Slow Club is a duo formed by Charles and Rebecca, this web buy information pills who both come from Sheffield. He does the singing and plays the guitar; she deals with the drums and all sorts of weird instruments, from bottles of water to wooden chairs. The result? You can go hear for yourself tonight at Barfly.
We Fell To Earth and special guests at the ICA theatre. Richard File (UNKLE) and PJ Harvey-ish singer/bassist Wendy Rae doing something that they call “sinister and kind of arousing rock music”.
We Fell To Earth
Vessels will be at Buffalo Bar this Wednesday launching “Retreat”, a collection of songs including a single, some remixes and an unreleased track by this Leeds five-piece.
Camera Obscura make a come back with “My Maudlin Career”, the band’s fourth studio album that is coming out today.
All their sweet freshness that you could feel from the first single out entitled “French Navy” will be performed on the stage of Shepherds Bush Empire next Thursday.
Je Suis Animal single launch party for the upcoming release ‘The Mystery of Marie Roget’ 7″ at The Victoria. Support comes from Betty and The Werewolves and Hong Kong In The 60s. People from Twee as F*** also promise free cupcakes for earlybirds so that is a Friday night out you can not miss.
9pm. £6/ 5 concessions.
Je Suis Animal
The Camden Crawl Festival brings the best of Indie to town. Line up for Saturday looks like great performances will be on stage. The Maccabees, Little Boots, Marina And The Diamonds and The Golden Silvers are only a few to be named.
12pm. £32.50 (Saturday only).
The Golden Silvers
Due to the Casiotone for the Painfully Alone‘s sell-out London show on 27th April, a new show has been added on Sunday 26th April – also at The Luminaire. Releasing their fifth album, Vs. Children, the band succeeded to make a record that feels just as warm and intimate as the first.
7:30pm. £8.50, adv £8.
Casiotone for the Painfully Alone
On the cover of this CD, sickness Caroline Weeks appears to be a healthy, seek pink-skinned young woman. However, sildenafil fill your ears with her music, and you will be in no doubt that she is a ghost. And her clarinettist, too. Ghosts! Caroline has been to the other side, and seen things, and now wanders around my auditory cortex in a Victorian gown, lamenting the moment that life’s glories were cruelly wrenched from her grasp. Maybe Caroline drowned in a lake, or caught one of those Jane Austen chills, or fell under a horse, or was cuddled to death by an overaffectionate simple boy cousin. I can’t begin to imagine what happened to her polter-woodwindist. Probably choked on his reed.
This is the spookiest music I have heard in a long time. She feels like a sister to SixToes, playing with similar moods, guitar work and larynx-trembling. But much spookier. I can’t help but think of Winona Ryder in Beetlejuice, a morbid teenager rejecting the world from her wilfully glum bedroom. So it’s not a huge surprise to discover that Caroline is also Ginger Lee, colleague of Natasha Khan in Bat For Lashes. Although you can actually dance to some of Natasha’s ditties, there is the moody, brooding moroseness there too. But while Bat For Lashes keeps this in the realm of relationships with sprinklings of dreamy visions, Caroline Weeks takes it to the pure Victorian pre-Pankhurst inner world of reflective femininity.
It turns out that all the lyrics are taken from the poems of Edna St. Vincent Millay, an early Twentieth Century American who was the first woman to win the Pulitzer Prize for poetry. Musically, it is very accomplished. Recorded quite simplistically, with a few dramatic reverb effects, the instrumentation has plenty of room to shine. The guitar gently drifts between dextrous, finger-picked, rhythmic regularity and airy pausing in a lovely, caressy, wavey kind of way. But it’s the tender voice that dominates, or haunts, the album. Caroline sings to you. It’s deeply personal, and unwavering in its humourless, sorrowful plea. And there is much depth of feeling and depth of lyric, which I cannot really do justice to here.
This is simply music to surrender to. Alone. Dim the lights, let the shadows fall across your soul and be utterly, utterly alone with the ghost of Caroline Weeks.
La Weeks is performing at The Good Ship in Kilburn on May 19.
Tuesday 21st April
Institute of Education?
20 Bedford Way, buy
?London WC1H 0AL?
“How to Educate Children in the UK About Sustainable Development”
discussion with Professor Randall Curren, more about Institute of Education. Info: firstname.lastname@example.org or call 020 7612 6000
(Image courtesy of Lea Jaffy, email email@example.com for further illustrations)
Wednesday 22nd April
“The Green Agenda: Are We Engaging The Consumer?”
Dorich House Museum
67 Kingston Vale,
London SW15 3RN
The rise and rise of the green agenda is creating an ever increasing number of green initiatives, CSR projects, and local and national government proposals. Almost all organisations – both commercial and non commercial – want to establish their green credentials and communicate them to the consumer.
To explore these issues and to find new ways of engaging the customer, Kingston University has brought together a number of leading experts from a wide range of sectors – manufacturing, retailing, NGO’s, academics and a number of consultancies.
For full programme information and to book please go to http://business.kingston.ac.uk/flavor1.php?id=398.
Contact: Wendy Eatenton
?Tel: 020 8547 2000 ext. 65511
“Can Developing Country Needs For Energy Be Met Without Causing Climate Change”
(Image courtesy of Lea Jaffy, email firstname.lastname@example.org for further illustrations)
Committee Room 14
Palace of Westminster, London
Recent studies suggest a large potential for clean energy projects in Sub-Saharan Africa; if fully implemented, they could provide more than twice the regions current installed power-generation capacity. It has been posited that Latin America has a comparative advantage in maximizing clean energy opportunities; energy consumption could be reduced by 10 percent over the next decade by investing in energy efficiency. This suggests that the adoption of clean energy technologies typically results in a “win:win” situation for developing countries: reducing costs and emissions.
But many developing countries have been failing to reach their full productive potential for years. Growth diagnostic studies in many developing countries regularly identify constraints such as lack of grid electricity and poor infrastructure. Typically, levels of investment in the electricity sector in developing countries are around 50 percent of needs. Credit constraints mean that the cheapest available options are often chosen as opposed to those that deliver environmental benefits. So can developing country needs for energy be met without causing climate change? How can developing countries be incentivised to adopt cleaner energy? And what steps do developed countries need to take to facilitate this?
Professor Sir David King, Gordon MacKerron. Info: 7922 0300/ email@example.com/ ODI
Thursday 23rd April
“Financial Meltdown and The End of the Age of Greed”
(Image courtesy of Aarron Taylor, www.aarrontaylor.com)
Frontline Club, 13 Norfolk Place, W2 1QJ
Info: 7479 8950
£10 Online booking now available
This event will be moderated by Michael Wilson, Business Editor of Sky News
Paul Mason talks about the ongoing financial crisis that has brough the global economy to the brink of depression. Gordon Brown hailed the result of deregulation as the ‘golden age’ of banking in the UK. Mason will give insights into how deregulation is at the heart of the collapse of the banking system in September and October 2008 and how it led to expanded subprime mortgage lending, an uncontrollable derivatives market, and the lethal fusion of banking and insurance.
Saturday 25th April
People’s Republic of Southwark April Mini Eco-Fair
People’s Republic of Southwark
Brandon Street/Orb Street
12.00pm – 4.00pm
On Saturday 25th April, 12-4pm, People’s Republic of Southwark’s mini eco-fair goes all the way to SE17, to the Nursery Row Park http://www.nurseryrowpark.org/SaveNurseryRow/Welcome.html , a beautiful green space located just behind the East Street Market (between Brandon and Orb Street).?? We are hoping to have another great day out for everyone and some of the activities for the day are:?- mulching the orchard?- planting sunflower seeds?- making art?- a free shop (space where you can swap/give away/take things you need for free – bring easy-to-carry usable things you don’t need, ex clothes, dvds, books. and swap them for something you do need or simply give them away to someone who does; please don’t bring anything bulky or electrical)?- seed swap (get your window boxes, balconies, gardens ready for spring and summer)?- you can also find out about local environmental projects, issues and campaigns. ?Or just come along for a chat
Prepare to throw your sensibilities and all sense of conventionality out of the window! Why I hear you scream? Well, search this week sees Alternative Fashion Week bombard an unsuspecting Spitalfields in all its wonderful obscurity. Forget all the opulence of London Fashion Week; Alternative Fashion Week is going to assail you with raw, viagra buy un-censored Fashion Design.
The event unlike London Fashion Week is open to everyone and free for the designers to participate. It will be running all this week from the 20th-24th of April at Spitalfields Traders Market. So get your skates on people and get on down for all the outlandish action. With 15 shows a day, it will see at least 10,000-hop foot through their doors. Applicants range from recent graduates to independent designers keen to establish themselves in the fashion sphere. The participants are an eclectic range of designers from a myriad of different fields from the theatre to circus, so be prepared for a vivacious show. In conjunction with the free daily shows, the event hosts an adjacent market from noon till three showcasing a whole treasure trove of accessories, Womenswear and textiles for us to feast upon.
Here is a sneak peak at one of the accessory designers that will showcase her A/W collection at the event. Helen Rochfort’s innovative designs focus on all things delectable. Infact just glancing at her liquorice allsorts bag is enough to have me running to the nearest sweet shop for a fix. She describes her delectable designs as simply “ a sprinkling of vintage and a dusting of retro all whipping together with a kitsch twist of humour” So keep your eyes out for Rochfort’s designs, they are hard to miss!
The event prides itself on its promotion of sustainable fashion, and actively supports recycling and ethical sourcing. It’s organizers are The Alternative Arts, a group based in East London that invests in local artists and projects in the community. Its overriding ethos is the importance of accessible fashion and art in the public domain.
The event is a riot of creativity that questions our ideological view of fashion design; Alternative Fashion Week provides that vital foundation for applications to bridge the gap between them and the seemingly intimidating abyss of the fashion industry.
So keep your eyes peeled as Amelia’s Magazine will be reporting from the front line this week to bring you all the zany fun and frolics!
Sometimes the stories for Amelia’s Magazine come to us. And this story is one of unimaginable corruption by one of the worlds largest companies, search aided by an equally unscrupulous government. While there will never be a happy ending to this tale, medicine there may be, tadalafil after many years of campaigning, justice finally delivered. I was emailed recently by a group called Remember Saro-Wiwa, asking if I would attend a talk entitled Wiwa Vs Shell at the Amnesty International House in London.
I went along to the event, which was fully attended, and listened to what this case was about. In 1995, a man called Ken Saro-Wiwa, along with eight colleagues from the Ogoni region of Nigeria, was executed by the Nigerian State for campaigning against the devastation of the Niger Delta by oil companies, specifically Shell Oil. Thankfully, this is not where the story ends. On May 26th, 2009, after fourteen years, Shell will stand trial in New York for complicity in human rights abuses in Nigeria, including the execution of Ken Saro Wiwa and his eight colleagues. The purpose of the evening was to highlight the case, and I listened in horror and disbelief to what has been happening in Nigeria. Having not known much about the unethical way that oil companies conduct their business – and the ways in which they silence their objectors – I could almost not comprehend what I was hearing. The panel speaking included Katie Redford, a U.S lawyer and co founder of EarthRights International, which, along with the Center for Constitutional Rights has filed the case against Shell.
She discussed the upcoming trial, and included the seemingly never-ending charges which have finally been brought against them. As well as the charge of complicity in crimes against humanity, they are being charged with torture, arbitrary arrest and detainment. We learnt that this is a groundbreaking case – companies of this size do not usually find themselves in court for their actions – however reprehensible. If Shell are found liable, they could be forced to pay damages that could amount to hundreds of millions of dollars.
We learnt about the situation between Ken Saro-Wiwa and Shell. From the time that Shell had started producing oil in the Delta in 1958, the local communities had been concerned about the levels of pollution, along with the gas flares which were coming from Shell’s production plant. Furthermore, drilling operations were routinely destroying farmers lands with oil spillage and rendering the lands unsuitable for use. When faced with such levels of devastation to their land (and health), it seems only natural that the communities would protest.
Unfortunately for them, Shell and the Nigerian Government were not in the business of facilitating these protests; instead, Shell would employ the presence of the Mobile Police Force, who were also known as the “kill and go”police. At one such protest, the MPF massacred 80 people and destroyed around 500 homes. Saro-Wiwa, who had always been a prominent figure in the campaigns against Shell was arrested and charged under bogus offences – unlawful assembly and conspiring to publish a ‘seditious’ pamphlet. On November 10th, 1995, Saro-Wiwa, along with 8 others was executed.
Speaking at Amnesty International, Ben Amunwa, who was chairing the evening, used a quote from Milan Kundera to help surmise the subsequent fight to continue with Saro-Wiwa’s cause, and bring long awaited justice : “The struggle of man against power is the struggle of memory against forgetting”. I spoke with one of the campaigners behind Remember Saro-Wiwa afterwards and asked how others can get involved. He told me that ” We’re currently in the process of developing a website and hopefully actions people can take as part of the shell guilty campaign, we hope to use viral films, the media and activist actions to generate loads of attention on Shell around the trial. At the moment it’s just about spreading awareness of the trial to warm people up for actions they can take further down the line.
In the meantime we would encourage people join the facebook group. Our current aim is to get 1000 members. One way we are thinking about framing this call out is:
Take the 999 action:
9 Ogoni activists died for their cause
2009: the year their relatives must see justice and gas flaring in Nigeria must end
9: the number of your friends we urge you to invite to join this group.”
Everyone involved with this case will be eagerly awaiting the outcome of the trial in New York. After the panel had finished, I spoke with Katie Redford and asked her whether she felt positive about the outcome of this groundbreaking trial. She explained that while no one can predict whom the jury will side with, or what the outcome may be, the fact that a global and powerful company such as Shell will be finally held accountable for their actions in the Niger Delta demonstrates the power that non-violent protesters actually wield. Although it took twelve years to get to this stage, it seems like justice is finally being administered.
Born in Rotterdam in the Netherlands, viagra buy living in Utrecht in Holland and half Spanish, online Maria Stijger is a fashion photographer who has recently sprung to my attention. Her style of surrealism mixes with vintage meets modern. Maria’s playful personality results in beautiful images which if nothing else are aesthetically striking.
Maria, link you’re images are beautifully created. How long have you been doing photography for?
I took my first photograph around the age of six and from then I always thought that it was a kind of magic. But I never picked it up seriously until I got out of high school, graduated from art school and after doing a lot of different things, including working as a photographer’s assistant. I started producing my own fashion stories about two years ago.
Is it true your work has been recognised by the Dutch publications of Elle and Marie Claire??
Yes, I’ve also had my work published in HMagazine (a magazine available in Barcelona) twice, and in professional and weekly magazines, newspapers, and once in a book about jewellery.
I really enjoyed the old fashioned-romantic-fairy tale-esc sequence of the photoshoot shown here:
What is the story behind this?
Well, I always like to make little fantasy stories, you can make up your own just looking at the series and here I was looking for an old feeling, using the atmosphere of the space that I found one day when I visited a party in the building. It’s a big building in the eastern part of Holland used by squatters. The guy that runs the place has a fantastic store inside it, where he sells all kinds of beautiful things he finds in old houses he restores. It is about a girl who is lost in time; she lives in a world of her own, surrounded by all this old stuff. She is a little bit weird, but happy and enjoying herself. She puts on shoes that are too big, plays with old porcelain dolls and likes funny hats. There is no story with a beginning and an end, but I like to make more images in my head, fantasize about what she does. I hope that others will do this too!
Do you prefer to work to a specific brief in your work?
No, in my personal work I really like to brainstorm in advance and come up with a lot of ideas, pick out the best and look for the right location, model and the stylist brings the clothes and things and we make our own décor if possible. But on the day of the shoot, I want to just let it all go and go with the flow of the day, see what comes on my path and switch if something doesn’t work. I like it when the whole team participates and gets excited and understands the feeling that I try to create and comes up with good ideas and then there is a buzz that I cannot describe…
Quite a lot of your work I found reflected some surrealism, would you say you have a specific style of photography, or does it vary?
I really love the Latin American magic realism and I try to use this in all my personal work as much as possible. I love surrealism, theatre and movies, things that are old. I love to mix it with modern age and fashion. I try to do this as often as I can, especially in my personal work, sometimes I like to go a little bit further than my commissioners want, so in the end my work varies quite a lot. But I like to show them that side as well so I always take some shots that link to this theme and sometimes they love it too!
Can you explain the series of gloves images?
This was a great series to make! We had so much fun! We wanted to do something with beautiful gloves, but not in a studio or with a model. So I came up with this idea to make animal shapes, shadow play. I have a very old magic lantern (Lanterna Magica) that gives this great old feeling because of the dust and the frame. So this was the perfect combination mixing the old with the new fashion. We sold this particular series to (Dutch) Elle magazine.
Who would you say influences and inspires you?
A lot! Things like literature, art, music, European film, but not specifically one person. There are so many great and diverse people that I love for what they do, I couldn’t point out just one.
Can you see a progression or a change in your work from when you first started to now?
Yes. In the beginning I only concentrated on landscapes and snapshots of people. Now I love to make stories using fashion. I’d say it’s a big change, and I guess it will never stop changing. I like to move around and experiment.
Do you have a muse?
No not really, I value my boyfriend’s opinion a lot. So in that sense I guess it’s him!
What do you do in your spare time?
At the moment I am expecting our first child, so my extra activities are not so exciting ha-ha. But I love going to the woods, going out with friends and listening to music. I also love to make sweet little stuffed monsters, exploring other realms of creativity! Most of my time is for photography though. And my family is very important too.
When you were younger, what did you wish to be when you grew up?
Ha-ha, first I wanted to be a dentist, but I loved arts and crafts and drawing so much, that I discovered that this was “my thing”. Although my parents were scared that I’d drown in the competition and of course it is more difficult for an artist to make a good living, I knew that there was no other option for me. I get bored quite easily, so I need to occupy myself doing creative things with other creative and inspiring people.
Thanks Maria, and good luck with the bun in the oven!
You can view Marias work at here.
And contact her here.
Happy Earth Day, here Amelia’s Magazine readers!
April 22nd is Earth Day (mainly for America, but we can still take part in celebrating it – it is everyones Earth after all!) If you are in America, then check out http://earthday.net/all_events to see what is going on around your neck of the woods.
Images courtesy of Sachiko, http://www.loveandhatesati.com/
Perhaps this is fortuitous timing because this is also quite an interesting day in terms of the Government 2009 Budget. Hands up who was watching the budget today? I can understand if lazing around in the sun took top priority, so leave it to me to fill you in on the important facts.
Namely, that this is the first year that a carbon budget has been announced. Alistair Darling announced £1 billion will go towards funds to tackle climate change. This budget aims to cut 34% of greenhouse gas emissions by 2020. £375 million has been promised over the next two years for energy and resource efficiency in households, businesses and public buildings. £70 million will also be spent on small-scale and community low carbon energy and resource efficiency. With regards to fuel duty, increases in the duty are aimed to reduce emissions and pollution, saving 2 million tonnes of carbon dioxide per year by 2013-14.
Andy Atkins, executive director at Friends of the Earth spoke to The Guardian, and said that he was disappointed by the budget, adding
“The Government has squandered a historic opportunity to kickstart a green industrial revolution, create tens of thousands of jobs and slash UK carbon dioxide emissions. The green sheen on this year’s budget will do little to disguise the fact that yet again the government has merely applied a sticking plaster to a low-carbon industry on life support.”
So, do you think that the Government are doing enough to tackle climate change? Let us know what you think of the new budget at firstname.lastname@example.org
Image courtesy of Sachiko, http://www.loveandhatesati.com/
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