Amelia’s Magazine | Ming Pin Tien: London Fashion Week S/S 2013 Catwalk Review

Ming Pin Tien SS13 by Kristina Vasiljeva
Ming Pin Tien S/S 2013 by Kristina Vasiljeva.

This season’s hotly anticipated Ones to Watch show opened with the clothes of Ming Pin Tien, a graduate of the London College of Fashion. The Taiwanese designer put on a great show, with a diverse collection that featured graphic prints, sharp tailoring and conceptual textures.

Ones to Watch Ming SS 2013 Sept 2012-photography by Amelia Gregory
Ones to Watch Ming SS 2013 Sept 2012-photography by Amelia Gregory
Ones to Watch Ming SS 2013 Sept 2012-photography by Amelia Gregory
Ones to Watch Ming SS 2013 Sept 2012-photography by Amelia Gregory
Ones to Watch Ming SS 2013 Sept 2012-photography by Amelia Gregory
First out a were range of layered pieces with a sort of tyre track design up the back: a placement print (they’re hot right now) that traversed all the garments being worn. His next print was artfully jagged in black, russet and maroon on a cream ground, then a starburst pattern erupted with stylish intent across a collar.

Ones to Watch Ming SS 2013 Sept 2012-photography by Amelia Gregory
Ones to Watch Ming SS 2013 Sept 2012-photography by Amelia Gregory
Ones to Watch Ming SS 2013 Sept 2012-photography by Amelia Gregory
Ones to Watch Ming SS 2013 Sept 2012-photography by Amelia Gregory
Ones to Watch Ming S/S 2013. All photography by Amelia Gregory.

Colours that don’t normally match were thrown together: khaki green, lime, aquamarine, skin and russet. Gathered crop tops with back flaps and cropped trousers left no hiding place for the midriff. Flaps are big this season: that and swing shapes and double breasted styling, all of which were present and correct in this on trend collection. His final garment was a stunning overcoat which appeared to be constructed from leather strips fastened together with hoops and rivets. There were lots of ideas going on here without it seeming overly messy and complex: I can’t wait to see how this designer develops.

Ming Pin Tien S/S 2013 by Antonia Parker.
Ming Pin Tien S/S 2013 by Antonia Parker.

Categories ,Antonia Parker, ,Fashion Scout, ,Kristina Vasiljeva, ,lfw, ,London College of Fashion, ,Ming Pin Tien, ,Ones To Watch, ,S/S 2013, ,Taiwanese

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Amelia’s Magazine | Asger Juel Larsen Vs T.Lipop: London Fashion Week A/W 2012 Menswear Day Catwalk Review


T.Lipop A/W 2012 by Jo Ley

I’ve been keen to see more from Asger Juel Larsen since illustrating his S/S 2012 collection for Amelia’s Magazine. It’s not every day you get to draw a beard made out of leather and nails, and the post-apocalyptic aesthetic is one that I can naturally appreciate. That, and I’d read that at Copenhagen Fashion Week they sent a guy down the catwalk bloodied and with a chainsaw


Asger Juel Larsen A/W 2012 by Gemma Cotterell

A few incidents immediately prior to the show dampened my enthusiasm somewhat. For a start, while waiting in the Media Lounge at Freemason’s Hall, I found that a pot of Sudocrem that I had no recollection of ever having seen before had split in my bag (random pots of Sudocrem being one of the given perils of being a parent to a young child). There’s nothing cooler than a man whose hands are covered in Sudocrem, I’m sure you’ll agree.


Asger Juel Larsen A/W 2012 by Sam Parr

The queue into the show was a mess, not helped by the show starting half an hour late, although there was free frozen yogurt. I also realised too late that the ‘ST’ on my ticket meant ‘Standing’ and wasn’t code for something more exciting, like… I don’t know what I thought it would stand for, to be honest. I was just happy to get the ticket (it had my name on it and everything).

Once the crowd had been herded into the showroom and I’d baffled nearly everyone around me with my insistent politeness, I found myself smushed against a wall with a direct view into the catwalk’s entrance, which was pretty much as good as I could have got, considering, and it was totally fluked.


All photography by Gareth A Hopkins

The collection itself was predominantly inspired by Soviet Officers uniforms, which combined with solid tailoring, chunky zips and a limited palette of black, grey and crimson worked really well. The majority of the models were made to look gaunt and frozen by pale makeup, which played up the ‘fragility of war’ concept that Larsen was going for. Breaking away from the palette was a suit in brown and tan paisley; paisley seemed to have infiltrated everywhere this season, so if I was to pick out a ‘trend’ other than the whole arctic/Baltic aesthetic, paisley would be it.

The headgear was a problem for me, though. I’ve distrusted beanie hats since East 17 were first on Top Of The Pops, and there was a raft of them bobbing down the catwalk. More fundamentally problematic were the ginormous fur hats – the size and shape wasn’t a problem (I actually liked the look of them) but I’d hoped we’d all moved on from fur now, and for me its inclusion sullied my opinion of the rest of the collection.

Also: there was no chainsaw anywhere. Whether Health & Safety had been in touch or they’d run out of petrol, I don’t know. But I’d been promised a chainsaw and there wasn’t one.


T.Lipop A/W 2012 by Lo Parkin

Straight out of the gates after Larsen was T.Lipop, whose collection I’d also seen at the Fashion East installations earlier in the day. Similar to Larsen’s Soviet-in-the-trenches look, Lipop’s models were decked out to look like Victorian arctic explorers, with frost in their beards and eyebrows and carrying explorer gear. This hid a more muted but arguably more wearable collection with softer lines and a less harsh colour palette that included burgundies, oranges and tan along with a hit here and there of good ol’ Navy Blue.


T.Lipop A/W 2012 by Jo Ley

Once again, the fur card was played, this time right at the end with a digital-print coat with an enormous pelt hood, drew gasps of wonder from the crowd and a unified surge of camera clicks. The shape and the weight of the coat were satisfying, it’s just a pity that the arctic theme had to be held so rigidly that fur couldn’t have been avoided.

Not to put too much of a downer on either though, as both were very strong showings and I’m positive we’ll be hearing more from both in the future. Although next time, if you say there’ll be a chainsaw, bring a chainsaw.

Categories ,Arctic, ,Asger Juel Larsen, ,AW2012, ,Baltic, ,Big Zips, ,Chainsaw, ,Freemasons’ Hall, ,Frosty Beards, ,Frozen Yogurt, ,Gareth A Hopkins, ,Gemma Cotterell, ,Health & Safety, ,Jo Ley, ,Lo Parkin, ,London Fashion Week, ,military, ,Paisley, ,Sam Parr, ,soviet, ,Standing, ,Sudocrem, ,t.lipop, ,Vauxhall Fashion Scout

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Amelia’s Magazine | Central Saint Martins: MA Textile Futures Graduate Show 2011 Review

Central Saint Martins textile futures graduate exhibition 2011 review-photography by Amelia Gregory
I had the most fun with augmented reality on Jenny Lee‘s stand at the Textile Futures show at Central Saint Martins.

Central Saint Martins textile futures graduate exhibition 2011 review-photography by Amelia GregoryCentral Saint Martins textile futures graduate exhibition 2011 review-photography by Amelia GregoryCentral Saint Martins textile futures graduate exhibition 2011 review-photography by Amelia Gregory
Her design philosophy is to ‘awaken the imagination, this conjure memories and invoke our emotions. Design is a tool to inspire, physician influence change, and to create a better future.’ Wowser…

Central Saint Martins textile futures graduate exhibition 2011 review-Andreea MandrescuaCentral Saint Martins textile futures graduate exhibition 2011 review-Andreea MandrescuaCentral Saint Martins textile futures graduate exhibition 2011 review-Andreea Mandrescua
I was also attracted to Andreea Mandrescu‘s use of traditional marquetry techniques within flexible materials: challenging perceptions of craft disciplines.

Central Saint Martins textile futures graduate exhibition 2011 review-Hao-Ni Tsai Central Saint Martins textile futures graduate exhibition 2011 review-Hao-Ni Tsai
Central Saint Martins textile futures graduate exhibition 2011 review-Hao-Ni Tsai
Hao-Ni Tsai used Taiwanese fibres in hybrid combinations with natural fibres from the West, giving a contemporary aesthetic to ancient craft.

Central Saint Martins textile futures graduate exhibition 2011 review-jan rose
Over in Industrial Design I liked the work of Jan Rose, who calls himself the Knitting Craftsman so it seems apt that I include him in this blog. Jan Rose knits furniture – this knitted pouf was made from stainless steel thread.

Why not check in with my review of the BA Jewellery graduate show too?

Categories ,Andreea Mandrescu, ,Augmented Reality, ,Central Saint Martins, ,craft, ,CSM, ,Fibres, ,Hao-Ni Tsai, ,Industrial Design, ,Jan Rose, ,knit, ,Knitting Craftsman, ,Marquetry, ,Pouf, ,Taiwanese, ,Textile Futures

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Amelia’s Magazine | Central Saint Martins: MA Textile Futures Graduate Show 2011 Review

Central Saint Martins textile futures graduate exhibition 2011 review-photography by Amelia Gregory
I had the most fun with augmented reality on Jenny Lee‘s stand at the Textile Futures show at Central Saint Martins.

Central Saint Martins textile futures graduate exhibition 2011 review-photography by Amelia GregoryCentral Saint Martins textile futures graduate exhibition 2011 review-photography by Amelia GregoryCentral Saint Martins textile futures graduate exhibition 2011 review-photography by Amelia Gregory
Her design philosophy is to ‘awaken the imagination, this conjure memories and invoke our emotions. Design is a tool to inspire, physician influence change, and to create a better future.’ Wowser…

Central Saint Martins textile futures graduate exhibition 2011 review-Andreea MandrescuaCentral Saint Martins textile futures graduate exhibition 2011 review-Andreea MandrescuaCentral Saint Martins textile futures graduate exhibition 2011 review-Andreea Mandrescua
I was also attracted to Andreea Mandrescu‘s use of traditional marquetry techniques within flexible materials: challenging perceptions of craft disciplines.

Central Saint Martins textile futures graduate exhibition 2011 review-Hao-Ni Tsai Central Saint Martins textile futures graduate exhibition 2011 review-Hao-Ni Tsai
Central Saint Martins textile futures graduate exhibition 2011 review-Hao-Ni Tsai
Hao-Ni Tsai used Taiwanese fibres in hybrid combinations with natural fibres from the West, giving a contemporary aesthetic to ancient craft.

Central Saint Martins textile futures graduate exhibition 2011 review-jan rose
Over in Industrial Design I liked the work of Jan Rose, who calls himself the Knitting Craftsman so it seems apt that I include him in this blog. Jan Rose knits furniture – this knitted pouf was made from stainless steel thread.

Why not check in with my review of the BA Jewellery graduate show too?

Categories ,Andreea Mandrescu, ,Augmented Reality, ,Central Saint Martins, ,craft, ,CSM, ,Fibres, ,Hao-Ni Tsai, ,Industrial Design, ,Jan Rose, ,knit, ,Knitting Craftsman, ,Marquetry, ,Pouf, ,Taiwanese, ,Textile Futures

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