Amelia’s Magazine | Climate9: Stopping Carbon Emissions at Source. So Who are the Real Criminals?

Kevin-Bradshaw-Donald-Trump-Golf-Planes-1
Donald Trump is behind the expansion of Aberdeen airport. Illustration by Kevin Bradshaw.

When the words of the law and the actions of the Government contradict each other, viagra look it can be quite confusing for all involved. The much lauded Scottish Climate Change Act, for instance, lays down that Scottish Ministers must create a strategy which encourages the population to help them achieve their carbon emissions targets. So, why, when a group of concerned citizens prevented 107 million tonnes of carbon being emitted over a period of five hours, were they then arrested and charged with vandalism and breach of the peace? Perhaps erecting a mini golf course on the runaway at Aberdeen airport and grounding all the planes isn’t one of the actions identified by the Scottish Ministers as contributing to the achievement of those targets… because it actually affects carbon heavy businesses?

The Climate9, as they have been dubbed, staged this action is response to the proposed expansion of Aberdeen airport, an expansion to serve Donald Trump’s planned hotel complex and golf course, and all the lazy London businessmen who just need to getaway to bonny Scotland for their R&R. There are plans to expand all of Scotland’s airports, pushing passenger numbers up to 67.9 million a year, in a country where the population totals 5.1 million. Does every Scotsman need 13 flights a year? This would boost carbon emissions by 3.4 million tonnes. I fear the Ministers responsible have misinterpreted the phrase ‘achievement of targets’ in their own Act; it’s LESS not MORE. Got it? Currently, Scotland contributes 11% to UK carbon emissions from aviation and 60% of all Scottish flights are domestic. That is to say their destinations can easily be reached by train, coach or car, and slightly more adventurously by bicycle, or pony and trap.

“But trains are always late” and “Coaches are cramped and smelly!” I hear you cry. I agree. Wouldn’t it be great if the government could do something about that? Like putting £9 billion into land-based transport and sustainable development research? Faster, greener trains. Coaches with more leg-room and working toilets. The very stuff dreams are made of. You’re right though, where would they find money like that in a recession? Well, they could always NOT subsidise the aviation industry to the tune of £9 billion; using taxpayers money to dole out fuel tax exemptions to the high fliers. Funny how they don’t mention this little hand-out when touting the £11 billion ‘made’ from the aviation industry. Like any big business, aviation poops on the little guy. Sure, flights are cheaper, but if you can’t afford to take the time off work coz of all that tax you be paying, then you only pay once for the flights you aren’t taking. Every other tax payer who jets off? They pay twice.

Kevin-Bradshaw-9bn-Aviation-1
The tax payers fund aviation to the tune of £9 billion per year. Illustration by Kevin Bradshaw.

So, while the words of the government support reducing carbon emissions, their actions most emphatically do not. People like the Climate9, who take them at their word and do what they can to call attention to high carbon emitters and attempt to help the country achieve its targets, often find themselves arrested on some very odd chargers. Breach of the peace? Vandalism? I’d rather have a mini-golf course in my backyard that a runway, used by planes which breach the locals’ peace with their noise, cause localised air pollution, and run on oil, of which the methods of extraction are causing some serious devastation globally. Heard of the Alberta Tar Sands? That’s some vandalism right there, and you can’t just roll a fresh coat of paint over the top. The people who propagate the destruction of the environment are the real criminals and the Climate9 are hoping that their actions, and trial, will help to expose the hypocrisies of the government, and spread the word on the need for urgent action among people, not policies.

The trial start date is currently set for the 14th of June, and in the run-up to, and during, the trial, there are talks and meetings being held to show support for the Climate9 and push others to challenge the authorities with pride and confidence. Anyone and everyone is encouraged to aid the cause, through organising talks to call attention to the Climate9’s actions and government hypocrisy, dancing up some donations at a ceilidh, tweeting up the issue, sending in statements of solidarity, getting (favourable!) press coverage and involving as many people as possible throughout the blogosphere and via posters in order to “challenge the values of a legal system which too often undermines rather than supports the integrity and health of the Earth; and lets the real criminals go free while persecuting those brave enough to speak out for justice and future generations.”

I went along to one such talk at the School of Oriental and African Studies last week. Speakers included Dr. Geoff Meaden, a geography professor and key witness at the Kingsnorth 6 trial, Liz Hosken, Director and co-founder of the Gaia Foundation, and Matt Todd, editor of Attitude. Each speaker gave compelling evidence for climate change and outlined ways in which we are making a wreck of our planet. All called for a revolution in the way that we live and act when it comes to environmental issues, and all praised the Climate9 for taking direct action. Matt spoke about his efforts to get green issues into Attitude, writing a column entitled An Inconvenient Poof but found that even interested and worried parties still wouldn’t attend demos or change their lifestyle and habits. Liz made the point that it is industrialists who are vandalising the planet and emphasised the need to align current issues, showing that environmental injustices are just as much human injustices, and affect everyone. Jenny Griffiths, from the Climate and Health Council, reminded us that drought caused by climate change is already causing resource wars in poor countries such as Darfur. Ultimately, the information given was nothing that I, and probably most of the people in the lecture theatre, hadn’t heard before, but it’s good to know that there are such a variety of experts and professionals with such a passion for spreading information about climate change and the ways of combating it out there, who are willing to stand up next to activists and support their actions.

Everyone who spoke gave a call to arms. The time for hoping that the government policies will solve all ills is over. The Climate9 have led by example, and we need to let ourselves be inspired to take direct action and start up some civil disobedience. If nine people and a makeshift golf course can cause this much hassle and strife, I wonder what a whole campfull will achieve in Edinburgh later this year?

If you want to get involved with the Climate9 campaign, then head to their ‘Support’ page to find out their suggested actions to help out. If you want to get involved in generally saving the world, then keep an ear out for political or environmental hypocrisy in your local area, and do whatever it takes to make a difference.

Categories ,activism, ,Airport Expansion, ,Attitude, ,aviation, ,ceilidh, ,Climate Camp, ,Climate Change, ,Climate9, ,Direct Action, ,Donald Trump, ,Gaia Foundation, ,Kevin Bradshaw, ,SOAS, ,Tar Sands, ,Tax

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Amelia’s Magazine | Clothes Moths: Little Agents of Mayhem

Rebecca Thompson’s exquisite stitching played with long hemlines, diagnosis structured trousers and outsized neckerchiefs in this elegantly minimal collection consisting only of grey and white.

Knitwear had a strong presence in Harriet Gould’s combination of Sonia Rykel hair and Margret Howell esque shoes. It’s a relief to see model’s striding down the catwalk in a beautiful array of flats from Brogues to Desert Boots rather than 7 inch ankle breakers.

Flat shoes courtsey of Chloe Lennox and Emma Murphy:

Millie Betito presented a dark gothic collection, viagra approved pleats and folds added volume to the traditional shapes of A-Line Skirts and Smock Dresses.

Is that a Masion Martin Margiela inspiration I spy? Shoes under or as part of tights?

Rebecca Nearly exquisite menswear collection drew attention to why it is developing a presence on the catwalks once more.

Stylish practicality with the bags echoing the colour palatte and fabric choice of the clothes.


Illustration by Rob Wallace

Poppy Warwicker – Le Breton’s collection came complete with Maison Martin Margiela inspired sleeve dresses. The designer started with simple shift dresses, building up the motif of hands cut from the chiffon until it adorned the dress entirely.


Illustration by Naomi Law

The pieces played with volume and weight, from the models adorned with sleeves:

…to the models cocooned in wool.

Photographs by Sally Mumby-Croft

Rebecca Thompson’s exquisite stitching played with long hemlines, try structured trousers and outsized neckerchiefs in this elegantly minimal collection consisting only of grey and white.

Knitwear had a strong presence in Harriet Gould’s combination of Sonia Rykel hair and Margret Howell esque shoes. It’s a relief to see model’s striding down the catwalk in a beautiful array of flats from Brogues to Desert Boots rather than 7 inch ankle breakers.

Flat shoes courtsey of Chloe Lennox and Emma Murphy:

Illustration by Lauren Macaulay

Millie Betito presented a dark gothic collection, salve pleats and folds added volume to the traditional shapes of A-Line Skirts and Smock Dresses.

Is that a Masion Martin Margiela inspiration I spy? Shoes under or as part of tights?

Rebecca Nearly exquisite menswear collection drew attention to why it is developing a presence on the catwalks once more.

Stylish practicality with the bags echoing the colour palatte and fabric choice of the clothes.


Illustration by Rob Wallace

Poppy Warwicker – Le Breton’s collection came complete with Maison Martin Margiela inspired sleeve dresses. The designer started with simple shift dresses, viagra sale building up the motif of hands cut from the chiffon until it adorned the dress entirely.

Illustration by Naomi Law

The pieces played with volume and weight, from the models adorned with sleeves:

…to the models cocooned in wool.

Photographs by Sally Mumby-Croft

Antonia-Parker-Moth-Infestation
Illustration by Antonia Parker.

While we’re dreaming of floating across daisy strewn meadows in muslin, more about there are others who are concentrating their tiny minds on our winter clothing. As the weather warms up, pill we see more and more little silvery bronze moths flying about. These pretties have hatched after pupation – and a hedonistic youth as grubs, drug gorging with an often devastating effect on our woollen and silk treasures. Traditionally moth balls (camphor) have been used to keep moths away, but the strong odor and concerns about toxicity have led to us looking for more natural alternatives – or just crossing our fingers and hoping it won’t happen to us.

Kimberley-Dodsworth-Moths
Illustration by Kimberley Dodsworth.
 
Although most of us have clean houses we no longer clean in the way our families used to. Spring cleaning used to mean taking everything out of our houses, and scrubbing them from top to bottom before we put all our washed belongings back. One of the most effective ways to prevent moth attack is to clean your wardrobe – and your house thoroughly at least twice a year. Shaking rugs and large woollens out of the window will evict  most moth eggs too.? Cedarwood, lavender, cloves and other strong herbs do deter moths, but only within a small area – and they must be replaced often to ensure they keep working. Heirloom woollens and silks are best kept wrapped in acid free tissue and stored in a air tight wooden or card box. Storing very precious woollens in the freezer works too– but this is not always the best use of space.
 
minkee-motheaten
Illustration by Minkee.

Once these champing creatures have taken hold it is important  to deal with the infestation promptly. Boil, microwave or dry clean any affected items, and clean the area around them with weak washing up liquid solution with a few drops of lavender added, or old fashioned beeswax furniture polish. The most important thing is to remove any remaining grubs or their tiny off white eggs. Pheromone traps will prevent the moths from breeding further, and laying eggs by leaving the unfortunate man moths without mates –and are highly effective all year round. As vintage clothing collectors, we wish we’d known about them years ago.
 
Kevin-Bradshaw-Clothes-Moth
Illustration by Kevin Bradshaw.

Once the damaged garments have been cleaned and checked, you can then see what might be rescued. Small holes can be darned and covered by beads, sequins or appliqué. Flower corsages and pockets work well too. Larger damaged areas may mean that you’ll have to be more creative, and salvage parts from several garments to make something new.
 
Natasha-Thompson-Moth-Illustration
Illustration by Natasha Thompson.

If you’re not too confident with sewing yourself, there are great books, and online guides – and chances are you know someone who’d love to help you!

moths lucy Wills
Illustration by Lucy Wills.

You might also like to come along to one of my workshops: check out the meetup group for We All Reuse here or my website for my Re-Present consultancy here.

Categories ,Antonia Parker, ,Camphor, ,clothes, ,Corsage, ,diy, ,Kevin Bradshaw, ,Kimberley Dodsworth, ,Lavender, ,Minkee, ,Moths, ,Natasha Thompson, ,Pheromone traps, ,sewing, ,Spring Cleaning, ,vintage

Similar Posts:






Amelia’s Magazine | Clothes Moths: Little Agents of Mayhem

Rebecca Thompson’s exquisite stitching played with long hemlines, diagnosis structured trousers and outsized neckerchiefs in this elegantly minimal collection consisting only of grey and white.

Knitwear had a strong presence in Harriet Gould’s combination of Sonia Rykel hair and Margret Howell esque shoes. It’s a relief to see model’s striding down the catwalk in a beautiful array of flats from Brogues to Desert Boots rather than 7 inch ankle breakers.

Flat shoes courtsey of Chloe Lennox and Emma Murphy:

Millie Betito presented a dark gothic collection, viagra approved pleats and folds added volume to the traditional shapes of A-Line Skirts and Smock Dresses.

Is that a Masion Martin Margiela inspiration I spy? Shoes under or as part of tights?

Rebecca Nearly exquisite menswear collection drew attention to why it is developing a presence on the catwalks once more.

Stylish practicality with the bags echoing the colour palatte and fabric choice of the clothes.


Illustration by Rob Wallace

Poppy Warwicker – Le Breton’s collection came complete with Maison Martin Margiela inspired sleeve dresses. The designer started with simple shift dresses, building up the motif of hands cut from the chiffon until it adorned the dress entirely.


Illustration by Naomi Law

The pieces played with volume and weight, from the models adorned with sleeves:

…to the models cocooned in wool.

Photographs by Sally Mumby-Croft

Rebecca Thompson’s exquisite stitching played with long hemlines, try structured trousers and outsized neckerchiefs in this elegantly minimal collection consisting only of grey and white.

Knitwear had a strong presence in Harriet Gould’s combination of Sonia Rykel hair and Margret Howell esque shoes. It’s a relief to see model’s striding down the catwalk in a beautiful array of flats from Brogues to Desert Boots rather than 7 inch ankle breakers.

Flat shoes courtsey of Chloe Lennox and Emma Murphy:

Illustration by Lauren Macaulay

Millie Betito presented a dark gothic collection, salve pleats and folds added volume to the traditional shapes of A-Line Skirts and Smock Dresses.

Is that a Masion Martin Margiela inspiration I spy? Shoes under or as part of tights?

Rebecca Nearly exquisite menswear collection drew attention to why it is developing a presence on the catwalks once more.

Stylish practicality with the bags echoing the colour palatte and fabric choice of the clothes.


Illustration by Rob Wallace

Poppy Warwicker – Le Breton’s collection came complete with Maison Martin Margiela inspired sleeve dresses. The designer started with simple shift dresses, viagra sale building up the motif of hands cut from the chiffon until it adorned the dress entirely.

Illustration by Naomi Law

The pieces played with volume and weight, from the models adorned with sleeves:

…to the models cocooned in wool.

Photographs by Sally Mumby-Croft

Antonia-Parker-Moth-Infestation
Illustration by Antonia Parker.

While we’re dreaming of floating across daisy strewn meadows in muslin, more about there are others who are concentrating their tiny minds on our winter clothing. As the weather warms up, pill we see more and more little silvery bronze moths flying about. These pretties have hatched after pupation – and a hedonistic youth as grubs, drug gorging with an often devastating effect on our woollen and silk treasures. Traditionally moth balls (camphor) have been used to keep moths away, but the strong odor and concerns about toxicity have led to us looking for more natural alternatives – or just crossing our fingers and hoping it won’t happen to us.

Kimberley-Dodsworth-Moths
Illustration by Kimberley Dodsworth.
 
Although most of us have clean houses we no longer clean in the way our families used to. Spring cleaning used to mean taking everything out of our houses, and scrubbing them from top to bottom before we put all our washed belongings back. One of the most effective ways to prevent moth attack is to clean your wardrobe – and your house thoroughly at least twice a year. Shaking rugs and large woollens out of the window will evict  most moth eggs too.? Cedarwood, lavender, cloves and other strong herbs do deter moths, but only within a small area – and they must be replaced often to ensure they keep working. Heirloom woollens and silks are best kept wrapped in acid free tissue and stored in a air tight wooden or card box. Storing very precious woollens in the freezer works too– but this is not always the best use of space.
 
minkee-motheaten
Illustration by Minkee.

Once these champing creatures have taken hold it is important  to deal with the infestation promptly. Boil, microwave or dry clean any affected items, and clean the area around them with weak washing up liquid solution with a few drops of lavender added, or old fashioned beeswax furniture polish. The most important thing is to remove any remaining grubs or their tiny off white eggs. Pheromone traps will prevent the moths from breeding further, and laying eggs by leaving the unfortunate man moths without mates –and are highly effective all year round. As vintage clothing collectors, we wish we’d known about them years ago.
 
Kevin-Bradshaw-Clothes-Moth
Illustration by Kevin Bradshaw.

Once the damaged garments have been cleaned and checked, you can then see what might be rescued. Small holes can be darned and covered by beads, sequins or appliqué. Flower corsages and pockets work well too. Larger damaged areas may mean that you’ll have to be more creative, and salvage parts from several garments to make something new.
 
Natasha-Thompson-Moth-Illustration
Illustration by Natasha Thompson.

If you’re not too confident with sewing yourself, there are great books, and online guides – and chances are you know someone who’d love to help you!

moths lucy Wills
Illustration by Lucy Wills.

You might also like to come along to one of my workshops: check out the meetup group for We All Reuse here or my website for my Re-Present consultancy here.

Categories ,Antonia Parker, ,Camphor, ,clothes, ,Corsage, ,diy, ,Kevin Bradshaw, ,Kimberley Dodsworth, ,Lavender, ,Minkee, ,Moths, ,Natasha Thompson, ,Pheromone traps, ,sewing, ,Spring Cleaning, ,vintage

Similar Posts:






Amelia’s Magazine | Stag and Dagger Festival 2010 Hits Shoreditch: A Review

Abi-Daker-White-HinterlandWhite Hinterland by Abigail Daker.

Having picked up my two Stag and Dagger press passes, two booze vouchers and a free lighter – yeah! – my first port of call on the circuit got off to an inauspicious start when I cashed in my free drink ticket, to be presented with a *small* bottle of Becks. Not even a pint! Better not to bother with a free drink at all, me thinks.

Stag and Dagger Teeth of the Sea Stag and Dagger Teeth of the Sea Taking these photos permanently damaged my ears.

We were at the Macbeth to see psychedelic rock band Teeth of the Sea, who’s tunes I had been listening to on myspace earlier. They provided a howling start to the evening’s entertainment, and left me wishing that I had remembered ear plugs (again). Most of the punters sensibly lingered close to the back of the bar but I took a step too close to the speakers for a photo and blew my eardrums right out with the very first band of the night.

Macbeth stag and dagger The Macbeth by Tim Adey.

My conclusion? Bands like this are best enjoyed in the privacy of one’s own home… where I can safely choose whether I want to suffer from permanent tinnitus in exchange for the momentary pleasure/pain inflicted by an insanely loud wall of noise.

Kevin-Bradshaw-Teeth-of-the-Sea Teeth of the Sea by Kevin Bradshaw.

Next up were a band that I discovered a few months ago when I heard their catchy single Icarus on 6Music. White Hinterland are a boy and girl from the hipster end of Portland, Oregon. Framed by candles he fiddled around with knobs and a *trendy* old school cassette player on an Indian carpet. She played uke and keys in turn, all the time nimbly leaping on and off her loop machine in bare feet, all the better to create rich textures with her mellifluous vocals.

YouTube Preview Image The Video for Amsterdam by White Hinterland.

They ended on a real highlight of the evening: a soulful minimalist cover of Justin Timberlake’s My Love, though this youtube version doesn’t do it justice. Shamefully I didn’t recognise it, but I was soon put to rights.

Stag and Dagger white hinterland Stag and Dagger There was a strange character there. I think he was chanelling the Joker.

Then it was time for fun part of the evening number one: Use Stag and Dagger map to find next venue. And instead miss most of next band due to extremely crap over-simplified map which ensured that we followed the wrong trajectory into deepest darkest Hoxton. By the time we made it to the very traditional east end pub The Stag’s Head – which still retains it’s curved glass rack above the bar and numerous nooks and crannies of the kind that every trendy bar rips out as soon as they can – we were just in time for one last song from Little Death, and to marvel at the extremely cute and leggy bassist, always a surprise in a predominantly male indie band I find.

Stag and Dagger Little Death JuneChanpoomidole-LittleDeath- Little Death by June Chanpoomidole.

We stayed on to watch Baby Monster half an hour later, straight out of LA via some white zinc facepaint. Two men making love to their keyboards: this was pure Erasure for 2010, and an unexpected highlight of the night. By now I was thoroughly bemused by the Stag and Dagger crowd; a few indie kids swamped by townies out on the lash, more interested in ogling short-skirted blondes than serious beard stroking.

Kevin-Bradshaw-Baby-Monsters Baby Monster by Kevin Bradshaw.

We dashed back to The Legion in Old Street via the shrine to school girl Agnes, now reduced to a depressing pile of wilted flowers. Ironically I was to be within yards of another random shooting in London Fields only the next day. Thems the breaks in Hackney these days.

Stag and Dagger Agnes

The Legion has been enlarged and *improved* since I regularly used to attend Jen and Mikes’ Hot Breath karaoke nights. Oh wowser, this was Shoreditch central on a Friday night indeed. Let the fun part of the evening number two commence: I pushed my way past the pissed idiots lunging cross-eyed for my boobs to wait near at the front for The Radio Dept, a Swedish band that I have liked for many years. After half an hour of jostling and beer spillage as men crashed towards the ill placed toilet behind the stage I was more than ready to leave. The DJ played a series of high energy tracks whilst The Radio Dept looked stressed as they fiddled with their instruments on stage.

Eventually the crowd began baying for the band, but as I looked around the bar I thought “You know what, I reckon about ten people in this room even know who The Radio Dept are; the rest don’t give a shit so long as they can get twatted and pull.” An unfair appraisal? As a young friend of mine commented “It’s just like my usual Friday night out: except today I’ve had to pay £20 for the pleasure.” With an abrupt disregard for the music due to follow him the DJ cut his rave tune for The Radio Dept, but within moments I had decided that the sound was so incredibly bad that I had to leave: it was just too depressing to hear such incredible music massacred. So, The Legion has widened its area to encompass more drinkers and more dollar, but doesn’t ensure decent sound for its bands. Shameful.

Instead we went on down to the rave in the grimy environs of Hearn Street Car Park. We stayed briefly, enough for me to realise that we only listen and enjoy industrial music for fun because most of us don’t have to work in noisy conditions in our post-industrial society. Those who do would surely think us mad.

The Stag and Dagger, in summary? I think this year’s attendance may have been affected by the huge queues of last year that prevented people from getting in to watch the bands they came to see. In their place we had a bunch of drunken city twats. I’m sure there were many more hidden gems to unearth on the eclectic Stag and Dagger line up, but frankly I’d pay good money to stay away from the Shoreditch hordes. I guess I should have known better. It’s an ambitious concept that champions some excellent little known bands, but the organisers can’t control the crowds who choose to come. I don’t think I’d bother going to the Stag and Dagger again: for value for money and comfort I would recommend that you simply pick a good line up of bands in one venue on any day of the week.




Categories ,Abigail Daker, ,Baby Monster, ,Erasure, ,Hot Breath, ,June Chanpoomidole, ,Justin Timberlake, ,Karaoke, ,Kevin Bradshaw, ,Little Death, ,Macbeth, ,Old Street, ,shoreditch, ,Stag and Dagger, ,Teeth of the Sea, ,The Legion, ,The Radio Dept, ,White Hinterland

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Amelia’s Magazine | Stag and Dagger Festival 2010 Hits Shoreditch: A Review

Abi-Daker-White-Hinterland
Abi-Daker-White-HinterlandWhite Hinterland by Abigail Daker.

Having picked up my two Stag and Dagger press passes, ampoule two booze vouchers and a free lighter – yeah! – my first port of call on the circuit got off to an inauspicious start when I cashed in my free drink ticket, order to be presented with a *small* bottle of Becks. Not even a pint! Better not to bother with a free drink at all, me thinks.

Stag and Dagger Teeth of the Sea Stag and Dagger Teeth of the Sea Taking these photos permanently damaged my ears.

We were at the Macbeth to see psychedelic rock band Teeth of the Sea, who’s tunes I had been listening to on myspace earlier. They provided a howling start to the evening’s entertainment, and left me wishing that I had remembered ear plugs (again). Most of the punters sensibly lingered close to the back of the bar but I took a step too close to the speakers for a photo and blew my eardrums right out with the very first band of the night.

Macbeth stag and dagger The Macbeth by Tim Adey.

My conclusion? Bands like this are best enjoyed in the privacy of one’s own home… where I can safely choose whether I want to suffer from permanent tinnitus in exchange for the momentary pleasure/pain inflicted by an insanely loud wall of noise.

Kevin-Bradshaw-Teeth-of-the-Sea Teeth of the Sea by Kevin Bradshaw.

Next up were a band that I discovered a few months ago when I heard their catchy single Icarus on 6Music. White Hinterland are a boy and girl from the hipster end of Portland, Oregon. Framed by candles he fiddled around with knobs and a *trendy* old school cassette player on an Indian carpet. She played uke and keys in turn, all the time nimbly leaping on and off her loop machine in bare feet, all the better to create rich textures with her mellifluous vocals.

YouTube Preview Image The Video for Amsterdam by White Hinterland.

They ended on a real highlight of the evening: a soulful minimalist cover of Justin Timberlake’s My Love, though this youtube version doesn’t do it justice. Shamefully I didn’t recognise it, but I was soon put to rights.

Stag and Dagger white hinterland Stag and Dagger There was a strange character there. I think he was chanelling the Joker.

Then it was time for fun part of the evening number one: Use Stag and Dagger map to find next venue. And instead miss most of next band due to extremely crap over-simplified map which ensured that we followed the wrong trajectory into deepest darkest Hoxton. By the time we made it to the very traditional east end pub The Stag’s Head – which still retains it’s curved glass rack above the bar and numerous nooks and crannies of the kind that every trendy bar rips out as soon as they can – we were just in time for one last song from Little Death, and to marvel at the extremely cute and leggy bassist, always a surprise in a predominantly male indie band I find.

Stag and Dagger Little Death JuneChanpoomidole-LittleDeath- Little Death by June Chanpoomidole.

We stayed on to watch Baby Monster half an hour later, straight out of LA via some white zinc facepaint. Two men making love to their keyboards: this was pure Erasure for 2010, and an unexpected highlight of the night. By now I was thoroughly bemused by the Stag and Dagger crowd; a few indie kids swamped by townies out on the lash, more interested in ogling short-skirted blondes than serious beard stroking.

Kevin-Bradshaw-Baby-Monsters Baby Monster by Kevin Bradshaw.

We dashed back to The Legion in Old Street via the shrine to school girl Agnes, now reduced to a depressing pile of wilted flowers. Ironically I was to be within yards of another random shooting in London Fields only the next day. Thems the breaks in Hackney these days.

Stag and Dagger Agnes

The Legion has been enlarged and *improved* since I regularly used to attend Jen and Mikes’ Hot Breath karaoke nights. Oh wowser, this was Shoreditch central on a Friday night indeed. Let the fun part of the evening number two commence: I pushed my way past the pissed idiots lunging cross-eyed for my boobs to wait near at the front for The Radio Dept, a Swedish band that I have liked for many years. After half an hour of jostling and beer spillage as men crashed towards the ill placed toilet behind the stage I was more than ready to leave. The DJ played a series of high energy tracks whilst The Radio Dept looked stressed as they fiddled with their instruments on stage.

Eventually the crowd began baying for the band, but as I looked around the bar I thought “You know what, I reckon about ten people in this room even know who The Radio Dept are; the rest don’t give a shit so long as they can get twatted and pull.” An unfair appraisal? As a young friend of mine commented “It’s just like my usual Friday night out: except today I’ve had to pay £20 for the pleasure.” With an abrupt disregard for the music due to follow him the DJ cut his rave tune for The Radio Dept, but within moments I had decided that the sound was so incredibly bad that I had to leave: it was just too depressing to hear such incredible music massacred. So, The Legion has widened its area to encompass more drinkers and more dollar, but doesn’t ensure decent sound for its bands. Shameful.

Instead we went on down to the rave in the grimy environs of Hearn Street Car Park. We stayed briefly, enough for me to realise that we only listen and enjoy industrial music for fun because most of us don’t have to work in noisy conditions in our post-industrial society. Those who do would surely think us mad.

The Stag and Dagger, in summary? I think this year’s attendance may have been affected by the huge queues of last year that prevented people from getting in to watch the bands they came to see. In their place we had a bunch of drunken city twats. I’m sure there were many more hidden gems to unearth on the eclectic Stag and Dagger line up, but frankly I’d pay good money to stay away from the Shoreditch hordes. I guess I should have known better. It’s an ambitious concept that champions some excellent little known bands, but the organisers can’t control the crowds who choose to come. I don’t think I’d bother going to the Stag and Dagger again: for value for money and comfort I would recommend that you simply pick a good line up of bands in one venue on any day of the week.

Categories ,Abigail Daker, ,Baby Monster, ,Erasure, ,Hot Breath, ,June Chanpoomidole, ,Justin Timberlake, ,Karaoke, ,Kevin Bradshaw, ,Little Death, ,Macbeth, ,Old Street, ,shoreditch, ,Stag and Dagger, ,Teeth of the Sea, ,The Legion, ,The Radio Dept, ,White Hinterland

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