Illustration by Gemma Sheldrake
It’s always a treat to see a brand new designer launch at London Fashion Week – there’s always one that you get tickets for and have never heard of but really stand out in a sea of similarity. This season, it was Fyodor Golan.
Fyodor Podgorny and Golan Frydman make up this design duo – and this debut collection, romantically titled ‘Pagan Poetry’ was a real treat.
Sarcasm alert: I do rather enjoy sitting on the front row with somebody who is so desperate to capture what they are seeing with a Blackberry or video camera that they lean forward so much that they obscure the view for everybody behind them. I’ve had this a lot this fashion week – I guess it’s inevitable, with the internet now saturated with fashion blogs, it’s only a matter of time before almost everybody has a decent camera and is trying to capture the action as it happens. I’ve heard stories of people taking photographs with one hand and Tweeting with the other. When will it end?! This guy I was sitting next to at Fyodor Golan was beyond ridiculous. Armed with a teeny tiny video camera, he moved backwards and forwards like he was directing a Hollywood blockbuster. I jabbed him a couple of times, with a helpless ‘PLEASE STOP DOING THAT!’ look on my face. It didn’t make the slightest difference. He continued to capture, with his shakey hand, every detail of every look. Gah.
Illustration by Abi Daker
Despite this monster I was determined to capture good photographs of this stunning collection. The inspiration had come from Renaissance and Regency periods, and with heritage in Latvia, Russia, Israel, Morocco and Germany, Fyodor and Golan certainly have a enormous amount of cultural references to draw from.
Illustration by Spiros Halaris
Long, elegant silhouettes dominated the catwalk, spiced up with ruched details and voluminous elements. High waisted skirts were teamed with cropped bolero jackets with flamboyant layering to start with, extremely wearable and somehow classic and contemporary at the same time. Contrasting textures such as organza and cotton were married together in geometric patterns.
Illustration by Ella Masters
Futuristic tailoring appeared on floor length jersey skirts – intricate panels had been applied to waists, and hems were elasticised which allowed models to swagger intently.
The collection then took a very dramatic turn with some amazing conceptual pieces that had everybody raising their cameras in unison. Architectural frocks made in leather and goat skin appeared – one dramatic piece featuring a short, short skirt with layered pleats, another floor length where the leather had been treated to look organic and made the model move like an animal. Other pieces saw organza take twists and turns around models’ figures in muted lilac and beige, having an exotic, romantic flavour. There was so much going on here, but for the final walk-through, somehow it all seemed to fuse together perfectly.
Idiot With Video Camera continued to capture every piece in motion, much to my dismay. I saw him on the Frow a few times during the course of the week. He’s probably really famous, and I’ll never work again. But he drove me insane! And the end of the show, he’d dropped his mobile on the floor. Being a kind and considerate individual, I returned it to him as he legged it out of the venue. ‘Thanks!’ he said, ‘And sorry if I got in your way before!’ ‘Yes, you did!’ I barked, ‘…but I’m over it now.’ He offered me some pictures from his ‘official photographer’ but I declined. I think I did okay – it’s not difficult to take good pictures of great clothes.
A/W 2011, Catwalk review, Freemasons' Hall, Fyodor Golan, Fyodor Podgorny, Golan Frydman, Idiot With Video Camera, London Fashion Week, Pagan Poetry, Regency, renaissance, Trace PR, Vauxhall Fashion Scout
- London Fashion Week A/W 2011 Catwalk Review: Fyodor Golan (by Amelia)
- Fyodor Golan: London Fashion Week A/W 2012 Catwalk Review
- Fyodor Golan: London Fashion Week A/W 2013 Catwalk Review
- London Fashion Week A/W 2011 Catwalk Review: Osman (by Naomi)
- London Fashion Week S/S 2011 Catwalk Review: Charles Anastase