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Top 25 Art Blog - Creative Tourist

London Fashion Week A/W 2011 Catwalk Review: Elliott J. Frieze

One of my new LFW favourites. With stunning tailored cuts from the finest of Textiles from Yorkshire, Elliott J. Frieze created a strong and sexy look that had me wishing for more.Illustrations by Mina Bach, Natsuki Otani and Kerriann Hulme

Written by Georgia Takacs

Anja Maklar by Madi

Ones to Watch is always one of my favourite parts of London Fashion Week, viagra four fresh designers, more about one after another and always packed to the rafters it’s a really nice way to see contrasting styles. Generally it’s a mixed bag, more about read our preview here and last year’s review here. Famous spots in the audience were Susie Bubble and Laura Santamaria.

Anja Maklar

The designer presented a collection of pastels, with cut out and overlap details. In answer to Matt’s pondering in his write up of the designer, she has indeed developed some of the key styles which were seen in her SS11 show, in particular the laser cut detail and the triangle shape of her dresses.

This was a fun, pleasantly pastel, colourful collection with plenty to keep the audience interested.

Kirsty Ward

Kirsty Ward by Anne N’Toko

This is definitely a designer to keep your eye on. Part of a growing crop of young graduates who really bring jewellery into their collections, her AW11 offering was brimming with sparkly adornments and beautiful cut clothes. In particular, the use of cut out panels throughout, was very effective.

A palette with gold, bronze and brown, the autumnal colours were accented with sudden all-in-white outfits and stunning oversized necklaces. A favourite for me was the mesh bronze dress, which caught the light beautifully as the model walked down the catwalk.

Sara Bro Jorgensen

Sara Bro Jorgensen by Joe Turvey

Definitely my favourite collection out of the four, Jorgensen has a hint of Mark Fast and Laura Theiss about her designs but has added an edgier, rocky feel to knitted yarns.

Mostly black, her collection showcased knitted dresses with lots of hanging threads and beads. There were also some highly covetable leggings with shiny black slivers of PVC running down the middle of the leg.

My favourite part of the collection, however, was the cute headgear sported by all the models. Little knitted caps in black and dark blue were worn with nearly every single look.

As well as the black, white knitted cardigans and dresses were worn with grey, splatter print swingy trousers and shorts. The black versus white theme was continued with trompe l’oeil printed dresses complete with tuxedo jacket, waistcoat, shirt and bow tiees.

Tze Gogh

Tze Gogh by Joe Turvey

The last of our Ones to Watch is Tze Gogh who graduated from Parsons in New York and then completed his masters at Central Saint Martins.

Slightly disappointing for me in terms of pushing boundaries, Gogh’s collection was understated, with clean simple lines in block colours of midnight blue, husky grey and black. The structured coats, dresses and jackets cleverly retained their shape as the models walked and I would love to know what material he uses, but I couldn’t help feeling that more could have been done to make the collection stand out.

However, I do applaud how he has retained from over designing his clothes and has kept a minimal aesthetic.

Illustration by Mina Bach

If I could taste something as delish for the mouth as Elliott J. Frieze is for the eyes, cialis 40mg I’d eat it up so fast that time may go backwards. It’s my second LFW show of newcomer Elliott J. Frieze and I’m seriously beginning to LOVE this guy. Like, shop true sartorial love. His work needs to be up there with the best on the BFC Catwalk. NEEDS.

Illustration by Matilde Sazio

Saying that, approved however, he did bag a rather delectable venue anyway. Especially for his third London Fashion Week show. It was a bit of an epic walk in the rain down the entire length of the Strand, but for the beautiful Charing Cross Hotel? Well worth it. And with free champagne, who’s complaining? Not me. Well actually, me a bit… I thought ‘Great! Bit of bubbly will numb my stabbing sore throat’ – WRONG. (Note To All – 1 in 2 people at fashion week are ill like moi). After a sneaky chat with someone in the production team, Amelia, Matt and I got first dibs on seats, as well as a lovely lady from Grazia. She lent me a lush pen that had me wishing she’d forget to ask for it back. We spread ourselves amongst the front rows for different perspectives and then it was the hipsters turn to pick-and-choose. It sure felt good to have one-up on them this time! The crowds then gushed in with one lady’s hat towering tall above them all. We couldn’t help staring in the champagne reception, it genuinely looked like a Philip Treacy. Jealous.

Illustration by Kerriann Hulme

The runway for the show was unique in that it snaked around the room, this insanely beautiful ornate room. A gleaming chandelier hung high over our heads, for goodness sake. And velvet and marble was coming in from all directions. So were the clothes as luxe as the location?

Illustration by Natsuki Otani

HELL yes, they were. The collection, once again, embodied his natural design ethos, paying homage to classic British Tailoring intertwined with sexy modernity. I remember this creepy boy from my childhood wore green corduroy trousers to school everyday, so I usually REPELL corduroy. However, Elliott J. Frieze has officially turned me with suitable injections of camel-coloured corduroy – think pencil skirts and jacket details. Lush.

The whole colour pallette was perfection on the eyes. Frieze centred it around a combination of ‘caffeine mixtures’ represented by Latte, Mochas and Expresso. Considering i’m a die-hard lover of anything coffee-flavoured, this must be why i wanted to eat the collection up! Everything was very well co-ordinated.

Frieze drove the boundaries of his classic British foundations with cocktail dresses made from lambswool and a long beautiful dress that was constructed by some of the most impressive jersey draping I have EVER seen. No wonder he’s dressed such power-women as Yasmini Le Bon, Lily Cole & Erin O’ Connor.

The idea is that the look reflects Elliott’s story from Country to City. From all those old-fashioned favourite textures to a bit of spectacular cinching, draping and tucking to prepare the country Lord/Lady for the London ratrace!

Much inspiration was taken from the 1970s. Therefore, just like last season, hair was big, curly and volumnous. Suitable additions of sunglasses courtesy of Persol and gloves by Southcombe set the whole look off, creating a powerful and sexy image.

If I wasn’t currently a student and could afford to invest in any up-and-coming designer, I would go straight to Elliott J. Frieze! He’s my definate one-to-watch so, if I were you, I’d keep an eye on him.

Photos by Georgia Takacs

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