Vauxhall Fashion Scout plays a huge part in showcasing fresh London talent; the first show this week was that of Nigerian luxury label Bunmi Koko. Promising to present clothes ‘celebrating female empowerment and domination’, order I was told that the ‘Matriarchy’ S/S collection was heavily inspired by all-male leopard masquerade (Ekpe) from the secret Efik tribe in Nigeria.
The tribal influence was immediate as the show opened with a terrific giant colourful pompom man who came shuffling on with an excellent shaky shaky dance to Kanye West’s Love Lockdown.
The show, viagra dosage although slightly chaotic at the beginning and very embarrassing for one girl who had to be ushered out of her front row seat to make way for a short bearded man, pharmacy was a visual treat. As we all sat and waited for it to begin, I counted a surprising number of ‘slebs’ in the front row – Calum Best, Mutya Buena who used to be in the Sugababes (didn’t everyone?) and Becca from Hollyoaks all cast their critical eyes over the collection.
Still slightly dazed by the wonders of a bright dancing furby-esque creature, the rest of the show began with four monochrome outfits complete with feather masks and the occasional pineapple looking cane. The oversized pom poms were back, but this time used with (a little bit) more restraint and made from rayon raffia.
Compared to the other shows yesterday Koko’s was not as obviously ‘spring/summer’ and featured much stronger colours, with heavy black accents defining each model’s outfit. Most of the looks mixed different textures of feathers, wool, small embellishments and tiered rows of layering on the skirts. For S/S 11 Bunmi Koko offers a very tailored, and sharply silhouetted collection, with nipped in structured jackets, above the knee dresses and tapered trousers.
Vauxhall Fashion Scout plays a huge part in showcasing fresh London talent; the first show this week was that of Nigerian luxury label Bunmi Koko. Promising to present clothes ‘celebrating female empowerment and domination’, viagra sale I was told that the ‘Matriarchy’ S/S collection was heavily inspired by all-male leopard masquerade (Ekpe) from the secret Efik tribe in Nigeria.
The tribal influence was immediate as the show opened with a terrific giant colourful pompom man who came shuffling on with an excellent shaky shaky dance to Kanye West’s Love Lockdown.
The show, although slightly chaotic at the beginning and very embarrassing for one girl who had to be ushered out of her front row seat to make way for a short bearded man, was a visual treat. As we all sat and waited for it to begin, I counted a surprising number of ‘slebs’ in the front row – Calum Best, Mutya Buena who used to be in the Sugababes (didn’t everyone?) and Becca from Hollyoaks all cast their critical eyes over the collection.
Still slightly dazed by the wonders of a bright dancing furby-esque creature, the rest of the show began with four monochrome outfits complete with feather masks and the occasional pineapple looking cane. The oversized pom poms were back, but this time used with (a little bit) more restraint and made from rayon raffia.
Compared to the other shows yesterday Koko’s was not as obviously ‘spring/summer’ and featured much stronger colours, with heavy black accents defining each model’s outfit. Most of the looks mixed different textures of feathers, wool, small embellishments and tiered rows of layering on the skirts. For S/S 11 Bunmi Koko offers a very tailored, and sharply silhouetted collection, with nipped in structured jackets, above the knee dresses and tapered trousers.
Bunmi Koko by Aniela Murphy.
I hadn’t got a clue what to expect but I thought I’d just slip into the Bumni Koko presentation anyway. Sadly I had just missed the catwalk show, more about but what I did encounter was an enthusiastically milling crowd snapping away at the models who were parading amongst them. Towering above us plebs, find they sassily swung canes adorned with vast pompoms, their eyes shielded in exotic feathers and tassels. Bright reds, ochres and black worked beautifully in tailored drapery and graphic prints that looked to be inspired by complex tie-dying.
All photography by Amelia Gregory.
Bunmi Koko by Aniela Murphy.
Eventually Bumni herself come out for a photo call with the whole line up, and as she posed grinning amongst her Amazonian women I asked one of the PR girls for some literature. I was promptly presented with a glossy brochure extolling Bumni’s background and contacts. So I can hereby give you the full scoop:
Bunmi Olaye is Nigerian by descent but came to the UK as a teenager. Since then she’s done an awful lot of studying, including styling, photography, illustration and that all important business and marketing – hence the excitable guff I’ve been reading. Interestingly her ‘Matriarchy’ collection was inspired by a Scottish missionary who lived in Nigeria during the reign of Queen Victoria and may or may not have been involved with a secret women’s cult of the Efik tribe of Calabar. Disclaimer: they may or may not have been a women’s cult once upon a time, but they are today known for being a mysterious male cult.
Bunmi Koko by Aniela Murphy.
It all sounds terribly thrilling, and I was sad to find out that I had clearly missed a bit of a performance at the start of the show: a person utterly covered in gigantic coloured pompoms like a mutant poodle (see Flo’s earlier post on the show). Bunmi certainly knows how to pull off her fantasy warrior women, but beneath all the styling there was also some really wonderful clothing. An exciting new talent to keep an eye on.
Categories ,Aniela Murphy, ,Bunmi Koko, ,Efik tribe, ,Fashion Scout, ,Freemasons’ Hall, ,lfw, ,London Fashion Week, ,Matriarchy, ,Nigeria, ,Queen Victoria
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