Amelia’s Magazine | The Hung Parliament spells serious change for our government.

Democracy Village Amelia Wells
Democracy Village. All photography by Amelia Wells.

Parliament Square is currently home to the Democracy Village; a few tents, visit this site treatment a couple of marquees and a whole lot of passion. It was set up on May the First and will be there… until people leave, or for some, until the war is over. I went down on Election Day, since I couldn’t vote anyway having failed to register, to see what was going on at the Festival of Peace. I found a vibrant and close knit community of anarchists, doing what they colourfully could to challenge the establishment, promote democracy and bring the war that we’re still at to an end.

Democracy Village Amelia Wells

Banners were being painted and erected as I arrived, the most striking declaring ‘Capitalism Isn’t Working’ against the backdrop of Big Ben. Others encouraged peaceful feelings, demanded ‘TROOPS OUT’, and my favourite, ‘If Voting Changed Anything, It Would Be Illegal’ – a good point when you consider quite how opposed the establishment are towards those actions which do make changes, such as occupations, mass protests, swoops and other forms of direct action. In the name of protecting our security, of course. Strangely, the police sniffing around the set-up didn’t make me feel more secure.

Democracy Village Amelia Wells

The atmosphere in the Village was peaceful and playful, in spite of the threat to national security which we represented. Peace-mongering music was played and danced to, the lyrics encouraging politicians not to go to war and to love their fellow man, with some Rage thrown in to sate the more militant. I watched people paint their shoes and bags with Ghandi’s most famous quote while a girl called Cloud handed out homemade fairy cakes.

Democracy Village Amelia Wells

Eventually, the open mic picked up, starting with a chap standing up to remind everybody why we were there and what we stood for when he asked whether politicians represent our views, or if we do? He also pointed out that being peaceful is not equivalent to being apathetic. Anything but, in fact, in a country run by the power and conflict hungry, seeking peace is downright subversive. He was rightfully applauded and whooped for his impassioned speaking, after which a gent who had been filming the event and interviewing the Villagers stepped up to spout well-crafted words of poetry in the exact spirit of peace we need – calling out the hateful on their actions and encouraging us to make a difference. Next up, a red nosed, bewigged gentleman incited us to love, respect and welcome one and all. His motto; one world, one society.

Democracy Village Amelia Wells

The most controversial speaker was a mouthpiece for the Tories who encouraged us anarchists to register as such in return for mind-altering substances. A few Villagers didn’t seem to have a prior understanding of satire and became quite riled at the ‘Tory’s’ opinions; one lady began shouting about the Village being funded by oil and arms companies… and the Israelis. After a calming down period, he suggested that we find a child and ask its favourite colour, informing us that he was voting Lib Dem because his son likes yellow, and voting isn’t going to make a difference to how the country is run.

Democracy Village Amelia Wells

Herein lies my gripe with actions such as these. It’s so easy for activists embroiled in occupations and demonstrations to believe that the means to change are obvious to all, but the man-in-the-street being told that his vote is irrelevant will only feel more powerless, if they pay any attention at all. The act of occupation is an act of power – reclaiming public space – but is standard passer-by going to stop and ask what they can do instead of voting, or keep passing by and shake their heads at foolish hippies?

Democracy Village Amelia Wells

The true message is that we can take the power back through direct action, occupations, protests, swoops and marches. Camps like these do force people to consider, if only for the moment it takes to read a banner, that our political system lies to us about the importance of our vote while trying to make us believe it is the sole extent of our political voice, and therefore reducing our power and influence over them (long banner, eh?) . However, most won’t and don’t wander into places like these and ask what they CAN do. As the Tory said, ‘I’m preaching to the converted here’. The outreach didn’t seem to be reaching out. An occupation in Parliament Square is the perfect opportunity to reach hundreds of people every day, not just with a message, but with suggested actions which everyone can take to make those changes we so desire and need.

The Village is going on indefinitely, and there are also events this weekend at Kew Bridge Eco Village and Transition Heathrow as well. Get down there to Kew for some face painting fun, or get along to Grow Heathrow and get stuck into their work weekend.

Illustration by June Chanpoomidole

While Spring turns to Summer, generic London Fashion Week AW10 may fade in our memories, stomach but the designers that drew us in certainly won’t. One such designer that caught my eye at the Esthetica exhibition was ‘Makepiece’. The concept and techniques used were so intriguing that we couldn’t resist interviewing the owner, Beate Kubitz.

 Why did you choose to focus on eco-fashion? Why is it so important to you? 
Clothes are important to me.  I think what you’re wearing tells other people a lot about you, who you are and how you feel about yourself.  I don’t like the idea that something that makes me look great was complicit in damaging the environment or the people who made it.  You don’t want your favourite t-shirt to be dripping with pesticides, cause a water shortage or to be sewn up in a sweat shop.  But unless you’re very careful, it might be. 
There’s something wrong with the latest trend ‘buy, wear, chuck’ mentality – it’s a bit neurotic and it’s definitely bad for the planet.  We try and make clothes that are significant to the women that wear them and that they can feel really good about. 

How did the Makepiece brand begin?  
I’ve been keeping sheep for seven years now, met Nicola six years ago and Makepiece is now five. 
We’re located in Todmorden, a small town in the Pennines. It’s beautiful and has a long history of wool production so it feels like the right place to be doing it.  The landscape is scattered with mills built in the nineteenth century – but wool was being spun and woven in cottage industries and then transported to market or the Piece Halls on ponies travelling on packhorse tracks which still crisscross the moors. 

What techniques do you use in your clothing?
Knitting – with some knitted felt.  The important thing is stitch design – Nicola is the queen of 3D stitches that really sculpt the garments and give them their drama as well as their details. She uses hand operated knitting machines which give her scope to develop a stitch then apply it in loads of different ways so that it works on the body. Our knits tend to be more three-dimensional because they’re designed like this. Also, all our knits are fully fashioned (knitted to shape rather than cut out of a piece of knitted cloth) which looks better and wastes less yarn. 

What materials do you use in your clothing?
Wool – some of it undyed brown wool from our Shetland sheep, others fine Bluefaced Leicester wool, from the UK flock and English alpaca and mohair.


Illustration by Becky Glover

What was the inspiration behind your most recent collection? 
Romance, definitely. Nicola got married in the summer and the sense of romance seems to have seeped into and permeated the collection. There are lots of ruffles, little frills, translucency and volume – but not just ephemeral prettiness, really lovely things that you can adapt and keep forever. 

Do you have a favourite piece in the current collection? If so, what is it and why? 
There are a few things that are really adaptable – like the Manifold cardigan which has a ribbon tie which can be used to ruche it up to bolero length or left loose so that it’s a long, elegant cardigan. Our little Foxglove shrug also works as a summer scarf and the Manifold dresses can be styled in loads of ways so they let the wearer use her imagination. 

What are your future aims for the Makepiece brand?
We’ve really been growing our website so that people all over the country can buy our clothes but we’d like to be in more stores, for the people who are less confident with internet shopping or who like to try things on. 

Is it harder or easier to sell eco-fashion? Is there a lot of competition?
Because we make everything in the UK it’s more expensive to manufacture so that means that we have to do a good job in helping people understand.

What is so individual about the Makepiece brand?  
Style, humour and our flock of Shetland sheep.  We go from mud to mascara in a twinkling of an eye – never forgetting the roots of our fashion but always looking for beauty and grace in our designs. We try and be sustainable throughout the business – from the way we farm the sheep with the lowest impact possible (we’re just about to become part of a scheme to help protect twite – which is one of the most endangered British bird species) to buying green energy for the studio, recycling everything we can, using public transport as much as possible (I took our last collection to London Fashion Week on the train from Yorkshire – in the most enormous trunk – it was quite a feat), I even do some of the farming on my bike.   

The good thing about wool is that it is more or less a by-product from sheep farming so it’s not using up land or resources that should be in food production – and on upland farms like mine creating good grazing and farming sheep is one of the few productive things you can do (I tried vegetables once, but it was not a success!).  Compared to cotton, for example, which uses over 15% of the pesticides used in the world and vast amounts of water – so much that the irrigation of cotton has shrunk the size of the Aral Sea in Uzbekistan, wool is farmed much more sustainably (particularly in the UK where we have to look after the land as well as the animals and the government monitors your impact on the environment). 

Because we make everything so locally we avoid the CO2 emissions from shipping things vast distances. We also employ people in our community and use a local dyer who has to comply with European dyeing regulations – the REACH standards; no azos, no heavy metals and irritants, effluent is stringently monitored so no emissions into the water system, and so on. 
We also only use recycled and sustainable paper in our labelling and packaging. 

You can find the brand at: www.makepiece.co.uk and selected eco-fashion stores.

Ballot Box Colourbox
Illustration by Matt Thomas.

So today’s the day: the day that I sprung out of bed at an ungodly hour with only one thing on my mind. Who will be our next prime minister? I’ve not been so excited about a general election since 1997, sickness when I memorably got so drunk dancing on the tables in a north London pub that I thew up in the gutter. Of course back then I was excited for a very different reason. Yes, buy hands up, I was one of many who voted Blair in – after years of Tory rule we were excited about a future under Labour. Oh how very chastened we now are 13 years later.

Solving Hung Parliament Val Woodhouse
Solving Hung Parliament by Val Woodhouse.

In 2010 it seems I am not the only one who has gotten swept up in the election. Even before the tales of queues at the polling stations I had a gut feeling there would be a high election turn out this year. Okay, so in my local Tescos the regular cashiers were overheard saying “Are you going to vote?” “Nah, they’re all the same aren’t they?” but when I walked through Camden yesterday I overheard lots of people talking about voting. It seems that we’ve finally managed to reawaken our democratic spirit.

Colourbox

Illustrations by Colourbox.

I think this can be attributed to a few things – the Leaders’ Debates on television have increased popular interest in politics and Twitter allows for lots of interesting conversations, but there’s more to it than that… We are now so thoroughly fed up with the current system that we’ve collectively become hungry for change. And I’m not talking the kind of rhetorical change that Cameron espouses every time a camera is pointed in his direction. I’m talking serious, deep systemic change. Most people have been complacent for so long for only one very good reason: like the cashiers in Tescos they don’t feel that their vote makes the blindest bit of difference.

creaturemag_hang parliament
Illustration by Creaturemag.
GordonBrown_GarethAHopkins
Gordon Brown by Gareth Hopkins.

And so, whilst the big party leaders have been spinning the same old shit about how we should avoid a hung parliament at all costs because what we most need now for our country is stability or the markets will fail (big bloody boohoo) it seems that for many voters this has been like a red rag to a bull. Not even copious riot porn from Greece has phased us. Okay we’ve said: bring it on. We want serious upheaval! Nobody I have spoken to has feared the result we now have; instead we’ve positively hoped for a hung parliament precisely because we may finally see some changes to our electoral system. Of course, I’m as thoroughly baffled as the next person when it comes to the many forms of proportional representation, and I know the argument that PR could lead to as many representatives of the BNP in government as there could be Greens, but frankly that doesn’t frighten me. Our current “democracy” quite clearly doesn’t work and so something else that better represents the wishes of voters has got to be worth giving a go.

informationisbeautiful
I love this clever graph from Information is Beautiful, showing up the glaring inadequacies of our current system.

Colourbox
Illustration by Colourbox.

I’m worried, of course, about what will happen if Cameron forces a Tory led government on us without sufficient recognition of the electoral reforms so many of us want. But actually I don’t really *fear* it – I think that if he does ignore the clear wishes of the voters then there will be widespread unrest and direct action of the kind that we saw just a glimpse of last night at polling stations across the country.

POLL Station Riots- abigaildaker
The Polling Station in Sheffield Hallam, illustration by Abigail Daker.

I called in late to my polling station in Bacon Street just off Brick Lane, and there was no one to impede my progress to the ballot box. However I was lucky, and people up and down the country are quite rightly furious that they were unable to vote thanks to a higher than predicted election turnout and antiquarian voting methods which have allegedly shocked even our visiting developing world adjudicators. I was as incredulous as ever. “You mean you don’t need to take my polling card as proof I am me?” It is utterly nuts that we don’t need proof of identity to vote. Next to me a boy, surely not a day over 15, was pushing his papers into the box. Who was he voting for? Just days ago a huge amount of voter fraud was uncovered in my constituency of Bethnal Green and Bow. In fact, it was uncovered on my own street – visible from my studio window is a building in my estate that allegedly houses 18 Bengalis, all registered for a postal vote.

melsimoneelliott
mel simone elliott
Illustrations by Mel Simone Elliott.

In demonstration against our fraudulent system the Whitechapel Anarchists got together to spoil their ballots with great fanfare in Altab Ali Park, the Space Hijackers took their campaign bus on the road with the banner “Voting Only Encourages Them” and the Democracy Village is camped out in Parliament Square. There’s definitely a faint whiff of revolution in the air. That or the right to vote in a more democratic way.

caroline-lucas-election-2010-antonia-parker
Caroline Lucas by Antonia Parker.

Despite this unrest, I was absolutely ecstatic to hear that Caroline Lucas has become the first ever MP for the Green Party in the district of Brighton Pavilion. I met her when we did the first Climate Rush on Parliament in 2008 and I’ve been keeping my fingers and toes crossed that she would win this seat for some time now. If some form of electoral reform goes ahead there’s the thrilling prospect of yet more Greens in Parliament to represent my views. In the meantime, there’s always a nice bit of Direct Action to force change far more quickly than our government seems capable of. Climate Camp is targeting RBS this year. We look forward to making a big impact on our corrupt financial systems, whether or not change is decreed from on high.

carolinelucas_currentstate
Caroline sees green by Currentstate.

Brighton-lazaroumterror
Brighton-lazaroumterror
Illustrations by Lazarou Monkey Terror.

Categories ,Abigail Daker, ,Antonia Parker, ,Bethnal Green, ,BNP, ,Brick Lane, ,Caroline Lucas, ,Climate Camp, ,Climate Rush, ,Colourbox, ,creaturemag, ,Currentstate, ,David Cameron, ,Direct Action, ,Electoral Reform, ,Gareth Hopkins, ,Greece, ,Green Party, ,Hung Parliament, ,Leaders’ Debate, ,Matt Thomas, ,Mel Simone Elliott, ,parliament, ,politics, ,Proportional Representation, ,RBS, ,Riots, ,Tescos, ,Tony Blair, ,twitter, ,Val Woodhouse

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Amelia’s Magazine | Climate Rush

I’ve been on the road with Climate Rush, more about erectile with 3 horses, erectile a couple of caravans, cheapest plenty of publicity and a heck of a load of energy. We’ve been on a mission to raise awareness about the threat of climate change.

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On the tour of the rural South West, the group has been focusing on solutions to the looming climate chaos and towards positive initiatives rather than looking to attack the corporations and government. The starting point of the month-long journey was the village of Sipson, under threat from the third runway we talked to concerned locals and held activity days for the community.

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At an impromptu kids activity, we made some amazing potato faces sourcing all the veg from the Green plot allotment.cr8.jpg
…which also provided our meals for the 3 days we camped, thanks to the dedication of some of the local residents.

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We also held a tea party and provided daily evening entertainment for the local community.
Peggy Sue, who recently headlined the Secret Garden party, was a highlight. Our caravan stage was a unique experience for the locals and the band alike, and with a full moon over us it was a night to remember.
Climate Rush have roped in a range of guests to join them along the route with climate scientists, comedians, politicians and plenty more special guests. Workers from the Vestas wind turbine factory who were sacked after it closed down came to offer their experiences and views as well as representatives from the welsh climate camp. Locals also showed their grievances and it was heartening to see how people can become so radicalised when the threat from corporate expansion and climate change affects them.
Today we are in Aylesbury and have held our very own Green fair in the centre of the town, with screen printing, music and free fruit, we’ve chatted to a fair few locals and hopefully spread our message a little further. Caroline Lucas, the Green party MP,also joined us to speak to the locals about the threat of climate change and outlined the importance of community led action and debate.

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Climate Rush are ending their journey at Totness at the end of the month, it is a ‘Transition Town’ model where the community has looked at how to live in a post-oil world and it feels like a fitting way to end the journey, especially with the motto “Deeds not words” used by the climate suffragettes.
If you can’t make it to Totness, fear not, there are a host of place you can catch up with the group, they are planning to hold a demo at Oxford airport to protest against the planned airport expansion and will also be in Bristol for the International Peace day as well as joining in with‘Co-mutiny’ hosted by the city. Check the website for the whole route and I really recommend joining them at some point. There is always space around the fire, blankets to go around and a great learning and rewarding experience to have. Never thought I would be learning how to put a bender tent up or learning how to groom a horse in the few days I’ve been with Climate Rush.

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As always the police have been keeping a watchful eye and often seem to know more about our plans than we do ourselves. Luckily the rambling Climate Rush party haven’t yet ruffled too many feathers apart from the long line of cars and lorries we manage to accumulate behind the 5 mile an hour caravans. But watch this space to see how things progress and are getting on later on this month.

Categories ,caravan, ,Caroline Lucas, ,Climate change, ,Climate Rush, ,community, ,Horses, ,transition towns

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Amelia’s Magazine | Climate Safety Report

Last week the Earth team at Amelia’s Magazine went along to the Friends House in Euston to listen to a report made by the Public Interest Research Centre (PIRC). The issue was climate change and the information it uncovered was alarming.
As a self-confessed newbie to these sorts of events I must admit to harboring uneasiness about feeling out of place in a room full of swampys. But my silly preconceptions were immediately flattened.
Lead by a panel of speakers expert in their field, the atmosphere at the Friends House was alive with people from all manner of backgrounds but united in the opinion that climate change is a matter of urgency.
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Chairing the debate was Christian Hunt who kicked off by asking the audience a few questions. 99% raised their hand when asked whether they would describe themselves as environmentalists. Roughly 70% would say they had some knowledge of climate change while roughly 20% would say they had lots of knowledge on the subject. 99% of us responded yes we did like his t-shirt that read ‘don’t give up.’
The first to speak from the panel was Kevin Anderson from the Tyndall Centre for Climate Change Research. He started with a clear message: the question of climate change is a humanitarian one. While the U.K. and E.U’s definition of a dangerous climate change as 2°C per annum may be an adequate threshold for us in the western world, it is not nearly small enough to safeguard the rest of the world.
It is the southern hemisphere, containing the world’s poorest, that is targeted the most by global warming in it’s present state, with people dying on a daily basis. Therefore it is an ethical decision about how much we care about the world’s weakest as to how and when we go about dealing with the climate.
He went on to say that the entire climate change debate needs an urgent rethink when taking into account the latest emissions data. The planet is heating up at an even faster rate than we thought, and our government seems to be denying this is happening by following the miscalculated advice from the Stern Report and not pumping in nearly dosh needed to implement a strategy that will radically cut back our emissions.
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But Kevin Anderson pointed out there may be a silver lining to retrieve from the present economical situation. History has shown us that larger emission reductions occur when there is economic turmoil. I guess this has something to with cut backs in industry forced by a plummeting economy. When the Soviet Union collapsed, for example, there was a record drop of 5% per annum.

Tim Helweg-Larson, the director of Public Interest Research Centre bounded onto the platform next. So this is where it gets rather technical but don’t worry, Tim’s clear and straightforward delivery meant that even my mind didn’t drift into thinking about what I might eat for tea.
He showed us a series of images showing the levels of sea ice in the arctic in 1979 and in 2007 and I was taken back to those pretty pictures in my school science lab…Predictably the more recent images contained a much larger surface area of dark gloominess.
These dark regions absorb more heat. This additional heat penetrates 1500km inland across a plain of perma-frost. This stuff is harmless if left untouched but once melted, its carbon content-which is twice the amount of the entire global atmosphere-is released into the air. Yep that means even more bad stuff is added to the high intensity of CO2 that started this whole malarkey.
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The knock-on effect going on in the arctic-known as the triple melt- is steadily destroying the climatic state of the entire planet. Soon we will reach the point where we will no longer be within the realm of temperatures that enable things to grow and humanity to survive (known as the middle climate). If this isn’t scary enough this tipping point is likely to peak sooner than we thought; as early as 2011 to 2015.

George Momboit was next to speak. Hello. His exuberance for the cause was exciting…ooh la…did you know he has been shot at, shipwrecked and pronounced clinically dead? Well he was very much alive that evening as I listened – intently- to his practical, if ambitious, advice to the government to stop fannying about and introduce a ‘crash program of total energy replacement.’
He whizzed through a series of steps geared to cut our emissions by 20% by 2012 and more thereafter. But those wild curls, brisk demeanor and air of academic brilliance were just a little distracting. Without getting too carried away I managed to jot down the key points of this radical plan:
1. To train up a green army of builders that is equipped to build more energy efficient homes
2.A mass subsidy program to re insulate homes
3.Replacement of power plants
4.Re engineering of roads to cater better for cycles and coaches
5. To Cap number of landing spots for airports so that by 2030 the maximum number of flights is 5% of current levels.
6.Agriculture should be devoted to the most efficient carbon saving schemes
7.He summed up with the statement that lowering demand for fossil fuels should happen simultaneously with lowering their supply and we need to dramatically cut oil and gas exploitations.
Pretty rousing stuff…
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Solar energy pioneer, Jeremy Leggett gave us a more buisnessy slant on what can be done for climate change especially in this current state of economic upheaval and an encroaching energy crunch (the I.E.A. predicts 5 years time). With people becoming increasingly disheartened by the government’s spending priorities, now’s the time to duck in and make a collective effort to re-engineer capitalism. He enforced the notion that money needs to go into building a carbon army of workers that would create 10 thousand new jobs and…cost a measly half a billion squid

Caroline Lucas, MEP for South East England and Leader of the Green Party, disheartened by the inertia of our government, shocked us all by urging ‘a massive campaign of civil disobedience.’ This prompted uproar amongst the audience and I must say it felt pretty inspiring .She went on to talk about Climate Rush, an activist group who take their inspiration from the Suffragette movement. Like the women who were denied the vote, their rush on parliament really is a demand for life itself. They also dress-up in fancy Edwardian petticoats, which sounds fun. But their theatricality is not without sincerity, direction and a passion to change the injustices that climate change is causing on humanity. Caroline Lucas’ speech stirred an energetic drive to ‘do something’ in me. She reminded us of the words of Emily Pankhurst ‘to be a militant is to be a privilege’ and something hit home. We are very lucky to not be totally powerless in this situation, as so many people across the world are, and it is possible to make our government listen to us, albeit with a bit of hard work. To find about the next climate rush action click here.

So I’ve dipped my toe into the murky sludge of our current climate. All the facts and figures might not have filtered through into this article but I hope if, like me, you previously thought this issue was for only for really clever people and maybe just a little put off by dreadlocks, you’ve realized that this is something we should all be aware of whether we want to listen to it or not, including our government.
As I left the Climate Safety talk to cycle home, I felt almost grateful for never bothering to learn to drive as perhaps in a small way it might make up for that stomach-sinking feeling of how terribly selfish I had been for only vaguely paying attention to news of melting popsicles and greenhouses.
The truth is I felt safe in the view that the really scary things won’t happen for a very long time, well after I’m buried in the ground and used for compost. Well I was wrong, it’s not our grandkid’s grandkid that’s going to feel the full force of climate change-it’s us.
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Categories ,Caroline Lucas, ,Christian Hunt, ,Climate, ,Climate Rush, ,Earth, ,Friends House, ,George Mombolt, ,Jeremy Leggett, ,Kevin Anderson, ,Tim Helweg-Larson

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Amelia’s Magazine | Did PC Mark “Flash” Kennedy ensure my arrest as one of the Ratcliffe 114 ?

Woodberry Down girl by Romain Lambert-Louis, cost after ‘Jackie 1973’ by Erica Dobbs http://www.lambartillustration.com

http://www.serpentinegallery.org/2008/03/tom_hunter_a_palace_for_us8_de_1.html

It’s good Tom Hunter’s film is as good as it is, because the last time I queued this long there was a saint at the end of it. Pilgrims wait for hours outside the cathedral in Santiago de Compostela to hug the statue above the saintly remnants – last Saturday the patient patrons of a crammed Serpentine Gallery were rewarded not so much with a divine cuddle, but with a screening of Tom Hunter’s gem of a documentary.

‘A palace for us’ is set at Woodberry Down, a 2,500-flat council estate complex in North Hackney, up by Tottenham. Going back 50 years, Tom Hunter’s film uses current day narratives and recreated scenes to tell the stories of three people who have spent their lives at the estate. ‘When we came here we realised how lucky we were,’ says one woman. ‘There was central heating and a bath with hot and cold. It was like a palace for us.’ As the woman talks, we see reenactments of when her husband-to-be asked her to dance for the first time. ‘I’d never seen eyes like his,’ she says, smiling at the memory. ‘We have a very good marriage right to the end.’

Woodberry Down dancers by Willa Gebbie http://www.w-illustration.blogspot.com

Commissioned by the Serpentine Gallery and Age Concern Hackney, Tom Hunter made the film after spending time in residence at Woodberry speaking to residents about their lives at the estate. Their stories are lovingly told, reflecting Hunter’s in-depth knowledge of his subjects and the area. One of the film’s interviewees shares the story how he cowered in his bed as the area was bombed back in 1944. Born in Stoke Newington, the man was among the first to move into the Woodberry estate in 1948.

Woodberry Down man by Timothy Hunt http://www.ficklefate.co.uk

Built to meet a severe housing shortage during the war, Woodberry was presented as an ‘estate for the future’. Especially the interviewee born on the estate has good memories of growing up at Woodberry, telling stories of playing hopscotch in the alleys, climbing the apple trees and making perfume out of the rose petals growing around the estate. The sense of community is clear, with the residents taking turn mopping the stairs. Now the site is the subject of a major regeneration project, which will replace the most run-down flats and add several more as well.

Woodberry Down kids by Sandra Contreras http://haciendochiribitas.blogspot.com/

The original plan was to see Tom Hunter talk about the film as well, but the despite earlier assurances there was no need to book seats, a flushed gallery worker had to turn away a nearly 50-strong crowd on Saturday. The day’s long lines might have been a one-off, but those who still haven’t seen the film may not want to leave it until the last minute. Because it really is worth seeing, as what I remember even clearer than the queuing is how I wish the film had gone on for longer.

Tom Hunter by Kimberley Jenkins http://www.thesketchbookartist.co.uk

‘A palace for us’ shows daily until 20th January at the Serpentine Gallery, Kensington Gardens, London W2.

Woodberry Down girl by Romain Lambert-Louis, pill after ‘Jackie 1973’ by Erica Dobbs

It’s good Tom Hunter’s film is as good as it is, because the last time I queued this long there was a saint at the end of it. Pilgrims wait for hours outside the cathedral in Santiago de Compostela to hug the statue above the saintly remnants – last Saturday the patient patrons of a crammed Serpentine Gallery were rewarded not so much with a divine cuddle, but with a screening of Tom Hunter’s gem of a documentary.

‘A palace for us’ is set at Woodberry Down, a 2,500-flat council estate complex in North Hackney, up by Tottenham. Going back 50 years, Tom Hunter’s film uses current day narratives and recreated scenes to tell the stories of three people who have spent their lives at the estate. ‘When we came here we realised how lucky we were,’ says one woman. ‘There was central heating and a bath with hot and cold. It was like a palace for us.’ As the woman talks, we see reenactments of when her husband-to-be asked her to dance for the first time. ‘I’d never seen eyes like his,’ she says, smiling at the memory. ‘We have a very good marriage right to the end.’


Woodberry Down dancers by Willa Gebbie http://www.w-illustration.blogspot.com

Commissioned by the Serpentine Gallery and Age Concern Hackney, Tom Hunter made the film after spending time in residence at Woodberry speaking to residents about their lives at the estate. Their stories are lovingly told, reflecting Hunter’s in-depth knowledge of his subjects and the area. One of the film’s interviewees shares the story how he cowered in his bed as the area was bombed back in 1944. Born in Stoke Newington, the man was among the first to move into the Woodberry estate in 1948.


Woodberry Down man by Timothy Hunt http://www.ficklefate.co.uk

Built to meet a severe housing shortage during the war, Woodberry was presented as an ‘estate for the future’. Especially the interviewee born on the estate has good memories of growing up at Woodberry, telling stories of playing hopscotch in the alleys, climbing the apple trees and making perfume out of the rose petals growing around the estate. The sense of community is clear, with the residents taking turn mopping the stairs. Now the site is the subject of a major regeneration project, which will replace the most run-down flats and add several more as well.


Woodberry Down kids by Sandra Contreras http://haciendochiribitas.blogspot.com/

The original plan was to see Tom Hunter talk about the film as well, but the despite earlier assurances there was no need to book seats, a flushed gallery worker had to turn away a nearly 50-strong crowd on Saturday. The day’s long lines might have been a one-off, but those who still haven’t seen the film may not want to leave it until the last minute. Because it really is worth seeing, as what I remember even clearer than the queuing is how I wish the film had gone on for longer.


Tom Hunter by Kimberley Jenkins http://www.thesketchbookartist.co.uk

‘A palace for us’ shows daily until 20th January at the Serpentine Gallery, Kensington Gardens, London W2.
cure Little Rich Girls, more about 2010″ width=”480″ height=”654″ class=”alignnone size-full wp-image-31758″ /> Yinka Shonibare MBE, Little Rich Girls, 2010, Installation shot from GSK Contemporary – Aware: Art Fashion Identity, Commissioned by the London College of Fashion and the Royal Academy of Arts, © The Artist, Photo: Andy Stagg, Courtesy Royal Academy of Arts, London

In 2009, the Royal Academy of Art’s winter exhibition, Earth: Art of a Changing World featured a selection of artists engaging with the physical impacts of Climate Change. For 2010 the Royal Academy turned it’s attention to the subject of identity and clothing in the reductively titled; Aware: Art Fashion Identity. Broken down into three segments; Storytelling, Building and Belonging and Confronting, the exhibition endeavors to examine the possibilities provided –as explored by artists and fashion designers- by clothing to reveal and conceal our cultural and physical identity.

A new commission from Yinka Shonibare focused on cultural perceptions which turn out, under closer examination, to be false. Shonibare’s ghostly installation reveals the origination of batik pattern synonymous with African tribal patterns, to be in fact from Holland. The pattern makers sold the fabric to Africa once a European buyer could not be found.

Yoko Ono, Cut Piece, 1965, A film by Albert and David Maysles of Yoko Ono’s performance of Cut Piece at Carnegie Recital Hall, New York, 21 March 1965, 16mm black-and-white film with sync sound, transferred to DVD, running time 9’ Courtesy of the artist

After entering the Royal Academy via Burlington Arcade and walking up the stairs into the main exhibition space. The audience moves through the three sections in a circular motion; first encountering Storytelling (announced by the presence of an embroidered kimono by Grayson Perry) then Building and finally Belonging and Confronting. The audience departs Aware: Art Fashion Identity via the two of the exhibition’s most interesting works – both of which are nearing 30 years old.

Yoko Ono and Marina Abramovic’s performance pieces lay bare the artifice and cultural constructs which lay at the heart of both fashion and art identity. In the 9 minute video, Marina Abramovic and Ulay stand naked in a gallery doorway, forcing visitors to confront the physicality of the naked body, stripped of it’s adornments. Meanwhile in a video opposite Yoko Ono sits quietly on a stage whilst members of the audience snip her free from the garments of femininity. An exciting introduction to these two artists, it is a shame that more of their work was not included.

The limited inclusion of performance art is a lost opportunity, specifically because the four included pieces (Marina Abramovic Yoko Ono, Cindy Sherman and Mumbai) lend themselves vividly to the concept this exhibition was attempting to explore.

GSK Contemporary – Aware: Art Fashion Identity
Royal Academy of Arts, 2 December 2010 – 30 January 2011, Marina Abramovi?, Imponderabilia Performance 1977
Galleria Comunale d’Arte, Bologna © Marina Abramovi?. Courtesy of Marina Abramovi? and Sean Kelly Gallery, New York. © DACS 2010
Photo by Giovanna dal Magro

Cindy Sherman’s Paper Doll was located within the first room of the exhibition. An early video piece which lasts in it’s entirety of 2.30 minutes. Sherman questions the accepted (gender stereotyping) popularity of a child’s paper doll through the reduction of herself into an inanimate object. Whilst interesting to those who have encountered Sherman’s work previously, the singular nod does nothing to encourage the exploration of Sherman’s overture, including Untitled, a series of stills in which Sherman explores the relationship between the movies and societies ideas of femininity through feminine dress.

Cindy Sherman, Doll Clothes 1975, Stills from 16 mm film on DVD, © Cindy Sherman / Sammlung Verbund, Vienna / Sprüth Magers Berlin London

The final piece of video art that captured the attention is located within the sub-topic: Building. In 10 minutes Mumbai confronts the viewer with the appalling conditions required to produce the clothes we discard so readily and so frequently.

Throughout the exhibition nods are made to artists and fashion designers alike –a single McQueen stands in the corner devoid of its context within an entire collection, becomes a beautiful object, rather than a brutal critique on historical and modern notions of femininity. Within the white walls of the RA the identity of the dress becomes lost.

Alexander McQueen, Autumn Winter 1998: Joan, Photo © Chris Moore, Courtesy of Catwalking

An enjoyable exhibition, the problem appears to be that the art is spread too thin, interesting ideas are left hanging or barely graspable unless you enter the exhibition with prior knowledge of the artists or fashion designers gambit.

The final section of the exhibition briefly explores ideas surrounding Belonging and Confronting. Sharif Waked Chic Point is a video which places the daily humiliation the Palestinian man undergoes at the hands of Israeli checkpoints onto the catwalk. Personally, the work would have been more poignant if these clothes, which reduce the wearer to exposing various sections of flesh had been worn at a real or a recreated check point – highlighting the dehumanization that occurs as every man is treated as a potential terrorist. The photographs included at the end of the film and taken by the artist visualises the moment when clothes cease to become clothes and mutate into something fearful (whether imagined or not).

Sharif Waked, Chic Point, 2003, DVD, running time 5’ 27” Courtesy of the artist, Photo Sharif Waked

Coco Chanel suggested we “look for the woman in the dress if there is no woman, there is no dress” an idea taken up by Hussein Chalayan’s latest commission. In Son of Sonzai Suri, the fashion designer uses the 300-year-old Japanese tradition of Bunraku puppet theatre to lay bare the hidden puppeteers at the heart of the fashion industry.

Hussein Chalayan, ‘Son’ of Sonzai Suru, 2010, Installation shot from GSK Contemporary – Aware: Art Fashion Identity, Commissioned by the London College of Fashion and the Royal Academy of Arts, © The Artist, Photo: Andy Stagg, Courtesy Royal Academy of Arts, London

Aware: Art Fashion Identity closes with the aforementioned video pieces of Marina Abramovic and Yoko Ono. With the decision to close the exhibition here, it would appear that the critique of identity and femininity stopped in the 70’s. It could have been interesting to see a juxtaposition of performance art against the catwalk shows of Alexander McQueen or Maison Martin Margiela.

The exhibition closes on the 30th January.
Aware: Art Fashion Identity
Royal Academy
6 Burlington Gardens
London


Woodberry Down girl by Romain Lambert-Louis, buy information pills after ‘Jackie 1973’ by Erica Dobbs

It’s good Tom Hunter’s film is as good as it is, there because the last time I queued this long there was a saint at the end of it. Pilgrims wait for hours outside the cathedral in Santiago de Compostela to hug the statue above the saintly remnants – last Saturday the patient patrons of a crammed Serpentine Gallery were rewarded not so much with a divine cuddle, but with a screening of Tom Hunter’s gem of a documentary.

‘A palace for us’ is set at Woodberry Down, a 2,500-flat council estate complex in North Hackney, up by Tottenham. Going back 50 years, Tom Hunter’s film uses current day narratives and recreated scenes to tell the stories of three people who have spent their lives at the estate. ‘When we came here we realised how lucky we were,’ says one woman. ‘There was central heating and a bath with hot and cold. It was like a palace for us.’ As the woman talks, we see reenactments of when her husband-to-be asked her to dance for the first time. ‘I’d never seen eyes like his,’ she says, smiling at the memory. ‘We have a very good marriage right to the end.’


Woodberry Down dancers by Willa Gebbie http://www.w-illustration.blogspot.com

Commissioned by the Serpentine Gallery and Age Concern Hackney, Tom Hunter made the film after spending time in residence at Woodberry speaking to residents about their lives at the estate. Their stories are lovingly told, reflecting Hunter’s in-depth knowledge of his subjects and the area. One of the film’s interviewees shares the story how he cowered in his bed as the area was bombed back in 1944. Born in Stoke Newington, the man was among the first to move into the Woodberry estate in 1948.


Woodberry Down man by Timothy Hunt http://www.ficklefate.co.uk

Built to meet a severe housing shortage during the war, Woodberry was presented as an ‘estate for the future’. Especially the interviewee born on the estate has good memories of growing up at Woodberry, telling stories of playing hopscotch in the alleys, climbing the apple trees and making perfume out of the rose petals growing around the estate. The sense of community is clear, with the residents taking turn mopping the stairs. Now the site is the subject of a major regeneration project, which will replace the most run-down flats and add several more as well.


Woodberry Down kids by Sandra Contreras http://haciendochiribitas.blogspot.com/

The original plan was to see Tom Hunter talk about the film as well, but the despite earlier assurances there was no need to book seats, a flushed gallery worker had to turn away a nearly 50-strong crowd on Saturday. The day’s long lines might have been a one-off, but those who still haven’t seen the film may not want to leave it until the last minute. Because it really is worth seeing, as what I remember even clearer than the queuing is how I wish the film had gone on for longer.


Tom Hunter by Kimberley Jenkins http://www.thesketchbookartist.co.uk

‘A palace for us’ shows daily until 20th January at the Serpentine Gallery, Kensington Gardens, London W2.
policeman undercover by daria hlazatova
Policeman Undercover by Daria Hlazatova.

One day a few years ago I agreed to go on an intrepid action to highlight the causes of climate change. I didn’t know where or what it would be, view but as a climate activist I trust the many people that I know who are willing to invest a huge amount of time, page effort and (often their own) money in taking action for climate justice. So it was that I came to be in the Iona School in Nottingham on Easter Monday, for sale 13th April 2009. In a hall packed full of committed climate activists I discovered the sheer scale of the unbelievably audacious covert operation and as I looked around I tried to imagine how we could possibly pull it off: we all suspect that undercover cops must operate within our networks. We were fed, given instructions concerning our target and duly sent to bed in one of various rooms in the school which had been hired out for the weekend. Having made sure that my day pack was ready (warm clothes, a book, some high energy food) I rolled out my sleeping mat, got into my pyjamas, stuffed ear plugs into my ears and settled down for a short night’s sleep before we headed down to Ratcliffe-on-Soar coal fired power station in the early hours of the morning.

Ratcliffe_Disaster_Victoria_Archer
Ratcliffe Disaster by Victoria Archer.

Ratcliffe has been the focus of quite a few climate change demonstrations, not least the Great Climate Swoop, a publicly advertised assault that took place on this huge coal powered station later in 2009. Ratcliffe-on-Soar was chosen because it is one of the biggest coal fired power stations in the UK and it’s owned by E.ON, who were the energy company behind plans to build a new coal fired power station at Kingsnorth (now shelved) and who were the focus of Climate Camp actions throughout 2008 and 2009. In the event of a successful shut down electricity for the surrounding area could easily be obtained from other sources.

ratcliffe by farzeen jabbar
Ratcliffe by Farzeen Jabbar.

As I went to bed there was an the air of the calm before the storm, especially after we received conflicting reports about a growing police presence near the power station. It just seemed so incredibly unlikely that out of the several hundred people involved in the planning of the action (including drivers, hosts, etc) no one could have let slip our plans. Nonetheless I was tired and soon fell asleep.

A few minutes after I dozed off I was woken by my friend screeching POLIIIIIIIIIICE in my ear. No amount of deeply inserted ear plug was going to stop me leaping into immediate bleary eyed action as I realised that the entire building was surrounded and being battered from all sides. I just had time to struggle into some decent clothing before our room was filled with policemen who immediately handcuffed us all, regardless of our state of dress. I never knew I would find out what it’s like to be treated like a terrorist, but I can now safely tell you that I do. And it was utterly surreal. We were kept in our respective rooms (chosen for the type of action we would be taking) for what seemed like hours. As we waited we could hear people singing protest songs up and down the corridor. Domestic Extremists we might be. Your standard terrorists we ain’t.

abi daker Amelia gets arrested
Amelia Gets Arrested by Abigail Daker.

I was desperately keen to take my belongings with me as we were finally led out of the room – I’ve had previous experience of them being kept by police and I knew how long it would take to get them back (nearly a year as it turned out), but my arresting officer would not allow me to pick them up despite others being allowed to do so: the first sign of a somewhat shambolic operation with far from clear instructions.

Ratcliffe on Trial by Rukmunal Hakim
Ratcliffe on Trial by Rukmunal Hakim.

Things were shortly to get much more surreal. We were frogmarched two by two – handcuffed to our respective officers – into an impromptu photo studio that had been set up in the school nursery. Our mugshots were taken in front of the kids’ brightly coloured artwork before we were packed off into vans and taken to holding cells at police stations all over the city. I was held through the night and for most of the ensuing day. Being a well trained activist I kept to No Comment throughout my interrogation, though the investigating officer was very interested in my ear plugs (convinced they were a clue that I was headed to the noisy coal conveyor belt) and my Climate Rush badge (at that time I was still involved with the Suffragette inspired group).

My Mugshot by Alison Day
My Mugshot by Alison Day.

My DNA was taken before I was eventually allowed to leave, taking none of my belongings. I was simply ejected into the night. With no money and absolutely no idea where I was in Nottingham. Fortunately there was legal support waiting in the station car park and I was scooped up and taken to a safe house. I spent another night sharing a bed with an activist before hitching the first lift out of Nottingham. By this time I was desperate to get back to London because I was worried that my house would be raided – someone else had left a piece of paper with my details on in their wallet and it had been waved at me as evidence in the police station. I spent the next few weeks worrying whether I would be raided when my interns were in the house, thereby putting their computers at risk as evidence too. In the end my worries were unfounded, though many other people were raided.

Ratcliffe Trial by Matilde Sazio
Ratcliffe Trial by Matilde Sazio.

It has taken nearly two years for this case to come to court, during which time I have not been able to talk about it for fear of affecting the outcome for the 26 who were charged (out of the original 114 activists who were arrested). Many of those spent the better part of December 2010 fighting their case in court in Nottingham. Green Party leader Caroline Lucas gave a statement and James Hansen testified. Despite comprehensive evidence proving that the climate crimes of corporations such as E.ON are way worse than anything we were planning to do, the activists were all convicted and given a mix of fines, conditional discharges and community service. Maybe the jury was won over by the prosecution argument that we would have been better off spending our time getting Cheryl Cole to promote second hand clothing. Bleurgh. The judge did however praise the defendents for their “intelligence and dedication” – climate activists are certainly some of the most clever and interesting people I know.

GarethAHopkins_Police The Community Ignore The Environment
Illustration by Gareth A Hopkins.

Six more activists were due to go to court today with a defence of Not Guilty because they had not yet decided to take part in the action when they were arrested. It was set to be an extraordinarily interesting case that would challenge the excessively expensive largest ever pre-emptive arrest, which in retrospect seems to be have been designed to capture the details of the entire UK climate activist network in one fell swoop. But their plans have at the last moment been thwarted. The reason? Our very own police mole.

Ratcliffe by Gemma Birss
Ratcliffe by Gemma Birss.

A few months ago the indymedia networks were rife with the news that a climate activist mole had been unmasked. For seven years Mark “Flash” Stone (so called because he always seemed to have lots of cash) was a familiar face on the activist circuit until he was outed by ‘close’ friends who eventually became suspicious of him. He also happened to be involved in much of the preliminary planning for the April action on Ratcliffe: hosting meetings, driving trucks and planning to lead climbers up the huge chimney stack.

Now it is revealed that Mark has left the police force, apparently ashamed of the consequences of his actions. The Ratcliffe Trial blog states that he was even planning to provide evidence in favour of the defendants he did so much to help arrest back in 2009. However it appears that outside pressures (the police he used to work for? surely not) recently caused him to withdraw his offer. The case was then mysteriously dropped in its entirety after the defence pressed the powers that be for details of Mark Kennedy’s involvement in the initial planning stages of the Ratcliffe action.

climate change by Jane McGuinness
Climate Change by Jane McGuinness.

Even before today’s revelations it already seemed a sure bet that Mark’s insider knowledge helped to secure huge funding for the police raid, which cost upwards of £700,000 and ensured that officers were drafted in from across the county on huge overtime wages over Easter. That’s over £6,000 on the cost of arresting me alone. Not to mention the fact that the extremely expensive court case may have collapsed in its entirety had Mark’s involvement been known earlier. I can think of better ways to spend cash, can’t you?

GarethAHopkins_Police The Community Ignore The Environment
Police The Community Ignore The Environment by Gareth A Hopkins.

In the last year Climate Change has all but dropped off the mainstream media agenda and many of our most committed activists have been tied up in lengthy court proceedings. Yet climate change continues unabated. Next month Climate Camp will run a five day long event at Monkton Wyld Court in Dorset called A Space for Change, which will seek to “reflect and re-assess climate justice activism, re-dream what a radical movement can be and re-invigorate ourselves and our network.” There’s never been a better time to get involved in climate activism. You can find out more details here.

Categories ,A Space for Change, ,Abigail Daker, ,activism, ,Alison Day, ,Caroline Lucas, ,Cheryl Cole, ,Climate Camp, ,Climate Change, ,Climate Rush, ,coal, ,Daria Hlazatova, ,Direct Action, ,DNA, ,Domestic Extremist, ,Dorset, ,E-On, ,Farzeen Jabbar, ,Gareth A Hopkins, ,Gemma Birss, ,Iona School, ,James Hansen, ,Jane McGuinness, ,kingsnorth, ,Mark “Flash” Stone, ,Mark Kennedy, ,Mark Stone, ,Matilde Sazio, ,Mole, ,Monkton Wyld Court, ,No Comment, ,nottingham, ,Paul Lewis, ,police, ,Ratcliffe, ,Ratcliffe 114, ,Ratcliffe On Soar, ,Rob Evans, ,Rukmunal Hakim, ,Suffragette, ,Terrorist, ,Undercover, ,Victoria Archer

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Amelia’s Magazine | Did PC Mark “Flash” Kennedy ensure my arrest as one of the Ratcliffe 114 ?

policeman undercover by daria hlazatova
Policeman Undercover by Daria Hlazatova.

One day a few years ago I agreed to go on an intrepid action to highlight the causes of climate change. I didn’t know where or what it would be, but as a climate activist I trust the many people that I know who are willing to invest a huge amount of time, effort and (often their own) money in taking action for climate justice. So it was that I came to be in the Iona School in Nottingham on Easter Monday, 13th April 2009. In a hall packed full of committed climate activists I discovered the sheer scale of the unbelievably audacious covert operation and as I looked around I tried to imagine how we could possibly pull it off: we all suspect that undercover cops must operate within our networks. We were fed, given instructions concerning our target and duly sent to bed in one of various rooms in the school which had been hired out for the weekend. Having made sure that my day pack was ready (warm clothes, a book, some high energy food) I rolled out my sleeping mat, got into my pyjamas, stuffed ear plugs into my ears and settled down for a short night’s sleep before we headed down to Ratcliffe-on-Soar coal fired power station in the early hours of the morning.

Ratcliffe_Disaster_Victoria_Archer
Ratcliffe Disaster by Victoria Archer.

Ratcliffe has been the focus of quite a few climate change demonstrations, not least the Great Climate Swoop, a publicly advertised assault that took place on this huge coal powered station later in 2009. Ratcliffe-on-Soar was chosen because it is one of the biggest coal fired power stations in the UK and it’s owned by E.ON, who were the energy company behind plans to build a new coal fired power station at Kingsnorth (now shelved) and who were the focus of Climate Camp actions throughout 2008 and 2009. In the event of a successful shut down electricity for the surrounding area could easily be obtained from other sources.

ratcliffe by farzeen jabbar
Ratcliffe by Farzeen Jabbar.

As I went to bed there was an the air of the calm before the storm, especially after we received conflicting reports about a growing police presence near the power station. It just seemed so incredibly unlikely that out of the several hundred people involved in the planning of the action (including drivers, hosts, etc) no one could have let slip our plans. Nonetheless I was tired and soon fell asleep.

A few minutes after I dozed off I was woken by my friend screeching POLIIIIIIIIIICE in my ear. No amount of deeply inserted ear plug was going to stop me leaping into immediate bleary eyed action as I realised that the entire building was surrounded and being battered from all sides. I just had time to struggle into some decent clothing before our room was filled with policemen who immediately handcuffed us all, regardless of our state of dress. I never knew I would find out what it’s like to be treated like a terrorist, but I can now safely tell you that I do. And it was utterly surreal. We were kept in our respective rooms (chosen for the type of action we would be taking) for what seemed like hours. As we waited we could hear people singing protest songs up and down the corridor. Domestic Extremists we might be. Your standard terrorists we ain’t.

abi daker Amelia gets arrested
Amelia Gets Arrested by Abigail Daker.

I was desperately keen to take my belongings with me as we were finally led out of the room – I’ve had previous experience of them being kept by police and I knew how long it would take to get them back (nearly a year as it turned out), but my arresting officer would not allow me to pick them up despite others being allowed to do so: the first sign of a somewhat shambolic operation with far from clear instructions.

Ratcliffe on Trial by Rukmunal Hakim
Ratcliffe on Trial by Rukmunal Hakim.

Things were shortly to get much more surreal. We were frogmarched two by two – handcuffed to our respective officers – into an impromptu photo studio that had been set up in the school nursery. Our mugshots were taken in front of the kids’ brightly coloured artwork before we were packed off into vans and taken to holding cells at police stations all over the city. I was held through the night and for most of the ensuing day. Being a well trained activist I kept to No Comment throughout my interrogation, though the investigating officer was very interested in my ear plugs (convinced they were a clue that I was headed to the noisy coal conveyor belt) and my Climate Rush badge (at that time I was still involved with the Suffragette inspired group).

My Mugshot by Alison Day
My Mugshot by Alison Day.

My DNA was taken before I was eventually allowed to leave, taking none of my belongings. I was simply ejected into the night. With no money and absolutely no idea where I was in Nottingham. Fortunately there was legal support waiting in the station car park and I was scooped up and taken to a safe house. I spent another night sharing a bed with an activist before hitching the first lift out of Nottingham. By this time I was desperate to get back to London because I was worried that my house would be raided – someone else had left a piece of paper with my details on in their wallet and it had been waved at me as evidence in the police station. I spent the next few weeks worrying whether I would be raided when my interns were in the house, thereby putting their computers at risk as evidence too. In the end my worries were unfounded, though many other people were raided.

Ratcliffe Trial by Matilde Sazio
Ratcliffe Trial by Matilde Sazio.

It has taken nearly two years for this case to come to court, during which time I have not been able to talk about it for fear of affecting the outcome for the 26 who were charged (out of the original 114 activists who were arrested). Many of those spent the better part of December 2010 fighting their case in court in Nottingham. Green Party leader Caroline Lucas gave a statement and James Hansen testified. Despite comprehensive evidence proving that the climate crimes of corporations such as E.ON are way worse than anything we were planning to do, the activists were all convicted and given a mix of fines, conditional discharges and community service. Maybe the jury was won over by the prosecution argument that we would have been better off spending our time getting Cheryl Cole to promote second hand clothing. Bleurgh. The judge did however praise the defendents for their “intelligence and dedication” – climate activists are certainly some of the most clever and interesting people I know.

GarethAHopkins_Police The Community Ignore The Environment
Illustration by Gareth A Hopkins.

Six more activists were due to go to court today with a defence of Not Guilty because they had not yet decided to take part in the action when they were arrested. It was set to be an extraordinarily interesting case that would challenge the excessively expensive largest ever pre-emptive arrest, which in retrospect seems to be have been designed to capture the details of the entire UK climate activist network in one fell swoop. But their plans have at the last moment been thwarted. The reason? Our very own police mole.

Ratcliffe by Gemma Birss
Ratcliffe by Gemma Birss.

A few months ago the indymedia networks were rife with the news that a climate activist mole had been unmasked. For seven years Mark “Flash” Stone (so called because he always seemed to have lots of cash) was a familiar face on the activist circuit until he was outed by ‘close’ friends who eventually became suspicious of him. He also happened to be involved in much of the preliminary planning for the April action on Ratcliffe: hosting meetings, driving trucks and planning to lead climbers up the huge chimney stack.

Now it is revealed that Mark has left the police force, apparently ashamed of the consequences of his actions. The Ratcliffe Trial blog states that he was even planning to provide evidence in favour of the defendants he did so much to help arrest back in 2009. However it appears that outside pressures (the police he used to work for? surely not) recently caused him to withdraw his offer. The case was then mysteriously dropped in its entirety after the defence pressed the powers that be for details of Mark Kennedy’s involvement in the initial planning stages of the Ratcliffe action.

climate change by Jane McGuinness
Climate Change by Jane McGuinness.

Even before today’s revelations it already seemed a sure bet that Mark’s insider knowledge helped to secure huge funding for the police raid, which cost upwards of £700,000 and ensured that officers were drafted in from across the county on huge overtime wages over Easter. That’s over £6,000 on the cost of arresting me alone. Not to mention the fact that the extremely expensive court case may have collapsed in its entirety had Mark’s involvement been known earlier. I can think of better ways to spend cash, can’t you?

GarethAHopkins_Police The Community Ignore The Environment
Police The Community Ignore The Environment by Gareth A Hopkins.

In the last year Climate Change has all but dropped off the mainstream media agenda and many of our most committed activists have been tied up in lengthy court proceedings. Yet climate change continues unabated. Next month Climate Camp will run a five day long event at Monkton Wyld Court in Dorset called A Space for Change, which will seek to “reflect and re-assess climate justice activism, re-dream what a radical movement can be and re-invigorate ourselves and our network.” There’s never been a better time to get involved in climate activism. You can find out more details here.

Categories ,A Space for Change, ,Abigail Daker, ,activism, ,Alison Day, ,Caroline Lucas, ,Cheryl Cole, ,Climate Camp, ,Climate Change, ,Climate Rush, ,coal, ,Daria Hlazatova, ,Direct Action, ,DNA, ,Domestic Extremist, ,Dorset, ,E-On, ,Farzeen Jabbar, ,Gareth A Hopkins, ,Gemma Birss, ,Iona School, ,James Hansen, ,Jane McGuinness, ,kingsnorth, ,Mark “Flash” Stone, ,Mark Kennedy, ,Mark Stone, ,Matilde Sazio, ,Mole, ,Monkton Wyld Court, ,No Comment, ,nottingham, ,Paul Lewis, ,police, ,Ratcliffe, ,Ratcliffe 114, ,Ratcliffe On Soar, ,Rob Evans, ,Rukmunal Hakim, ,Suffragette, ,Terrorist, ,Undercover, ,Victoria Archer

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Amelia’s Magazine | Earth Listings: Action!

You know those rainy afternoons when you sit indoors, dosage information pills flicking through the pages of any number of trashy magazines and getting suddenly, order inexplicably excited at the idea of fashion? Or, try more accurately, at the idea of brilliant style. It’s enough to make you want to plunge head first into the glossy pages and never return. That’s the effect it has on me, anyway. I trace my fingers around the outline of a beautiful silk bolero, sigh wistfully over the idea of a chunky knotted belt and a chiffon dress. ‘If only,’ I think ‘if only I could own all of these things, perhaps then my life would be complete’ (did I mention that I also have a mild tendency towards hyperbolic exaggeration?)

In the cold light of day, of course, I would not be more complete with these things, what I would actually be is more like everybody else. It is so rare that I find something that isn’t run-of-the-mill, that when I do I feel it my duty to shout about it from the rooftops. Only I heard rooftops were dangerous, so I decided to use Amelia’s blog instead.

Projects Design Wear is a perfect little gem nestled in the heart of Nottingham city centre among the style-seekers and just left of the cool kids. For years this little boutique has been charming all and it’s not just because of the effervescent mixture of clothing. Walking into Projects is like being folded into an enormous bear-hug by a large and much-loved Uncle. Their staff are friendly, remember who you are and are always on hand to personal-shop for you until one of you drops.

projects%203.jpg

Settled in amongst the dark wood furnishings and lashings of vibrant paint is a sartorial feast for men and women alike. The first floor houses menswear. If you like bright colours and bold statements, ask for House of Gods and !Solid t-shirts. If casual with a twist is more your style, then you’ll be happy to pore over the offerings from Raygun. And an absolute must is their selection of denim. Now, I’m not a man, but I know some, and I have been shopping with a few. I know how maddening guys find it searching for individual jeans. Made out of proper denim, and in proper denim washes, Projects’ selection is perfect for boys who don’t want a tag on their arse, but still want their togs durable and fashionable. What more could you ask?

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Well, you could ask for another floor, laden with women’s clothing so pretty you could cry. Lovely changing rooms with real curtains (none of this fabric-not-quite-meeting-cubicle tosh) are waited on by lovely ladies. Stock ranges from cute cardigans to chic evening wear and takes in everything in between as well. There are printed t-shirts and slouchy knits from Numph and high-end gloss from Naughty (check out the black sheen dress). There are these things sitting happily alongside the sort of effortlessly elegant dresses that you always see on other people and can never actually find for yourself. I found them, and I am bequeathing them to you.

Not only this, but there is (be still my beating heart) a glorious range of jewellery. Not just any jewellery mind, but pieces from none other than her majesty; Vivienne Westwood. A rare find indeed among the usual gaggle of costume pieces, and a fine way to top an otherwise genius little store. Ladies must also be sure to check out the selection of men’s scarves downstairs. I have several, and I love them all, equally.

Projects
is not only a clothes shop, it is also a platform for new talent, happily selling for local designers, like Bantum (the I Love Notts t-shirts continue to fly of the shelves). It is this commitment to innovation and this willingness to give a leg-up to emerging new talent that has planted the shop firmly in the hard hearts of all of us Midlanders. I offer wild applause to Projects for its unique take on fashion and for delivering what we all secretly want: simple, affordable, wonderful clothes that not everybody else will have. And when recession looms, it’s ever-more important to invest in the interesting, independent places.

Images courtesy of Projects Design Wear
Have a greener Christmas!

Thursday 20th – Sunday 23rd November

side effects +Bargehouse+Street%E2%80%A8+South+Bank, malady +%E2%80%A8London, this +SE1+9PH&sll=37.0625,-95.677068&sspn=44.60973,74.794922&ie=UTF8&z=16″target=”_blank”>Bargehouse, ?Oxo Tower Wharf?, Bargehouse Street? South Bank, ?London, SE1 9PH

11am – 7pm
?Entry £1: Kids go free!

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Not feeling particularly Christmassy just yet? A visit to the Bargehouse this weekend may change all that…With three floors boasting over forty stalls, the Ethical Christmas Emporium will include the likes of Divine Chocolate, RSPB, Shared Earth, Zaytoun, The World Music Network, Malika, Jump 4 Timbuktu, Earthscan Publishing, Pants to Poverty, Planet Silver Chilli, Manumit and The Hemp Trading Company. The event will bring together the very best in Fairtrade, ethical, sustainable and environmental gift ideas around!

Enjoying this magical time of year can be wonderfully eco-friendly; Shopping here not only provides an escape from the busy high streets, but the secure knowledge that every stall is working under a Fairtrade ethos, making sure producers around the world all have something to celebrate this Christmas.
The atmosphere is lovely, and everyone seems to be smiling as the event opens on the Thursday. Discounts are available as many stalls have cut their prices specially for this event.

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Shopping is not the only thing on the agenda at this event, a local Youth Club Choir from Ghana will be entertaining the crowds via live satellite link-up. Kids entry is free and while there they can enjoy lots of specially created activities- Green Santa will be there too to spread some ethical Christmas joy! Grown ups will also be able to delight in food tasting, films, informative talks, music and much more…

The Ethical Christmas Emporium is being hosted by Hand Up Media , the ethical publishing & media company which promotes Fair Trade and ethical lifestyle issues in a positive, stylish and empowering way to consumers across the UK and beyond.

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The Oxo Tower Wharf

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Monday 24th November
Anything that makes the art world seem a little more accessible is always nice, cure and an open-submission painting competition is one such an opportunity. The Marmite Prize for Painting is a biannual exhibition at Studio 1.1 in East London. Perhaps you’ve entered yourself, or you’d like to get a glance at some of the entries before the winners are selected. The exhibition opens today and runs until the end of the week.
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Tuesday 25th November
There will be dancing, there will be porcelain deer skulls, and there will be bird houses, a hundred of them in fact. The Wapping Project, a Hydraulic Power Station turned multi-purpose exhibition space that now hosts an exploration on the social and cultural phenomenon of the British Season. Turning the Season will run until the 28th of February, and it’s free.


Wednesday 26th November

You know how there’s always a kid in a film who’s Lego creations far out-strip the usual tower blocks of most children, well James Johnson-Perkins was certainly one such child, “I spent my whole life building imaginary universes with children’s building blocks”. At EXHIBIT until the 28th of December, he presents his solo show, 50 Robots. Come and see what one man can do with 2,800 construction blocks. Free.
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Thursday 27th November
Starting today, a group show put together by Stella Dore begins in their new gallery space at 42 Rivington Street, featuring the artists on their roster. It’s between 6 and 9 pm, and it’s called ‘Make-Over”.
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Friday 28th November

The Guardian has named him “Britain’s greatest cultural asset”, and after some 12 years of “painting on the doll”, amongst many other things, there’s no end to the volume work to show for this artist/author/poet/film-maker/singer and guitarist, phew! If you haven’t guessed, we’re talking about Billy Childish. Heroes of the British Art Resistance runs until the 23rd of December at the Aquarium L-13.
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Saturday 29th November

The You Me Bum Bum Train – like nothing you’ve experienced!
If you try to describe this to someone (which you shouldn’t, don’t give anything away), you will sound like you are drawing from memory a nonsensical and fantastical dream, not something remotely tangible that could have actually happened in a 25 minute journey through a Shorditch warehouse. Reality is turned upside down as you are wheeled (as the sole participant) through fifteen distinct interactive scenarios, where over 70 artists act out micro-performances, leaving you to get as involved as you much as feel compelled to. “Designed to mentally and visually astound”, check, “leaving you overwhelmed and exhilarated” check, and check, and finishing the ride “in a totally different emotional state from the one you were in when you embarked on the journey”, most definitely true. It’s fifteen pound price is money well spent, and it runs every Saturday until the 20th of December. Go!
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Sunday 30th November

Behind the Shutters – muTATE Britain
The Shutters were lifted this Thursday to the three story disused warehouse that is the largest non-corporate exhibition space in London. With Mutoid Waste taking the ground floor, I got my first whiff of nostalgia for muddy fields (Trash City at Glastonbury), a sentiment of bubbling creativity that runs through the entire event. It’s a multi-media circus, lots of interactive art, and it’s set to change every week through it’s lifespan. This weekend the theme is “Deface Value”, featuring the likes of Tracy Emin and David Cameron alike (yup, the Conservative leader). It opens Friday, Saturday and Sunday between 1.30 and 10 pm.
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‘The House of Books Has No Windows’, this site a touring exhibition by Canadian artists Janet Cardiff and George Bures Miller kicked off at the Fruitmarket Gallery in Edinburgh- now on at Modern Art Oxford– is an apt title for a show in this most literary of cities. The eponymous installation is a wendy house made from an array of books, this from novels to travel guides. Climbing inside feels safe, like entering a childhood den, and evocatively musty yet also claustrophobic and imposing.

The other six installations in the show see the pair entwine sound and movement. ‘The Dark Pool’, the couple’s first project together back in 1995, is a ramshackle room of seemingly disparate objects and speakers pouring out snatches of conversation. From this wellspring of vintage clothes, tattered books, old records, tea leaves and wax hands, a creeping sense of tension emanates; a pregnancy in the air as if something has happened or is about to. The pivot of the piece is a leather trunk, in which a scene has been constructed with miniature plastic model figures. They stand looking into a dark pool, a car lies abandoned while miniature lights twinkle overhead.

‘The Dark Pool’ anaesthetises you from looking for concrete connections between the objects and sounds in the room. Strands of meaning do coalesce and emerge, nudged along by snatches of conversation and the physical ephemera but, like an abstract poem, the whole hangs together without needing to be fully explained.

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The Killing Machine
Partly this stems from duo’s ability to make the viewer suspend disbelief. This is repeated, most devastatingly, in ‘The Killing Machine’ (2007); a Kafka-inspired, kitschly sinister torture chamber, where robotic arms move as elegantly as long-necked birds, prodding and poking a dentists chair covered in pink fur, all sound tracked by screeching electric guitars. Again this bizarre scenario hangs together completely. The audience (mostly…) seemed to accept it on its own terms, becoming compelled by a murky narrative that so easily could have just baffled.

The less successful installations are the more explained ones. The slide show ‘Road Trip’(2004) for example, rambles without the sense of magic or theatre of other scenarios.
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Opera for Small Room
One installation on its own justifies a visit. ‘Opera for a Small Room’(2008), a shed piled high with records and lights that synchronise to a chopped up soundtrack which covers everything from wolves howling to a full blown rock opera. It is the couple’s most recent work and sees them continue to generate the mysterious wonder that characterises the best of their earlier work.

Written by Priya Umachandran

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If you’re planning on going to any of these events, sales or have something you want to write an article about for the Earth Blog, email us at earth@ameliasmagazine.com!

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How Do We Get Back to Climate Safety?
27th November, 7pm, Friends Meeting House, Euston.
“No screaming, no panic, no doom, no gloom. Just a short and simple summary of the latest climate science followed by a discussion of what we’re going to do about it. “Climate Safety” warns that even our current policy response, a commitment to 80% carbon cuts by 2050, does not match up to the scale of the challenge. Join us to discuss finding a way to get beyond “politics-as-usual” and achieve a full, emergency response.”
The current state of our climate demands an exceptional degree of seriousness. The Climate Safety report reiterates that to maintain a safe climate we have to rapidly change our thinking and actions as a society.
The ‘Climate Safety’ report gives a simple summary of the latest science, delivering a clear message that to have any chance of maintaining a safe climate, we must rapidly decarbonise our society, preserve global sinks, and address the problem with an unprecedented degree of seriousness.
Speakers will be: Caroline Lucas, George Monbiot, Jeremy Leggett, Kevin Anderson, Leila Deen and Tim Helweg-Larsen; there to discuss finding a way to go beyond “politics-as-usual” and achieve a full, emergency response.
http://climatesafety.org/

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Protester on top of the e.on building

48hrs of Action Against E.ON
Friday 28th and Saturday 29th November 2008
By 2050, the UK Government hopes to have reduced carbon emissions by 80%…
Forty-two years is a long way off and Climate Camp want to act NOW against e.on and new coal! Join them in saying NO to new coal: get your friends together and plan an action for your area. Climate Camp suggest stickering, blockading, serving direct action warning notices at supply chain premises, organising awareness-raising talks, banners and much more! They need you to get creative on the streets and the options are endless!
http://climatecamp.org.uk/node/474

FRIDAY 28th NOVEMBER 2008

CONVENTRY
For a day of marching and festivities in the name of climate change meet at the piazza at 12pm. 1st stop: E.ON’s Headquarters (about a half hour march). Once there there’ll be loads going on including…a ‘Catch the Carbon’ competition, drumming workshop, and a visual show of the effects climate change is already having on our world.
For the facebook page click here
http://www.facebook.com/event.php?eid=34220633837&ref=ts

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LONDON
E.ON vs. Greenwash Guerillas

8am-10am.
Meet up in Trafalgar Square at 8.00am to head down to E.ON’s
London office at 100 Pall Mall and show E.ON their greenwash won’t wash.
All inventive greenwash actions welcome!

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World Development Movement Kids Demo at E.ON
Friday 28th November 11.00am, 100 Pall Mall, near Trafalgar Square
As part of 48 hours of action against E.ON – the energy giant who are planning to build the UK’s first new coal-fired power station in 20 years, at Kingsnorth in Kent; WDM are inviting children along to say ‘E.ON, don’t destroy our future’ by making a giant banner of ‘carbon footprints’ to symbolise the future generations around the world whose lives and homes will be devastated by climate destruction. The emissions from Kingsnorth alone could result in 30,000 people becoming climate change refugees.
Joining activists across the country by taking action on this day, WDM will meet in Trafalgar Square at 10am for the children to add their footprints to the banner, then take our footprints to a ‘No new coal’ protest outside E.ON’s London offices in Pall Mall.
Please come along with your children and participate, and let E.ON know we won’t stand for any new climate-wrecking coal power stations, at Kingsnorth or anywhere else!

SATURDAY 29th NOVEMBER 2008

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LONDON
Stop Coal Sticker Rush

Keep the pressure up on E.ON by spreading the word and putting up some
E.ON F.OFF & Stop Coal stickers – you can get them from the Coal Hole
(91-92 Strand, WC2R 0DW) from 1pm-3pm on Saturday.

NORWICH
Spoof E.on Recruitment Stall

Go to RBS, 5 Queen Street, Norwich to ‘sign up’ to E.ON’s payroll!
Time – 12noon-2pm

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Stop Kingsnorth, Climate Camp Summer 2008

Climate Camp 2008
Meetings Every Tuesday
The London Climate Camp Group meet every Tuesday evening at 7pm, in association with the SOAS Green Society, at:
Room V301, Vernon Square Campus
School of Oriental and African Studies
Penton Rise
London WC1X 9EW
Nearest tube King’s Cross

http://www.climatecamp.org.uk/london

Also join the Climate Camp 08 weekly e-bulletin:
Send a blank email to climatecamp-london-bulletin-subscribe@lists.riseup.net
This is the best way to keep up to date on what’s going on in London with a single email a week!

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TREE PLANTING!
Blythe Hill Fields, Lewisham, London SE23
Sunday 30 November 2008, 11.00am
Friends of Blythe Hill Fields has been successful in their bid to the Tree Council for the financial support needed to increase the stock of trees in the Fields. This project involves planting 9 native trees.
Please wear clothing appropriate for the weather.
e-mail: secretarybhfug@btinternet.com
for more info please visit www.blythehillfields.org.uk

Categories ,Caroline Lucas, ,Climate Camp, ,Climate Safety, ,E-On, ,Earth, ,Friends Meeting House, ,George Monbiot, ,Jeremy Leggatt, ,Kevin Anderson, ,Kingsnorth, ,Leila Deen, ,Listings, ,Tim Helweg-Larsen

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Amelia’s Magazine | Robin Ince’s School for Gifted Children May Ball – Module One: A Review

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Illustration of Robin Ince by Jenny Robins.

It was only thanks to Professor Brian Cox on twitter that I discovered Robin Ince’s School for Gifted Children May Ball – Module One. Not intended for children “this event will contain some swearing” and most definitely not featuring any dancing, diagnosis Robin Ince‘s quirkily named nights feature a mix of comedy alongside lectures from eminent and *cute* scientists. How on earth would this work? Well, seek the championing of rational scientific research was the binding factor of all the participants in the May Ball, be they comedian or scientist. Throw in some crowd participatory music and we did indeed have ourselves a ball.

Robin acts as compere of these evenings, and on Friday night he apologised for his frazzled persona, the result of election night lack of sleep and a preoccupation with the results, which was to become a theme of the evening. Despite incipient madness he was very funny indeed, whether jealous of his toddler son, who can happily eat crisps whilst sitting on the potty and watching television (he cannot), or reading an excerpt from a letter sent by Richard Hawkins following a debate over whether aliens are responsible life on earth.

The first act, Martin White, gave himself the hugely tough job of proving that any tune will become catchy if you repeat it over and over again. Or not, as the case may be. Through audience participation we arrived at a title, Napalm Death, for a tuneful little ditty consisting of some awkward minor chords and daft lyrics. All in ten minutes. It was an ambitious but entertaining way to start the evening, and he had the audience in the palm of his hand as we sang heartily through the finished piece.

Next up Susan Vale wandered on with a tatty plastic bag. “You’ve got no idea who I am have you? But you think I might be Susan Boyle, right?” Unfortunately for her, she had a point. “Normally I just do gags about quantum physics and end with a joke about nobs, but I can’t because Brian is here tonight,” she told us, before instead talking us through her musical obsession with The Fall via a wobbling stack of CDs on a stool. I wasn’t the only person for whom it occurred that this was a very male thing to do – when Robin reappeared he commented on her possible autistism. I was in slightly uncomfortable stitches the whole way through, especially when she wobbled her belly fat at the men in the audience. “See, I was feeling self conscious about it, but now I feel empowered.”

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Gurning aristo by Lou the Illustrator.

Andrew Collins bounced on stage to a huge projection of a gurning aristocratic holding aloft a dead squirrel by it’s tail. Apparently the Red Squirrel Protection Partnership is hell bent on wiping out the grey squirrel by any means necessary, and Andrew likened this to racism against immigrants. Funnily enough these commandos are still less keen on a deadly hybrid of the grey squirrel – the even more virile black squirrel. The irony is that the upper classes were the ones who introduced the greys into Britain – as pets – in the first place.

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“Bally Immigrants” by Gareth Hopkins.

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Illustration by Marta Alvim.

NB: I’m joking, clearly there are no deadly gun-toting squirrels in the UK.

However, the main theme of Andrew’s lecture was birds, and more specifically the things he would like to do with them; the first being to get a robin to feed from his hand, the second to be kissed, softly on the cheek, by a duck, and the third to walk down the street as if in a relationship with a pigeon.

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Illustration by Jonah Fazel.

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Andrew with pigeon girlfriend. Illustration by Sandra Diekmann.

Disclaimer: whilst I envisaged the pigeon as Andrew’s girlfriend, he would like to make it very clear that it is merely a friend. “I never considered it might be a girl.”

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Illustration by Sandra Diekmann.

All dark floppy hair and passionate enthusiasm, Brian Cox entered stage left looking not a day over 25, just as he does on the telly. He opened his lecture with a few scary looking graphs demonstrating how little cash is currently allocated for scientific research compared to the amount used to bailout the banks, and showing that expenditure in the UK is well below the average spend of the developing world.

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Illustration by Helen Harrop.

A dedicated Liberal, Brian Cox is clearly worried about further cuts under a Tory government. Few celebrities are happy to state their political allegiances in public, and I really respect that Brian is, as his presence on television during election night made clear. He then bust out a map showing global temperature rises “for any of you idiots out there who still don’t believe in climate change”. He never really mentioned climate change in the Wonders of the Solar System, so I could’ve hugged him for this: it’s just a shame he was preaching to an audience of the already converted. He quoted Carl Sagan, who described the earth as an incredibly fragile and special “pale blue dot” and showed a series of spectacular slides to back this up, including one showing the Milky Way pulsing in a semi circle like an archway above the mountains in Chile.

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Illustration by Farzeen Jabbar.

We then went on a whistle stop tour of the birth of the universe which descended into some equations that Brian swore were simple (maybe for the scientists amongst us… of which I am sure there were many in the geeky audience.) Despite losing the point on occasion it left me gasping in awe (at the wonder of the universe, not Brian, I know what you’re thinking.)

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Brian Cox by Claire Pinegar.

A break – loo situation in the Bloomsbury Theatre: bad, had to rush out during second half for wee due to extreme queues – was followed by a passionate lecture from Adam Rutherford, science writer at The Guardian and Nature magazine. Having read the Metro earlier in the day (I love the way that the Metro always has a simplified science page. You never got that in London Lite did you?) I was well up on the news that scientists have just discovered that most humans are in fact part Neanderthal – rather than pure bred Homo sapiens. We also learnt that Neanderthals were red haired… there’s no gingers in my family but I’ve always thought my dad has a very pronounced beetle brow.

Comedian Marcus Brigstocke took up the baton, likening our current political situation to our relations with the Neanderthals, where the Tories are likely to mate with the Lib-Dems, shag ‘em senseless and then eat them afterwards. (we were probably cannibals back in the day) An unmitigated Green, he spoke ecstatically of the news that Green Party leader Caroline Lucas has gained a seat in office.

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Illustration of Marcus Brigstocke by Jenny Robins.

Gavin Osborn was another funny musician, who performed a specially created ode to Brian Cox describing how his wife was suddenly nowhere to be seen on Sunday nights. Simon Singh has famously challenged the efficacy of the homeopathy industry – and has just won a libel case against the British Chiropractic Association. He whizzed through a series of photos from the case highlighting the presence of Dr. Evan Harris in each shot, before deferring to Ben Goldacre, a surprise appearance, who came on stage to explain just how much Dr. Harris has done for the cause of science and free speech. On May 6th he lost his Lib-Dem seat in Oxford to an evangelical Christian, helped into office by a relentless smear campaign. Sadness at this loss was mentioned throughout the evening and Ben made everyone stand for an ovation, whereupon it soon became obvious that Evan himself was seated in the audience.

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Illustration by Hayley Warnham.

Robin had saved special surprise guest Australian comedian Tim Minchin for last. “I’ve just been cleared of a speeding fine in Pontypridd. True,” he told us as he grabbed the top off the piano and barefoot, bespectacled, took his seat. “I don’t need eyeliner when I wear glasses.” Not being an aficionado I didn’t know what he was talking about but a swift visit to his website confirms that Tim normally sports thick emo-esque makeup, but I much preferred him without.

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“Minchin Strikes” by Lazarou Monkey Terror.

We were treated to the first public performance beyond the rarefied confines of YouTube of the “Pope Song“, which pillories the Catholic penchant for small boys with copious usage of the word ‘motherfucker’. A fantastic musician with immaculate comic timing, I would really like to see him again.

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I’m all for making science more accessible and using comedy is a brilliant example of how to do this: over the course of three hours I laughed solidly whilst also learning a load of incredibly geeky and interesting stuff. I vow to see more comedy of this kind in the future. Robin Ince, I salute you for bringing this vision into reality.

You can read excellent reviews by Lucy Peel here and Jo Sue Gee here.
Robin Ince’s next evening of fun takes place on Thurs 24th June. Sadly I’ll be missing out on this one because I’ll be at Glastonbury with Climate Camp.

Categories ,Adam Rutherford, ,aliens, ,Andrew Collins, ,Ben Goldacre, ,Bloomsbury Theatre, ,Brian Cox, ,Carl Sagan, ,Caroline Lucas, ,chile, ,Claire Pinegar, ,Dr. Evan Harris, ,emo, ,Farzeen Jabbar, ,Gareth Hopkins, ,Gavin Osborn, ,Green Party, ,Hayley Warnham, ,Helen Harrop, ,Homeothapy, ,Homo sapiens, ,Jenny Robins, ,Lazarou Monkey Terror, ,Lib Dem, ,Libel, ,Lou the Illustrator, ,Marcus Brigstocke, ,Marta Alvim, ,Martin White, ,Metro, ,Nature Magazine, ,Neanderthal, ,Oxford, ,piano, ,Pigeons, ,Pope Song, ,Professor Brian Cox, ,Richard Dawkins, ,Robin Ince, ,Sandra Diekmann, ,Simon Singh, ,Squirrels, ,Susan Vale, ,The Guardian, ,Tim Minchin, ,Tory

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