Amelia’s Magazine | Wild Beasts

So here we are. After a couple of years the guys from Canada return come back with their long awaited second release Neon Bible. As a consequence a little journey to London is always good to promote their new material and the Brixton Academy has no problem in selling out tickets of their four concerts in March.

Supporting artist is Patrick Wolf who’s also coming back on the scene with a lighter, more about online funnier and probably less difficult album than his previous offerings. His was a good show, try nothing to complain about and he certainly knows how to impress the public with his vocal qualities.

Suddenly it’s nine o’clock: lights down, what is ed public screaming and from the video projectors a preacher is explaining to us God’s law. In the background an enormous neon bible illuminates in red while some other neon’s appear in front of the stage.
Keep the Car Running, The Well and the Lighthouse or Ocean of Noise, the last one much better live than on the album, are among the first to be performed before coming to their relatively old hits.

As for Arcade Fire they represent everything a big band should be: multi-instrumentalists (Régine Chassagne), violins, horns, organs, lots of different materials and a show that offers all the songs that a fan can ask. The lead vocalist Win Butler is constantly supplied by choruses, shouts or backing vocals while the rest of the band seem unable to rest and keeps moving around the stage. Well, static is definitely not the word to define them. Chaotic in their movements and epic in their anti-minimalist concept of music probably fits better for a band that concentrates on orchestrations.

A really good live show that makes you come back home and listen again to the new release if, just like me, you’ve been a little disappointed the first time you heard it. Even if I am definitely a bigger supporter of Funeral, I am beginning to think that probably in a couple of weeks I’ll be playing Neon Bible constantly on my earphones.

Barfly on a Friday night – rammed. Not as you might expect with sweaty youths, help oh no, visit an older crowd is in tow tonight for a couple of hot, new electro-ey acts – wicked.

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Amelia’s Magazine | Brainlove Festival 2012: Live Review

Brainlove Festival by Ed J Brown

Brainlove by Ed J Brown

What a day for a birthday! After what seemed like an interminably wet few weeks, the weather was cooking nicely for a trip to Brixton Hill. As has become custom on what is usually a Bank Holiday weekend, the venerable Windmill played host to the Brainlove Festival, organised by that defiantly square peg in the round hole of mainstream indie music, Brainlove Records. Today, though, was an extra special day, as the festival reached the five year milestone (though, ironically, main man John Brainlove was in danger of missing his own festival, having been stranded in Iceland!).

The first act I caught was AK/DK, helped out by Amelia’s Magazine favourite Napoleon IIIrd. Comprising of duo Graham Sowerby and Ed Chivers, they built up from programmed synth loops to various (often seemingly improvised) patterns, layered with different effects, distorted vocals, Napoleon IIIrd’s guitar and some serious drumming action, creating a very pleasing noise.

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I popped out to the beer garden, which was doubling as an outdoor stage, to catch some poetry in the sun, and heard tales of manga, Zooey Deschanel and what you really shouldn’t do with a jar of peanut butter!

It was time to head back inside, as Brainlove stalwart Andrew Paul Regan was about to come on. Previously known as Pagan Wanderer Lu, he still totes guitar, keyboard and laptop to create buzzed up *indietronica*, flavoured with a dash of witty, acerbic lyrics. Prefacing each song (from soon-to-be released new album, The Signal and the Noise) with ‘just pretend that you’re not in the Brixton Windmill..’ Regan weaved his darkly humorous tales.

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Out in the sun, Abi Makes Music regaled us with tales of accidentally being locked in the Hackney Picturehouse overnight, before her set of slightly twisted synth pop (which reminded me of You Will Always Find Me In The Kitchen At Parties era Jona Lewie). Despite an interruption from some random sweary local making his way to the barbecue, she won over the assembled onlookers. Also, I discovered that Abi’s partner is someone I know through work! Small world, eh?

Abi Makes Music by Sam Parr

Abi Makes Music by Sam Parr

Back on the indoor stage, London three-piece (and self-described “techno rock band”) Tall Stories were getting underway. With a keytar sporting bass player, they rocked out the crowd with their spiky, punk-referencing sound. I also noticed, later on, drummer Scott Vining helping out on the barbecue outside. Obviously a versatile sticksman!

Tall Stories by Scott Nellis

Tall Stories by Scott Nellis

One of the highlights from last year’s Brainlove Festival, Mat Riviere was occupying a spot in the beer garden. Crouched down with his keyboard , guitar and various effects, and using (amongst other things) one of the tables as extra percussion, he purveyed some haunting, discordant melodies.

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Guitar and drums duo Crushed Beaks let rip with their wall of noise before Dad Rocks! slowed things down a little with some acoustic led melodies. Fronted by Denmark-dwelling Icelander, Snævar Njáll Albertsson, and backed with some trumpet and viola, Dad Rocks! treated us to some lovely lo-fi, almost country tinged tunes, and they also welcomed home the intrepid explorer John Brainlove, as he finally made it to the Windmill.

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Continuing the Nordic flavour, as is traditional at Brainlove events, Estonian band Väljasõit Rohelisse took to the stage. Meaning ‘roadside picnic‘ and named after a Russian short story, they were bathed in darkness, save for a green lamp projecting on to one wall, with only guitarist Lauri Tikerpe’s back visible. The music was as dark as the stage, with sampled dialogue, reverb-laden vocals, fractured guitar, brooding bass and drums. There was a very post-punk vibe going on.

In complete contrast, headliner Enjoyed (aka dance music producer Peter Evans-Pritchard) offered up some blissful beats (joystep, as he calls it), which got some of the festival die-hards dancing. There was even, unless my ears were deceiving me, a remix of the old Mark Morrison floor-filler, Return Of The Mack. Didn’t see that one coming!

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And so, another Brainlove Festival drew to a close. As ever, it was a rich and varied selection of artists, a contrast of styles and genres that marks Brainlove Records out from the crowd. Wandering out into the South London night, I’m sure I wasn’t the only person thinking ‘roll on festival number six!

Categories ,Abi Makes Music, ,AK/DK, ,Andrew Paul Regan, ,Brainlove Festival, ,Brainlove Records, ,country, ,Crushed Beaks, ,Dad Rocks!, ,dance music, ,Denmark, ,Ed J Brown, ,Enjoyed, ,Estonia, ,Hackney Picturehouse, ,iceland, ,indie music, ,indietronica, ,Jona Lewie, ,joystep, ,Lo-fi, ,Manga, ,Mark Morrison, ,Mat Riviere, ,Napoleon IIIrd, ,Pagan Wanderer Lu, ,Post Punk, ,Russia!, ,Sam Parr, ,Scott Nellis, ,Synth-Pop, ,Tall Stories, ,Väljasõit Rohelisse, ,Windmill Brixton, ,Zooey Deschanel

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