the more vivacious Peggy Sue, who didn’t hesitate to show a dazzled crowd why their debut album Fossils and Other Phantoms was so critically acclaimed. Opening the set with the captivating, percussive ‘Watchman’, Rosa and Katy really were a surprise and a delight – consider me a convert. Their luxurious, soulful vocal harmonies were only outdone by their impressive instrumental dexterity, alternating effortlessly between guitar, percussion, ukulele and accordion. With Olly’s marching drums ably complemented by the violin and cello of Becca and Emma, the highlight of the set came in the form of a particularly stunning rendition of ‘Yo Mama’, its chirruping, Gallic accordion and bluesy lead riff laying a spirited backdrop to Katy and Rosa’s spectacular voices. As the girls finished their all-too-brief set with a modest thanks to Wichita and the crowd, the sheer volume of rapturous applause (particularly in such an intimate venue) was a real testament to the performance. You can’t help but get the impression these two have only good things on the horizon.


Illustration by Jill Patterson

Last up were headliners (and perennial Amelia’s Mag favourites First Aid Kit, each taking to the stage in stunning gold dresses – Klara’s marbled with purple paisley, Johanna’s with a magnificent Persian pattern flecked with deep reds and autumnal browns. As someone who had heard little of their music beyond their fantastic cover of Fleet Foxes’ ‘Tiger Mountain Peasant Song’ (Youtube it) and recent single ‘I Met Up With the King’, I was pleasantly surprised by their laid-back, distinctly acoustic folk-pop; mature, intricate lyrics and the sibling’s vocal harmonies – the combination of which results in a sound reminiscent of Tegan and Sara’s ‘So Jealous’ crossed with the aforementioned Foxes’ eponymous first album.

Despite coming off a little awkward at first, Johanna and Clara soon settled into a relaxed, warm-hearted banter with the crowd between songs as they made their way through debut album ‘The Big Black and The Blue’. It was settling in to be a perfectly pleasant – if unremarkable – set until, four or five songs in, Kara brazenly unplugged her guitar and the sisters emerged from behind the microphones and belted out a beautiful rendition of ‘Ghost Town’ to the muted room. The stripped down version of an already great song perfectly played to the intimate setting.

The spectacle didn’t stop there. Perhaps buoyed by the song’s thunderous reception, the girls then proceeded to hilariously produce four tickets to this weekend’s Latitude festival, before plucking four volunteering fans from the crowd for a heart-warming demonstration of the brave souls’ lyrical knowledge, with a pair of tickets going to the two winners. It certainly brought the evening to life, as the crowd – now buzzing with excitable chatter – cheered on their favourite contestant. And although you had to feel bad for the unlucky guy and gal who left the stage empty handed, it was impossible not to be charmed.

Closing off the set with the lovely lilting melodies of ‘I Met Up With The King’ was a perfect end to the evening (and no, I wasn’t biased by it being the only song I knew all the lyrics to). Emerging from the Garage and shuffling sleepy-eyed towards the Tube with a bag full of music treats, I couldn’t help but feel contented: beautiful music, memorable chatter and an irrepressible charm to the whole occasion – it perfectly summed up Wichita as a label. And the celebrations aren’t over; the likes of Los Campesinos! (a truly great live act), The Cribs and Johnny Foreigner are still to come later this week. On the basis of last night, it will be well worth a look.

WolfandBadger skull
Flock skull by Stuart Richards. All photography by Amelia Gregory.

I don’t often head into town for launches after work these days but I was intrigued enough by the sound of the Wolf and Badger pop up store in Selfridges to request a ticket from them and make the trek over on my bike. Even though it was raining and I now have a snuffle.

There’s probably a reason why I don’t get asked to parties at that temple to consumerism Selfridges – it’s hallowed halls are all gleaming and full of trinkets and I don’t know that the readers of my website have much money to spend in them. I certainly don’t. But it’s rather wonderful to visit once in a blue moon – especially the food hall, viagra sale where I couldn’t resist picking up some Marmite flavoured biscuits by Fudges (shaped like Marmite pots!) as a special treat. Now there’s a brand diffusion I really can’t get enough of…

WolfandBadger Selfridges window display by Kyle Bean
The current window display by Kyle Bean.

On arrival I could see what was rather a swanky affair through the windows as I peered past a rather wonderful fairytale castle made out of old books. Inside some furiously groomed folk filled the aisles as they fuelled up with champagne and jellybeans. A couple of ladies with bog roll wigs delivered creamed canapes from a side table and there was so much people watching potential that I found it hard to concentrate on the work being sold.

WolfandBadger amelia gregory
WolfandBadger launch photo by Amelia gregory
Not sure about this as a look…

Along the back wall a vision of Amy Winehouse in buttons was on display centre stage by the artist Sarah Gwyer. We particularly admired the clever use of old Costa Coffee service badges in the hairpiece on her beehive.

Wolf and Badger launch display amy

Next door a digital parakeet by Troy Abbott boggled my mind somewhat. Erm… fun, but do we really have energy to waste with fripperies like this?

WolfandBadger launch photo by Amelia gregory

I preferred the plates and cups with curly bites taken out of them – created by the designer Evthokia. And over the top it might be but I adored the opulent ceramic ware from Jasmin Rowlandson: great curlicued gold and cream extravagances inspired by coral reefs and wood. Note to Wolf and Badger: it’s a shame the names of artists were hammered out in metal, making them incredibly hard to read and take note of.

WolfandBadger launch photo by Amelia gregory
Not your usual crockery from Evthokia.

WolfandBadger launch photo by Amelia gregory
WolfandBadger launch photo by Amelia gregory
Ceramic ware from Jasmin Rowlandson.

On the tables knuckle duster jewellery by Gisele Ganne was equally over the top. I can’t much imagine anyone wearing this stuff but it was fun to marvel at it in a glass case.

WolfandBadger gisele ganne
Knuckle duster madness by Gisele Ganne.

Maybe I’m suddenly getting a little more low key in my old age, but I was more drawn to the delicate gold filigree jewellery of Mallarino. I often gaze longingly at the Indian wedding earrings in the windows of the shops on Bethnal Green Road, and this seemed to be greatly inspired by such designs.

WolfandBadger launch photo by Amelia gregory
Botoxed high society lady.

WolfandBadger launch photo by Amelia gregory
And not quite so botoxed (or high society) lady.

As we left I picked up a satisfyingly heavy goodie bag from Selfridges – unfortunately it wasn’t anything exciting from Wolf and Badger. Just a bog standard notebook.

Even if you haven’t got the cash to flash, the Wolf and Badger pop up concept store is worth popping into for some cool West London designer inspiration if you’re in that part of town. It’s only on between the dates of 12-31 August 2010.

WolfandBadger launch photo by Amelia gregory

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One Response to “Wolf and Badger Pop Up Store at Selfridges: Launch Party Review”

  1. [...] & Badger have a reputation for putting on great events – people who attended their pop-up store / exhibition at Selfridges can attest to that. Last night was no exception.. on arrival we were greeting by a DJ in a badger [...]

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