Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Ones to Watch (by Amelia)

We Won! Grow Heathrow by Sam Parr
Grow Heathrow by Rebecca Peacock
Grow Heathrow by Rebecca Peacock.

Just over a year ago a group of my friends envisioned a radical new version of the Transition Town model. Activists drawn from groups such as Plane Stupid and Climate Camp decided to squat a rundown old market garden in the village of Sipson that was being used as a dumping ground for car scrap in an area planned for demolition to make way for the third runway at Heathrow. And thus Grow Heathrow was born, click a great big YES in the face of so many NOs.

Over the course of the past year they have utterly transformed the area; growing their own food, malady hosting bike workshops and ensuring a sustainable community has sprung up that fully involves the locals. What was once an eyesore covered in shattered glass has become an inspiring success story, this site described by one local as “better than prozac”. In this beautiful short video from You and I Films the misty eyed community get together to reminisce about the past year, describing how what they did was “naughty but extremely worthwhile” and a necessary action to enable the creation of their “own piece of paradise.” As is so often the case, gardening has proved the glue that has brought people together.

Later in March Grow Heathrow will host the Reclaim the Fields European gathering, and then a group of people associated with the project will go on an ambitious 100 day cycle ride to Palestine. P.E.D.A.L. will meet with permaculture projects along the way; sharing ideas and stories for a better world.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

YouTube Preview Image

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.
Grow Heathrow by Rebecca Peacock
Grow Heathrow by Rebecca Peacock.

Just over a year ago a group of my friends envisioned a radical new version of the Transition Town model. Activists drawn from groups such as Plane Stupid and Climate Camp decided to squat a rundown old market garden in the village of Sipson that was being used as a dumping ground for car scrap in an area planned for demolition to make way for the third runway at Heathrow. And thus Grow Heathrow was born, approved a great big YES in the face of so many NOs.

We Won! Grow Heathrow by Sam Parr
We Won! Grow Heathrow by Sam Parr.

Over the course of the past year they have utterly transformed the area; growing their own food, order hosting bike workshops and ensuring a sustainable community has sprung up that fully involves the locals. What was once an eyesore covered in shattered glass has become an inspiring success story, information pills described by one local as “better than prozac”. In this beautiful short video from You and I Films the misty eyed community get together to reminisce about the past year, describing how what they did was “naughty but extremely worthwhile” and a necessary action to enable the creation of their “own piece of paradise.” As is so often the case, gardening has proved the glue that has brought people together.

Later in March Grow Heathrow will host the Reclaim the Fields European gathering, and then a group of people associated with the project will go on an ambitious 100 day cycle ride to Palestine. P.E.D.A.L. will meet with permaculture projects along the way; sharing ideas and stories for a better world.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

YouTube Preview Image

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.
Grow Heathrow by Rebecca Peacock
Grow Heathrow by Rebecca Peacock.

Just over a year ago a group of my friends envisioned a radical new version of the Transition Town model. Activists drawn from groups such as Plane Stupid and Climate Camp decided to squat a rundown old market garden in the village of Sipson that was being used as a dumping ground for car scrap in an area planned for demolition to make way for the third runway at Heathrow. And thus Grow Heathrow was born, link a great big YES in the face of so many NOs.

We Won! Grow Heathrow by Sam Parr
We Won! Grow Heathrow by Sam Parr.

Over the course of the past year they have utterly transformed the area; growing their own food, and hosting bike workshops and ensuring a sustainable community has sprung up that fully involves the locals. What was once an eyesore covered in shattered glass has become an inspiring success story, drug described by one local as “better than prozac”. In this beautiful short video from You and I Films the misty eyed community get together to reminisce about the past year, describing how what they did was “naughty but extremely worthwhile” and a necessary action to enable the creation of their “own piece of paradise.” As is so often the case, gardening has proved the glue that has brought people together.

Later in March Grow Heathrow will host the Reclaim the Fields European gathering, and then a group of people associated with the project will go on an ambitious 100 day cycle ride to Palestine. P.E.D.A.L. will meet with permaculture projects along the way; sharing ideas and stories for a better world.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

YouTube Preview Image

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.
Grow Heathrow by Rebecca Peacock
Grow Heathrow by Rebecca Peacock.

Just over a year ago a group of my friends envisioned a radical new version of the Transition Town model. Activists drawn from groups such as Plane Stupid and Climate Camp decided to squat a rundown old market garden in the village of Sipson that was being used as a dumping ground for car scrap in an area planned for demolition to make way for the third runway at Heathrow. And thus Grow Heathrow was born, remedy a great big YES in the face of so many NOs.

We Won! Grow Heathrow by Sam Parr
We Won! Grow Heathrow by Sam Parr.

Over the course of the past year they have utterly transformed the area; growing their own food, sickness hosting bike workshops and ensuring a sustainable community has sprung up that fully involves the locals. What was once an eyesore covered in shattered glass has become an inspiring success story, described by one local as “better than prozac”. In this beautiful short video from You and I Films the misty eyed community get together to reminisce about the past year, describing how what they did was “naughty but extremely worthwhile” and a necessary action to enable the creation of their “own piece of paradise.” As is so often the case, gardening has proved the glue that has brought people together.

Later in March Grow Heathrow will host the Reclaim the Fields European gathering, and then a group of people associated with the project will go on an ambitious 100 day cycle ride to Palestine. P.E.D.A.L. will meet with permaculture projects along the way; sharing ideas and stories for a better world.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

YouTube Preview Image

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.
Grow Heathrow by Rebecca Peacock
Grow Heathrow by Rebecca Peacock.

Just over a year ago a group of my friends envisioned a radical new version of the Transition Town model. Activists drawn from groups such as Plane Stupid and Climate Camp decided to squat a rundown old market garden in the village of Sipson that was being used as a dumping ground for car scrap in an area planned for demolition to make way for the third runway at Heathrow. And thus Grow Heathrow was born, mind a great big YES in the face of so many NOs.

We Won! Grow Heathrow by Sam Parr
We Won! Grow Heathrow by Sam Parr.

Over the course of the past year they have utterly transformed the area; growing their own food, store hosting bike workshops and ensuring a sustainable community has sprung up that fully involves the locals. What was once an eyesore covered in shattered glass has become an inspiring success story, described by one local as “better than prozac”. In this beautiful short video from You and I Films the misty eyed community get together to reminisce about the past year, describing how what they did was “naughty but extremely worthwhile” and a necessary action to enable the creation of their “own piece of paradise.” As is so often the case, gardening has proved the glue that has brought people together.

Later in March Grow Heathrow will host the Reclaim the Fields European gathering, and then a group of people associated with the project will go on an ambitious 100 day cycle ride to Palestine. P.E.D.A.L. will meet with permaculture projects along the way; sharing ideas and stories for a better world.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

YouTube Preview Image

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.
Kirsty Ward A/W 2011 by YesGo Illustration
Kirsty Ward A/W 2011 by YesGo Illustration.

Every season I eagerly anticipate Fashion Scout’s Ones to Watch because it is invariably a wonderful place to discover raw talent before everyone else does. This season we even ran a preview to prompt early onset salivating.

Kirsty Ward A/W 2011 by Charlotte Hoyle
Kirsty Ward A/W 2011 by Charlotte Hoyle.

Unfortunately I was late to arrive and had to make do with an abysmal spot at the back, medicine hence my far from fabulous photography. The perils of an action packed opening day to LFW. I do apologise.

Kirsty Ward A/W 2011 by June ChanpoomidoleKirsty Ward A/W 2011 by June Chanpoomidole
Kirsty Ward A/W 2011 by June Chanpoomidole.

Straight off the starting blocks was Kirsty Ward, hospital who first came to our attention when she created jewellery for boyfriend David Longshaw when he himself showed as part of Ones to Watch a year ago. Last season she created her first collection, buy information pills on view at the static stands at Fashion Scout… and I knew straight away I’d discovered something very special.

Kirsty Ward A/W 2011. Photography by Amelia GregoryKirsty Ward A/W 2011. Photography by Amelia GregoryKirsty Ward A/W 2011. Photography by Amelia GregoryKirsty Ward A/W 2011. Photography by Amelia GregoryKirsty Ward A/W 2011 by Charlotte HoyleKirsty Ward A/W 2011 by Charlotte Hoyle
Kirsty Ward A/W 2011 by Charlotte Hoyle.

Needless to say Kirsty Ward‘s first foray onto the catwalk proper did not disappoint. Working in a range of materials she kept to her sculpted best, whilst also working with new ideas such as the sheer asymmetric flip sided shirt.

Kirsty Ward A/W 2011. Photography by Amelia GregoryKirsty Ward A/W 2011. Photography by Amelia GregoryKirsty Ward A/W 2011. Photography by Amelia GregoryKirsty Ward A/W 2011 by Gilly Rochester
Kirsty Ward A/W 2011 by Gilly Rochester.

As ever the jewellery was an integral part of her designs, sometimes embedded within the fabric, but always well considered. When I spoke to Kirsty at the stands she talked of her ongoing love with everyday household items: coat hangers and miniature hinges get her in an excitable tizz. But there’s no single clear influence in an innovative collection that will no doubt stand the test of time – one stand out piece was inspired by the shape of a Stormtrooper mask, albeit not through any conscious decision. Amusingly she tried to use as many “sick colours” as possible and was almost disappointed that fashionistas have been referring to her colour palette as “autumnal.” I love Kirsty Ward’s vision and an interview with this talented lady is long overdue….

Anja Mlakar A/W 2011. Photography by Amelia GregoryAnja Mlakar A/W 2011. Photography by Amelia GregoryAnja Mlakar A/W 2011. Photography by Amelia GregoryAnja Mlakar A/W 2011 by Karolina Burdon
Anja Mlakar A/W 2011 by Karolina Burdon.

Coming second we were treated to Anja Mlakar‘s collection, which was a confident showing of bouncy tulip skirted dresses in pastels, red and black. Cutaways were a big feature, and I liked the styling with what looked like round padded foam belts, roughly tied at the waist. Definitely an intriguing proposition.

Anja Mlakar A/W 2011. Photography by Amelia GregoryAnja Mlakar A/W 2011. Photography by Amelia GregoryAnje Mlakar A/W 2011 by Charlotte HoyleAnje Mlakar A/W 2011 by Charlotte HoyleAnje Mlakar A/W 2011 by Charlotte Hoyle
Anje Mlakar A/W 2011 by Charlotte Hoyle.

Next up was possibly my least favourite, simply because I am not a minimal kind of gal: no offence intended. Tze Goh works in a kind of compacted foam jersey material that can be easily sculpted into shapes which stand proud of the body.

Tze Goh A/W 2011. Photography by Amelia GregoryTze Goh A/W 2011 by Sarah Wharton
Tze Goh A/W 2011 by Sarah Wharton.

Capes, hairy and smooth, were the order of the day – in steely greys, deep purples and heathery blues.

Sara Bro-Jorgensen A/W 2011 by Charlotte Hoyle
Sara Bro-Jorgensen A/W 2011 by Charlotte Hoyle.

Lastly Sara Bro-Jorgensen created an intriguing collection using trompe l’oeil print and intarsia techniques to play with definitions of clothing. One outfit featured the imprint of a tuxedo, accessorised with a bow tie and knitted hood. She replicated her beloved leather jacket in intarsia, (it also features as part of the collection), using an old 1960s knitting machine available only at the Royal College of Art (the bonus of being an alumni).

Sara Bro-Jorgensen A/W 2011 by Maria Papadimitriou
Sara Bro-Jorgensen A/W 2011 by Maria Papadimitriou.

At her exhibition stand she freely admitted that she is not sure how she can reproduce the look commercially. Sometimes, it seems, old technology really is best. My favourite outfit was a trompe l’oeil intarsia cape dress out of which the model’s arms protruded frontways, encased in creamy childlike mittens. I wouldn’t recommend adopting such a stance of an evening on the town but on the catwalk this styling was a lot of fun.

Sara Bro-Jorgensen A/W 2011 by StellabombellaSara Bro-Jorgensen A/W 2011 by StellabombellaSara Bro-Jorgensen A/W 2011 by Stellabombella
Sara Bro-Jorgensen A/W 2011 by Stellabombella.

Sara Bro-Jorgensen A/W 2011. Photography by Amelia GregorySara Bro-Jorgensen A/W 2011. Photography by Amelia GregorySara Bro-Jorgensen A/W 2011. Photography by Amelia Gregory
Sara Bro-Jorgensen A/W 2011. All photography by Amelia Gregory.

Read Florence Massey’s review here. You can see more of June Chanpoomidole’s work in Amelia’s Compendium of Fashion Illustration.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Anja Mlakar, ,Charlotte Hoyle, ,Fashion Scout, ,Florence Massey, ,Freemasons’ Hall, ,Gilly Rochester, ,Intarsia, ,June Chanpoomidole, ,June Sees, ,Karolina Burdon, ,Kirsty Ward, ,knit, ,Maria Papadimitriou, ,Mhairi-Stella McEwan, ,Ones To Watch, ,Royal College of Art, ,Sara Bro Jorgensen, ,Sarah Wharton, ,Slowly the Eggs, ,Stellabombella, ,Stormtrooper, ,Tze Goh, ,YesGo Illustration

Similar Posts:






Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Ones to Watch (by Amelia)

We Won! Grow Heathrow by Sam Parr
Grow Heathrow by Rebecca Peacock
Grow Heathrow by Rebecca Peacock.

Just over a year ago a group of my friends envisioned a radical new version of the Transition Town model. Activists drawn from groups such as Plane Stupid and Climate Camp decided to squat a rundown old market garden in the village of Sipson that was being used as a dumping ground for car scrap in an area planned for demolition to make way for the third runway at Heathrow. And thus Grow Heathrow was born, click a great big YES in the face of so many NOs.

Over the course of the past year they have utterly transformed the area; growing their own food, malady hosting bike workshops and ensuring a sustainable community has sprung up that fully involves the locals. What was once an eyesore covered in shattered glass has become an inspiring success story, this site described by one local as “better than prozac”. In this beautiful short video from You and I Films the misty eyed community get together to reminisce about the past year, describing how what they did was “naughty but extremely worthwhile” and a necessary action to enable the creation of their “own piece of paradise.” As is so often the case, gardening has proved the glue that has brought people together.

Later in March Grow Heathrow will host the Reclaim the Fields European gathering, and then a group of people associated with the project will go on an ambitious 100 day cycle ride to Palestine. P.E.D.A.L. will meet with permaculture projects along the way; sharing ideas and stories for a better world.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

YouTube Preview Image

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.
Grow Heathrow by Rebecca Peacock
Grow Heathrow by Rebecca Peacock.

Just over a year ago a group of my friends envisioned a radical new version of the Transition Town model. Activists drawn from groups such as Plane Stupid and Climate Camp decided to squat a rundown old market garden in the village of Sipson that was being used as a dumping ground for car scrap in an area planned for demolition to make way for the third runway at Heathrow. And thus Grow Heathrow was born, approved a great big YES in the face of so many NOs.

We Won! Grow Heathrow by Sam Parr
We Won! Grow Heathrow by Sam Parr.

Over the course of the past year they have utterly transformed the area; growing their own food, order hosting bike workshops and ensuring a sustainable community has sprung up that fully involves the locals. What was once an eyesore covered in shattered glass has become an inspiring success story, information pills described by one local as “better than prozac”. In this beautiful short video from You and I Films the misty eyed community get together to reminisce about the past year, describing how what they did was “naughty but extremely worthwhile” and a necessary action to enable the creation of their “own piece of paradise.” As is so often the case, gardening has proved the glue that has brought people together.

Later in March Grow Heathrow will host the Reclaim the Fields European gathering, and then a group of people associated with the project will go on an ambitious 100 day cycle ride to Palestine. P.E.D.A.L. will meet with permaculture projects along the way; sharing ideas and stories for a better world.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

YouTube Preview Image

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.
Grow Heathrow by Rebecca Peacock
Grow Heathrow by Rebecca Peacock.

Just over a year ago a group of my friends envisioned a radical new version of the Transition Town model. Activists drawn from groups such as Plane Stupid and Climate Camp decided to squat a rundown old market garden in the village of Sipson that was being used as a dumping ground for car scrap in an area planned for demolition to make way for the third runway at Heathrow. And thus Grow Heathrow was born, link a great big YES in the face of so many NOs.

We Won! Grow Heathrow by Sam Parr
We Won! Grow Heathrow by Sam Parr.

Over the course of the past year they have utterly transformed the area; growing their own food, and hosting bike workshops and ensuring a sustainable community has sprung up that fully involves the locals. What was once an eyesore covered in shattered glass has become an inspiring success story, drug described by one local as “better than prozac”. In this beautiful short video from You and I Films the misty eyed community get together to reminisce about the past year, describing how what they did was “naughty but extremely worthwhile” and a necessary action to enable the creation of their “own piece of paradise.” As is so often the case, gardening has proved the glue that has brought people together.

Later in March Grow Heathrow will host the Reclaim the Fields European gathering, and then a group of people associated with the project will go on an ambitious 100 day cycle ride to Palestine. P.E.D.A.L. will meet with permaculture projects along the way; sharing ideas and stories for a better world.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

YouTube Preview Image

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.
Grow Heathrow by Rebecca Peacock
Grow Heathrow by Rebecca Peacock.

Just over a year ago a group of my friends envisioned a radical new version of the Transition Town model. Activists drawn from groups such as Plane Stupid and Climate Camp decided to squat a rundown old market garden in the village of Sipson that was being used as a dumping ground for car scrap in an area planned for demolition to make way for the third runway at Heathrow. And thus Grow Heathrow was born, remedy a great big YES in the face of so many NOs.

We Won! Grow Heathrow by Sam Parr
We Won! Grow Heathrow by Sam Parr.

Over the course of the past year they have utterly transformed the area; growing their own food, sickness hosting bike workshops and ensuring a sustainable community has sprung up that fully involves the locals. What was once an eyesore covered in shattered glass has become an inspiring success story, described by one local as “better than prozac”. In this beautiful short video from You and I Films the misty eyed community get together to reminisce about the past year, describing how what they did was “naughty but extremely worthwhile” and a necessary action to enable the creation of their “own piece of paradise.” As is so often the case, gardening has proved the glue that has brought people together.

Later in March Grow Heathrow will host the Reclaim the Fields European gathering, and then a group of people associated with the project will go on an ambitious 100 day cycle ride to Palestine. P.E.D.A.L. will meet with permaculture projects along the way; sharing ideas and stories for a better world.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

YouTube Preview Image

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.
Grow Heathrow by Rebecca Peacock
Grow Heathrow by Rebecca Peacock.

Just over a year ago a group of my friends envisioned a radical new version of the Transition Town model. Activists drawn from groups such as Plane Stupid and Climate Camp decided to squat a rundown old market garden in the village of Sipson that was being used as a dumping ground for car scrap in an area planned for demolition to make way for the third runway at Heathrow. And thus Grow Heathrow was born, mind a great big YES in the face of so many NOs.

We Won! Grow Heathrow by Sam Parr
We Won! Grow Heathrow by Sam Parr.

Over the course of the past year they have utterly transformed the area; growing their own food, store hosting bike workshops and ensuring a sustainable community has sprung up that fully involves the locals. What was once an eyesore covered in shattered glass has become an inspiring success story, described by one local as “better than prozac”. In this beautiful short video from You and I Films the misty eyed community get together to reminisce about the past year, describing how what they did was “naughty but extremely worthwhile” and a necessary action to enable the creation of their “own piece of paradise.” As is so often the case, gardening has proved the glue that has brought people together.

Later in March Grow Heathrow will host the Reclaim the Fields European gathering, and then a group of people associated with the project will go on an ambitious 100 day cycle ride to Palestine. P.E.D.A.L. will meet with permaculture projects along the way; sharing ideas and stories for a better world.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

YouTube Preview Image

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.
Kirsty Ward A/W 2011 by YesGo Illustration
Kirsty Ward A/W 2011 by YesGo Illustration.

Every season I eagerly anticipate Fashion Scout’s Ones to Watch because it is invariably a wonderful place to discover raw talent before everyone else does. This season we even ran a preview to prompt early onset salivating.

Kirsty Ward A/W 2011 by Charlotte Hoyle
Kirsty Ward A/W 2011 by Charlotte Hoyle.

Unfortunately I was late to arrive and had to make do with an abysmal spot at the back, medicine hence my far from fabulous photography. The perils of an action packed opening day to LFW. I do apologise.

Kirsty Ward A/W 2011 by June ChanpoomidoleKirsty Ward A/W 2011 by June Chanpoomidole
Kirsty Ward A/W 2011 by June Chanpoomidole.

Straight off the starting blocks was Kirsty Ward, hospital who first came to our attention when she created jewellery for boyfriend David Longshaw when he himself showed as part of Ones to Watch a year ago. Last season she created her first collection, buy information pills on view at the static stands at Fashion Scout… and I knew straight away I’d discovered something very special.

Kirsty Ward A/W 2011. Photography by Amelia GregoryKirsty Ward A/W 2011. Photography by Amelia GregoryKirsty Ward A/W 2011. Photography by Amelia GregoryKirsty Ward A/W 2011. Photography by Amelia GregoryKirsty Ward A/W 2011 by Charlotte HoyleKirsty Ward A/W 2011 by Charlotte Hoyle
Kirsty Ward A/W 2011 by Charlotte Hoyle.

Needless to say Kirsty Ward‘s first foray onto the catwalk proper did not disappoint. Working in a range of materials she kept to her sculpted best, whilst also working with new ideas such as the sheer asymmetric flip sided shirt.

Kirsty Ward A/W 2011. Photography by Amelia GregoryKirsty Ward A/W 2011. Photography by Amelia GregoryKirsty Ward A/W 2011. Photography by Amelia GregoryKirsty Ward A/W 2011 by Gilly Rochester
Kirsty Ward A/W 2011 by Gilly Rochester.

As ever the jewellery was an integral part of her designs, sometimes embedded within the fabric, but always well considered. When I spoke to Kirsty at the stands she talked of her ongoing love with everyday household items: coat hangers and miniature hinges get her in an excitable tizz. But there’s no single clear influence in an innovative collection that will no doubt stand the test of time – one stand out piece was inspired by the shape of a Stormtrooper mask, albeit not through any conscious decision. Amusingly she tried to use as many “sick colours” as possible and was almost disappointed that fashionistas have been referring to her colour palette as “autumnal.” I love Kirsty Ward’s vision and an interview with this talented lady is long overdue….

Anja Mlakar A/W 2011. Photography by Amelia GregoryAnja Mlakar A/W 2011. Photography by Amelia GregoryAnja Mlakar A/W 2011. Photography by Amelia GregoryAnja Mlakar A/W 2011 by Karolina Burdon
Anja Mlakar A/W 2011 by Karolina Burdon.

Coming second we were treated to Anja Mlakar‘s collection, which was a confident showing of bouncy tulip skirted dresses in pastels, red and black. Cutaways were a big feature, and I liked the styling with what looked like round padded foam belts, roughly tied at the waist. Definitely an intriguing proposition.

Anja Mlakar A/W 2011. Photography by Amelia GregoryAnja Mlakar A/W 2011. Photography by Amelia GregoryAnje Mlakar A/W 2011 by Charlotte HoyleAnje Mlakar A/W 2011 by Charlotte HoyleAnje Mlakar A/W 2011 by Charlotte Hoyle
Anje Mlakar A/W 2011 by Charlotte Hoyle.

Next up was possibly my least favourite, simply because I am not a minimal kind of gal: no offence intended. Tze Goh works in a kind of compacted foam jersey material that can be easily sculpted into shapes which stand proud of the body.

Tze Goh A/W 2011. Photography by Amelia GregoryTze Goh A/W 2011 by Sarah Wharton
Tze Goh A/W 2011 by Sarah Wharton.

Capes, hairy and smooth, were the order of the day – in steely greys, deep purples and heathery blues.

Sara Bro-Jorgensen A/W 2011 by Charlotte Hoyle
Sara Bro-Jorgensen A/W 2011 by Charlotte Hoyle.

Lastly Sara Bro-Jorgensen created an intriguing collection using trompe l’oeil print and intarsia techniques to play with definitions of clothing. One outfit featured the imprint of a tuxedo, accessorised with a bow tie and knitted hood. She replicated her beloved leather jacket in intarsia, (it also features as part of the collection), using an old 1960s knitting machine available only at the Royal College of Art (the bonus of being an alumni).

Sara Bro-Jorgensen A/W 2011 by Maria Papadimitriou
Sara Bro-Jorgensen A/W 2011 by Maria Papadimitriou.

At her exhibition stand she freely admitted that she is not sure how she can reproduce the look commercially. Sometimes, it seems, old technology really is best. My favourite outfit was a trompe l’oeil intarsia cape dress out of which the model’s arms protruded frontways, encased in creamy childlike mittens. I wouldn’t recommend adopting such a stance of an evening on the town but on the catwalk this styling was a lot of fun.

Sara Bro-Jorgensen A/W 2011 by StellabombellaSara Bro-Jorgensen A/W 2011 by StellabombellaSara Bro-Jorgensen A/W 2011 by Stellabombella
Sara Bro-Jorgensen A/W 2011 by Stellabombella.

Sara Bro-Jorgensen A/W 2011. Photography by Amelia GregorySara Bro-Jorgensen A/W 2011. Photography by Amelia GregorySara Bro-Jorgensen A/W 2011. Photography by Amelia Gregory
Sara Bro-Jorgensen A/W 2011. All photography by Amelia Gregory.

Read Florence Massey’s review here. You can see more of June Chanpoomidole’s work in Amelia’s Compendium of Fashion Illustration.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Anja Mlakar, ,Charlotte Hoyle, ,Fashion Scout, ,Florence Massey, ,Freemasons’ Hall, ,Gilly Rochester, ,Intarsia, ,June Chanpoomidole, ,June Sees, ,Karolina Burdon, ,Kirsty Ward, ,knit, ,Maria Papadimitriou, ,Mhairi-Stella McEwan, ,Ones To Watch, ,Royal College of Art, ,Sara Bro Jorgensen, ,Sarah Wharton, ,Slowly the Eggs, ,Stellabombella, ,Stormtrooper, ,Tze Goh, ,YesGo Illustration

Similar Posts:






Amelia’s Magazine | Find Your Feet’s We Are What We Wear Ethical Fashion Show


Just off Brick Lane, page past the curry houses and down a side street, rx is where Hinshelwood de Borman have set up their newest pop-up shop. My only complaint after spending an hour leafing through the curiosities of ‘Field Work’ is that this isn’t a permanent shop – because it is absolutely lovely.

Cushions by Caitlin de Hinshelwood

The selection by Caitlin de Hinshelwood and Rose de Borman offers steep competition when it comes to picking a favourite, order but I think it’s the printed textiles from Caitlin de Hinshelwood that are the stars of the show. Stacks of cushions are adorned with animal prints – one with giraffes, lions and bears, the next with frogs and snakes, and so on. The patterns are repeated on post cards, purses and on dresses for sale at the back. Soft colours and gorgeous, subtle patterns make for unorthodox and brilliant little outfits – like the dress covered in prints of root vegetables.

Horn spoons

Kitty Farrow Press has created a special range of notebooks for Field Work, all marked with an antlers logo. Continuing the antler theme are spoons cut from antlers by Kirsten Hecktermann – if that sounds like too much the shop also has some carved wooden spoons on offer.

Crockery
Stairs

Other treats include some very cute medieval replica pewter brooches, papier-mâché masks, and lovely old-style screwdriver sets from Elementary Design. The taxidermy is the work of Jazmine Miles-Long, an ethical taxidermist who only uses animals who have died from natural causes. Shipping Forecast Knitwear has some fantastic wooly hats on display, made in the UK from Aran wool but bringing to mind windswept isles in Nordic waters.

Gallery
Neal Jones

Down the stairs is the gallery, and the show is entitled ‘Weird Folk’ with art by Betsy Dadd, Neal Jones and Max Wade. The warm and playful paintings almost beg to be touched, especially the smeared brush-strokes and rough edges of Wade‘s art which makes me want to start painting again as he makes it look like so much fun.

Betsy Dadd

Field Work runs between 15th and 20th March in Spitalfields, at 65 Hanbury Street, London E1 5JP. For more information see our listing. If you miss it there’s an online shop here.


Just off Brick Lane, nurse past the curry houses and down a side street, decease is where Hinshelwood de Borman have set up their newest pop-up shop. My only complaint after spending an hour leafing through the curiosities of ‘Field Work’ is that this isn’t a permanent shop – because it is absolutely lovely.

Cushions by Caitlin de Hinshelwood

The selection by Caitlin de Hinshelwood and Rose de Borman offers steep competition when it comes to picking a favourite, but I think it’s the printed textiles from Caitlin de Hinshelwood that are the stars of the show. Stacks of cushions are adorned with animal prints – one with giraffes, lions and bears, the next with frogs and snakes, and so on. The patterns are repeated on post cards, purses and on dresses for sale at the back. Soft colours and gorgeous, subtle patterns make for unorthodox and brilliant little outfits – like the dress covered in prints of root vegetables.

Kitty Farrow Press has created a special range of notebooks for Field Work, all marked with an antlers logo. Continuing the antler theme are spoons cut from antlers by Kirsten Hecktermann – if that sounds like too much the shop also has some carved wooden spoons on offer.

Other treats include some very cute medieval replica pewter brooches, papier-mâché masks, and lovely old-style screwdriver sets from Elementary Design. The taxidermy is the work of Jazmine Miles-Long, an ethical taxidermist who only uses animals who have died from natural causes. Shipping Forecast Knitwear has some fantastic wooly hats on display, made in the UK from Aran wool but bringing to mind windswept isles in Nordic waters.

Neal Jones

Down the stairs is the gallery, and the show is entitled ‘Weird Folk’ with art by Betsy Dadd, Neal Jones and Max Wade. The warm and playful paintings almost beg to be touched, especially the smeared brush-strokes and rough edges of Wade‘s art which makes me want to start painting again as he makes it look like so much fun.

Betsy Dadd

Field Work runs between 15th and 20th March in Spitalfields, at 65 Hanbury Street, London E1 5JP. For more information see our listing. If you miss it there’s an online shop here.

Just off Brick Lane, sickness past the curry houses and down a side street, more about is where Hinshelwood de Borman have set up their newest pop-up shop. My only complaint after spending an hour leafing through the curiosities of ‘Field Work’ is that this isn’t a permanent shop – because it is absolutely lovely.

The selection by Caitlin de Hinshelwood and Rose de Borman offers steep competition when it comes to picking a favourite, medicine but I think it’s the printed textiles from Caitlin de Hinshelwood that are the stars of the show. Stacks of cushions are adorned with animal prints – one with giraffes, lions and bears, the next with frogs and snakes, and so on. The patterns are repeated on post cards, purses and on dresses for sale at the back. Soft colours and gorgeous, subtle patterns make for unorthodox and brilliant little outfits – like the dress covered in prints of root vegetables.

Cushions by Caitlin de Hinshelwood

Kitty Farrow Press has created a special range of notebooks for Field Work, all marked with an antlers logo. Continuing the antler theme are spoons cut from antlers by Kirsten Hecktermann – if that sounds like too much the shop also has some carved wooden spoons on offer.

Other treats include some very cute medieval replica pewter brooches, papier-mâché masks, and lovely old-style screwdriver sets from Elementary Design. The taxidermy is the work of Jazmine Miles-Long, an ethical taxidermist who only uses animals who have died from natural causes. Shipping Forecast Knitwear has some fantastic wooly hats on display, made in the UK from Aran wool but bringing to mind windswept isles in Nordic waters.

Neal Jones

Down the stairs is the gallery, and the show is entitled ‘Weird Folk’ with art by Betsy Dadd, Neal Jones and Max Wade. The warm and playful paintings almost beg to be touched, especially the smeared brush-strokes and rough edges of some of the art which makes me want to start painting again as the artists make it look like so much fun.

Betsy Dadd

Field Work runs between 15th and 20th March in Spitalfields, at 65 Hanbury Street, London E1 5JP. For more information see our listing. If you miss it there’s an online shop here.

Illustration by June Chanpoomidole

To those of you that have been to any of the Start boutiques in Shoreditch you’ll know they represent a relaxed luxury that more than compliments the clothes. This is most true for the mens formalwear boutique. I love it and could quiet happily spend hours in there. So when I saw that the Mr Start presentation was being held in One Aldwych I was very excited. Having graced the lobby bar with my presence on at least  one occasion to sip their very tasty cocktails, stomach I couldn’t think of a more suitable venue. Sadly we were shuffled downstairs to a tiny and ill-lit room. Pleased we’d arrived early to avoid the mounting queues, troche myself and Matt surveyed the clothes.  


Illustration by Joana Faria

Thankfully the collection more than made up for the choice of venue, dosage as did the dynamicism of Mr Start himself, and the lovely Brix Smith Start. Seeing people passionate about what they do never fails to lift my spirits. Despite living my life in jeans, I have a love of all things formal. I long for the day that dress down Fridays are a thing of the past; I’m just too lazy to do it myself. Very hypocritical, you might say. Suits, jackets and ties are almost always appropriate attire, however, they often take more consideration and thought than I am capable of bleary eyed at 7am on workday morning.  


All photography by Matt Bramford

This collection would inspire me to rise just that little bit earlier and make just a bit more effort. Mixing heritage fabrics such as Harris Tweeds with a modern cut, the collection worked really well. The colours chosen also lifted this collection from being too stayed; crushed grape and turquoise green statement jackets provided a subtle lift to everything. But we weren’t just treated to suits, elegantly tailored shirts in a variety of collar shapes were also a sight to behold. A clean colour palette of white, black and grey, the shirts complimented the suiting without overpowering it; my favourite being a smaller but starkly cutaway collar. I’d say understated luxury for those in the know was a common theme of the whole collection but the deep velvet suit and dinner jackets were far from understated.  


Illustration by Maria Papadimitriou

Another great piece was the double breasted cropped peacoat. We’ve seen these on every boy band and All Saints clone in the past few seasons, but there was still something fresh about this piece. Mr Start’s accessories were equally strong with many of the fashion pack gushing over the suede brogues and loafers. They have a definite place on my wishlist, but I fear no amount of scotchguarding will protect them from my clumsy ways.  

In store this collection will shine even brighter than it did during the presentation, and leaving the store dressed head to toe in Mr Start will be a feat of inordinate self control. It’s just a shame the lighting and crowding let things down a little. Here’s looking forward to next seasons presentation, and a quick/expensive trip to Shoreditch in the meantime.  

See more from June Chanpoomidole and Joana Faria in Amelia’s Compendium of Fashion Illustration!


Just off Brick Lane, pills past the curry houses and down a side street, is where Hinshelwood de Borman have set up their newest pop-up shop. My only complaint after spending an hour leafing through the curiosities of ‘Field Work’ is that this isn’t a permanent shop – because it is absolutely lovely.

The selection by Caitlin de Hinshelwood and Rose de Borman offers steep competition when it comes to picking a favourite, but I think it’s the printed textiles from Caitlin de Hinshelwood that are the stars of the show. Stacks of cushions are adorned with animal prints – one with giraffes, lions and bears, the next with frogs and snakes, and so on. The patterns are repeated on post cards, purses and on dresses for sale at the back. Soft colours and gorgeous, subtle patterns make for unorthodox and brilliant little outfits – like the dress covered in prints of root vegetables.

Cushions by Caitlin de Hinshelwood

Kitty Farrow Press has created a special range of notebooks for Field Work, all marked with an antlers logo. Continuing the antler theme are spoons cut from antlers by Kirsten Hecktermann – if that sounds like too much the shop also has some carved wooden spoons on offer.

Other treats include some very cute medieval replica pewter brooches, papier-mâché masks, and lovely old-style screwdriver sets from Elementary Design. The taxidermy is the work of Jazmine Miles-Long, an ethical taxidermist who only uses animals who have died from natural causes. Shipping Forecast Knitwear has some fantastic wooly hats on display, made in the UK from Aran wool but bringing to mind windswept isles in Nordic waters.

Neal Jones

Down the stairs is the gallery, and the show is entitled ‘Weird Folk’ with art by Betsy Dadd, Neal Jones and Max Wade. The warm and playful paintings almost beg to be touched, especially the smeared brush-strokes and rough edges of some of the art which makes me want to start painting again as the artists make it look like so much fun.

Betsy Dadd

Field Work runs between 15th and 20th March in Spitalfields, at 65 Hanbury Street, London E1 5JP. For more information see our listing. If you miss it there’s an online shop here.
By Stamo A/W 2011 by Rebecca Strickson
By Stamo A/W 2011 by Rebecca Strickson.

On Sunday 13th March Find Your Feet hosted an ethical fashion show at the Mint Leaf restaurant in the Haymarket. I was invited to donate a copy of Amelia’s Compendium of Fashion Illustration for We Are What We Wear by the show stylist, viagra order the lovely Zoe Robinson of Think Style – a women with many sustainable strings to her bow. She works as an actress, visit this site a writer (for Egg Mag) and an ethical image consultant.

Amelia's Compendium of Fashion Illustration Photography by Amelia GregoryFind Your Feet Honey's Dance Academy, <a target=pharmacy Photography by Amelia Gregory” title=”Find Your Feet Honey’s Dance Academy, Photography by Amelia Gregory” width=”480″ height=”320″ class=”aligncenter size-full wp-image-38157″ />Find Your Feet Honey's Dance Academy, Photography by Amelia GregoryBollywood dancing by Jane Young
Bollywood dancing from Honey’s Dance Academy by Jane Young.

We were treated to some very energetic Bollywood dancing thanks to Honey’s Dance Academy, followed by two short catwalk shows which took place on walkways surrounding the sunken restaurant. Models included youngsters and a couple of more mature women from Close Models, which provided a really uplifting touch.

Junky Styling by YesGo IllustrationJunky Styling by YesGo Illustration
Junky Styling by YesGo Illustration.

Find Your Feet-Junky Styling. Photography by Amelia GregoryFind Your Feet-Junky Styling. Photography by Amelia GregoryFind Your Feet-Junky Styling. Photography by Amelia Gregory
Junky Styling. All photography by Amelia Gregory.

Find Your Feet-People Tree. Photography by Amelia GregoryFind Your Feet-People Tree. Photography by Amelia GregoryFind Your Feet-People Tree. Photography by Amelia GregoryFind Your Feet-People Tree. Photography by Amelia Gregory
People Tree.

Find Your Feet-Bhavna. Photography by Amelia GregoryFind Your Feet-Bhavna. Photography by Amelia GregoryFind Your Feet-Bhavna. Photography by Amelia Gregory
Bhavna.

Find Your Feet Outsider. All photography by Amelia Gregory.
Outsider.

During the first show we saw a fabulous multi layered pink maxi dress from ACOFI featured designer Junky Styling, cute dresses from People Tree, embellished bamboo dresses from Bhavna, and gorgeous silk classics from Outsider, who I discovered at Ecoluxe this season.

Find Your Feet- Amisha, Zoe, Orsola and the kids. Photography by Amelia Gregory
Amisha, Zoe, Orsola and the kids.

As I had a bar ticket I was able to roam around, and between shows sat with Zoe, Amisha Ghadalli, Maria Papadimitriou of Slowly the Eggs/Plastic Seconds and Orsola de Castro of From Somewhere, who was entertaining her young daughter and her friend. We ate some yummy canapes and watched a magician bend forks, then a Find Your Feet ambassador described the work done by this charity, which includes helping to fund sustainable farming practices. Fittingly, she described how a group of women in rural India bandied together to make the most of the mint growing on local farms – they now have a successful essential oil business.

Find Your Feet-magician. Photography by Amelia Gregory
The magician entertains the kids.

Find Your Feet- Charley Speed and bottle top bag. Photography by Amelia Gregory.Find Your Feet- Charley Speed and bottle top bag. Photography by Amelia Gregory.
Charley Speed and bottle top bag.

Then it was on to the auction, where any mention of my book was usurped by the lure of an Outsider dress, as worn by a celebrity – the presenter Charley Speed dashing maniacally around the room to squeeze as much money as possible out of the generous crowd. The whole lot (including a bottle top bag) went for £300, and I can only hope that the recipient appreciated my donation because he probably had no clue what it was.

Ada Zanditon S/S 2011 by Gareth A Hopkins
Ada Zanditon S/S 2011 by Gareth A Hopkins.

Round two featured three Amelia’s Magazine favourites from ACOFI: off-cut drama courtesy of From Somewhere, amazing sculptural pieces from Ada Zanditon and colourful dresses with sunflower decorations from By Stamo. There was also some playful printed dresses from Love Phool.

From Somewhere by Gareth A Hopkins
From Somewhere by Gareth A Hopkins.

Find Your Feet-From Somewhere. Photography by Amelia Gregory
From Somewhere.

Find Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia Gregory
Ada Zanditon S/S 2011.

Find Your Feet-Lovephool. Photography by Amelia GregoryFind Your Feet-Love Phool. Photography by Amelia GregoryFind Your Feet-Love Phool. Photography by Amelia GregoryFind Your Feet-Love Phool. Photography by Amelia GregoryFind Your Feet-Love Phool. Photography by Amelia GregoryFind Your Feet-Love Phool. Photography by Amelia Gregory
Love Phool.

Find Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia Gregory
By Stamo A/W 2011.

A range of ethical accessories were used to style the show, amongst them some old favourites: LeJu, Nina Dolcetti and Joanna Cave… and some new discoveries: Meher Kakalia, who adapts ancient shoemaking techniques from her home town of Karachi to create modern footwear in Brixton, and Kumvana Gomani, who creates delicate jewellery out of plastic waste.

By Stamo A/W 2011 by Maria del Carmen SmithBy Stamo A/W 2011 by Maria del Carmen Smith
By Stamo A/W 2011 by Maria del Carmen Smith.

Exposing ethical design to more people and raising money for sustainable projects are good things to do, but We Aren’t JUST What We Wear, we are also What We Do in every aspect of life. On my return home I was somewhat saddened to read about a couple of other auction sponsors: it was also possible to win a test track experience with Jaguar or a BMW for the weekend. I know that money has to come from somewhere but there is a distinct lack of joined up thinking in ethical practice: a Mint Leaf waiter could not tell me whether the chicken they served us was freerange or organic.

Find Your Feet-Bollywood

We Are What We Wear was a massive success: raising over £10,000 to support sustainable weaving projects in India, but I wish that there was more recognition within the charity sector that sustainable practice involves more than donating money for dinner to support those less fortunate on the other side of the world, it’s about a holistic way of being. Within this world view I do not include hyping the desirability of extremely expensive energy guzzling cars. Needless to say, mine was the only bike tied up outside the Mint Leaf restaurant.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Amisha Ghadalli, ,Bamboo, ,Bhavna, ,BMW, ,Bollywood, ,Charley Speed, ,Close Models, ,Ecoluxe, ,Egg Mag, ,Find Your Feet, ,footwear, ,freerange, ,Gareth A Hopkins, ,Honey’s Dance Academy, ,Jaguar, ,Jane Young, ,jewellery, ,Joanna Cave, ,Kumvana Gomani, ,LeJu, ,Livia Firth, ,London Kills Me, ,Maria del Carmen Smith, ,Maria Papadimitriou, ,Meher Kakalia, ,Mint, ,Mint Leaf, ,Nina Dolcetti, ,organic, ,Orsola De Castro, ,Outsider, ,Outsider Fashion, ,People Tree, ,Rebecca Strickson, ,Silk, ,Slowly the Eggs, ,sustainability, ,We Are What We Wear, ,YesGo Illustration, ,YesGo!, ,Zoë Robinson

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Amelia’s Magazine | Find Your Feet’s We Are What We Wear Ethical Fashion Show


Just off Brick Lane, page past the curry houses and down a side street, rx is where Hinshelwood de Borman have set up their newest pop-up shop. My only complaint after spending an hour leafing through the curiosities of ‘Field Work’ is that this isn’t a permanent shop – because it is absolutely lovely.

Cushions by Caitlin de Hinshelwood

The selection by Caitlin de Hinshelwood and Rose de Borman offers steep competition when it comes to picking a favourite, order but I think it’s the printed textiles from Caitlin de Hinshelwood that are the stars of the show. Stacks of cushions are adorned with animal prints – one with giraffes, lions and bears, the next with frogs and snakes, and so on. The patterns are repeated on post cards, purses and on dresses for sale at the back. Soft colours and gorgeous, subtle patterns make for unorthodox and brilliant little outfits – like the dress covered in prints of root vegetables.

Horn spoons

Kitty Farrow Press has created a special range of notebooks for Field Work, all marked with an antlers logo. Continuing the antler theme are spoons cut from antlers by Kirsten Hecktermann – if that sounds like too much the shop also has some carved wooden spoons on offer.

Crockery
Stairs

Other treats include some very cute medieval replica pewter brooches, papier-mâché masks, and lovely old-style screwdriver sets from Elementary Design. The taxidermy is the work of Jazmine Miles-Long, an ethical taxidermist who only uses animals who have died from natural causes. Shipping Forecast Knitwear has some fantastic wooly hats on display, made in the UK from Aran wool but bringing to mind windswept isles in Nordic waters.

Gallery
Neal Jones

Down the stairs is the gallery, and the show is entitled ‘Weird Folk’ with art by Betsy Dadd, Neal Jones and Max Wade. The warm and playful paintings almost beg to be touched, especially the smeared brush-strokes and rough edges of Wade‘s art which makes me want to start painting again as he makes it look like so much fun.

Betsy Dadd

Field Work runs between 15th and 20th March in Spitalfields, at 65 Hanbury Street, London E1 5JP. For more information see our listing. If you miss it there’s an online shop here.


Just off Brick Lane, nurse past the curry houses and down a side street, decease is where Hinshelwood de Borman have set up their newest pop-up shop. My only complaint after spending an hour leafing through the curiosities of ‘Field Work’ is that this isn’t a permanent shop – because it is absolutely lovely.

Cushions by Caitlin de Hinshelwood

The selection by Caitlin de Hinshelwood and Rose de Borman offers steep competition when it comes to picking a favourite, but I think it’s the printed textiles from Caitlin de Hinshelwood that are the stars of the show. Stacks of cushions are adorned with animal prints – one with giraffes, lions and bears, the next with frogs and snakes, and so on. The patterns are repeated on post cards, purses and on dresses for sale at the back. Soft colours and gorgeous, subtle patterns make for unorthodox and brilliant little outfits – like the dress covered in prints of root vegetables.

Kitty Farrow Press has created a special range of notebooks for Field Work, all marked with an antlers logo. Continuing the antler theme are spoons cut from antlers by Kirsten Hecktermann – if that sounds like too much the shop also has some carved wooden spoons on offer.

Other treats include some very cute medieval replica pewter brooches, papier-mâché masks, and lovely old-style screwdriver sets from Elementary Design. The taxidermy is the work of Jazmine Miles-Long, an ethical taxidermist who only uses animals who have died from natural causes. Shipping Forecast Knitwear has some fantastic wooly hats on display, made in the UK from Aran wool but bringing to mind windswept isles in Nordic waters.

Neal Jones

Down the stairs is the gallery, and the show is entitled ‘Weird Folk’ with art by Betsy Dadd, Neal Jones and Max Wade. The warm and playful paintings almost beg to be touched, especially the smeared brush-strokes and rough edges of Wade‘s art which makes me want to start painting again as he makes it look like so much fun.

Betsy Dadd

Field Work runs between 15th and 20th March in Spitalfields, at 65 Hanbury Street, London E1 5JP. For more information see our listing. If you miss it there’s an online shop here.

Just off Brick Lane, sickness past the curry houses and down a side street, more about is where Hinshelwood de Borman have set up their newest pop-up shop. My only complaint after spending an hour leafing through the curiosities of ‘Field Work’ is that this isn’t a permanent shop – because it is absolutely lovely.

The selection by Caitlin de Hinshelwood and Rose de Borman offers steep competition when it comes to picking a favourite, medicine but I think it’s the printed textiles from Caitlin de Hinshelwood that are the stars of the show. Stacks of cushions are adorned with animal prints – one with giraffes, lions and bears, the next with frogs and snakes, and so on. The patterns are repeated on post cards, purses and on dresses for sale at the back. Soft colours and gorgeous, subtle patterns make for unorthodox and brilliant little outfits – like the dress covered in prints of root vegetables.

Cushions by Caitlin de Hinshelwood

Kitty Farrow Press has created a special range of notebooks for Field Work, all marked with an antlers logo. Continuing the antler theme are spoons cut from antlers by Kirsten Hecktermann – if that sounds like too much the shop also has some carved wooden spoons on offer.

Other treats include some very cute medieval replica pewter brooches, papier-mâché masks, and lovely old-style screwdriver sets from Elementary Design. The taxidermy is the work of Jazmine Miles-Long, an ethical taxidermist who only uses animals who have died from natural causes. Shipping Forecast Knitwear has some fantastic wooly hats on display, made in the UK from Aran wool but bringing to mind windswept isles in Nordic waters.

Neal Jones

Down the stairs is the gallery, and the show is entitled ‘Weird Folk’ with art by Betsy Dadd, Neal Jones and Max Wade. The warm and playful paintings almost beg to be touched, especially the smeared brush-strokes and rough edges of some of the art which makes me want to start painting again as the artists make it look like so much fun.

Betsy Dadd

Field Work runs between 15th and 20th March in Spitalfields, at 65 Hanbury Street, London E1 5JP. For more information see our listing. If you miss it there’s an online shop here.

Illustration by June Chanpoomidole

To those of you that have been to any of the Start boutiques in Shoreditch you’ll know they represent a relaxed luxury that more than compliments the clothes. This is most true for the mens formalwear boutique. I love it and could quiet happily spend hours in there. So when I saw that the Mr Start presentation was being held in One Aldwych I was very excited. Having graced the lobby bar with my presence on at least  one occasion to sip their very tasty cocktails, stomach I couldn’t think of a more suitable venue. Sadly we were shuffled downstairs to a tiny and ill-lit room. Pleased we’d arrived early to avoid the mounting queues, troche myself and Matt surveyed the clothes.  


Illustration by Joana Faria

Thankfully the collection more than made up for the choice of venue, dosage as did the dynamicism of Mr Start himself, and the lovely Brix Smith Start. Seeing people passionate about what they do never fails to lift my spirits. Despite living my life in jeans, I have a love of all things formal. I long for the day that dress down Fridays are a thing of the past; I’m just too lazy to do it myself. Very hypocritical, you might say. Suits, jackets and ties are almost always appropriate attire, however, they often take more consideration and thought than I am capable of bleary eyed at 7am on workday morning.  


All photography by Matt Bramford

This collection would inspire me to rise just that little bit earlier and make just a bit more effort. Mixing heritage fabrics such as Harris Tweeds with a modern cut, the collection worked really well. The colours chosen also lifted this collection from being too stayed; crushed grape and turquoise green statement jackets provided a subtle lift to everything. But we weren’t just treated to suits, elegantly tailored shirts in a variety of collar shapes were also a sight to behold. A clean colour palette of white, black and grey, the shirts complimented the suiting without overpowering it; my favourite being a smaller but starkly cutaway collar. I’d say understated luxury for those in the know was a common theme of the whole collection but the deep velvet suit and dinner jackets were far from understated.  


Illustration by Maria Papadimitriou

Another great piece was the double breasted cropped peacoat. We’ve seen these on every boy band and All Saints clone in the past few seasons, but there was still something fresh about this piece. Mr Start’s accessories were equally strong with many of the fashion pack gushing over the suede brogues and loafers. They have a definite place on my wishlist, but I fear no amount of scotchguarding will protect them from my clumsy ways.  

In store this collection will shine even brighter than it did during the presentation, and leaving the store dressed head to toe in Mr Start will be a feat of inordinate self control. It’s just a shame the lighting and crowding let things down a little. Here’s looking forward to next seasons presentation, and a quick/expensive trip to Shoreditch in the meantime.  

See more from June Chanpoomidole and Joana Faria in Amelia’s Compendium of Fashion Illustration!


Just off Brick Lane, pills past the curry houses and down a side street, is where Hinshelwood de Borman have set up their newest pop-up shop. My only complaint after spending an hour leafing through the curiosities of ‘Field Work’ is that this isn’t a permanent shop – because it is absolutely lovely.

The selection by Caitlin de Hinshelwood and Rose de Borman offers steep competition when it comes to picking a favourite, but I think it’s the printed textiles from Caitlin de Hinshelwood that are the stars of the show. Stacks of cushions are adorned with animal prints – one with giraffes, lions and bears, the next with frogs and snakes, and so on. The patterns are repeated on post cards, purses and on dresses for sale at the back. Soft colours and gorgeous, subtle patterns make for unorthodox and brilliant little outfits – like the dress covered in prints of root vegetables.

Cushions by Caitlin de Hinshelwood

Kitty Farrow Press has created a special range of notebooks for Field Work, all marked with an antlers logo. Continuing the antler theme are spoons cut from antlers by Kirsten Hecktermann – if that sounds like too much the shop also has some carved wooden spoons on offer.

Other treats include some very cute medieval replica pewter brooches, papier-mâché masks, and lovely old-style screwdriver sets from Elementary Design. The taxidermy is the work of Jazmine Miles-Long, an ethical taxidermist who only uses animals who have died from natural causes. Shipping Forecast Knitwear has some fantastic wooly hats on display, made in the UK from Aran wool but bringing to mind windswept isles in Nordic waters.

Neal Jones

Down the stairs is the gallery, and the show is entitled ‘Weird Folk’ with art by Betsy Dadd, Neal Jones and Max Wade. The warm and playful paintings almost beg to be touched, especially the smeared brush-strokes and rough edges of some of the art which makes me want to start painting again as the artists make it look like so much fun.

Betsy Dadd

Field Work runs between 15th and 20th March in Spitalfields, at 65 Hanbury Street, London E1 5JP. For more information see our listing. If you miss it there’s an online shop here.
By Stamo A/W 2011 by Rebecca Strickson
By Stamo A/W 2011 by Rebecca Strickson.

On Sunday 13th March Find Your Feet hosted an ethical fashion show at the Mint Leaf restaurant in the Haymarket. I was invited to donate a copy of Amelia’s Compendium of Fashion Illustration for We Are What We Wear by the show stylist, viagra order the lovely Zoe Robinson of Think Style – a women with many sustainable strings to her bow. She works as an actress, visit this site a writer (for Egg Mag) and an ethical image consultant.

Amelia's Compendium of Fashion Illustration Photography by Amelia GregoryFind Your Feet Honey's Dance Academy, <a target=pharmacy Photography by Amelia Gregory” title=”Find Your Feet Honey’s Dance Academy, Photography by Amelia Gregory” width=”480″ height=”320″ class=”aligncenter size-full wp-image-38157″ />Find Your Feet Honey's Dance Academy, Photography by Amelia GregoryBollywood dancing by Jane Young
Bollywood dancing from Honey’s Dance Academy by Jane Young.

We were treated to some very energetic Bollywood dancing thanks to Honey’s Dance Academy, followed by two short catwalk shows which took place on walkways surrounding the sunken restaurant. Models included youngsters and a couple of more mature women from Close Models, which provided a really uplifting touch.

Junky Styling by YesGo IllustrationJunky Styling by YesGo Illustration
Junky Styling by YesGo Illustration.

Find Your Feet-Junky Styling. Photography by Amelia GregoryFind Your Feet-Junky Styling. Photography by Amelia GregoryFind Your Feet-Junky Styling. Photography by Amelia Gregory
Junky Styling. All photography by Amelia Gregory.

Find Your Feet-People Tree. Photography by Amelia GregoryFind Your Feet-People Tree. Photography by Amelia GregoryFind Your Feet-People Tree. Photography by Amelia GregoryFind Your Feet-People Tree. Photography by Amelia Gregory
People Tree.

Find Your Feet-Bhavna. Photography by Amelia GregoryFind Your Feet-Bhavna. Photography by Amelia GregoryFind Your Feet-Bhavna. Photography by Amelia Gregory
Bhavna.

Find Your Feet Outsider. All photography by Amelia Gregory.
Outsider.

During the first show we saw a fabulous multi layered pink maxi dress from ACOFI featured designer Junky Styling, cute dresses from People Tree, embellished bamboo dresses from Bhavna, and gorgeous silk classics from Outsider, who I discovered at Ecoluxe this season.

Find Your Feet- Amisha, Zoe, Orsola and the kids. Photography by Amelia Gregory
Amisha, Zoe, Orsola and the kids.

As I had a bar ticket I was able to roam around, and between shows sat with Zoe, Amisha Ghadalli, Maria Papadimitriou of Slowly the Eggs/Plastic Seconds and Orsola de Castro of From Somewhere, who was entertaining her young daughter and her friend. We ate some yummy canapes and watched a magician bend forks, then a Find Your Feet ambassador described the work done by this charity, which includes helping to fund sustainable farming practices. Fittingly, she described how a group of women in rural India bandied together to make the most of the mint growing on local farms – they now have a successful essential oil business.

Find Your Feet-magician. Photography by Amelia Gregory
The magician entertains the kids.

Find Your Feet- Charley Speed and bottle top bag. Photography by Amelia Gregory.Find Your Feet- Charley Speed and bottle top bag. Photography by Amelia Gregory.
Charley Speed and bottle top bag.

Then it was on to the auction, where any mention of my book was usurped by the lure of an Outsider dress, as worn by a celebrity – the presenter Charley Speed dashing maniacally around the room to squeeze as much money as possible out of the generous crowd. The whole lot (including a bottle top bag) went for £300, and I can only hope that the recipient appreciated my donation because he probably had no clue what it was.

Ada Zanditon S/S 2011 by Gareth A Hopkins
Ada Zanditon S/S 2011 by Gareth A Hopkins.

Round two featured three Amelia’s Magazine favourites from ACOFI: off-cut drama courtesy of From Somewhere, amazing sculptural pieces from Ada Zanditon and colourful dresses with sunflower decorations from By Stamo. There was also some playful printed dresses from Love Phool.

From Somewhere by Gareth A Hopkins
From Somewhere by Gareth A Hopkins.

Find Your Feet-From Somewhere. Photography by Amelia Gregory
From Somewhere.

Find Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia Gregory
Ada Zanditon S/S 2011.

Find Your Feet-Lovephool. Photography by Amelia GregoryFind Your Feet-Love Phool. Photography by Amelia GregoryFind Your Feet-Love Phool. Photography by Amelia GregoryFind Your Feet-Love Phool. Photography by Amelia GregoryFind Your Feet-Love Phool. Photography by Amelia GregoryFind Your Feet-Love Phool. Photography by Amelia Gregory
Love Phool.

Find Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia Gregory
By Stamo A/W 2011.

A range of ethical accessories were used to style the show, amongst them some old favourites: LeJu, Nina Dolcetti and Joanna Cave… and some new discoveries: Meher Kakalia, who adapts ancient shoemaking techniques from her home town of Karachi to create modern footwear in Brixton, and Kumvana Gomani, who creates delicate jewellery out of plastic waste.

By Stamo A/W 2011 by Maria del Carmen SmithBy Stamo A/W 2011 by Maria del Carmen Smith
By Stamo A/W 2011 by Maria del Carmen Smith.

Exposing ethical design to more people and raising money for sustainable projects are good things to do, but We Aren’t JUST What We Wear, we are also What We Do in every aspect of life. On my return home I was somewhat saddened to read about a couple of other auction sponsors: it was also possible to win a test track experience with Jaguar or a BMW for the weekend. I know that money has to come from somewhere but there is a distinct lack of joined up thinking in ethical practice: a Mint Leaf waiter could not tell me whether the chicken they served us was freerange or organic.

Find Your Feet-Bollywood

We Are What We Wear was a massive success: raising over £10,000 to support sustainable weaving projects in India, but I wish that there was more recognition within the charity sector that sustainable practice involves more than donating money for dinner to support those less fortunate on the other side of the world, it’s about a holistic way of being. Within this world view I do not include hyping the desirability of extremely expensive energy guzzling cars. Needless to say, mine was the only bike tied up outside the Mint Leaf restaurant.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Amisha Ghadalli, ,Bamboo, ,Bhavna, ,BMW, ,Bollywood, ,Charley Speed, ,Close Models, ,Ecoluxe, ,Egg Mag, ,Find Your Feet, ,footwear, ,freerange, ,Gareth A Hopkins, ,Honey’s Dance Academy, ,Jaguar, ,Jane Young, ,jewellery, ,Joanna Cave, ,Kumvana Gomani, ,LeJu, ,Livia Firth, ,London Kills Me, ,Maria del Carmen Smith, ,Maria Papadimitriou, ,Meher Kakalia, ,Mint, ,Mint Leaf, ,Nina Dolcetti, ,organic, ,Orsola De Castro, ,Outsider, ,Outsider Fashion, ,People Tree, ,Rebecca Strickson, ,Silk, ,Slowly the Eggs, ,sustainability, ,We Are What We Wear, ,YesGo Illustration, ,YesGo!, ,Zoë Robinson

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Amelia’s Magazine | An interview with singer songwriter Kyla La Grange

Eco Luxe Showroom Hipstamatic

Fair+True and Reluxe illustration by Andrea Kearney

The EcoLuxe exhibition was held at the ultra chic One Aldwych Hotel, sickness just across the road from Somerset House. Fresh from Esthetica, generic I wondered if the designers holed up over at One Aldwych would be able to compete with the level of talent I’d witnessed over at Somerset House, but my questions were quickly forgotten as I descended the staircase at the hotel and saw what waited for me.

Inevitably, there were a few brands and designers showcasing work that didn’t really float my boat, but I also saw some beautifully crafted clothes that really excited me. Here are just a few of my favourites.

I was excited to see that Fashion Conscience, my favourite ethical online retailer, had a stand. I quickly got chatting to their PR rep about how to encourage more mainstream use of ethical design principals and how to close the gap between the high end ethical and the affordable everyday ethical. Fashion Conscience, in my humble opinion, are beginning to fill this gap, but there is still some way to go. The Fashion Conscience stall was showcasing the work of two of my favourite labels, ReLuxe and Fair+True:

Reluxe oozes cool. The designs are fresh, colourful, relaxed and crucially AFFORDABLE. They use recycled fabrics which means many garments are completely unique, or in limited supply due to the limitations of the fabric. I have fallen in love with this slightly bonkers neon striped skirt and am just waiting for pay day to purchase it (don’t beat me to it!) Brands like Reluxe and Fair+True (below) make me excited and hopeful that ethical businesses CAN make it in to the middle market mainstream, can be affordable and can have mass appeal. YES.

Knitted Skirt by Reluxe. Photo via Fashion Conscience.

Fair+True are a brand new Fairtrade company that also make lovely, brightly coloured sporty brights that I would love to wear. All pieces are fairly made in the UK or Africa or created from sustainable and organic fabrics. LOVE.

Fair + True illustration by Fritha Strickland

I hadn’t  heard of Lowie and I’m most disappointed by this because I  loved their stuff. Their AW 2011  clothing and hand knitted accessories were brightly coloured and gorgeous. I adored their Turkish socks, ear muffs, cloche hats and cardigans. Their SS 2011 collection was also beautiful with some really interesting shapes and details.


Turkish socks by Lowie. Illustration by Faye West

I liked the moody colours, tailoring and detailing of HEMYCA‘s clothes. Their focus is on fine tailoring, with an emphasis on the waist, which I always love. Ethically, HEMYCA has an ‘Organic Tailoring’ range and manufactures all their garments in London, promoting local businesses and cutting down on carbon dioxide emissions.

Hemyca Dress.

I briefly saw Sanyukta Shrestha’s wedding accessories and dresses. However, it wasn’t until I saw models wearing the dresses online after the event that I truly appreciated their beauty. In fact I had a mouth a-gape, heart a-flutter moment when I saw this floor length, pleated dress with low cut back. It’s made from 100% organic silk and organic fair traded cotton sateen. If I could get married again (to the same man, I hasten to add!) it would be in this dress. Oh my. Head. Over. Heels.

Sanyukta Shrestha Wedding Dress illustration by Fritha Strickland

I always expected to be impressed by Esthetica and Eco Luxe, but I didn’t expect to be blown away, but I was.  I left both the show rooms with my brain whirring, a bag stuffed full of promo material, a camera full of more images than I knew what to do with and having talked at a million miles an hour to so many interesting and inspiring people. Eco Luxe has doubled in size since last year in what I assume  is a reflection of the increasing acceptance and awareness of ethical design. As ethical design and shopping with conscience become more mainstream,  I hope that ethical clothing designers wont be sectioned off in their own separate rooms. Instead they will be showcasing alongside all the other  London Fashion Week designers; proving that fashion with a conscience is not the exception, but the norm. One day indeed.

Fair+True and Reluxe illustration by Andrea Kearney

The EcoLuxe exhibition was held at the ultra chic One Aldwych Hotel, doctor just across the road from Somerset House. Fresh from Esthetica, page I wondered if the designers holed up over at One Aldwych would be able to compete with the level of talent I’d witnessed over at Somerset House, but my questions were quickly forgotten as I descended the staircase at the hotel and saw what waited for me.

Inevitably, there were a few brands and designers showcasing work that didn’t really float my boat, but I also saw some beautifully crafted clothes that really excited me. Here are just a few of my favourites.

I was excited to see that Fashion Conscience, my favourite ethical online retailer, had a stand. I quickly got chatting to their PR rep about how to encourage more mainstream use of ethical design principals and how to close the gap between the high end ethical and the affordable everyday ethical. Fashion Conscience, in my humble opinion, are beginning to fill this gap, but there is still some way to go. The Fashion Conscience stall was showcasing the work of two of my favourite labels, ReLuxe and Fair+True:

Reluxe oozes cool. The designs are fresh, colourful, relaxed and crucially AFFORDABLE. They use recycled fabrics which means many garments are completely unique, or in limited supply due to the limitations of the fabric. I have fallen in love with this slightly bonkers neon striped skirt and am just waiting for pay day to purchase it (don’t beat me to it!) Brands like Reluxe and Fair+True (below) make me excited and hopeful that ethical businesses CAN make it in to the middle market mainstream, can be affordable and can have mass appeal. YES.

Knitted Skirt by Reluxe. Photo via Fashion Conscience.

Fair+True are a brand new Fairtrade company that also make lovely, brightly coloured sporty brights that I would love to wear. All pieces are fairly made in the UK or Africa or created from sustainable and organic fabrics. LOVE.

Fair + True illustration by Fritha Strickland

I hadn’t  heard of Lowie and I’m most disappointed by this because I  loved their stuff. Their AW 2011  clothing and hand knitted accessories were brightly coloured and gorgeous. I adored their Turkish socks, ear muffs, cloche hats and cardigans. Their SS 2011 collection was also beautiful with some really interesting shapes and details.


Turkish socks by Lowie. Illustration by Faye West

I liked the moody colours, tailoring and detailing of HEMYCA‘s clothes. Their focus is on fine tailoring, with an emphasis on the waist, which I always love. Ethically, HEMYCA has an ‘Organic Tailoring’ range and manufactures all their garments in London, promoting local businesses and cutting down on carbon dioxide emissions.

AW2011 preview Hemyca .

I briefly saw Sanyukta Shrestha’s wedding accessories and dresses. However, it wasn’t until I saw models wearing the dresses online after the event that I truly appreciated their beauty. In fact I had a mouth a-gape, heart a-flutter moment when I saw this floor length, pleated dress with low cut back. It’s made from 100% organic silk and organic fair traded cotton sateen. If I could get married again (to the same man, I hasten to add!) it would be in this dress. Oh my. Head. Over. Heels.

Sanyukta Shrestha Wedding Dress illustration by Fritha Strickland

I always expected to be impressed by Esthetica and Eco Luxe, but I didn’t expect to be blown away, but I was.  I left both the show rooms with my brain whirring, a bag stuffed full of promo material, a camera full of more images than I knew what to do with and having talked at a million miles an hour to so many interesting and inspiring people. Eco Luxe has doubled in size since last year in what I assume  is a reflection of the increasing acceptance and awareness of ethical design. As ethical design and shopping with conscience become more mainstream,  I hope that ethical clothing designers wont be sectioned off in their own separate rooms. Instead they will be showcasing alongside all the other  London Fashion Week designers; proving that fashion with a conscience is not the exception, but the norm. One day indeed.

Fair+True and Reluxe illustration by Andrea Kearney

The EcoLuxe exhibition was held at the ultra chic One Aldwych Hotel, recipe just across the road from Somerset House. Fresh from Esthetica, I wondered if the designers holed up over at One Aldwych would be able to compete with the level of talent I’d witnessed over at Somerset House, but my questions were quickly forgotten as I descended the staircase at the hotel and saw what waited for me.

Inevitably, there were a few brands and designers showcasing work that didn’t really float my boat, but I also saw some beautifully crafted clothes that really excited me. Here are just a few of my favourites.

I was excited to see that Fashion Conscience, my favourite ethical online retailer, had a stand. I got chatting to their PR rep about how to encourage more mainstream use of ethical design principals and how to close the gap between the high end ethical and the affordable everyday ethical. Fashion Conscience, in my humble opinion, are beginning to fill this gap, but there is still some way to go. The Fashion Conscience stall was showcasing the work of two of my favourite labels, ReLuxe and Fair+True:

Reluxe oozes cool. The designs are fresh, colourful, relaxed and crucially AFFORDABLE. They use recycled fabrics which means many garments are completely unique, or in limited supply due to the limitations of the fabric. I have fallen in love with this slightly bonkers neon striped skirt and am just waiting for pay day to purchase it (don’t beat me to it!) Brands like Reluxe and Fair+True (below) make me excited and hopeful that ethical businesses CAN make it in to the middle market mainstream, can be affordable and can have mass appeal. YES.

Knitted Skirt by Reluxe. Photo via Fashion Conscience.

Fair+True are a brand new Fairtrade company that also make lovely, brightly coloured sporty brights that I would love to wear. All pieces are fairly made in the UK or Africa or created from sustainable and organic fabrics. LOVE.

Fair + True illustration by Fritha Strickland

I hadn’t  heard of Lowie and I’m most disappointed by this because I  loved their stuff. Their AW 2011  clothing and hand knitted accessories were brightly coloured and gorgeous. I adored their Turkish socks, ear muffs, cloche hats and cardigans. Their SS 2011 collection was also beautiful with some really interesting shapes and details.


Turkish socks by Lowie. Illustration by Faye West

I liked the moody colours, tailoring and detailing of HEMYCA‘s clothes. Their focus is on fine tailoring, with an emphasis on the waist, which I always love. Ethically, HEMYCA has an ‘Organic Tailoring’ range and manufactures all their garments in London, promoting local businesses and cutting down on carbon dioxide emissions.

AW 2011 preview. Hemyca

I briefly saw Sanyukta Shrestha’s wedding accessories and dresses. However, it wasn’t until I saw models wearing the dresses online after the event that I truly appreciated their beauty. In fact I had a mouth a-gape, heart a-flutter moment when I saw this floor length, pleated dress with low cut back. It’s made from 100% organic silk and organic fair traded cotton sateen. If I could get married again (to the same man, I hasten to add!) it would be in this dress. Oh my. Head. Over. Heels.

Sanyukta Shrestha Wedding Dress illustration by Fritha Strickland

I always expected to be impressed by Esthetica and Eco Luxe, but I didn’t expect to be blown away, but I was.  I left both the show rooms with my brain whirring, a bag stuffed full of promo material, a camera full of more images than I knew what to do with and having talked at a million miles an hour to so many interesting and inspiring people. Eco Luxe has doubled in size since last year in what I assume  is a reflection of the increasing acceptance and awareness of ethical design. As ethical design and shopping with conscience become more mainstream,  I hope that ethical clothing designers wont be sectioned off in their own separate rooms. Instead they will be showcasing alongside all the other  London Fashion Week designers; proving that fashion with a conscience is not the exception, but the norm. One day indeed.

Fair+True and Reluxe illustration by Andrea Kearney

The EcoLuxe exhibition was held at the ultra chic One Aldwych Hotel, viagra just across the road from Somerset House. Fresh from Esthetica, I wondered if the designers holed up over at One Aldwych would be able to compete with the level of talent I’d witnessed over at Somerset House, but my questions were quickly forgotten as I descended the staircase at the hotel and saw what waited for me.

Inevitably, there were a few brands and designers showcasing work that didn’t really float my boat, but I also saw some beautifully crafted clothes that really excited me. Here are just a few of my favourites.

I was excited to see that Fashion Conscience, my favourite ethical online retailer, had a stand. I got chatting to their PR rep about how to encourage more mainstream use of ethical design principals and how to close the gap between the high end ethical and the affordable everyday ethical. Fashion Conscience, in my humble opinion, are beginning to fill this gap, but there is still some way to go. The Fashion Conscience stall was showcasing the work of two of my favourite labels, ReLuxe and Fair+True:

Reluxe oozes cool. The designs are fresh, colourful, relaxed and crucially AFFORDABLE. They use recycled fabrics which means many garments are completely unique, or in limited supply due to the limitations of the fabric. I have fallen in love with this slightly bonkers neon striped skirt and am just waiting for pay day to purchase it (don’t beat me to it!) Brands like Reluxe and Fair+True (below) make me excited and hopeful that ethical businesses CAN make it in to the middle market mainstream, can be affordable and can have mass appeal. YES.

Knitted Skirt by Reluxe. Photo via Fashion Conscience.

Fair+True are a brand new Fairtrade company that also make lovely, brightly coloured sporty brights that I would love to wear. All pieces are fairly made in the UK or Africa or created from sustainable and organic fabrics. LOVE.

Fair + True illustration by Fritha Strickland

I hadn’t  heard of Lowie and I’m most disappointed by this because I  loved their stuff. Their AW 2011  clothing and hand knitted accessories were brightly coloured and gorgeous. I adored their Turkish socks, ear muffs, cloche hats and cardigans. Their SS 2011 collection was also beautiful with some really interesting shapes and details.


Turkish socks by Lowie. Illustration by Faye West

I liked the moody colours, tailoring and detailing of HEMYCA‘s clothes. Their focus is on fine tailoring, with an emphasis on the waist, which I always love. Ethically, HEMYCA has an ‘Organic Tailoring’ range and manufactures all their garments in London, promoting local businesses and cutting down on carbon dioxide emissions.

AW 2011 preview. Hemyca

I briefly saw Sanyukta Shrestha’s wedding accessories and dresses. However, it wasn’t until I saw models wearing the dresses online after the event that I truly appreciated their beauty. In fact I had a mouth a-gape, heart a-flutter moment when I saw this floor length, pleated dress with low cut back. It’s made from 100% organic silk and organic fair traded cotton sateen. If I could get married again (to the same man, I hasten to add!) it would be in this dress. Oh my. Head. Over. Heels.

Sanyukta Shrestha Wedding Dress illustration by Fritha Strickland

I always expected to be impressed by Esthetica and Eco Luxe, but I didn’t expect to be blown away, but I was.  I left both the show rooms with my brain whirring, a bag stuffed full of promo material, a camera full of more images than I knew what to do with and having talked at a million miles an hour to so many interesting and inspiring people. Eco Luxe has doubled in size since last year in what I assume  is a reflection of the increasing acceptance and awareness of ethical design. As ethical design and shopping with conscience become more mainstream,  I hope that ethical clothing designers wont be sectioned off in their own separate rooms. Instead they will be showcasing alongside all the other  London Fashion Week designers; proving that fashion with a conscience is not the exception, but the norm. One day indeed.

Fair+True and Reluxe illustration by Andrea Kearney

The EcoLuxe exhibition was held at the ultra chic One Aldwych Hotel, sildenafil just across the road from Somerset House. Fresh from Esthetica, I wondered if the designers holed up over at One Aldwych would be able to compete with the level of talent I’d witnessed over at Somerset House, but my questions were quickly forgotten as I descended the staircase at the hotel and saw what waited for me.

Inevitably, there were a few brands and designers showcasing work that didn’t really float my boat, but I also saw some beautifully crafted clothes that really excited me. Here are just a few of my favourites.

I was excited to see that Fashion Conscience, my favourite ethical online retailer, had a stand. I got chatting to their PR rep about how to encourage more mainstream use of ethical design principals and how to close the gap between the high end ethical and the affordable everyday ethical. Fashion Conscience, in my humble opinion, are beginning to fill this gap, but there is still some way to go. The Fashion Conscience stall was showcasing the work of two of my favourite labels, ReLuxe and Fair+True:

Reluxe oozes cool. The designs are fresh, colourful, relaxed and crucially AFFORDABLE. They use recycled fabrics which means many garments are completely unique, or in limited supply due to the limitations of the fabric. I have fallen in love with this slightly bonkers neon striped skirt and am just waiting for pay day to purchase it (don’t beat me to it!) Brands like Reluxe and Fair+True (below) make me excited and hopeful that ethical businesses CAN make it in to the middle market mainstream, can be affordable and can have mass appeal. YES.

Knitted Skirt by Reluxe. Photo via Fashion Conscience.

Fair+True are a brand new Fairtrade company that also make lovely, brightly coloured sporty brights that I would love to wear. All pieces are fairly made in the UK or Africa or created from sustainable and organic fabrics. LOVE.

Fair + True illustration by Fritha Strickland

I hadn’t  heard of Lowie and I’m most disappointed by this because I  loved their stuff. Their AW 2011  clothing and hand knitted accessories were brightly coloured and gorgeous. I adored their Turkish socks, ear muffs, cloche hats and cardigans. Their SS 2011 collection was also beautiful with some really interesting shapes and details.


Turkish socks by Lowie. Illustration by Faye West

I liked the moody colours, tailoring and detailing of HEMYCA‘s clothes. Their focus is on fine tailoring, with an emphasis on the waist, which I always love. Ethically, HEMYCA has an ‘Organic Tailoring’ range and manufactures all their garments in London, promoting local businesses and cutting down on carbon dioxide emissions.

AW 2011 preview. Hemyca

I briefly saw Sanyukta Shrestha’s wedding accessories and dresses. However, it wasn’t until I saw models wearing the dresses online after the event that I truly appreciated their beauty. In fact I had a mouth a-gape, heart a-flutter moment when I saw this floor length, pleated dress with low cut back. It’s made from 100% organic silk and organic fair traded cotton sateen. If I could get married again (to the same man, I hasten to add!) it would be in this dress. Oh my. Head. Over. Heels.

Sanyukta Shrestha Wedding Dress illustration by Fritha Strickland

I always expected to be impressed by Esthetica and Eco Luxe, but I didn’t expect to be blown away, but I was.  I left both the show rooms with my brain whirring, a bag stuffed full of promo material, a camera full of more images than I knew what to do with and having talked at a million miles an hour to so many interesting and inspiring people. Eco Luxe has doubled in size since last year in what I assume  is a reflection of the increasing acceptance and awareness of ethical design. As ethical design and shopping with conscience become more mainstream,  I hope that ethical clothing designers wont be sectioned off in their own separate rooms. Instead they will be showcasing alongside all the other  London Fashion Week designers; proving that fashion with a conscience is not the exception, but the norm. One day indeed.

Fair+True and Reluxe illustration by Andrea Kearney

The EcoLuxe exhibition was held at the ultra chic One Aldwych Hotel, order just across the road from Somerset House. Fresh from Esthetica, viagra approved I wondered if the designers holed up over at One Aldwych would be able to compete with the level of talent I’d witnessed over at Somerset House, but my questions were quickly forgotten as I descended the staircase at the hotel and saw what waited for me.

Inevitably, there were a few brands and designers showcasing work that didn’t really float my boat, but I also saw some beautifully crafted clothes that really excited me. Here are just a few of my favourites.

I was excited to see that Fashion Conscience, my favourite ethical online retailer, had a stand. I got chatting to their PR rep about how to encourage more mainstream use of ethical design principals and how to close the gap between the high end ethical and the affordable everyday ethical. Fashion Conscience, in my humble opinion, are beginning to fill this gap, but there is still some way to go. The Fashion Conscience stall was showcasing the work of two of my favourite labels, ReLuxe and Fair+True:

Reluxe oozes cool. The designs are fresh, colourful, relaxed and crucially AFFORDABLE. They use recycled fabrics which means many garments are completely unique, or in limited supply due to the limitations of the fabric. I have fallen in love with this slightly bonkers neon striped skirt and am just waiting for pay day to purchase it (don’t beat me to it!) Brands like Reluxe and Fair+True (below) make me excited and hopeful that ethical businesses CAN make it in to the middle market mainstream, can be affordable and can have mass appeal. YES.

Knitted Skirt by Reluxe. Photo via Fashion Conscience.

Fair+True are a brand new Fairtrade company that also make lovely, brightly coloured sporty brights that I would love to wear. All pieces are fairly made in the UK or Africa or created from sustainable and organic fabrics. LOVE.

Fair + True illustration by Fritha Strickland

I hadn’t  heard of Lowie and I’m most disappointed by this because I  loved their stuff. Their AW 2011  clothing and hand knitted accessories were brightly coloured and gorgeous. I adored their Turkish socks, ear muffs, cloche hats and cardigans. Their SS 2011 collection was also beautiful with some really interesting shapes and details.


Turkish socks by Lowie. Illustration by Faye West

I liked the moody colours, tailoring and detailing of HEMYCA‘s clothes. Their focus is on fine tailoring, with an emphasis on the waist, which I always love. Ethically, HEMYCA has an ‘Organic Tailoring’ range and manufactures all their garments in London, promoting local businesses and cutting down on carbon dioxide emissions.

AW 2011 preview. Hemyca

I briefly saw Sanyukta Shrestha’s wedding accessories and dresses. However, it wasn’t until I saw models wearing the dresses online after the event that I truly appreciated their beauty. In fact I had a mouth a-gape, heart a-flutter moment when I saw this floor length, pleated dress with low cut back. It’s made from 100% organic silk and organic fair traded cotton sateen. If I could get married again (to the same man, I hasten to add!) it would be in this dress. Oh my. Head. Over. Heels.

Sanyukta Shrestha Wedding Dress illustration by Fritha Strickland

I always expected to be impressed by Esthetica and Eco Luxe, but I didn’t expect to be blown away, but I was.  I left both the show rooms with my brain whirring, a bag stuffed full of promo material, a camera full of more images than I knew what to do with and having talked at a million miles an hour to so many interesting and inspiring people. Eco Luxe has doubled in size since last year in what I assume  is a reflection of the increasing acceptance and awareness of ethical design. As ethical design and shopping with conscience become more mainstream,  I hope that ethical clothing designers wont be sectioned off in their own separate rooms. Instead they will be showcasing alongside all the other  London Fashion Week designers; proving that fashion with a conscience is not the exception, but the norm. One day indeed.

Fair+True and Reluxe illustration by Andrea Kearney

The EcoLuxe exhibition was held at the ultra chic One Aldwych Hotel, cost just across the road from Somerset House. Fresh from Esthetica, I wondered if the designers holed up over at One Aldwych would be able to compete with the level of talent I’d witnessed over at Somerset House, but my questions were quickly forgotten as I descended the staircase at the hotel and saw the stalls.

Inevitably, there were a few brands and designers showcasing work that didn’t really float my boat, but I also saw some beautifully crafted clothes that really excited me. Here are just a few of my favourites.

I was excited to see that Fashion Conscience, my favourite ethical online retailer, had a stand. I got chatting to their PR rep about how to encourage more mainstream use of ethical design principals and how to close the gap between the high end ethical and the affordable everyday ethical. Fashion Conscience, in my humble opinion, are beginning to fill this gap, but there is still some way to go. The Fashion Conscience stall was showcasing the work of two of my favourite labels, ReLuxe and Fair+True:

Reluxe oozes cool. The designs are fresh, colourful, relaxed and crucially AFFORDABLE. They use recycled fabrics which means many garments are completely unique, or in limited supply due to the limitations of the fabric. I have fallen in love with this slightly bonkers neon striped skirt and am just waiting for pay day to purchase it (don’t beat me to it!) Brands like Reluxe and Fair+True (below) make me excited and hopeful that ethical businesses CAN make it in to the middle market mainstream, can be affordable and can have mass appeal. YES.

Knitted Skirt by Reluxe. Photo via Fashion Conscience.

Fair+True are a brand new Fairtrade company that also make lovely, brightly coloured sporty brights that I would love to wear. All pieces are fairly made in the UK or Africa or created from sustainable and organic fabrics. LOVE.

Fair + True illustration by Fritha Strickland

I hadn’t  heard of Lowie and I’m most disappointed by this because I  loved their stuff. Their AW 2011  clothing and hand knitted accessories were brightly coloured and gorgeous. I adored their Turkish socks, ear muffs, cloche hats and cardigans. Their SS 2011 collection was also beautiful with some really interesting shapes and details.


Turkish socks by Lowie. Illustration by Faye West

I liked the moody colours, tailoring and detailing of HEMYCA‘s clothes. Their focus is on fine tailoring, with an emphasis on the waist, which I always love. Ethically, HEMYCA has an ‘Organic Tailoring’ range and manufactures all their garments in London, promoting local businesses and cutting down on carbon dioxide emissions.

AW 2011 preview. Hemyca

I briefly saw Sanyukta Shrestha’s wedding accessories and dresses. However, it wasn’t until I saw models wearing the dresses online after the event that I truly appreciated their beauty. In fact I had a mouth a-gape, heart a-flutter moment when I saw this floor length, pleated dress with low cut back. It’s made from 100% organic silk and organic fair traded cotton sateen. If I could get married again (to the same man, I hasten to add!) it would be in this dress. Oh my. Head. Over. Heels.

Sanyukta Shrestha Wedding Dress illustration by Fritha Strickland

I always expected to be impressed by Esthetica and Eco Luxe, but I didn’t expect to be blown away, but I was.  I left both the show rooms with my brain whirring, a bag stuffed full of promo material, a camera full of more images than I knew what to do with and having talked at a million miles an hour to so many interesting and inspiring people. Eco Luxe has doubled in size since last year in what I assume  is a reflection of the increasing acceptance and awareness of ethical design. As ethical design and shopping with conscience become more mainstream,  I hope that ethical clothing designers wont be sectioned off in their own separate rooms. Instead they will be showcasing alongside all the other  London Fashion Week designers; proving that fashion with a conscience is not the exception, but the norm. One day indeed.

Fair+True and Reluxe illustration by Andrea Kearney

The EcoLuxe exhibition was held at the ultra chic One Aldwych Hotel, sickness just across the road from Somerset House. Fresh from Esthetica, I wondered if the designers holed up over at One Aldwych would be able to compete with the level of talent I’d witnessed over at Somerset House, but my questions were quickly forgotten as I descended the staircase at the hotel and saw the stalls.

Inevitably, there were a few brands and designers showcasing work that didn’t really float my boat, but I also saw some beautifully crafted clothes that really excited me. Here are just a few of my favourites.

I was excited to see that Fashion Conscience, my favourite ethical online retailer, had a stand. I got chatting to their PR rep about how to encourage more mainstream use of ethical design principals and how to close the gap between the high end ethical and the affordable everyday ethical. Fashion Conscience, in my humble opinion, are beginning to fill this gap, but there is still some way to go. The Fashion Conscience stall was showcasing the work of two of my favourite labels, ReLuxe and Fair+True:

Reluxe oozes cool. The designs are fresh, colourful, relaxed and crucially AFFORDABLE. They use recycled fabrics which means many garments are completely unique, or in limited supply due to the limitations of the fabric. I have fallen in love with this slightly bonkers neon striped skirt and am just waiting for pay day to purchase it (don’t beat me to it!) Brands like Reluxe and Fair+True (below) make me excited and hopeful that ethical businesses CAN make it in to the middle market mainstream, can be affordable and can have mass appeal. YES.

Knitted Skirt by Reluxe. Photo via Fashion Conscience.

Fair+True are a brand new Fairtrade company that also make lovely, brightly coloured sporty brights that I would love to wear. All pieces are fairly made in the UK or Africa or created from sustainable and organic fabrics. LOVE.

Fair + True illustration by Fritha Strickland

I hadn’t  heard of Lowie and I’m most disappointed by this because I  loved their stuff. Their AW 2011  clothing and hand knitted accessories were brightly coloured and gorgeous. I adored their Turkish socks, ear muffs, cloche hats and cardigans. Their SS 2011 collection was also beautiful with some really interesting shapes and details.


Turkish socks by Lowie. Illustration by Faye West

I liked the moody colours, tailoring and detailing of HEMYCA‘s clothes. Their focus is on fine tailoring, with an emphasis on the waist, which I always love. Ethically, HEMYCA has an ‘Organic Tailoring’ range and manufactures all their garments in London, promoting local businesses and cutting down on carbon dioxide emissions.

AW 2011 preview. Hemyca

I briefly saw Sanyukta Shrestha’s wedding accessories and dresses. However, it wasn’t until I saw models wearing the dresses online after the event that I truly appreciated their beauty. In fact I had a mouth a-gape, heart a-flutter moment when I saw this floor length, pleated dress with low cut back. It’s made from 100% organic silk and organic fair traded cotton sateen. If I could get married again (to the same man, I hasten to add!) it would be in this dress. Oh my. Head. Over. Heels.

Sanyukta Shrestha Wedding Dress illustration by Fritha Strickland

I always expected to be impressed by Esthetica and Eco Luxe, but I didn’t expect to be blown away, but I was.  I left both the show rooms with my brain whirring, a bag stuffed full of promo material, a camera full of more images than I knew what to do with and having talked at a million miles an hour to so many interesting and inspiring people. Eco Luxe has doubled in size since last year in what I assume  is a reflection of the increasing acceptance and awareness of ethical design. As ethical design and shopping with conscience become more mainstream,  I hope that ethical clothing designers wont be sectioned off in their own separate rooms. Instead they will be showcasing alongside all the other  London Fashion Week designers; proving that fashion with a conscience is not the exception, but the norm. One day indeed.
Kyla La Grange by Anna Casey
Kyla La Grange by Anna Casey.

A couple of weeks ago I met with angsty new folk popstrel Kyla La Grange at her management offices in central London. Her slight figure was easily missed as I walked through to the glass walled meeting room, dosage but I greeted her warmly when she came through to join me. Kyla la Grange performed on my hastily assembled Climate Camp (RIP) stage at Glastonbury last summer, gamely playing a beautiful semi-acoustic set in the sweltering summer heat. Today she releases her first official single – the anthemic Walk Through Walls – so let’s find out a bit more about this intriguing new musician…

Kyla La Grange at Glastonbury 2010 on the Climate Camp stage
Kyla La Grange at Glastonbury 2010 on the Climate Camp stage. Photography by Amelia Gregory.

Kyla La Grange by Rukmunal Hakim
Kyla La Grange by Rukmunal Hakim/YesGo Illustration.

She may look very young but don’t be fooled by Kyla’s youthful exterior – she’s actually a 24 year old Cambridge University graduate. It wasn’t until her uni years that she finally found the guts to make music, performing at an open mic acoustic night called Songs in the Dark. “It was a good place to cut my teeth.” The process was very organic. She met other musicians, formed a few bands and played in some Battle of the Bands competitions. “Basically it was all very low pressure.” She loved studying philosophy, and admits that she misses the academic stimulation. “Being at Cambridge was like living in a magical piece of history… but I am incredibly grateful to be making music now.”

Kyla La Grange by Rebecca Strickson
Kyla La Grange by Rebecca Strickson.

When the outside world of work beckoned she found herself working long hours in a high end bar, making it hard to go into the studio every morning and be creative. That and the odd bit of secretarial work kept her afloat until she was discovered by management company ATC via Rollo of Faithless fame, who discovered her songs on Myspace. She is eager to emulate the likes of Mumford and Sons and do things her own way, without the controlling hand of a label. “ATC let their artists go away and get on with it. They don’t view me purely as a money making machine; they are in it for the long haul. But I don’t anticipate selling a lot of records, ever,” she blithely tells me.

Kyla La Grange at Glastonbury 2010 on the Climate Camp stage
Kyla La Grange at Glastonbury 2010. Photography by Amelia Gregory.

The last year has been devoted to the creation of her debut album which so far hosts “too many songs” including the luscious Vampire Smile, a darkly beautiful blast of longing. But she’s in no rush. “The album will come out as and when it’s finished; the worst thing I could do would be to rush its release.” She expects it will finally see the light of day in early 2012.

YouTube Preview Image
Vampire Smile.

All Kyla’s influences come from “sad music”. Having been introduced to Cat Power by a former boyfriend, You Are Free is a constant presence in her life alongside Joni Mitchell and Leonard Cohen. But she also likes a lot of modern bands – Elliott Smith, Bright Eyes, Yeasayer, Matthew And The Atlas, Marcus Foster, Alex Winston and Band of Horses. “I only write because I’m often quite sad…” she tells me. “I don’t think I’d write if I was a genuinely happy person.” In the age old tradition of the angst-ridden artist, writing music has become Kyla’s best form of catharsis, “like running into a big open field and screaming until you feel better.” It’s as if she feels an unstoppable need to release her feelings out into the open.

Kyla la Grange by Gemma Smith
Kyla la Grange by Gemma Smith.

I wonder what has prompted such a downbeat personality. “Some people just have a default mode,” she explains. “They wake up and feel a bit black inside.” She admits that this is something she has battled for a long time but insists that her mood is not affected by the outside world… she just tends to feel down most of the time. “Most people fall into one of two camps – they are either upbeat or see life from behind a big grey cloud. Everyone is a product of their genes and their experiences when they are young.” But she is absolutely clear that she doesn’t blame her parents for the way she has turned out. “Even though I wasn’t a very happy child my parents were both fantastic.” Her parents had been involved in the anti-apartheid movement in South Africa before settling in Watford, and she felt very different from everyone else at her school. “Kids can be vicious.” They were massive music fans, between them inspiring her to listen to many different genres. “Dad loved folk, blues and country. Mum loved classical, rock and indie.” She now lives between Stockwell and Vauxhall. “I like the mix of people and place, the beautiful old squares next to housing estates… it’s unpretentious.”


Just click here to hear Walk Through Walls.

I wonder if such a sensitive personality will still be able to write songs from the heart if she becomes famous. She has thought about this. “I don’t think the drive to write songs will be lessened just because people like them,” she says, “it’s not the only reason I write. I think all the best artists write primarily to get something out of the experience and I want to convey raw honest emotion because that makes the most meaningful music.”

Kyla La Grange in February 2011
Kyla La Grange in February 2011. Photography by Amelia Gregory.

It comes as no surprise that lyrics are hugely important to Kyla, although she likes the odd “non-sensical song by The Beatles.” She can’t really describe her writing process, although it is the part she loves the most. “It’s such a strange, solitary thing. You get so swept up in what you’re feeling, engrossed in emotion.” She can’t tell me what comes first, melody or lyric. “They tend to come together.”

Kyla doesn’t want to be pigeon-holed into any musical movement, so it’s no surprise to find that she lists herself as Black Metal/Children/Grindcore on Myspace. “There have been so many genres flung at me but I never think about what I belong to – the songs just come out.” I think she has a kind of dark indie pop sensibility that is all her own, and not fitting in to any musical clique suits her well. “I suppose my music is a bit all over the place, like me.” She gets thoroughly annoyed by the suggestion that women must fit into any type of separate musical category. “Music is not a sport so why do there need to be different categories and awards?”


Kyla La Grange performing on the Climate Camp stage at Glastonbury.

I ask her whether she is in general quite a solitary person, although I think I already know the answer. “Definitely. I’m not terribly good with people and I much prefer talking one to one. Groups of people are scary.” But she has grown accustomed to working with her band of four and she’s easy and down to earth when talking to me, even if an overwhelming undertow of sadness never quite leaves the room.

You can access a free download for Walk Through Walls from SoundCloud right here. The official launch party is at Notting Hill Arts Club tomorrow night, Tuesday 8th March, with the brilliant Daughter providing a support set and DJing from the Maccabees. After that she’s off to SXSW in Austin, Texas to play the Neon Gold show and she’s sure to be playing some festivals in the UK this summer. Make sure you catch Kyla La Grange soon, before she hits the big time.

You can read my review of Kyla’s performance at Glastonbury last summer here.

Categories ,Alex Winston, ,Anna Casey, ,ATC, ,austin, ,Band of Horses, ,Bright Eyes, ,Cambridge University, ,Cat Power, ,Climate Camp, ,Daughter, ,elliott smith, ,Faithless, ,Gemma Smith, ,glastonbury, ,Indie, ,Joni Mitchell, ,Kyla la Grange, ,leonard cohen, ,Maccabees, ,Marcus Foster, ,Matthew And The Atlas, ,Mumford and Sons, ,Neon Gold, ,noir, ,notting hill arts club, ,pop, ,Rebecca Strickson, ,Rollo, ,Rukmunal Hakim, ,Songs in the Dark, ,SoundCloud, ,South Africa, ,Stockwell, ,sxsw, ,texas, ,Vampire Smile, ,vauxhall, ,Walk Through Walls, ,Watford, ,Yeasayer, ,YesGo Illustration

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