Saatchi Gallery – AmeliasMagazine

Amelia’s Magazine | Hayley Crompton- fashion’s newest graduate

Come and help out on the art, buy more about earth or music sections, starting next week (November 16th) until the end of February, with a 2 week break over Christmas. You must be a fabulous writer, interested in the section you are working on, and own your own laptop. We work Mon-Thurs every week from my house in Brick Lane, East London. Please note that if you are not in London you are welcome to contribute but we work as a team and all editors need to come into my office.

If you are interested please email Satu on hello@ameliasmagazine.com – with
a) your CV
b) and a piece of writing that would suit the section you wish to work for (please state)
c) when you can start and when you are available for interview this week if possible

We also need a shorter term publishing intern to help out with the launch of my Anthology of Illustration – this again will be starting the week of November 16th for a period of one month before Christmas. This is not a writing position, instead you need to be well organised, interested in learning how a small publishing house works, and motivated. You will be helping to get the book into shops all over the world, helping with the organisation of the launch party in early December, and liaising with journalists to get the book reviewed in newspapers and on blogs.

I can’t pay you – the website doesn’t exactly earn an income, but it is fun working as part of a friendly team, you will gain invaluable experience and it looks great on your CV, especially since we were recently rated one of the top 10 art blogs in the UK!

We look forward to hearing from you.
Images throughout courtesy of Hayley Crompton

When did you graduate?
I graduated just this summer from Ravensbourne College of Design and Communication. I studied Fashion with Textiles BA (hons) for three years.

What have you been up to since graduating?
Since graduating I have been developing my portfolio and online presence. I’m working freelance and am continuously creating new Womenswear and Menswear Designs. I’ve even begun branching out into Accessories. I am also about to launch a small scarf range which should be available from early next year, web as should my new website.

If that wasn’t enough to be getting on with I’m also currently on an internship with Robert Fenton Enterprises at the Business Design Centre. I’m using my prints and graphics as a promotional tool for his businesses. I am presently helping with marketing his Talent Expo event by designing logos, price and media packs. This opportunity has given me a real incite into new creative ways I can use my skills outside of the fashion industry.

Your illustrations are very graphical and have a distinctive style, website have you always drawn like this or is it a style you developed through practice and time at university?
My style has always been quite graphical and stylised, I have always used bold and dark structured lines in my work, but it was my time at university that helped to enhance this. I now incorporate my freehand style with image manipulation through Photoshop; giving my imagery a clean and professional edge.

What inspires you to be creative?
So many things inspire me to be creative, music has a strong influence and this often reflects in my prints. The people who are around me can inspire me to be creative; I like being surrounded by like minded people where fresh creative ideas are always flowing.

The media can inspire me, I love reflecting the problems in society in my prints to create imagery that appears beautiful on the surface and at first glance, but which ultimately has a more sinister underlying meaning within.
Often going to a gallery or exhibition can initiate new ideas; anything from an unusual object to intense works of art can inspire new print designs and approaches.

If you had to choose between the two disciplines, do you prefer designing prints or illustrating?
I enjoy both and I brand myself as an Illustrative print designer, so I find it difficult to separate the two, but ultimately my passion is for print design for fashion because it is so rewarding to actually see your print on a garment that someone is going to wear.

Are you influenced by anyone? Do you study the work of your contemporaries?
My prints and illustrations are very much influenced by the work of Pop Artists such as Roy Lichtenstein and Andy Warhol. I admire the physical impact of their work. I am passionate about any designer that has a love for colour and print, so I am always studying the work of past and present designers. There are a lot of current artists that inspire me in the Saatchi Gallery like Kristin Baker and Francesca DiMattio, the sheer scale of their work and the use of colour, varying media and detail is amazing.

Is there any one person, designer/brand that you admire/ would like to see wearing your prints/ or would feel that working with them is a goal?
I would love to see someone like Lady Gaga or Katy Perry wear one of my outfits; I feel my work would really suit their personalities. I admire fashion brands like Basso and Brooke, Paul Smith and Eley Kishimoto for the simple reason that they are not afraid to experiment with bold colour and print, it is one of my goals to work with one of these brands.

What are you looking forward to/ hoping to achieve in the next decade?
In the first five years I would like to really establish myself as a print designer and illustrator. I’d like to work for some top fashion brands as well as other companies that I admire and believe I could bring new ideas to. Towards the end of the decade I would like to create my own product line using my prints and illustrations as the main selling point and initially get my range into respected department stores just as print designer Orla Kiely has recently done. Ultimately I would like to run a successful business and own my own store selling my print designs on fashion, accessories, stationary etc, similar to that of Cath Kidston.

Written by Rachael Oku on Wednesday December 16th, 2009 2:03 pm

Categories ,Andy Warhol, ,Basso and Brooke, ,Business Design Centre, ,Cath Kidston, ,Eley Kishimoto, ,Francesca DiMattio, ,Hayley Crompton, ,Katy Perry, ,Kristin Baker, ,Lady Gaga, ,Orla Kiely, ,Paul Smith, ,Pop Art, ,Ravensbourne College of Design and Communication, ,Robert Fenton Enterprises, ,Roy Lichtenstein, ,Saatchi Gallery

Amelia’s Magazine | Christmas Gift Ideas 2013: Babies and Toddlers

Slugs and Snails tights for boys blue

Slugs and Snails tights for boys.

So, what do you do if you need to buy something for the little person in your life at Christmas? We buy very few new clothes for Snarfle (and are very grateful for the many hand me downs that he wears) but when we do buy new we often buy from smaller independent designers who create unique looks that you will not find on the high street. These wonderful pieces are more often that not designed with love by someone who is a mum themselves. They know what little people like, and they create with passion.

Mini Magpie London upcycled wool gilet

Mini Magpie clothes are all created from upcycled adult garments by mum Kimberley. I am particularly hankering after this little knitted waistcoat that is adorned with plentiful pompoms… but do take a look at all her clothing for little ones… such cute stuff, including little denim jackets, leggings and much more.

Slugs and Snails tights for boys

It is no secret that Snarfle lives in his Slugs and Snails patterned tights (see my instagram feed). After a summer off (during which he grew out of his last selection) I literally don’t know what we would do without them during the cold weather. Nothing is as snug and cosy as tights – socks always seem to crumple off in little deposits all over the house to leave behind freezing cold tootsies (not that he seems to mind, they bother me a lot more). I was a bit worried about how he might ‘style’ them (don’t laugh) now he is a fully grown walking mini person, but actually they look bloody great under baggy pants, or peeking out from under leggings (which he also lives in, most of ours come from Oh Baby London). My new favourite design is Storm, featuring clouds and rainbows on a steely grey background. Utterly fab: these really are the best gift you can give a little one, boy or girl. You can read my interview with creator Kathleen Redmond here, she’s an inspiration to all us mums.

The Bright Company - Knapp Blanket for babies

When Snarfle was smaller he was always tucked up (in our bed) inside a sleeping bag. How did we ever manage back in the old days, before these genius inventions? Ours were all second hand, but if I was looking for a very sweet and unique version I’d go for one by The Bright Company, all handmade and printed in the UK. Their Kipp Sleeping Bag for £38 is covered in a very retro modern hexagon design in their signature bright blue and orange colour way. Or how about the Knapp Blanket for £30 in unisex colour ways, a great gift for little people that can be used to swaddle them in the Moses basket (if yours will sleep in one that is, our basket was passed on very quickly) or to keep them warm in a buggy or in the carrier. Later on it could even become a fantastic den maker!

Day Job Katie Johnston hobby horse toys

Hankering after a toy that’s not garish and over the top, that will allow your child’s imagination to run free for many years to come? Then why not consider a Hobby Horse. These ones are by Katie Johnston of the Day Job collective, and come in a host of possible colours. You choose! It’s just like the good ol’ days…

The Baltic Baby Leggings by Modéerska Huset

Kyna Boutique specialises in organic children’s clothing and many of the brands are sourced from Scandinavia, which seems to specialise in the kind of bold patterned clothing that I love so much but which English designers shy away from. I really like The Baltic Baby Bodysuit and Leggings by Modéerska Huset, covered in islands, ferries, waves and swans. Swedish designer Jenny Modéer works in a slightly more subtle but nonetheless unusual colour palette. Kyna Boutique offers free delivery within the UK, and free returns too!

Ruff and Huddle varsity jacket with zakee shariff

Ruff & Huddle has had a super busy year, with successful launches in Selfridges and great press all over the place. Their collaboration with ace illustrator Zakee Shariff has produced some wonderful clothing, and I am particularly in love with this London Varsity jacket that has ROAR embroidered on the front and a lion on the back (see left in the photo above). Why should the Americans have all the fun? At £50 it’s a considered purchase, but one that is bound to be a practical favourite with your little one.

Sian Zeng - Blue duvet set and sew your own bear

Sian Zeng is a Cockpit Arts based designer who creates a variety of objects and homeware items that span the generations. Her classic bespectacled Office Bear comes as a kit you sew up yourself for £25, and here they are seen in a variety of colour ways lounging against a duvet set, also designed by Sian. Snarfle has one of these, but it did have to be sewn up by an adult (his dad!) – so this is a fun gift that could kill two birds with one stone (so to speak).

Lil Beans red baby fringe moccasin booties

Lil’ Beans is a new online kidswear retailer that was set up with the aim of selling brands that offer high quality design, uniqueness, comfort and durability. Due to their American connections they have also brought some lesser known brands to these shores and I am just a little bit in love with these adorable red fringed moccasins for babies for £35. Adorable. Also look out for their Thrifted section, featuring second hand loveliness for bargain prices.

Lastly, I’ll be bringing you my ideas for the prettiest and most unusual homemade decorations that I’ve found on my travels around the web. Here’s hoping that I get time to make a few myself as well.

Written by Amelia Gregory on Thursday December 12th, 2013 3:45 pm

Categories ,2013, ,Babies, ,Babywear, ,Christmas, ,Cockpit Arts, ,Day Job, ,gifts, ,Hobby Horse, ,Jenny Modéer, ,Kathleen Redmond, ,Katie Johnston, ,Kipp Sleeping Bag, ,Knapp Blanket, ,Kyna Boutique, ,Leggings, ,Lil’ Beans, ,London Varsity jacket, ,Mini Magpie, ,Modéerska Huset, ,Office Bear, ,Oh Baby London, ,Ruff & Huddle, ,Sian Zeng, ,Slugs and Snails, ,Snarfle, ,Storm, ,TBC, ,The Baltic Baby Bodysuit, ,The Bright Company, ,Thrifted, ,Toddlers, ,Zakee Shariff

Amelia’s Magazine | Corrie Nielsen: London Fashion Week A/W 2012 Catwalk Review

Corrie Nielsen A/W 2012 by Gaarte.

London Fashion Week kicked off for me this year with a brilliant showing from Corrie Nielsen, who looked to the Scottish Highlands for inspiration in Vestiarium Scoticum. Named for an infamous book describing the provenance of Scottish tartans, this collection harks back to Corrie’s long lost heritage: her ancestor John S. Burns emigrated to America during the Revolutionary War and this collection is dedicated to both him and her grandmother Tollie.

Corrie Nielsen AW 2012 photography by Amelia Gregory

Corrie Nielsen A/W 2012 by Gaarte.

Vestiarium Scoticum opened with a bold red tartan dress, adorned with asymmetrical panels of black chiffon ruffles. Hair was tied back into a sleek low bun with ‘face lace’ fretwork painted across the side of the foreheads by Phyllis Cohen. Buns are big for A/W 2012, you heard it here first.

Corrie Nielsen AW 2012 photography by Amelia Gregory

Corrie Nielsen by Angelica Moreno
Corrie Nielsen A/W 2012 by Angelica Moreno.

Beautifully tailored creamy blouses were buttoned high at the neck to offset supremely wearable tartan separates with a lady like feeling of propriety. In contrast a girly pleated tartan skirt was paired with a gauzy polka dot blouse, knee high post box red socks and flat shoes.

Corrie Nielsen AW 2012 photography by Amelia Gregory

I was particularly enamoured of the hair pieces by milliner Emma Yeo, which featured fine laser cut wood that echoed the long tapered pheasant feathers.

Corrie Nielsen AW 2012 photography by Amelia Gregory

This season the key focus was on a draped shawl shape that crumpled in waterfall-like waves across the torso, or swung jauntily across shoulders to culminate in finely structured peplums jutting from the waist, a favourite shape of Corrie Nielsen‘s.

Corrie Neilsen A/W 2012 by Sam Parr.

Corrie Nielsen AW 2012 photography by Amelia Gregory

Corrie Neilsen Check Skirt by Sam Parr
Corrie Neilsen A/W 2012 by Sam Parr.

The last two dresses featured the huge extravagant tumbles of fabric for which Corrie Nielsen has become famed, gloriously theatrical showstoppers with tiny waists and sweeping trains. Not for nothing has Corrie Nielsen become the heir apparent to the Westwood crown.

Corrie Nielson A/W 2012 by Carol Ryder.

All photography by Amelia Gregory.

Written by Amelia Gregory on Saturday February 18th, 2012 10:22 pm

Categories ,A/W 2012, ,Angelica Moreno, ,BFC Showspace, ,Carol Ryder, ,Corrie Nielsen, ,Emma Yeo, ,Face Lace, ,Forward PR, ,Gaarte, ,Gabriel Ayala, ,Gazelli, ,John S Burns, ,lfw, ,millinery, ,Peplum, ,Phyllis Cohen, ,Revolutionary War, ,Ruffles, ,Sam Parr, ,scotland, ,Sheer, ,Tartan, ,Tollie Burns, ,Vestiarium Scoticum, ,Vivienne Westwood

Amelia’s Magazine | Peek-a-Boo! Boo Saville: Trolley Gallery

All artworks courtesy of Boo Saville. Indefinate series, clinic Oil on canvas, no rx 2008

Boo Saville’s show at the Trolley Gallery on Redchurch Street isn’t the kind of thing that tomes and volumes can be written about. But I’ll see how far I get. This is certainly her most confident work yet.

How do we feel?, Bleach on black cotton, 2010

The white backgrounds are gone, so has the ball-point pen. Instead we have richly dark spaces that exert magnetic and religious forces on the viewer. Where once we were separated from the subjects by a very stark distancing, we are now fully empathetic.

Bog man, Biro on paper, 2006

Subject has become self for Saville. But there’s more than just one idea here. The imagery that might zip through your mind ranges from the intensity of being buried alive to the irreverent madcap guffaws of Noel Fielding. Sometimes it’s like finding a number and jet Francis Bacon in an archaeological dig. But that’s really about it for wordy analysis; this is simply work you have to look at (unlike most of Redchurch Street at the moment).

Ghost, Monoprint, 2009

It’s great to see Saville’s CV getting better and better. Boo Saville studied at the Slade School of Art, London. From 2003 she formed part of the WOWOW! collective in south London with the artist Matthew Stone. In 2007 she was a nominee for the Sovereign Painting Prize, and in the summer of 2008 she worked on a residency in Paris at the Cite des Arts. Her first solo show was at Martin Summers Fine Art in 2008.

The Explorer, Bleach on black cotton, 2009

Her work has recently been acquired by the forthcoming Museum of New and Old Art, Tazmania. She was recently featured in Francesca Gavin’s book ‘Hell Bound: New Gothic Art’ and her forthcoming book on British artist under 35 years old. In January 2010 she was featured in Vogue’s ‘British talent’ special, ES Magazine, The Times and The Independent. After Trolley her next solo show will be at Studio Visconti, Milan in September 2010. She lives and works in London. Definitely tipped for the top. Three of these six canvases are stunning. Go see. For a virtual tour, visit here.

Shi, Biro on paper, 2008

The Boo Saville exhibition runs from Fri 05 Feb 2010 – Sat 13 Mar 2010

The address is Trolley Books, 73a Redchurch Street, London E2 7DJ tel +44(0)20 7729 6591 fax +44(0)20 7739 5948

Written by Gareth David on Tuesday February 16th, 2010 3:04 pm

Categories ,Boo Saville, ,contemporary art, ,exhibition, ,Exhibition Review, ,Francis Bacon, ,london, ,Monoprint, ,painting, ,print, ,Saatchi Gallery, ,Slade School Of Fine Art, ,Trolley Gallery

Amelia’s Magazine | Dark fairytale: An interview with artist and illustrator Natasha Chambers

Babylon Twins

Dreamy, try intricate details dominate Natasha Chambers’ work, viagra sale and you can easily imagine her immersed in creation, viagra sitting by a large window overlooking some light-drenched Cornish beach. Cups of tea go cold as she pieces together the exquisite tiny patterns or the bold colours of her latest ‘Bywa’ series, a homage to the stories and beauty of Cornwall. But as Natasha has entitled one of her collages, ‘You need chaos in your soul to give birth to a dancing star’ – there are also hints of darkness underneath all the beauty. You can’t have one without the other.

Watergate (part of Bywa)

Most of your work has an amazing level of detail, be it the horses as waves, embroidery patterns or the butterfly wings. It’s beautiful, but it must be very time-consuming?
It is really time consuming, but I get all my satisfaction from the details. It’s a double-edged sword because these details also drive me mad. Sometimes the dots and lines imprint themselves in my head in the same way as when you look at the sun and then look away and you see suddenly see black spots.

There seems to be a lot of nostalgia in your work, or maybe this is just what it feels like when a piece of art focuses on nature? Do you consider yourself a nostalgic person?
I suppose I am a nostalgic person – and perhaps nature and childhood are synonymous in these feelings of the past. I have a box on my dresser, a treasure box if you like that could belong to a magpie, where I hoard broken bits of things that I have picked up over the years that I am unable to part with.

Yesterday

While the work is very pretty, there are also plenty of slightly twisted elements within the art, with the snakes and skulls. Do you do this to create contrasts, or is it because beauty on its own can be a bit, well, dull?
With every fairy tale there is always a dark side that creates tension with its lighter facade. You only have to think of the stories of Hans Christian Andersen, the fairy tales of the Brothers Grimm or even Walt Disney to see there is always this balance. Imagine Snow White without the Evil Queen.

In Stitches

I first saw your work at the Last Tuesday Society’s Beasts Royal exhibition (review here), and you’ve been part of prior shows there as well. Could you tell us a bit about what it’s like to work with the amazing Last Tuesday Society please?
Mr Wynd has a fine collection of treasures. His shop makes you feel like a child in sweetshop, so I was obviously very pleased to have some work there. The show Beasts Royal was curated by Alice Herrick, who also curates the House of Fairy Tales with Gavin Turk and Deborah Curtis. Their shows are consistently beautiful and intriguing – bringing together a wonderful selection of artists to show in some great spaces. Shows have included the exquisite trove exhibition at the Newlyn Art Gallery and the House of Fairy Tales at the Saatchi Gallery and Millennium Gallery in St Ives. In Newlyn, each artist was invited to donate an object of interest to them either created or found to create a wonderful cabinet of curiosities amongst a plethora of carefully selected objects from museums across the Cornish county.

Bowerbird (part of Beasts Royal)

How do you build up your work? What inspires you?
It usually evolves through many stages and I work using quite a ramshackle but huge library of reference material. I am especially inspired by the narrative form of literature. I studied storytelling in LA and whilst I thought I would become a writer realised I was more interested in the static image. At some point I would like to return to the written word. I can remember quite vividly the books I was read as a child from their images, they’re works of art that are very engraved into my psyche.

Polzeath (part of Bywa)

The Bywa series seems different from your other work. There is less detail, but there’s also really wonderful use of colour with the green clouds and pink sky. I especially love Polzeath, the one with white-patterned sand and skies. What’s the inspiration behind this series?
I live in Cornwall, and apart from the stunning beauty of the area I live in, it is also rich in legends and it feels like the land itself breaths this ancient folkloric history. I find it very inspiring. Bywa means ‘to be alive’ in Cornish, or Kernuek. I thought this was an appropriate title especially given as the work became vividly coloured. The most recent pieces in the series, such as St Enodoc and Watergate, are almost made up entirely of dots and lines and are very intricate. St Enodoc even has a few lines of one of Sir John Betjeman’s poems half hidden in a cloud – he was very fond of this part of Cornwall and is now buried in the church.

Yellow

You do commissioned work for magazines, music and advertising. How did you go from being a design student to being a successful working artist?
After I graduated I was forced to do commercial work as a way of creating income but these projects were also useful in developing technical and artistic confidence and also a linguistic freedom. I have gradually tried to spend more and more time on my own work. I’m currently working some new ideas for an exhibition coming up, but also some commissions and other work.

Natasha Chambers

See more of Natasha Chambers’ work on her website.

Written by Jessica Furseth on Tuesday April 26th, 2011 3:27 pm

Categories ,Alice Herrick, ,art, ,Beasts Royal, ,Brothers Grimm, ,Bywa, ,Cornwall, ,Deborah Curtis, ,Disney, ,Fairy tales, ,Gavin Turk, ,Hans Christian Andersen, ,House of Fairy Tales, ,Millennium Gallery, ,Natasha Chambers, ,nature, ,Newlyn Art Gallery, ,Saatchi Gallery, ,Sir John Betjeman, ,storytelling, ,The Last Tuesday Society, ,Viktor Wynd Fine Art

Amelia’s Magazine | Dark fairytale: An interview with artist and illustrator Natasha Chambers

Babylon Twins

Watergate (part of Bywa)

Yesterday

In Stitches

Bowerbird (part of Beasts Royal)

Polzeath (part of Bywa)

Yellow

Natasha Chambers

See more of Natasha Chambers’ work on her website.

Written by Jessica Furseth on Tuesday April 26th, 2011 3:27 pm

Amelia’s Magazine | Art Listings

On Thursday the bath-time lovelies at Lush supported one of my great loves, case troche by staging Climate Rush themed picnics outside all 89 of their UK stores.

As was detailed by Cari in a previous post, unhealthy my local Lush store just happens to be in Liverpool Street Station. Chosen as the flagship store for this event the picnic was attended by Lush superstar campaigners Sean and Andrew, here who have together helped us out in a very big way.

I sent the interns ahead on foot and arrived to find a fetching gingham tablecloth – bearing the timely ‘Climate Change is No Picnic’ slogan – being spread and upon it a yummy selection of vegan cake and cookies laid out for passersby to enjoy.

A trio of violins led by the Rush’s very own Deborah (her of sticky-fingers-in-parliament fame) struck up a tune as the lovely Lush girls, dressed in full Edwardian garb, handed out Trains Not Planes sashes to business men passing by and even managed to engage some climate change denialists in some productive conversation.

The police, as ever, were present. In fact I swear I recognised one of them from the “Riot Gate” at Kingsnorth during Climate Camp last year. Unlike then, they were eager to smell the soaps (all packaged in recyclable paper – Lush tries not to use excess packaging, just one of the reasons we love ‘em) and chat to the pretty shop girls. I wonder if they’ll be so nice to us on Monday…

As Tamsin did her best to butter up the passersby in those famous suffragette must-haves, fishnet tights and a miniskirt, we were pounced on by a person dressed up as a giant mobile phone.

A slightly surreal experience to say the least, as the Lush shop girls tried to dress the ungainly thing in some bright red sashes, whilst Sean did his best to engage the phone in conversation about how many times a year it flies. My interns finally arrived and proceeded to pose marvelously for the camera. We’ve been joking that Jonno and Roisin are evil twins – just check them out!

Over the weekend there has been a flurry of Climate Rush activity, both promotional and creative – we’ve flyered the South Bank twice, and approached friendly looking cyclists left, right and centre.

Climate-Rush-Bike%20Rush-prep-May-2009-0000.jpg

Climate-Rush-Bike%20Rush-prep-May-2009-0015.jpg

It seems that if you ride a bike you are generally a friendly soul, and all of them were happy to hear about Climate Rush bar a particularly unpleasant yuppie couple with a pair of fold out Bromptons that no doubt only see the light of day when the sun shines at the weekend. Fairweather cyclists, who’d have ‘em?!

Climate-Rush-Bike%20Rush-prep-May-2009-0059.jpg

Climate-Rush-Bike%20Rush-prep-May-2009-0192.jpg

In between accosting cyclists we have managed to print a mammoth amount of sexy sashes and flags to attach to the back of bikes.

Climate-Rush-Bike%20Rush-prep-May-2009-0268.jpg

I’ve discovered that I can still sew, and managed to knock up 5 pairs of fetching bloomers in record time (just don’t look too closely at the sewing, I was in a hurry okay?!) Made out of red and white striped fabric with lacey ruffles on the legs they look part clown and more than a little bit burlesque, but then whoever said we take the Edwardian theme too seriously?! I can’t wait to see what everyone else dons for out bike ride tomorrow.

Climate-Rush-Bike%20Rush-prep-May-2009-0283.jpg

Bring it on…. let’s show the government and big corporations that we won’t let them get away with business as usual when it comes to Climate Change. Collectively we can stop this beautiful world of ours from being buggered over, so make sure you come along and enjoy a stylish Bike Rush with a purpose. This is one cycle ride you’re sure to remember…

Read a past blog about this event here. What do you think about direct action over Climate Change? Let us know your views.
Rowdy – Never Smile at a Crocodile

Sartorial Contemporary Art
26 Argyle Square
London WC1H 8AP
June 4th – June 27th
Open Tues – Sat 1:30 – 7pm or by appointment

With work described as ‘Ren & Stimpy meets Goldsworthy’, shop this is the first major solo show for Rowdy in London to date. Mixing the Ancient with the Urban, medical Rowdy juxtaposes his trademark playful crocodile sculptures with the modern cityscape jungle. He also produces street art paintings reminiscent of caveman-esque cartoon monoliths.

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Abstract America: New Painting and Sculpture

Saatchi Gallery
Duke of York’s HQ
King’s Road
London
SW3 4SQ
Until 13th September
10am-6pm, illness 7 days a week
Free

A new generation of radical American abstract painters and sculptors from the US, 35 of them in total, with work both daring and inventive, fresh and exhilarating.

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Aditya Pande

Alexia Goethe Gallery
7 Dover Street, London W1S 4LD
Until 18th July
Monday – Friday 10-6
Saturday 11-4

New Dehli artist Aditya Pande’s first solo London show draws on both fine and applied art principles. What start as drawings on computer morph into paper prints or canvas creations, and then become starting points for three-dimensional narratives. Frantic, glossy, grand and descriptive.

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Feel The Force

Cafe Gallery
By the Lake, Southwark Park
London SE16 2UA
Until 28th June
Wednesday – Sunday 12 – 6
Free

Maja Bajevic, Benjamin Beker, Astrid Busch, Kate Gilmore, Immo Klink, Susan MacWilliam, James Pogson, Anina Schenker

Curated by Clare Goodwin and Liz Murray

Inspired by engagement in power and resistance, Feel the Force is a collaborative show from eight international artists and debates the psychological, the political and the physical. Investigating roles of victim and perpetrator, the artists approach the term Force through avenues diverse as obsessional first love and the military.

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The Social Lives of Objects

Castlefield Gallery
2 Hewitt Street
Knott Mill
Manchester M15 4GB
Until 19th July
1-6pm Wednesday-Sunday
Free

Hilary Jack, Lisa Penny and Dallas Seitz provide insightful examinations of society’s complex and perplexing relationship with material goods, from their beginnings in production to their inevitable obsolescence and decay. Everyday objects are recovered and represented and reinterpreted for our reevaluation of what role ‘stuff’ has in our lives and in our world.

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The Butterfly Effect

ARCH Gallery
15 Resolution Way
Deptford
London SE8 4NT
Until 20th June
Thurs – Sat 12:00 to 5:00pm

The well-known theory that subtle actions can and will ultimately alter the paths of world disaster is given a makeover by God’s gift to drawing Paul Marks. Using the system to create intricate line drawings in which each line added by hand effects the next one added. The comparisons are as varied as lunar landscapes, overtly sexual and flows of air, smoke or water.

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ARCHIPELAGO – Gemma Anderson

Whitecross Gallery
122 Whitecross St.
London EC1Y 8PU
Until 6. June
Tues – Sat 11 – 6pm or by appointment
Free

The final week to catch new work from Gemma Anderson including her signature drawings and newer etching work. Dream-like and fantastical depictions of fairies, land and seascapes drawing on her experiences of researching the Natural History archives in Canada, Japan and France her new work doubles as a personal travelogue.

Written by Alice Watson on Monday June 1st, 2009 12:14 pm

Categories ,Aditya Pande, ,Drawing, ,Gemma Anderson, ,Manchester, ,Paul Marks, ,Rowdy, ,Saatchi Gallery, ,Sculpture

Amelia’s Magazine | An interview with cake designer and alternative baker Lily Vanilli, a.k.a. Lily Jones

Photography courtesy of Michael Clements

I first heard of Lily Vanilli last year when I read an article in The Observer Magazine about the candidates who made the shortlist for Courvoisier The Future 500 (2009). The graphic designer-turned-bespoke cake designer was listed in the top five and cited as one of the rising stars to watch for her innovative approach to cake baking.

Turning the cupcake business on its head, Lily’s delicious cakes are the antithesis of the conventional, cutesy cupcake with their unusual and macabre themes. Her fabulous creations are essentially mini edible sculptures (e.g marzipan beetles, morbid meringue bones, etc), an aesthetic delight, which are all crafted by hand in Lily’s kitchen in East London. This, combined with unusual ingredients such as bacon and avocado and a killer melt-in-the mouth sponge recipe, makes for a thrilling culinary experience. Speaking as a dessert fiend and as someone who has sampled Lily’s gourmet cakes, I have never been happier to move over to the dark side of cake!

Lily’s imaginative style to cake baking and kooky creations have earned her somewhat of a cult status within the industry and her decadent cupcakes, which are tailored specifically for each occasion, have featured at parties for Elton John, Henry Holland, Sadie Frost, Hello Kitty, Downing Street, Saatchi Gallery, Levi’s and The Sunday Times. Not bad for someone who only started baking as a hobby.

Photography courtesy of Cico Books

Last month saw the launch of Lily’s first ever book, ‘A Zombie Ate My Cupcake’, in which she shares her secret recipes for the first time ever. Guaranteed to be unlike any cake baking book you already own, ‘A Zombie Ate My Cupcake!’ is a graphic horror novel/cookbook comic featuring 25 gory recipes ranging from Sweeney Todd’s Surprise, a chocolate cupcake which looks like a pie with a severed bloodied finger poking out of it, to Bleeding Hearts, which, well, looks like squashed bleeding hearts with arteries and veins attached ‘n’ all.

Featuring other sweet treats aptly named ‘Eerie Eyeballs’, ‘Shattered Glass’ and ‘Marzipan Beetles’, the book is a visual feast, fusing the worlds of art and cuisine. With quirky detailed comic illustrations provided by up-and-coming illustrator Paul Parker, ‘A Zombie Ate My Cupcake!’ is a must for any cupcake enthusiast who is ready to take on the challenge of some slightly more sinister baking.

To celebrate the launch of Lily’s new book and her cupcake range at Harrods, Amelia’s Magazine caught up with the alternative cake designer and baker to talk about experimental food movements, taking on the cupcake world and crowd surfing with Nick Griffin’s head…

Photography courtesy of Cico Books

Your background is as a graphic designer – do you think the skills you picked up during your training have helped you in your cake baking career at all?
I was a self-taught designer and I’m a self-taught baker so I never had any training for either! I definitely think there are transferable skills though and it’s valuable to learn how to apply yourself and your creativity to different things; design skills are always useful these days.

What excites you most about being in the cake baking industry?
I think it is a really exciting time for food in the UK; take a look at the Experimental Food Society of which I am a member. There are lots of young and creative people pushing boundaries in food. I think this is just the beginning and it’s going to get really fun.

What sparked off the idea of going against the conventional cutesy cupcake?
It was a backlash. I was accidentally thrust into the world of the ‘cupcake’ which was never my intention as a baker, and I found it saturated with style-over-substance, overly sweet cakes, iced in glitter and sprinkles and sold at inflated prices. I wanted to bring it back to quality and play with preconceptions of appearance, for example, baking things that were ugly to look at but using quality ingredients.

Photography courtesy of Cico Books

How did you come up with the ideas for the different recipes in your book?
It didn’t take much! I love horror and the macabre and I always had a fascination with things like insects and dark stories like Sweeney Todd. I just played around for a few hours and that was it.

On average, how long does it take you to perfect a recipe including the design?
Most of my recipes are works-in-progress that I have been developing for years. It starts with a flavour or an idea about a perfect cake – texture, smell, flavour, etc – and then I develop it from there. None of my recipes are ever finished. I’m always tweaking and improving things, or adding a new twist. I have one cake, it was the first one I developed, which I have been working on for years – it always gets better. It’s a very wintry cake so I’ll be making it again soon. I can’t wait!

How did you end up working with Paul Parker on the illustrations in your book?
I originally got in touch with an artist I really admire called Richard ‘French’ Sayer. He makes these very beautiful dark and twisted black and white drawings, we had a few meetings about the project and he loved the idea, but once we got started it turned out it wasn’t a perfect fit for the book so he recommended Paul and straight away he completely nailed it. Paul’s work is much more colourful and the comic book/graphic horror novel style was exactly what I wanted. Everything I described to him he produced perfectly. He’s really young and just getting started but I think he’s going to do great things!

Photography courtesy of Cico Books

Have you had any cake baking disasters?
I once made a sculpture of Nick Griffin’s head for an event called ‘ The British Internationalists Party’. I spent about eight hours on it but it died (due to structural issues). We used it anyway and it crowd surfed at a gig, completely deformed by then. People were biting chunks out of it on the sweaty dance floor and marzipan ears were flying around – it was all pretty crazy! The worst part of it was that I had to look at images of Nick Griffin for a full day.

What’s the best cupcake you’ve ever had?
Definitely the best cupcake I’ve ever had is my vanilla with passionfruit, coconut & toasted almond. It really is just the perfect cake – so light and fluffy with a slight chewy texture at the top and beautiful vanilla flavours with gentle creamy buttercream and the sharpness and flavour of the passionfruit balances any sweetness. I made it the perfect cupcake for me, so I definitely say that’s the best one I’ve had…

Who do you most admire in the cake baking industry and why?
There are some really talented cake sculptors, such as Michelle Wibowo and Louise from Love to Cake, but the really exciting people for me in food are people like Bompas & Parr who bring art and science into food creation and push boundaries with everything they do.

What’s next for Lily Vanilli?
I’m launching at Harrods at the moment! This is a huge step for me as they are my first supplier. We will keep it seasonal and creative with new flavours each month. This month sees a special ‘Bonfire night’ cupcake. It’s a warm, wintery spiced cake, with a light lemon frosting and a popping candy chocolate disk with caremelised biscuit. It explodes in your mouth and tastes delicious! I think it’s a real sign of progress for foods in the UK that one of the worlds most visited and prestigious food halls would take a chance on an artisan baker from East London… I’m very excited!

Lily’s new book ‘A Zombie Ate My Cupcake!’ is published by Cico Books and can be purchased here.

Written by Kat Phan on Monday November 8th, 2010 12:52 am

Categories ,A Zombie Ate My Cupcake, ,Bompas & Parr, ,Downing Street, ,Elton John, ,Experimental Food Society, ,Harrods, ,Hello Kitty, ,Henry Holland, ,Kat Phan, ,Levi’s, ,Lily Jones, ,Lily Vanilli, ,Michelle Wibowo, ,Nick Griffin, ,Paul Parker, ,Richard ‘French’ Sayer, ,Saatchi Gallery, ,Sadie Frost, ,Sweeney Todd, ,The Courvoisier Future 500, ,The Observer Magazine, ,The Sunday Times

Amelia’s Magazine | An interview with cake designer and alternative baker Lily Vanilli, a.k.a. Lily Jones

Photography courtesy of Michael Clements

Turning the cupcake business on its head, try Lily’s delicious cakes are the antithesis of the conventional, story cutesy cupcake with their unusual and macabre themes. Her fabulous creations are essentially mini edible sculptures (e.g marzipan beetles, decease morbid meringue bones, etc), an aesthetic delight, which are all crafted by hand in Lily’s kitchen in East London. This, combined with unusual ingredients such as bacon and avocado and a killer melt-in-the mouth sponge recipe, makes for a thrilling culinary experience. Speaking as a dessert fiend and as someone who has sampled Lily’s gourmet cakes, I have never been happier to move over to the dark side of cake!

Photography courtesy of Cico Books

Lily’s new book ‘A Zombie Ate My Cupcake!’ is published by Cico Books and can be purchased here.

Written by Kat Phan on Monday November 8th, 2010 12:52 am

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