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Amelia’s Magazine | Vivienne Westwood Shoes, An Exhibition 1973 – 2010, at Selfridges

Naomi Campbell wears Vivienne Westwood (1993), viagra sale illustrated by Krister Selin

It isn’t very often that a specific fashion designer is singularly celebrated for their contributions to fashion; when the V&A presented the Vivienne Westwood retrospective in 2004, medicine fashion fans were delirious at the opportunity to revel amongst the creations of our most fashionable Dame. This month, viagra the team at Selfridges reopen the Westwood archives and present a glorious exhibition devoted entirely to Vivienne Westwood’s revolutionary footwear.

Vivienne Westwood, illustrated by Abi Daker

What began as a calm stroll into central London on a bank holiday Monday soon descended into chaos – it was absolutely heaving (and to those of you shouting OF COURSE IT WAS YOU BLOODY IDIOT at the screen – yeah, I know). A text to remind me I was going to a party at Shoreditch House as early as 6pm didn’t help either, so me and the other half legged it down Oxford Street to catch the exhibition, and thank heavens we did.

Located in the chic Ultralounge on the lower ground floor of Selfridges (where previous exhibitions and pop-ups have occurred, including the brilliant 100 years of Selfridges display), the room features long rows of glass cabinets holding a huge selection of Westwood footwear from over the years. The black walls are sparse, with a few large images from advertising campaigns and of Our Viv herself dotted here and there, and a show reel of some of Westwood’s awe-inspiring catwalk shows at the back of the room, featuring a soundtrack of sexed-up national anthems and punk hits. It is, however, row after row of shoes displayed like the crown jewels that capture the imagination the most.

Ordered chronologically, the exhibition charts the literal rise and rise of Dame Viv’s footwear, from surviving examples from SEX and Seditionaries, (including leopard mules worn by SEX shop assistant Jordan) right through to Propoganda pirate boots (worn mostly by the gays and people from Leeds) and pairs seen at the most recent fashion weeks. The most interesting comparison drawn when you’ve seen every pair is that there isn’t much of a comparison at all – similar shapes and themes are echoed through the ages, shoes that have been consistently daring and innovative.

Illustration by Joana Faria

There must be over 100 pairs on display, all of which are a delight to view, but here are some of my favourites:

Mock Crock Elevated Gillie from Anglomania, AW 1993

Frilly petit-pied sandal (there is a shoe in there somewhere) from Blue Sky, SS 2005

Elevated court shoe in PVC, 1994, illustrated by Dee Andrews

Can shoes, from Ultra Feminity, SS 2003

Biba shoes, from Le flou taillé, AW 2003

MAN coin sandals, from MAN, SS 2005

Swarovski court shoe with Gina, from 56, SS 2008

The exhibition is supported by Melissa, the wonderful Brazilian-born ethical label that champions Melflex®, the recycled plastic phenomenon that uses sustainable and environmentally friendly production processes. Beginning with plastic versions of iconic Vivienne Westwood shoes, the collaboration has grown to include many of the archive styles on display at the exhibition (re-imagined in plastic, of course).

Exhibitions of this calibre, celebrating our fashion designers and presented so brilliantly, don’t come around very often. So if you’re in London and anywhere near Selfridges, do check it out – you won’t be disappointed.

Illustration by Meera Lee

Until 22 September, admission free.

Get all the important details here.

All photography by Matt Bramford

Written by Matt Bramford on Tuesday August 31st, 2010 3:33 pm

Categories ,1973-2010, ,catwalk, ,Dame Viv, ,exhibition, ,footwear, ,Jordan, ,london, ,Meliflex, ,Melissa, ,Oxford Street, ,Plastic dreams, ,Seditionaries, ,Selfridges, ,SEX, ,shoes, ,Ultralounge, ,va, ,Vivienne Westwood

Amelia’s Magazine | Yifang Wan, Fashion Scout Merit Award Winner: London Fashion Week A/W 2013 Catwalk Review

Yifang Wan A/W 2013 by Gabriel Ayala

Fashion Week A/W 2013 got off to a cracking start on Friday, for anybody who actually turned up. I didn’t, thanks to the effects of an anti-Valentine’s cocktail binge, instead spent the evening in bed with fish and chips and half a bottle of Rioja. So it was Saturday morning where my season started, heading as I did to this season’s Fashion Scout Merit Award winner – Yifang Wan.

Photography by Amelia Gregory

Previous Merit Award winners including David Koma, Felder Felder, William Tempest and Leutton Postle have all gone on to establish successful labels and the pressure of such previous acclaim must be terrifying — but its effects weren’t evident in this polished collection by Yifang Wan.

Yifang Wan A/W 2013 by Dom&Ink

All other photography by Matt Bramford

Record numbers packed the ‘white room’ of the Freemasons’ Hall, and so my view of the show was framed by a diminutive Frenchman wielding a vogue.fr microphone like a maniac and a very excitable girl with masses of hair. Her head was all over the place trying to secure a good shot and I was forced to perform a strange sort of swaying dance with my zoom lens, not unlike an Emperor penguin.

Yifang Wan A/W 2013 by Dom&Ink

I’d briefly taken an interest in Wan‘s work when the Merit prize was awarded at the beginning of the year, and her previous collections draw inspiration from her Asian heritage and long, draped silhouettes dominate her previous outings. So it was no surprise, in the best possible way, to see these themes continued for A/W 2013, with inspiration from performance artist ‪Marina Abramović‬, most famous for sitting in a smock and staring at New Yorkers in the MOMA for 700 hours.

Only four rich colours featured in this collection – deep blue, green, red and black in thick fabrics. Jackets came with triangular slices removed almost with abandon as fabrics draped asymmetrically and architecturally. Almost every piece skimmed the floor, while fabric swayed and draped in different directions with emphasis on Far Eastern cuts. Each piece was accessorised with intriguing angular sculptural pieces, some worn around necks, others carried almost like weaponry.

Yifang Wan is no stranger to awards, having won the L’Oreal Professionel Award at Saint Martins as an MA student. Her £25,000 prize this season will hopefully propel the designer’s label in the direction it deserves.

Written by Matt Bramford on Tuesday February 19th, 2013 1:31 pm

Categories ,A/W 2013, ,A/W’13, ,catwalk, ,Central Saint Martins, ,East, ,Fashion Scout, ,Gabriel Ayala, ,Kimono, ,marina abramovic, ,Matt Bramford, ,Merit Award, ,Orient, ,review, ,Yifang Wan

Amelia’s Magazine | Youjia Jin AW15: London Fashion Week Catwalk Review

Youjia Jin AW15-photo by Amelia Gregory 9
Everything about the Youjia Jin collection was well considered. Perfect tailoring was given a unique and fanciful twist, deftly playing with usual proportions and stylistic norms. A coat appeared one thing from the front and another from the back, with a swishing cape attached to a smartly tailored jacket. Sheer was combined with wool, cable knit provided detail on a pleated suit dress and gossamer light cascading ruffles adorned skirt waists, sleeves and hems. A traditional single breasted suit collar became the main feature on a coat dress. My favourite piece was a beautiful pinstripe wrap over dress that flared elegantly over a dark underskirt: so flattering and different.

Youjia Jin AW15-photo by Amelia Gregory 1

All photography by Amelia Gregory.

Youjia Jin AW 15/16 from FASHION SCOUT on Vimeo.

Written by Amelia Gregory on Friday February 27th, 2015 2:44 pm

Categories ,A/W 2015, ,AW15, ,catwalk, ,London Fashion Week, ,review, ,Show report, ,Youjia Jin

Amelia’s Magazine | Zeynep Kartal: London Fashion Week A/W 2014 Catwalk Review

Zeynep Kartel A/W 2014 by Melissa Angelik

Zeynep Kartel A/W 2014 by Melissa Angelik.

I was witness to the run through for Zeynep Kartal when I took a wrong turning at Freemasons’ Hall and ended up in the wrong venue… easy to do when the route to the shows are changed each season. This meant I already had a clear idea of the kind of thing to expect from this Turkish designer well before I sat down for the main event.

Zeynep Kartal AW 2014-photography by Amelia Gregory

Zeynap Kartal A/W 2014 by Isher Dhiman

Zeynap Kartal A/W 2014 by Isher Dhiman.

The Manchester based designer boasts more than twenty years of experience in the fashion business, and for her first turn on the London Fashion Week catwalk she delivered pretty embellished evening wear fabricated from sheer and glitzy fabrics in an eye-pleasing colour palette of deep blue, blood red, gold and cream. Pattern details on this elegant and feminine collection were inspired by a combination of the Gothic revival architecture of Manchester’s Town Hall and Hollywood high glamour. The show ended with a fabulous 40s inspired wedding dress from her bridal range, but my favourite pieces (and the most fashion forward of the show) were those that featured a delicate all over sequinned zebra pattern. You can never have enough animal patterns in your life, you know.

Zeynep Kartal AW 2014-photography by Amelia Gregory

All photography by Amelia Gregory.

Written by Amelia Gregory on Thursday February 27th, 2014 7:20 pm

Categories ,A/W 2014, ,catwalk, ,Freemasons’ Hall, ,Hollywood, ,Isher Dhiman, ,London Fashion Week, ,Melissa Angelik, ,review, ,Town Hall, ,Turkish, ,Zeynep Kartal

Amelia’s Magazine | Zeynep Tosun: London Fashion Week S/S 2014 Catwalk Review

Zeynep Tosun S/S 2014 by Dom&Ink.

Last week I ran an exclusive preview on Zeynep Tosun because last season her collection was one of my highlights. For Spring/Summer she did not disappoint, leaping into warmer weather with a range of summery fabrics that included sporty netting, floaty chiffon and swinging panels of silk in a gossamer light colour palette of creams, dove grey, mint, on trend powder pink and caramel, accented with glossy navy and black. Out of three Turkish designers showing in London this season she was the only one not to be inspired by the effects of recent turmoils on home soil, instead inspiration was taken from the androgynous sexuality of the 1920s and transformed into a series of sport luxe garments fit for the modern day minx. The flared cut of the cape was a key shape, with capelets integral to tops and dresses, as were peek-a-boo cutout details, revealing appealing glimpses of belly and back. Delicate glass beads provided a focal point for evening wear, either fringing the sides of net panels or cascading in geometric designs down the front of slinky dresses. Styling by Tamara Cincik was kept simple: sleek ponytails were accessorised with sultry eyes and simple rope flip flops. Keep your eyes on Zeynep Tosun, she’s making big waves over at Fashion Scout.

Zeynep Tosun S/S 2014 by Dom&Ink.

Zeynep Tosun S/S 2014 by Isabelle Mattern.

Zeynep Tosun SS 2014-photography by Amelia Gregory

Zeynep Tosun S/S 2014. All photography by Amelia Gregory and Tim Adey.

<a target="_blank" href="http://www.vimeo.com/74456040" rel="noopener">http://www.vimeo.com/74456040</a>

Written by Amelia Gregory on Friday September 20th, 2013 10:23 pm

Categories ,1920s, ,catwalk, ,Dom&Ink, ,Fashion Scout, ,Isabelle Mattern, ,review, ,S/S 2014, ,Tamara Cincik, ,Tim Adey, ,Turkish, ,Zeynep Tosun

Amelia’s Magazine | Russian Fashion: RGataullina and Poustovit at Mercedes Benz Fashion Week Russia A/W 2011

Matt-Thomas-Poustovit Russia
Poustovit by Matt Thomas.

Get this, web Moscow doesn’t just have one fashion week… no, side effects it has three, all competing for attention. But exactly who’s attention is anyone’s guess. You know how London Fashion Week is full of professionals? Well, journalists, the occasional buyer, lots of bloggers… but at least they are adults right? Well, Mercedes Benz Fashion Week Russia (there is also a Volvo sponsored fashion week and one called Cycles and Seasons) was full of CHILDREN. I am not kidding you, I have never seen so many smooth plump young faces. Just check out my photos if you don’t believe me! I have no idea who they were, other than perhaps the offspring of many moneyed oligarchs, who despite their youth can easily afford to order their own expensive clothing.

Moscow Mercedes Benz Fashion Week Russia Photography by Amelia Gregory
Mercedes Benz Fashion Week Russia. All photography by Amelia Gregory.

I attended two Russian fashion designer shows at Mercedes Benz Fashion Week Russia. The first was RGataullina by Yana Gataullina, which started with two models, a direct interpretation of the image on the invites I had seen. They moved down the catwalk side by side in a stately fashion, wearing ridiculous fascinators and simple printed monochrome jersey dresses of the type you might buy in the middle aged section of a department store. The collection then set off on another tangent, with ruffled metallic floral creations chucked on top of stretch fabric dresses.

Moscow Mercedes Benz Fashion Week Russia RGataullina Photography by Amelia Gregory
RGataullina A/W 2011.

RGataullina by Sara Japanwalla.

The most interesting pieces appeared briefly, were barely developed as an idea, and then vanished: tulip shaped skirts with bodices in gunmetal grey, tufts of netting sprouting from zippered slits. But then for the denouement… the likes of which I have NEVER seen at a catwalk show. In fact I was so flabbergasted that I barely managed to take any photos. The music had been steadily increasing in tempo when the designer swept out to take her final bow through the parade of models. And as she did so the models collectively threw their hands in the air and started raving to a frantic blast of techno. It was utterly bizarre and out of context… who knows what must have been going through her mind.

Moscow Mercedes Benz Fashion Week Russia RGataullina Photography by Amelia Gregory

RGataullina by Sara Japanwalla.

The second show was more promising: Lilia Poustovit is a Ukrainian fashion designer who conceptualises romantic traditions. In essence this meant lots of sweeping fabric in electric blue, red, orange and green. I liked the abstract print design and I liked the round inlaid feature on the back on one shirt dress. But there really wasn’t that much going on to get excited about: it wasn’t fashion as we have come to know it, just nice wearable clothing of the kind any store might sell.

Poustovit by Matt Thomas.

Moscow Mercedes Benz Fashion Week Russia Poustovit Photography by Amelia Gregory

Russian Designer at Russian Fashion Week Poustovit by Sam Parr
Poustovit by Sam Parr.

Moscow Mercedes Benz Fashion Week Russia Poustovit Photography by Amelia Gregory
Poustovit A/W 2011.

Poustovit by Evannave.

Poustovit A/W 2011 by Amber Cassidy.

Considering how many great models come out of Russia it was something of a surprise that there were so few world class models present on the catwalk… or maybe not. There were six packed days of shows, so they cannot have been heavily edited for quality, which was reflected in the fact that they felt seriously under-attended by journalists and buyers, in fact the audience was really quite peculiar. It was almost as if each designer had used their mailing lists to invite faithful customers to what was essentially a private viewing to enable them to order their favourite pieces. Which brings me to my next point… much discussion was had over the state of Russian fashion during my time in Moscow with the British Council. It was generally felt that it is sadly under developed due to the shortage of good design schools combined with the dire state of home manufacturing. You just can’t get any decent production going on – fashion designer Clare Lopeman somewhat nuttily decided to start her own fashion label when she moved to Moscow to run the fashion design department at the British Higher School of Art and Design, and she has found it extremely tough going. It seems you just can’t make the clothes that you dream of in Russia. Not without an almighty struggle.

Moscow Mercedes Benz Fashion Week Russia Photography by Amelia Gregory
Some of the hoopla that surrounded the shows.

Of course, there is extraordinary style to be found throughout Russian design history, and it will surely only be a matter of time before this is put to good use in fashion design. There are already moves to implement a better design discipline through initiatives such as Practicum: British Fashion and new schools such as the British Higher School of Art and Design. Once this discipline is in place the new generation of designers will hopefully be much better equipped to interpret their vast cultural legacy in a new, exciting and contemporary way. Let’s hope the new era ushers in a greater awareness of sustainability too. I can’t wait to see what happens!

Moscow Mercedes Benz Fashion Week Russia Photography by Amelia Gregory

Written by Amelia Gregory on Tuesday April 12th, 2011 12:56 pm

Categories ,Amber Cassidy, ,British Council, ,British Higher School of Art and Design, ,catwalk, ,Clare Lopeman, ,Cycles and Seasons, ,Evannave, ,fashion, ,Lilia Poustovit, ,London Fashion Week, ,Matt Thomas, ,Moscow, ,Oligarch, ,Poustovit, ,Practicum: British Fashion, ,RGataullina, ,Russia!, ,Sam Parr, ,Sara Japanwalla, ,Ukrainian, ,Yana Gataullina

Amelia’s Magazine | SANKUANZ presented by GQ China: London Collections: Men S/S 2015 Catwalk Review

SANKUANZ S/S 2015 by Gareth A Hopkins

After two seasons representing Kay Kwok, GQ China switch their attentions to Xiamen-based designer Shangguan Zhe, better known as SANKUANZ. As is often the case, I knew nothing about this up-and-coming label, but a debut London Collections: Men showcase is probably a good place to start.

SANKUANZ S/S 2015 by Chris Sav

A combination of an exodus to Milan and a debut catwalk show meant that inside Victoria House wasn’t exactly heaving. Staff rushed to seat everybody as near to the front as possible, so I took a spot on the front row despite having a standing ticket.

All photography by Matt Bramford

The first dozen or so looks were strong, but I felt like I’d seen it before. Long white lab coats had been embellished with embroidered black designs, inspired by Russian prison tattoos, ranging from obscure slogans to graphic phalluses. These coats were a fusion between 18th century frock coats and modern day sportswear. Translucent crew neck tops, crisp shirts and mesh hoodies, all in white, were styled underneath, flashing mouthpieces were used and Raf Simons-esque futuristic footwear completed the looks. Some pretty silly brightly-coloured fur shorts were the only break from white.

During a short pause afterwards I thought, ‘yes, I quite like it, some wearable pieces, a bit small as a collection perhaps’ and some other nonsense. Then, almost from nowhere, a model appeared wearing what I can only describe as a giant pair of brightly coloured papier-mâché claw hands. ‘Oh, here we go’ I thought to myself as I frantically tried to take pictures and pick my jaw up from the floor.

Without visual aids I couldn’t tell you a single item of clothing that the models were wearing during this ‘latter stage’ of the show, but I could remember enormous polka-dot lobster claws, Popeye-like forearms and gigantic acid-painted hands making an ‘OK’ sign. It was like a ludicrous tribute to Emoji and I enjoyed every bloody minute.

Looking back on the collection, these gimmicks were paired with some pretty decent garments. Black sweatshirts made more of the Russian criminal emblems and the frock coat in black was less lab-coat and more wearable, but that isn’t what I’ll remember this collection for.

Written by Matt Bramford on Tuesday June 24th, 2014 5:52 pm

Categories ,catwalk, ,Chris Sav, ,fashion, ,Gareth A Hopkins, ,GQ China, ,LCMSS2015, ,London Collections Men, ,Matt Bramford, ,menswear, ,Popeye, ,Raf Simons, ,review, ,SANKUANZ, ,Shangguan Zhe, ,SS15, ,Style, ,Victoria House

Amelia’s Magazine | SIBLING: London Collections: Men S/S 2014 Catwalk Review

SIBLING S/S 2014 by Gareth A Hopkins

Oh GOD I love SIBLING. Every season they manage to come up with an amazing theme that makes you wonder how they do it, time and time again. There was an East End boozers pub crawl, fairgrounds, even wayward jailbirds and their mothers. This fifth birthday season was no exception.

All photography by Matt Bramford

West Side Story became ‘East Side Story‘ in this glorious romp through American youth culture with a British twist, taking inspiration from the 1961 film and Saul Bass‘s iconic graphics. Any collection inspired by Saul Bass’s iconic graphics gets my vote.

SIBLING S/S 2014 by Gareth A Hopkins

I settled into my perfect standing spot, sandwiched between a guy wielding an iPad (give over) as if it were a shield and a speaker belting out Gee, Officer Krupkee. The entrance to the catwalk had been daubed in Richard Woods‘s signature woodprint, and just inside I noticed a huge sign saying ‘SMILES PLEASE’ with a cheeky felt-tip drawing of a grin. Well, it would have been rude not to, and so I grinned as wide as I could as the first model appeared.

The masculinity of the Jets and gang dress codes were first explored – cropped denim jackets and oversized bomber jackets featured enlarged JET BOY motifs on the reverse. Models were styled with slick quiffs and huge smiles – oh, hang on, the sign was for them! What a brilliant idea. It took all my strength not to start weeping as each handsome devil appeared, grinning and genuinely enjoying themselves.

From the streets to the gym; up next came polos, cardigans and shorts in Richard Woods‘ aforementioned print. Dreamy colours – mint green, lilac and Shark blue were indebted on the press release to the Ndebele tribe and West Side Story cinematographer Daniel L Fapp.

No SIBLING collection would be complete without chunky knits and a hint of leopard print, and die hard fans weren’t disappointed on either count. Cardigans and cropped jackets in blue peppered the sportswear, as did a thick, black mesh knit at the beginning of the show.

The most dramatic pieces combined scoobie strings (yes, like the bracelets) with American track and field sportswear shapes to create show-stopping tops and shorts in white, neon greens and acid pink.

A knit emblazoned with a ’5′ emblem in stars closed this fifth anniversary show, SIBLING‘s best yet IMHO.

Written by Matt Bramford on Wednesday June 26th, 2013 9:37 am

Categories ,catwalk, ,Daniel L Fapp, ,East Side Story, ,fashion, ,Gareth A Hopkins, ,Jets, ,knitwear, ,LCM, ,LCMSS14, ,Leopard Print, ,London Collections Men, ,Matt Bramford, ,menswear, ,Ndebele, ,Officer Krupkee, ,review, ,Richard Woods, ,Saul Bass, ,scoobie bracelets, ,Sharks, ,Sibling, ,smiles, ,SS14, ,West Side Story

Amelia’s Magazine | Soojin Lee AW15: London Fashion Week Catwalk Review

Soojin Lee AW15-photo by Amelia Gregory 20
Stark red eye make up accompanied the colourful designs paraded down the catwalk by Soojin Lee. On closer inspection Art Deco-esque designs revealed repeat patterns made up of bullets, rippled metal panels and fighter planes. Here was another designer with war on the mind (see also Jean-Pierre Braganza). Scarfs at the neck echoed an older era of war, as did lady-like crop waist jackets and delicately ruffled shirts worn with dainty floral pleat skirts, creating elegance in a time of great unrest. At the back of her look book Soojin Lee states ‘Pray for peace and protection for everyone…’

Soojin Lee AW15-photo by Amelia Gregory 11

All photography by Amelia Gregory.

Soojin Lee AW 15/16 from FASHION SCOUT on Vimeo.

Written by Amelia Gregory on Thursday February 26th, 2015 10:26 pm

Categories ,A/W 2015, ,AW15, ,catwalk, ,London Fashion Week, ,review, ,Show report, ,Soojin Lee

Amelia’s Magazine | Swedish School of Textiles: London Fashion Week S/S 2014 Catwalk Review part one

Swedish school of textiles by-Antonia-Parker
Jesper Danielsson by Antonia Parker.

As in previous years, the Swedish School of Textiles at Boras took to the catwalk at Fashion Scout to showcase the best of their graduates. As the press release stated, this was not about commerciality but about promoting the myriad creative ways in which their students approach the use of textiles in fashion. At 35 minutes long this trip was not for the faint hearted and I felt sorry for the later designers, who lost audience members to the Holly Fulton show. Luckily me and my bike are fairly swift so I saw the show out, and was very glad I did since the closing collection was one of my favourites. I’ve split my coverage into two posts, but I’ll keep my commentary short.

Swedish School Of Textiles SS14 by Gareth A Hopkins
Jesper Danielsson by Gareth A Hopkins.

Swedish School of Textiles SS 2014-photography by Amelia Gregory

Jesper Danielsson opened the show with a series of Functional Cuts for men: my favourites being the orange ombre jumpsuit, a playful splatter print coat and a huge hooded gold puffa.

Swedish School of Textiles SS 2014-photography by Amelia Gregory

Emelie Ahlner presented a clever collection titled Kurbitch! that featured curly laser cut panelling on multiple forms of fabric: neon perspex, plastic, denim, glitter and pearlescent fabrics were all used with wild abandon.

Swedish School of Textiles SS 2014-photography by Amelia Gregory

Units from Anna Margareta Svensson was a far more minimalist affair, presenting boxy shapes in an intriguing juxtaposition of textures and an on trend colour palette of muted colours mixed with a pop of tangerine. One outfit was accompanied with a fab clutch bag and I liked the flip flops that were styled with panels of latex, which gave a subtle Japanese feel to the collection.

Swedish School of Textiles for LFW - Becca Corney
Elias Hogberg by Becca Corney.

Swedish School of Textiles SS 2014-photography by Amelia Gregory

Elias Hogberg merged utilitarian winter fashions with peasant styling in the form of furry hoods, warm shearling coats and elaborate floral prints on apron-like panels.

Swedish School Of Textiles SS14 by Gareth A Hopkins
Emelie Johansson by Gareth A Hopkins.

Swedish School of Textiles SS 2014-photography by Amelia Gregory

Menswear from Emelie Johansson successfully combined the sheerest of fabrics with both tailoring and sporty details. And the large round sunglasses were a real winner.

Stay tuned for the second part of my review, which includes a video of the show.

Written by Amelia Gregory on Saturday September 21st, 2013 8:02 pm

Categories ,Anna Margareta Svensson, ,Antonia Parker, ,Becca Corney, ,Boras, ,catwalk, ,Elias Hogberg, ,Emelie Ahlner, ,Emelie Johansson, ,Fashion Scout, ,Freemasons’ Hall, ,Functional Cuts, ,Gareth A Hopkins, ,graduate, ,Holly Fulton, ,Jesper Danielsson, ,Kurbitch!, ,london, ,menswear, ,review, ,Swedish, ,Swedish School of Textiles, ,textiles, ,Units, ,Womenswear

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