Amelia’s Magazine | New video for Diamond Mine single Bubble by Elliot Dear

Elliot Dear Bubble King Creosote Jon Hopkins title
There’s no denying that a good music video is increasingly a necessity to accompany any new single release in our multi media world, ampoule so it is no wonder that it is to illustrators and animators that bands are turning in order to create magical visions of their songs that would not otherwise be possible. Illustrator and animator Elliot Dear is responsible for the gorgeous video for the new single from the Jon Hopkins and King Creosote collaboration Diamond Mine.

Elliot Dear Bubble King Creosote Jon Hopkins boatElliot Dear Bubble King Creosote Jon Hopkins fish boat

It features a small boat marooned in a snowy harbour and a black dog that jumps overboard to join a shoal of fish amongst points of light and an abandoned car. It’s one of the most evocative videos I have seen in ages, sickness exploring themes from Bubble in an abstract and dreamlike way.

Elliot Dear Bubble King Creosote Jon Hopkins fishElliot Dear Bubble King Creosote Jon Hopkins dog

Bubble was first written by King Creosote in the 1990′s, and is described by King Creosote in his Drowned in Sound track by track explanation as ‘boy does bad, promises to do better, big sentiments and commitments if and only when desperately needed.‘ Kenny added a second verse more recently in which he attempted ‘to bring in some older cynicism to counter the naivety in the original.Jon Hopkins recorded most of the backing track in his attic a few years ago and included sounds such as the turning of a bicycle wheel and the drumming of his hands on the carpet.

Elliot Dear Bubble King Creosote Jon HopkinsElliot Dear Bubble King Creosote Jon Hopkins under water

The video was directed by Elliot Dear, who graduated from UWE in 2007. Elliot now works with Blinkink and his work often explores the relationship between people and animals and where the line between the two blurs‘. He mixes illustration and animation with hand built sets and it took him five days to shoot the 3D models of the boat and car to create Bubble. You can watch it right here:

YouTube Preview Image

I love the combination of music and animation in the Bubble video, but if you want to break the spell it casts on all who view it then why not watch the ‘making of’ video below, which shows Elliot messing around in his basement studio to create the fictitious Bubble world.

YouTube Preview Image

Read my interviews with both King Creosote and Jon Hopkins. They will be on tour later this summer; two dates have just been added for Leicester Summer Sundae Weekender and Bestival on the Isle of Wight… full listing information here. Read our review of their recent performance at Union Chapel here.

Categories ,animation, ,bestival, ,Blinkink, ,Bubble, ,Diamond Mine, ,Drowned In Sound, ,Elliot Dear, ,illustration, ,isle of wight, ,Jon Hopkins, ,King Creosote, ,Leicester Summer Sundae Weekender, ,review, ,single, ,UWE, ,video

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Amelia’s Magazine | Album Review: Gazelle Twin – The Entire City

Gazelle Twin - Polaroid

Gazelle Twin‘s debut album opens with the threatening bass horns of new single The Entire City, stuff and straight away the mood is set for what is to come. Singer Elizabeth Walling‘s coos clatter in just before the kicking drums. but there are no lyrics and the atmosphere is heavy and pounding, viagra 40mg not for the fainthearted.

Gazelle Twin The Entire City

Concrete Mother starts more softly, seek meandering undulations back whispering sighs before vocals kick in. ‘She’ll teach me love…‘ Then comes upcoming single Men Like Gods, which features Elizabeth’s tremulous voice at the forefront. What at first makes sense becomes more and more vague: tantalisingly mysterious. The back beat emulates the disjointed foot steps of the Sardinian mummers in the video. I am Shell I am Bone twists the beats against angelic vocals ‘Made of concrete, made of gold. I am young and I am old…

Gazelle Twin by Sophia O'Connor
Men Like Gods, Gazelle Twin by Sophia O’Connor.

One of my very favourite tracks is Changelings – the first that brought Gazelle Twin to my attention at the end of last year…. and it’s an ideal introduction to this most unique of talents. Bell Tower starts as its name suggests, but the bells are muffled, as if heard from far away or behind layers of padding, under water. Again the angelic notes back the mournful questionings… it’s hard to understand the lyrics, but as with the whole album it’s the atmosphere that is important – the song building confidence and momentum through sound.

Gazelle Twin by Lea Rimoux
Gazelle Twin by Lea Rimoux.

Fear is driven out in When I Was Otherwise: confident vocals sit astride the infrequent bass squelches. Obelisk begins with beats battering back and forth as if on a ping pong table, but a melody ‘waking up from a deep sleep we don’t owe ourselves‘ soon takes over, curling around and engulfing the beat. Then we are straight into Far From Home, a small interlude that features cascading Madrigal-esque vocal harmonies, a nod to Elizabeth’s classical inspirations.

Gazelle Twin - The Entire City

Nest again starts low, deep, muted before the song begins. It’s perhaps the most ‘normal’ of the songs on The Entire City, a simple tune taking pride of place, and a chance for Elizabeth to show of crystal clear vocals… ‘When it’s too late… will we ever learn?

Gazelle Twin by Nicola Ellen
Gazelle Twin by Nicola Ellen. Read her mini review of the album here.

The quivering notes of Fight or Flight only last a minute, drifting off into the ether, and then we’re on to the final track, View of a Mountain. Here the synth reigns queen against the clattering background.

Gazelle Twin The entire city

Think of Gazelle Twin as a folky female Aphex Twin, a mysterious little sister of The Knife, choral madrigals for our uncertain 21st century, something utterly unique and very very exciting. The official album launch is on 1st September at The Islington Metal Works and I for one will be there.

gazelle_twin by gaarte
Gazelle Twin by Gaarte.

Elizabeth Walling eschews the controlled machinations of the music machine: with an image carefully crafted to mystify, to hide, to enhance the sound rather than her body as most female musicians do. This is music as performance, as art and as something all engulfing… but equally at home listened to on your desktop. Since I was sent the album The Entire City has never been far from my itunes playlist. I suggest you download it too: it came out on digital download on 11th July. And then see her live.

Gazelle Twin - The Entire City Gazelle Twin - The Entire City

Make sure you read my previous interview with Elizabeth Walling of Gazelle Twin to find out more. There is another very good review of The Entire City on Drowned in Sound.

Categories ,album, ,Aphex Twin, ,art, ,Bass, ,Bell Tower, ,brighton, ,Choral Madrigals, ,Concrete Mother, ,Drowned In Sound, ,Elizabeth Walling, ,Far From Home, ,Fight or Flight, ,folk, ,Gaarte, ,Gazelle Twin, ,Harmonies, ,I am Shell I am Bone, ,Launch, ,Lea Rimoux, ,Men Like Gods, ,Mummers, ,Nest, ,Nicola Ellen, ,Obelisk, ,review, ,Sardinia, ,Sophia O’Connor, ,Synth, ,The Entire City, ,The Islington Metal Works, ,The Knife, ,Twisted beats, ,View of a Mountain, ,When I Was Otherwise

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Amelia’s Magazine | Glastonbury Festival’s 2014 Emerging Talent Competition: My Top Three Acts

Alev Lenz memphis video still

I was very flattered, when, thanks to a recommendation from Stay Loose music PR, I was asked to be one of the judges for the first round of Glastonbury Festival’s 2014 Emerging Talent Competition. The panel is made up of ‘about 40 of the UK’s top online music writers’ that includes the likes of Drowned in Sound, TLOFBF and Breaking More Waves, so I am indeed in good company. Together we have compiled a long list of 120 acts from around 8000 entries (with the selection sent to me predominantly consisting of folk, electronic, acoustic and pop acts, at my request), from which the second stage judges must pick the 8 finalists and then the final winner. Over the years I have frequently been very impressed with the bands that have been highlighted by this competition as ones to watch, and so it was a real honour to be included in the early stages. The Emerging Talent Competition gives new and unsigned artists a chance to showcase their wares on a main stage at the festival, and previous entrants have gone on to great things, including Stornoway and Treetop Flyers.

Given so much talent I found it incredibly hard to make my final three choices, and in the end based much of my decision on the professionalism of the acts and the need to pick a balanced offering. So I choose my very favourite best tunes – the ones that had me hit the virtual rewind time and again – and then I looked for a good stage presence since this is essential in a festival setting (this was sadly a let down with a few acts that I really liked) and finally an aptitude for self promotion, as I feel this is vital today (again, too many acts had not really thought this through, which I feel shows a lack of ambition or belief, both of which are necessary to survive). It is perhaps no surprise that my top act is coincidentally one that had previously (before the competition) contacted me to cover their music, which I did, you can read my post here: I love a bit of get go in a creative!

Here, without further ado, are my top three choices: I hope at least one of them makes the final cut! And I hope to write a further blog post recommending some of the other great bands I found but which sadly did not make my final three. Click on the titles to hear the tracks on soundcloud.

1. Arthur Rigby & the Baskervylles – Moonlit Strangers

Arthur Rigby

Arthur Rigby & The Baskervylles - Moonlit Strangers By Warren Clarke

Arthur Rigby & The Baskervylles – Moonlit Strangers By Warren Clarke.

On Moonlit Strangers the Leeds based band Arthur Rigby & the Baskervylles employ lush orchestration and multi-layered vocals to tell a tale of loneliness and heartbreak. It’s a brilliant showcase for their exuberant melodies, with a folksy violin curling around the lead vocals, all backed by an enthusiastic brass section. The anthemic tunes and sing-a-long choruses are perfect for the Glastonbury crowd. (NOTE: between the time of writing this blog and the announcement of the long list Arthur Rigby sadly announced their demise… so it seems I did not pick a good horse after all. Here’s hoping that my other two choices fare better in the cut throat music world. I wish I could have given someone else a chance.)

2. Alev Lenz – Memphis

Alev Lenz, photo by VIKTOR VAUTHIER

Alev Lenz, photo by Viktor Vauthier.

Alev Lenz by Hannah Boothman

Alev Lenz by Hannah Boothman.

The opening notes of Memphis bear the woozy electronic hallmarks of German/Turkish singer Alev Lenz’s collaboration with acclaimed Finnish drummer Samuli Kosminen (Múm, Hauschka, Kronos Quartet, Jónsi). Her swooping vocals carry a beautiful melody of heartbreak and dreams across softly twinkling keys, a style which is further showcased on Song No.1. In other tracks she effortlessly combines classical influences with electronica to create a unique and engaging sound. I think Alev Lenz is an exciting new talent that we will hear much more from. 

3. George Boomsma – How High The Mountain

George Boomsma

George Boomsma by Angela Lamb

George Boomsma by Angela Lamb.

How High The Mountain is a simple slice of folk which showcases swoonsome vocals from North Yorkshire’s George Boomsma, all bound together by an elegiac violin. I found his live version of the song absolutely mesmerising and feel it would be sure to turn heads and gain fans at Glastonbury. I was also impressed by further tracks, with rollicking tunes and plentiful harmonies. 

I hope you will help me spread the word about these talented musicians, all of whom deserve further recognition x

Categories ,Alev Lenz, ,Angela Lamb, ,Arthur Rigby, ,Arthur Rigby & the Baskervylles, ,Breaking More Waves, ,competition, ,Drowned In Sound, ,Emerging Talent, ,George Boomsma, ,Glastonbury Festival, ,Hannah Boothman, ,How High The Mountain, ,Memphis, ,Moonlit Strangers, ,Samuli Kosminen, ,Song No.1, ,SoundCloud, ,Stay Loose, ,Stornoway, ,TLOFBF, ,Treetop Flyers, ,Viktor Vauthier, ,Warren Clarke

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Amelia’s Magazine | Wait! The Festival Season isn’t over yet.

‘So why are you vegetarian?’ I seem to have been asked this question a lot in the last two months since I stopped eating meat. It makes for quite entertaining pub chat as everyone is vehement in the expression of their beliefs. The aspect I find fascinating is the high levels of animosity that are present in these discussions. It appears to me that the average meat eater is a lot more militant than the average vegetarian. I’m not entirely sure why it is though I have a couple of guesses. It might be that it genuinely seems ridiculous to them, generic they’ve never thought about it much or the reasons I give just don’t register on their world view. The view I’m more inclined towards is that my decision to become a vegetarian feels threatening. By not eating meat it is as if I’m making a moral judgment on those that do.

I would like to begin by saying I’m not a militant vegetarian. I might sound like one if people ask my reasons, find but I don’t try and impose it on people, but it’s nice to be able to justify your reasons, whether to others or just to yourself.

First I’ll rule out the reasons that weren’t factors for me: the possible financial benefit had little influence on my decision, and it has nothing to do with not liking the taste of meat, as, unfortunately I really, really do (to the point that at first I had recurring dreams where I was guiltily biting into a chicken drumstick or lamb chop). Instead my motivations to stop eating meat rest on more ethical (to use that wonderfully vague word) foundations.

One of the main reasons that motivated me to become vegetarian is the environmental impact of the meat and livestock industry. The statistics of the livestock industry, they are quite staggering. A UN report released in 2006 entitled ‘Livestock’s Long Shadow: Environmental Issues and Options’ stated that ‘the livestock sector emerges as one of the top two or three most significant contributors to the most serious environmental problems, at every scale from local to global’.
The livestock sector is responsible for 18% of green house gases, which is greater than the amount caused from transport. It is also accounts for 8% of global human water use and is suspected to be the largest source of water pollution. It is estimated to take 100,000 litres of water to produce 1kg of beef. As it stands livestock production (including feedcrop production) accounts for 30% of the land surface of the planet, and 70% of all agricultural land. The expansion of livestock production is accountable for a large amount of deforrestation. It is projected that global production of meat will continue to rise rapidly, with estimates that it will double by 2050. It seems clear that the livestock industry as it stands is both highly damaging to the environment and not sustainable.
These are just basic figures, to see far more and a wider range of the impacts I recommend doing additional reading, including looking at the report. But nonetheless these seem to provide a strong incentive, provided one sees sustainability and climate change as problems, to at the very least reduce ones meat consuption. Knowing this led me to have a nagging, guilt-ridden feeling every time I ate meat.

I suppose that nagging feeling is perhaps the real reason I’ve become a vegetarian. As I’ve become older, increasingly things are less black and white and morality and ethics becomes a blur. I’ve retained that ‘catholic guilt’ from my upbringing that means I tend to feel guilty about ridiculous things, often beyond my control. There are problems all around us from climate change to discrimination, from sweat shops to war. It can be all too easy to give up and admit defeat. By no means am I an exception to this. I still get flights to go on holiday despite knowing the environmental impact. I don’t check that every item of clothing I wear has been ethically sourced. These things nag at me, and I repeatedly fail to do anything about it. Similarly the thought of not eating meat dragged at me, wearing me down, sucking the fun out of eating meat, even if on another level I enjoyed the taste. It feels like by giving up meat I’ve taken an active decision, and one that I can manage. It feels empowering and though it might not last forever, and although I still have a leather wallet and belt, it gives me something to feel good about even if it’s only a small thing. It’s a beginning.

There are so many reasons why if you are London based, stomach you should pitch up at the OneTaste festival at the Bedford in Balham on Sunday. So in no particular order of importance, no rx here is why;

It’s a festival that costs £10.00 (if booked in advance; £12.00 on the door). £10.00 gets you access to 3 floors, viagra order 5 stages and 45 acts. If you have ever attended a festival for less money, you must have scaled the fence to get in. And we don’t condone that! (And if you are one of the first 100 people through the door this Sunday, you get a goodie bag too – I normally get sunburn or welly rot at festivals so a goodie bag will make a pleasant change)

onetastespeakerscornerquartet                                        Speakers Corner Quartet

It’s a one day festival. (Starting at 1pm and wrapping up at midnight). This means that you get to see as many artists as you normally would in a three day festival, but without the wasted long hours spent queuing for a portaloo that doesn’t work, or searching for your tent – without a torch – in the wrong field (I’m not the only person that this has happened to, am I?)

There is not a Lady Gaga in sight; this is your chance to discover the delights of up and coming and fresh talent, whose skills lie in acoustic melodies, not lip synching and dance routines. OneTaste (who have previously been featured here) have the knack of discovering and promoting the best in the underground arts scene. One such graduate is Newton Faulkner, who performed at OneTaste’s first ever gig at The Bedford, five years ago. Three million sales later, he is returning to his alma mater this Sunday to take part in the festivals festivities.

onetastelaurajmartin                                        Laura J Martin

You will be entertained in a myriad of different ways. As well as the musicians (which include Kate Tempest, Bridgette Amofah, Laura J Martin, United Vibrations,  Ninja Tunes new signing Jono McCleery and Speakers Corner Quartet), there will be performances by poets, filmmakers, actors, DJ’s and dancers, as well as what OneTaste bill as ‘alternative thinkers and practitioners’; I guess we will have to wait and see what this entails. There will also be talks by the philosopher Timothy Freke, silly games courtesy of Bearded Kitten; naughty hijinks by the Antic Banquet crew (who were last seen at the Secret Garden Party) and a chance to watch – and participate in Sam Roddicks Bondage For Freedom installation.

onetastejonomcleary                                                              Jono McCleery

The Bedford venue is a top place to spend a Sunday. Originally an old vaudeville establishment, it’s a perfect setting for the OneTaste merriment, and a great place to have a Sunday lunch, which can also be delivered to your table while you watch the performances. Good grub and a bottle of red is a preferable accompaniment to listening to live music then the usual greasy noodles and an expensive beer, don’t you think?

onetasteunitedvibrations                                        United Vibrations

The Festival will also be serving as a launch for the release of the OneTaste compilation, which can be found on iTunes from Monday 9th November. Lending their music and spoken word tracks to the compilation include the artists Mercury Prize nominees Portico Quartet (who will be debuting their unreleased track ‘Midnite Delite‘), as well as Jono McCleery, Nick Mulvey and Inua Ellams.

More information and tickets can be found at www.onetaste.co.uk or here. Hope to see you on Sunday!

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Amelia’s Magazine | Jon Hopkins and King Creosote perform Diamond Mine live at the Union Chapel: Review

Jon Hopkins and King Creosote by Jim Design
Jon Hopkins and King Creosote by Jim Design.

It was a while before I twigged who Jon Hopkins‘ was: he provided a lovely soundtrack for a piece of contemporary dance I saw a few years ago and I saw him as a support act a couple of times. His music ranges from the powerfully visceral to the hauntingly beautiful but he suffers from the curse of most electronic musicians in that it is a little bit dull watching a man play with a laptop. The gig at the Union Chapel on Wednesday 25th May 2011 was a live performance of his Diamond Mine collaboration with King Creosote, link which is a reworking of songs recorded across King Creosote‘s career. As a big fan of the record I was looking foward to this gig.  

union chapel diamond mine

The Union Chapel is a venue that I have been meaning to visit for as long as I have been in London, information pills and it was a setting perfectly in tune with this gig – providing subdued lighting, magnificent architecture, and fabulous acoustics. It also differed from most gig venues in that I was sat on a pew next to a middle aged woman clutching a mug of tea rather than a teenager with a pint.

Jon Hopkins and King Creosote by Robert Tirado
Jon Hopkins and King Creosote by Robert Tirado.

Performed live the record has even more impact than it does on record and the addition of live musicians provided a focus while Mr. Hopkins hid behind banks of instruments. The record, which is short at just over half an hour, was run through without interruption which is how it is intended to be experienced. After this there was a performance of more songs, this time with the patter for which King Creosote is known. And Jon Hopkins even escaped from behind his wall of instruments to play a squeeze box. 

union chapel diamond mine-king creosoteunion chapel diamond mine
That’s not Jon there by the way…

It was one of the best concerts I have been too in awhile but if you missed it this time round you will get the chance to see Diamond Mine performed live again when King Creosote and Jon Hopkins embark on a mini tour in September, full listing information here. Don’t forget to check out Amelia’s interviews with both Jon Hopkins and King Creosote by clicking on their names.

An excellent track by track explanation of Diamond Mine can be found on Drowned in Sound.

Categories ,Diamond Mine, ,Drowned In Sound, ,James Clarkson, ,Jim Design, ,Jon Hopkins, ,King Creosote, ,live, ,Robert Tirado, ,union chapel

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