Haiping Xie for Fashion Shenzhen by Sam Parr.
Following the catwalk show from Deng Hao there was a brief interlude with a video from the Shenzhen Tourist Board and then I was delighted to see the collection of Haiping Xie in motion. An oriental version of La Vie en Rose played in the background as Xie’s models came out in metallic bronze make-up with their hair styled in blunt bowl cuts covered in printed bandanas.
Haiping Xie for Fashion Shenzhen by Caragh Jackson.
The atmospheric abstract prints were similar to the ones I had seen at the exhibition, with an appealing grainy quality. They featured colourful iconography from Chinese mythology and butterflies that enticed us into an Oriental garden on a spring day. There were lots of textures in this collection; exaggerated tiers of ruffles on skirts, sheer neon yellow underskirts, feather-like shrugs, pure white and cyan tulle, taffeta and rosettes.
Haiping Xie for Fashion Shenzhe by Clarie Kearns.
Haiping Xie for Fashion Shenzhen by Debbie Ajia.
As with Deng Hao, traditional garments were juxtaposed with European style dress such as skater skirts, chain halter necks, swing dresses and an exaggerated Spanish flamenco style dress as the main finale. This was a bold, bright and bouncy show but I felt the Shenzhen heritage and mystique was slightly lost underneath the many prints and textures – I preferred the traditional dresses at the exhibition.
All photography by June Chanpoomidole.
Nevertheless it was very interesting to see how Deng Hao and Haiping Xie have created their own ways of uniting western and eastern cultures together.
Watch the full video of the catwalk show and see what you think. Don’t forget to check out my review of the Deng Hao show too.
Awakening, Caragh Jackson, China, Chinese, Claire Kearns, Debbie Ajia, Deng Hao, Fashion Shenzhen, Gemma Travis, Haiping Xie, illustrators, June Chanpoomidole, La Vie en Rose, lfw, London Fashion Week, Natie Marie, Nicola Ellen, Pandemonia, Phoebe Kirk, Sam Parr, Shenzhen, Vauxhall Fashion Scout
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